The cat
isn't asleep.
Her eyes are closed,
sure, and her breath is slow and steady, but every now and then her ear
flicks and her nose quivers, chasing a smell.
She's listening.
Obviously, she's not
paying attention to any of the people who stop in front of her to pet
her head and to coo over the softness of her fur. They are quite
repetitive in their praises, and there are much more interesting things
to listen to, and not with her ears, not exactly.
After all, she has a
job.
In one of the flats in
the building across the street, a baby is crying. No one seems to care,
and the television is on, loud, in another room.
The cat turns her head
slightly, annoyed. She doesn't like children at all: they always have
sticky, unpleasantly warm hands that leave her back dirty after they
stroke it, and they usually try to wake her up or pull her tail. And
they are tremendously noisy.
This particular crying
child isn't on the list He gave her, though, not for today –
judging by the voice of a woman shouting at him to shut the hell up in
an almost incomprehensible, alcoholic slur, he'll probably be in a
while anyway. The woman will, too, she can see it, smell it on her,
something in her liver that's growing and growing and will one day
devour her.
The cat yawns, losing
all interest in them. She's a bit bored, to say the truth.
He promised her this
would have been, if not fun
– after all, there's only a narrow number of activities she
finds actually enjoyable
anymore –, at least some kind of pastime. But, again, that
happened a long time ago.
She blinks slowly,
just once, then closes her eyes tightly again.
On the other side of the city there's the hospital. They call it that,
hospital, but it's really just a common, large building with grey
walls. She doesn't quite understand names, but she knows what is its
purpose.
They have humans, in
there, trying to heal other humans. She's not interested in them.
Instead, she focuses
on a man in a white room, on the second floor. There are bright,
bothersome lights and more noise, even there – heavy,
uncertain breaths and a loud, rhythmical beep. His heartbeat, she
thinks.
It's weak but still
steady, and the woman sitting beside the man's bed has red, puffy and
yet still hopeful eyes.
Maybe she'll come back
tomorrow, or the day after that.
There are others like
her, wandering through the green and white corridors – she
can sense their presence, like a shadow in the corner of her eye. If
she could smile, she would.
He's never been able
to do the work all on his own.
Most of them never go
searching elsewhere – the hospital is good for them, all
things considered. There's always a job to do, and there's company.
She hates talking, and
she's too easily bored to stay in one place for too long. They don't
mind, and she doesn't mind either.
There must have been
an accident, because they're all gathered at the entrance, around the
door. They usually roam the building, standing outside the rooms where
they know something will happen soon and waiting, like she's doing now.
She keeps walking,
searching. There are many doors that seem to call her, but she has a
feeling.
She doesn't call it a feeling, of course
– words like that are for humans. It's instinct.
She stops on the
fourth floor, this time. She heard something, a hushed sobbing or even
just a tearful whisper.
They have a list, but
there are so many of them – they never know when someone is
already taken.
The door's left ajar
and, when she peeks inside, she sees a whole family around the bed, and
on the bed a teenage girl with wan skin and dark circles under her eyes.
Her mother was the one
crying.
If she was someone
else, she would probably notice something else about them, but she's
herself and to her humans all look the same.
They're so fragile.
She thinks about it,
sometimes: they're born, and then they spend a few years eating and
sleeping and learning, and then they work, and they marry someone, and
they have children – loud, annoying children with their
sticky hands – and then they die. Just like that.
They're ephemeral.
She lived through
millennia and they have passed for her in the blink of an eye
– their cultures and populations, their names, haven't left
any memory in her mind.
The cat sits in the
doorway, watching the older woman as she tightens her grip on her
daughter's hand like she wants to keep the girl from her fate with her
willpower only.
Then she walks towards
them and she jumps on the bed, near the girl. When her paw brushes
against her skin – that pale, cool skin that's definitely
less disgusting than the warmth of a child –, the monitor
next to the bed goes crazy. They're all screaming, calling someone
– a nurse,
even if she has no idea what a nurse is. No one can help them, however
–, but the girl is with her, now.
She doesn't talk to
her, even if she could – they all can, and usually they do.
She never does it. She's not even sure she still knows what language
these humans speak.
She turns her back to
the crying family and the ethereal figure next to them, looking at
them, helpless. The girl doesn't try to call her back, and she does
nothing to suggest she could.
When she opens her
eyes again, she's still in front of the shop. There is no one ready to
pet her, no moody child.
There's just Him.
She remembers when He
used to wear a long cloak, and He presented Himself like something
humans dreaded.
He looks like one of
them, now. He wears a refined suit, and His face is the face of what
they call a business man,
she thinks.
She doesn't really
like it, but she still loves Him. Even if she's bored.
And He still loves
her, because He loves all of them.
