On the Way Out

by rhiasofia

Published March 31, 2015

16+ Violence Mature Content

Warning: This work has been rated 16+ for violence and mature content.

I can't see any other end to us that would be more picturesque. Dead-eyed, I insist upon filling the vase you left from the last time you brought me flowers with fresh water each day. Their dried stalks and crumbling petals are out of place in the crisp swirl, yet still not as out of place as the yellow stain that I got when I tried to press a few of the daisies in our photo album on the day you left. 

It was desperation that left me there, struggling to flatten their beauty between the pages, but I couldn't help it. I had nothing left to remember you by. Your dresses no longer hang next to mine, the coasters I refused to use are gone from the coffee table, and they make the rings I left seem so much louder. The radio was yours, so I can’t use that to drown out the noise, but the mirror was mine, so I keep on staring at what you left behind. I try to find the parts of that ruin that you couldn’t love, thinking maybe I could tear them out and you would come back with fresh daisies, and wear your ring again, and put all your underwear back in the same drawer as mine and all the frothy dresses in the closet next to mine too. I couldn’t find anything in that mirror for you to ever love, though, so I tried to cut it all away and swallow down cheap red wine to make up for all the blood I lost.

I never understood the fear in your eyes when I told you that, were I to ever be dead to you, I would die.
I never understood how you’d hold my head in your palms and search my eyes for something, anything.
Did you want me to look away? Did you not know that that was just what my love was, something running so deep that without it I would be nothing? I expected adoration in return for the way I gave myself up to you, but you looked at me as if you wanted to run, if you knew I wouldn’t fall over the whole world to stay by you.

It’s Friday night, so I put on the red dress you used to love and drive to the bar. I leave the windows down because the sky is dark, and the car still smells like you, and I hope maybe the rain will fall and wash it all away. But it doesn’t, the sky just sticks to me the way our skin used to stick, but now it’s less like making love and more like being wrapped in dark plastic and left for dead. I drive faster, and ignore the way the road is nothing but dirt rising up to meet me for miles ahead. I think for sure that by the time I get there, I will be six feet deep, dreaming of nothing but how we used to dance in the filth of that bar. Part of me knows that you’ll be there, with her, and your eyes will see me as just another component of that filth, but it’s hard not to wish, when our days here were spent dancing too close. Our days here were spent with me trying to get closer, forcing kisses down your neck while crusty men with lusty eyes made no attempt at subtlety. You would try to ease away at first and then drag me to the bar. You’d sit and hold my hands an arm’s length away as you sipped your liquor through a straw, staring down at where the liquid inched up the glass the way I tried to inch up your body, time after time. You said it shouldn’t be like this, not if I loved you, but couldn’t you see that that is just how full my love ran? So full it sloshed over the sides for you, so full I felt the need to leave the stains of it out for everyone to see. You should know that love leaves its mark, with lipstick stains and puckered bruises of kisses and this outward need.

Yet when I saw you with her there, I regretted wearing my love so boldly in red and spilling flesh and smudging self. She was tall, in black slacks and a blush blouse with a god damn strand of pearls about her neck. She had a quiet mouth and quiet eyes, and she didn’t make you dance or drag you into her or fill your glass with more than you bargained for. But it was too late for me to be invisible; I had spilled too much. I kept on spilling-now, onto the backs of mens’ chairs, coming close enough that they would buy me drinks. I’d spill into each cup I’d emptied, leave a bit of myself, even knowing she’d never take a sip. No matter how many men’s glasses I emptied, how many of their hands grazed my legs and chest or held an arm or slipped tongue against neck, I was never quite as empty as I wanted to get. I needed her eyes on me one last time, but none of this was enough. I wasn’t enough. In a last ditch effort, I found my way to the back of the bar, where the man with eyes like murder watched me approach him, wrapped his fingers around my wrist when I swallowed from his glass, touched my neck as I pressed my body down onto his lap. It took each bit of my strength to press on, when each touch felt as if I was being burnt—and wasn’t I? Aren’t I simply lighting my own funeral pyre just to draw her gaze one last time? Love burns too bright and will always end up being nothing more than fuel for our own destruction, and I want her to feel my slow burn one last time. So I follow him, when his hands on my waist prod me onwards to the back door, and feel your gaze find me, finally. I want you to be afraid, to finally understand just what my love is. I will throw myself away to show you how little I’m worth without you. Your eyes meet mine as the door shuts solidly behind me, you with drained face and big eyes that finally shine through with realization.

It was all worthwhile, to teach you. My only regret is that I didn’t get to hear your scream when they found my body much later, in the alley against the bar. The shreds of red dress are now indiscernible from the blood smeared across what once was yours, and the ground, and all the trash I accompany.  

Comments & reviews · 3
User avatar
TriSARAHtops
Review
TriSARAHtops wrote a review Review · Apr 30, 2015

Hey rhia! Lucky last review out of all the poetry contest entries! Even if you'll actually be the first review actually published... anyway, I'm essentially here to review as way of saying thanks for entering, and also to get the judging in order in my brain. Rightio.

