The Day at the River

Lately the sun had taken to warming away snow and waking up flowers.  People slowly began to notice this, as their icy brains thawed, and they shed their woolen coatings and flocked to the newly comfortable outdoors. 

 

A great deal of the outdoors was just roads and sidewalks and bus stops and grocery stores.  These places just looked wet and sad with the sludge of dead leaves and trash the snow had been concealing now out in the open.  But some parts of the outdoors had grass and plants and trees and these places flushed green, a color people had almost forgotten during the monochrome season.

 

A car is pulling into the parking lot of a park, one these green places.  A boy and a girl get out.  The girl, laughing at something, gets a cooler from the backseat.  The boy says something and takes it from her.  They walk along the path to the river, the boy moving the cooler to his other hand so he can hold hers. 

 

They walk through the greenness towards the silver-blue ribbon.  The girl points at wildflowers she doesn’t know the names of, and the boy picks one to go behind her ear.  They find a picnic table that doesn’t wobble and open the cooler.  The girl takes out pretty sandwiches and salads and bottles of soda which glow in the sun.  She watches worried as he chews and smiles.  He swallows, offers compliments, and she blushes and examines the grain of the table. Her legs are too-long in her too-short shorts, and they lie in a tangled heap under the table. 

 

After their lunch, they walk along the riverbank, pointing and softly exclaiming at the things they had forgotten about in the last long months, things like birds and flowers and baby rabbits.  When the girl sees a silver flash in the depths of the river, the boys tells her a fishing story.  The story is about the time he was eight and had almost caught this fish when a bee stung him and he dropped the pole into the water.  The girl isn't sure what's she's supposed to say to this, so she tries laughing a little and kissing him.  This seems to be an acceptable reaction, for he smiles and she smiles back. 

 

They walk for a while, but the heat of the sun beats down surprisingly warm on their winter-pale skin, the girl's face flushed and drops of perspiration on the boy's.  They find a tree with cool darkness gathered under it and sit.  The girl rests her head on the boy's shoulder and talks softly of her plans for the future.  He nods and runs a hand through her hair. 

 

When she runs out of things to say, he mentions his own plans.  What he says makes her sit up and look at him, the nearly invisible eyebrows lowering and the painted pink mouth tightening to a frown.  They are quiet after that.

           

Once adequately cooled, they go back into the golden light.  The boy wants to see the rest of the park, so they walk onto the bridge over the river.  He points at something on the railing.  The girl glances at it and returns to watching the ripples in their reflection.  He pulls out a pen and starts scratching into the soft wood.

 

“John.”

 

“What?  I was just–”

 

“What do you think that’s going to do?  You think writing our initials – I mean, look at all of these!”  Her hand slaps the railing.  “Do you think these people are still together?  M and G, T and L, S and A…”  She closes her eyes tightly, red fingernails biting into the wood.  Her face is flushed again, but not from the sun.

 

“Hey.”  He puts a hand on her arm and she shakes it off.  “Hey, I didn’t know you felt that way.  It’s no big deal.  Let’s just keep walking, okay?”

 

“No.”  She turns around.  “No, I want to leave.  I don’t want to be here anymore.”  He stands, shoulders slumping imperceptibly, the pen stabbing at the ancient carvings.  A bird sings in a magnolia tree on the far bank.  The backs of her too-long legs reflect in the rounded, wet surface of his eye.  They get smaller and smaller.

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I'm really not sure where I'm going with this.  I've been working on it for a ridiculous amount of time and I think it's time for some feedback.  And I had the hardest time coming up with a title.  Other ideas: Reflections, Ripples, The River, The Bridge, Spring.

Help?

Comments & reviews · 2
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Hola! So I think I'll go oldschool and write my comments/corrections right into the body of the story in the colour.... hm.... #0000FF ">bright blue. Here goes.


Lately the sun had taken to warming away snow and waking up flowers. People slowly began to notice this#0000FF ">, <you don't need this comma as their icy brains thawed, and #0000FF ">The word 'as' could also work here instead of 'and'. Kinda add to the prose-type thing you have going. they shed their woolen coatings and flocked to the newly comfortable outdoors.

A great deal of the outdoors #0000FF ">since you just said 'outdoors' this seems a little repetetive was just roads and sidewalks and bus stops and grocery stores. These places just #0000FF ">Again, since you just said 'just' this seems repetetive looked wet and sad with the sludge of dead leaves and trash the snow had been concealing now out in the open. But some parts of the outdoors #0000FF ">you sure like the word 'outdoors' had grass and plants and trees and these places flushed green, a color people had almost forgotten during the monochrome season.
#0000FF ">For this paragraph, try to avoid repeating words both in the body and from previous paragraphs, or it seems simple and redundant and loses its effect.

A car is pulling into the parking lot of a park, one #0000FF ">of? these green places. A boy and a girl get out. The girl, laughing at something, gets a cooler from the backseat. The boy says something and takes it from her. They walk along the path to the river, the boy moving the cooler to his other hand so he can hold hers. #0000FF ">Suddenly here, you lose the prose and switch to this very straightforward narrative.I'm not sure if I'm a fan of that. You had such beautiful imagery going up until this point, when suddenly all I have to picture is a fairly nondescript couple.