Some say they're His
slaves, but they're actually just His friends. His only friends, apart
from that woman, the one that wears white, the one who likes babies.
She can't remember her name, but, after all, she doesn't remember
anyone's name.
So she yawns, and she stretches a little, and then she goes to Him,
purring quietly.
He smiles –
if she looks carefully, she can still see His old face, underneath this
one. She misses it, just a little bit – and He bends down to
caress her back.
She lets Him pick her
up, and when He does, for just a moment, she can see the whole list.
There are so many names.
She closes her eyes,
ignores His hushed reproach, and keeps purring in His arms.
He laughs, and He
whispers to her like He did every time He found her lying there,
waiting.
«You're
always the same, Athanasia.» He says, and she flicks her ear
again at her name.
She doesn't like it
any more than she likes every other name, and He knows it.
He laughs again, and
He sits in front of the shop without making her move from His lap.
His hands are cold
– just the right kind of cold.
She's asleep in a
matter of minutes.
Points:
Time spent:
Canary word: Present
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Hey ashlingwolf here for a review!
I found this story pretty great. It was very well pieced together and I enjoyed it very much.
I really like the idea of this sort of simple thing, a sleeping cat, be so much deeper, and that I can see it develop as the story moves on. I kind of like the idea of Death's cat- I find it really interesting.
I don't really have to say much in the way of grammatical errors. There are a few, I don't really have to point them out. I'll just say like everyone says every time: remember to proofread your story. (I recommend reading it out loud to yourself before posting it.)
I really like the use of Italics- they really bring attention to words- names, that you might not. It's not just "a nurse-" that makes the nurse seem a little insignificant. It puts the emphasis on the names.
I like your description of Death- his list of names is particularly interesting. Are they the people who will die that day? Who have already died? When everyone in the world will die? I find it really interesting, even though it's only mentioned once.
You closed the story perfectly. While I loved the story and hated to se it end, I was completely satisfied- great job.
-ashlingwolf
Hey!
So many thanks for your review and your tips, and also for your kind words, I'm very glad you liked it
About the list: I interpreted it as a daily thing, so yes, the names belong the people that are going to die that day, and part of the list is given everyday to the cat-entities like Athanasia. She just ignores hers, but the others actually do read it.
Thanks again,
Soq
Hey, I found this really interesting. This is not really a review but I just found something difficult to understand. I got the whole concept but what does this woman signify ? :

" His only friends, apart from that woman, the one that wears white, the one who likes babies."
I made some random guesses but I'd love to have the author's perspective
Hi!
I have a weird vision of the relationship between Life and Death, yeah, but in my mind they're quite close friends, or maybe lovers, I don't really know. I don't even know from what I got the whole idea actually, because I know I haven't made it up all on my own, but I can't remember what made me think about it.
Well, in my mind, the woman is Life
Thanks for your interest
Soq
Wow that was an interesting insight. Thanks for sharing
You're welcome
Hello! herbgirl here for a review.
So, this was a very interesting piece. I like the overall idea, and I like the way you slowly introduced the reader to the situation, starting simply with a sleeping cat. As the story progressed, you learn more and more, but it's not until close to the end that you realize the truth of the situation. I thought you did a very good job at easing the reader into the story. I was confused about halfway through, when the cat takes the life of the girl. I assumed since you talked of "Him" the cat was related to God, and that they were the bringer of life. I thought this was a pretty good red-herring if that is what you intended it to be. When I realized that "He" was actually Death, or The Grim Reaper, I was a little surprised, but mostly thought it was a nicely pieced together story.
I did have a few things that I think you could adjust, they were mostly just grammatical things. First, towards the beginning, in about the fourth paragraph (not counting the singular lines) you forgot to capitalize the word "He'll" when talking about death. Then, a little farther down, when you're speaking about the hospital, you say "There's always job to do..." might want to adjust that, and an "a" in there. After that, when you are talking about the teenage girl, you say "...as if she wanted to keep her daughter from her..." I'm not sure which her you're talking about in this case I originally thought it was the woman whose daughter you're talking about, but you may have been talking about the cat. I suggest making that a little clearer. Right after that you say "When her paw brush..." I think you meant "When her paw brushes..."
I think that's all the grammatical things I noticed. There was just one other thing that bothered me a little. Towards the end, when you are describing Him, you say "She can still see the smile of a skull underneath His white teeth." This doesn't make a lot of sense, since teeth are bones, and a skeleton's smile would look very similar to a human's smile.
Anyways, good job with this story! There were a few more details I liked, like how you italicized the words that were names of things. All these things combined really brought the story together and made it quite enjoyable. Thanks for the read!
herbgirl
Hello!
Thank you very much, I'll make sure to correct everything that you pointed out
I'm very glad you liked it, and thanks again for the time you spent reviewing it!
Hope to hear from you again,
Soq