I think what was really interesting about this story was the way that you managed to translate the voice of the poem into a story. There was a certain poetic-ness to the way it was written, but it really did have a similar feel to the poem, which was impressive. There were a lot of images that were pulled out of the poem and incorporated in to the story, and even though it was a highly literal interpretation, it was effective and engaging. The images were really strong, and although it was a literal interpretation, it did stand on its own fairly well, I thought.

I didn't mind the stream of consciousness style that this was written in. It's not the first story that was written in this style, and I think it worked well with the character. Just keep an eye on avoiding too much repetition, which did happen a little bit, however, I do think the style worked really well with the story you were trying to tell.

Occasionally the story did become a bit too dense and heavy. Part of this is inherent to the style, but I think it also did tie into the pretty massive paragraphs you had at the end. In turn, this meant that the pacing was a little iffy, so probably something worth considering there.

There were a lot of technical aspects that I simply adored. The repetition of the red dress as a motive, the rhythm of this. A lot of the figurative language was excellently handled as well. A lot of the poet's tools were employed here, and my inner literature nerd loved spotting them.

That's about all I have to say. Fab work, and thank you for entering!

User avatar
Apricity
Review
Apricity wrote a review Review · Apr 13, 2015

Heyo rhia, Flite here for a review. Since cC's already gone through piece like a whirlwind, I'll try and not repeat any of the aforementioned points. Let's see where this goes.

I can understand why this is poetry-inspired, because it reads like an extended poem what we might call a narrative poem but just longer. The way in which you phrased your sentences has a certain rhythm to it, but there's too many of them to be read as a poem. This is the last words of a girl who was desperate for her lover's love and received none and found a way to kill herself by approaching a man with murderous intent. It's not a bad storyline, but there's just a few holes that needs to be patched up.

The ending needs to be patched up for one, it seems rather, well anti-climatic and somewhat cowardly as well. Did she really have to kill herself to prove her point, and what's more. There just happens to a man who wants to murder people sitting in a bar...and she just happens to chance upon him?

Forgive me if I'm somewhat dubious of this.

Second thing, this reads as a massive poetic rant more than anything else. A lot of what you've written is redundant and repeats the same message again and again but just in a different way, she loves him, he doesn't love her. The first two paragraph speaks of the same thing, just with different metaphors. I'd rather you condense it to just one precise paragraph to show us exactly what you mean. Less is more, remember that.

Look at the last paragraph, massive stream-of-consciousness combined with a mixture of telling and prose that teeters onto purple prose. The writing there is mechanical and stiff, due to the use on conjunctions such as 'then' and 'when' and 'so'. Variation will also go a long way. My main point is, condense what you what to say and as cC said it. Put it through action instead of just pouring those words out like water.

Hope I've helped a bit, this isn't a bad idea but it just needs trimming. If you have any questions, please feel free to ask me.

-Flite

User avatar
carbonCore
Review
carbonCore wrote a review Review · Apr 1, 2015

Sweet mother of textwalls.

It took me a couple of tries to start reading this. I feel like a mountain climber about to ascend the mighty Everest as I take a long look at its prominence and challenge. This feeling did not abate as I got further into the story.

There are a lot of words here. Some of them are turned nicely, others conjure a lovely image, but most of them don't say very much:

Did you want me to look away? Did you not know that that was just what my love was, something running so deep that without it I would be nothing? I expected adoration in return for the way I gave myself up to you, but you looked at me as if you wanted to run, if you knew I wouldn’t fall over the whole world to stay by you.


What is being said here? She loved him/her very much, yes, I understand. Of course her love is deeper than Aristotle debating Plato at the bottom of the Marianas Trench, everybody's love is like that if you hear starry-eyed lovers talk about one another. Naturally, such deep love demands mutuality; otherwise it would be either very sad, or very rude. And of course, smitten dames will... fall over the... whole... world? Ah, actually, I think the narrator is alone on that one. I can only imagine a red-dressed lady flopping across the Sahara, the Serengeti, the Sakhalin, and the Pacific Ocean to please her lover, like a spurned inchworm.

Maybe a better idea would be to show love. It doesn't have to be wild, passionate sex, I think true love shines through little things the best: "hey, let me get that stray hair out of your face." "I'm going down to the store, do you need anything? -- No -- *brings her some chocolates anyway*". Yes, it's a little harder to portray that than weave flowery prose eloquently describing blood and betrayal, but it's also a lot more effective. So immense is the love between these people that it fills even the smallest cracks in their life. How painful would their breakup be, then? I want to feel the pain with my gut. My eyes have seen and read much, so they're quite immune to loquacious descriptions.

As for the story: as far as I can see, it is a classy way for a narrator to kill her(?)self after being dumped by her partner. As I've alluded to before, I didn't really feel this. Since I do not know the depth of their love, I likewise don't grasp the burning of their pain. Aside from that, I also find her death problematic. To me, it reads as someone throwing their life away completely needlessly, just like they were thrown away by their lover. That's not what I'd call an admirable character. She's certainly made a murderer very happy, and she quickened the hand of natural selection to cull another loser from the world; I suppose she deserves props for that.

Certainly there can be potential for tragedy here, but a good tragedy needs a good setup. Even if you play the most explosive 5 final minutes of a symphony, it's not going to sound as good as experiencing the whole thing.

Your vase,
cC



And you have to flaunt the weird, my friends.
— Alex Fierro