They walk through the greenness #0000FF ">alright you've said 'green' or some variation or it too many times by now. Redundancyyy. towards the silver-blue ribbon. #0000FF ">I'm not sure that the 'silver-blue ribbon' thing is working here. Since you've been using colour to carry most of your imagery thus far it's not overly effective. The girl points at wildflowers she doesn’t know the names of, and the boy picks one to go behind her ear. They find a picnic table that doesn’t wobble and open the cooler. The girl takes out pretty #0000FF ">ooooh, I hate the word 'pretty'. There are so many more adjectives you could use. sandwiches and salads and bottles of soda which #0000FF ">you could say 'that' instead of 'which' glow in the sun. She watches#0000FF ">, worried#0000FF ">, as he chews and smiles. He swallows, offers compliments, and she blushes and examines the grain of the table. #0000FF ">The narration here is getting a little dry. You opened so beautifully that this is rather bland in comparison. Her legs are too-long in her too-short shorts, and they lie in a tangled heap under the table. #0000FF ">Wait a second. What's in a tangled heap here? Should I be concerned? A bit of clarity is needed.

After their lunch, they walk along the riverbank, pointing and softly exclaiming at the things they had forgotten about in the last long months, things like birds and flowers and baby rabbits.#0000FF "> I don't think anything after the word 'months' is necessary in this sentence. It takes away from it, and it would be lovely without. When the girl sees a silver flash in the depths of the river, the boys tells her a fishing story. #0000FF ">I don't like this here. It takes us even farther away from your story since we're trying to picture his.The story is about the time he was eight and had almost caught this fish when a bee stung him and he dropped the pole into the water. #0000FF ">And now we're taken far out of it because we know what his was about. The girl isn't sure what's she's supposed to say to this, so she tries laughing a little and kissing him. #0000FF ">The kissing seems a little random. You should elaborate on it. I know that's creepy but up until now they could have just been best friends or something. This develops a layer of intimacy that deserves more than a follow up... This seems to be an acceptable reaction, for he smiles and she smiles back. #0000FF ">... like this one.

They walk for a while, but the heat of the sun beats down surprisingly warm on their winter-pale skin, the girl's face flushed and drops of perspiration on the boy's. #0000FF ">[color=#0000FF]I would take out everything in this sentence after 'skin'. Again, it takes away.[/color]They find a tree with cool darkness gathered under it and sit. The girl rests her head on the boy's shoulder and talks softly of her plans for the future. He nods and runs a hand through her hair.

When she runs out of things to say, he mentions his own plans. #0000FF ">Very straightforward here, don't you think? What he says makes her sit up and look at him, the nearly invisible eyebrows #0000FF ">What does nearly invisible mean? lowering and the painted pink mouth tightening to a frown. They are quiet after that.

Once adequately cooled, they go back into the golden light. The boy wants to see the rest of the park, so they walk onto the bridge over the river. He points at something on the railing. The girl glances at it #0000FF ">Why even mention 'it' if it has such low significance that we don't ever find out what 'it' is? and returns to watching the ripples in their reflection. He pulls out a pen and starts scratching into the soft wood.

“John.”

“What? I was just–”

“What do you think that’s going to do? You think writing our initials – I mean, look at all of these!” Her hand slaps the railing. “Do you think these people are still together? M and G, T and L, S and A…” She closes her eyes tightly, red fingernails biting into the wood. Her face is flushed again, but not from the sun.

“Hey.” He puts a hand on her arm and she shakes it off. “Hey, I didn’t know you felt that way. It’s no big deal. Let’s just keep walking, okay?”

“No.” She turns around. “No, I want to leave. I don’t want to be here anymore.” He stands, shoulders slumping imperceptibly, the pen stabbing at the ancient carvings. A bird sings in a magnolia tree on the far bank. The backs of her too-long legs reflect in the rounded, wet surface of his eye #0000FF ">I don't really like any of these descriptions here. They seem out of place. .They get smaller and smaller.

#0000FF ">For this whole last part with the dialogue, I fine it really changes the whole story. It goes from prose to basic narrative to simple dialogue, and that kind of degeneration is a little disappointing. You have this amazing first paragraph and a beautiful second one, and then all of a sudden it stops being prose and becomes very simple. I would see if you can go back and rework it so that all of the paragraphs follow the suit of the first two. You clearly have talent when it comes to prose, so I would try expanding on that. With some work, this whole thing could be really great.
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So that's my review! Also, nice to see someone else who isn't Hemingway crazy. I can't say I'm a huge fan either. Seriously, though, do more prose work. You have some serious potential there.

Keep writing!

--Tori

User avatar
MorningStar
Review

I adore your writing style! It's a really brilliant show-not-tell, and this story reminds me a lot of "Hills Like White Elephants" by Hemingway.

One thing that confused me was this sentence:

They walk for a while, but the heat of the sun beats down surprisingly warm on their winter-pale skin, the girl's face flushed and drops of perspiration on the boy's.

I think you've left out a verb or something.

Otherwise, keep it up! This style is really, really great.

Hey, thanks, glad you liked it! I'm not sure what to think of it to be honest. And interesting you compared it to Hemingway... uck. I have yet to figure out what's so great about him, haha.

Yeah, that's a weird sentence, though I did mean to write it that way. I think I'll rewrite it.

Thanks again! ^_^



I would rather die of passion than of boredom.
— Émile Zola