12+

The Red Silk

PreviousNext

The Red Silk

There is so much work to get done. I know I’m not supposed to complain, but it’s so hard when I look out the window and see my neighbor Dai Yáng playing cuju with some of his friends. Dai wants to play professional cuju for the emperor so he is always practicing. It’s even more torture that I can’t play cuju because I’m a girl. It looks like so much fun running around, with the cool breeze whipping your face. While they're having fun kicking a leather ball stuffed with feathers around, I’m stuck in our hot and muggy kitchen cooking rice for dinner.

Naturally my family has rice every day for breakfast, lunch and dinner because we’re rice farmers, but you can see how I would get tired of it while the Yáng family gets to eat duck with salt and garlic, and turnips and soybeans on the side. And while we have to wear rough hemp tunics made of plant fiber, the Yáng family gets to wear beautiful soft silk made from the cocoon of a silkworm. But again, I’m not supposed to complain.

After I finish making a batch of rice I go outside to collect some more from my best friend Quaing who is farming the rice with my (sort-of) adopted father. Long story short is, I was left outside to die when I was a baby because I wasn’t a boy and this family saved me and took care of me. Boys are much more appreciated than girls. A lot of times girls like me are left in the wilderness to die when they are just babies. I just don’t understand why my family couldn’t have just loved me the way I am. Anyway, me and Quaing carry the bag of rice inside our tiny hovel, which only has two rooms, and put it on the only piece of furniture we have, which is a really old bench that is piled with all the stuff we needed to live. I am very glad we have this bench because most peasants don’t have any furniture in their hovel. Quaing put this bag next to the other bags of rice.

“Xun! You’ve only finished two other bags and you’ve been working in here for two whole hours! You need to work harder! Do you want to have enough money to survive?” Quaing shouted loudly.

“Yes sir.” I say. I am used to it. Even though he is my best friend I think he only acts like this because he hates being a peasant as much as I do, working hard in the field all day where he can plainly see all the rich people eating delicious food and playing fun games. Before Quaing got even more upset, my mother asked him to play our favorite game, weiqi.

Weiqi is a boardgame that rich people play. We only have the game weiqi because one day when Quaing was getting water from the yellow river he found a very old set on the ground. The game is played with light and dark game pieces that are actually very smooth rocks. I am really good at the game and I can always win but everytime I play I let Quaing win because he hates to lose and it’s embarrassing to lose to a six-year old.

When the game is over I have to go back to my chores. The next thing I have to do is dust off our mud brick walls. I do this all the time so I know the hovel by heart. But today I am feeling curious so I decide to explore around the house. While I’m looking around I see a rock in the corner of the hovel. It looks like it was stuck in the ground or supposed to be there. Without thinking I go over to the rock and lift it up. It is surprisingly easy to lift. I thought it would be harder because it looked so stuck in the ground. Right when I lift up the rock some dried sand and dirt floats into the air making me sneeze. Underneath it was a small, old box. On the box there was a carving of a flower. I slowly open it. Inside is a tiny dress. But not just any dress. It is silk red dress, the kind that a royal baby would wear. I examine the dress more closely and realize something. The dress is embroidered with three letters, X-U-N. These three letters are the letters that spell my name.

I need to know where this came from. What should I do? All I think about after that is the dress. Was it mine? I don’t know any other Xuns. It was in our hovel after all. Could I really have been rich once? I run outside asking anyone who would listen if they knew where the red silk had come from. When I get back to the hovel it is already dark. Everyone is yelling at me. I’m not listening to them but I can tell there is a lot of tension in the air. When someone starts talking I pretend to listen but I can’t focus, all I want to know is where the silk came from.

That night when I go to sleep I don’t even think about our thatched roof falling down. I barely even feel the freezing cold ground beneath me. My dreams are full of happy thoughts and delicious food that would make my mouth water if I was awake. That night I sleep peacefully with the soft silk dress against my cheek.

Comments & reviews · 3
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
BlackTea Review

Great story!

I like the way you get back to the point with repetition: "I'm not supposed to complain."

I thought her personal past seemed a bit hurried. The story had just begun...
I would have been interested in hearing peoples reaction to a poor girl having a dress like that. In general I thought the end was a bit vague. It would have been helpful to explain it a bit more. Why everyone was mad. Who "everyone" even was.

Other than that, I really liked it. Keep writing!

User avatar
Steggy
Review
Steggy wrote a review · Sun Mar 13, 2016 4:39 pm

Hello, here for a short review!

When I began to first read this, the beginning confused me. As the reviewer said below me, the beginning is always the main key to getting the reader's attention. Like clothes. When you see a top you really want, you look at how it may fit you and what color might go well with, let's say, jeans. The beginning is the road to entertainment. As a suggestion, perhaps start with telling us about the character or some sort of action part (although the action part seems to happen later).

I know I’m not supposed to complain, but it’s so really hard when I look out the window and see my neighbor Dai Yáng playing cuju with some of his friends. Dai wants to play professional cuju for the emperor so he is always practicing.


I feel like the last bit of the chunk is repetitive?

It seems the main character is jealous of Dai and his friends because she is a girl. When writing about a certain historical time period, I would suggest doing some research. If I remember correctly, woman had some of the same rights as male (and even could be empresses!) In other words, research or ask questions before writing something- it'll prove great when you are finished.

Overall, I feel you could've explained more about this short story. When writing into past, use past tense. When writing into the present, use present tense. Don't confuse those two up. The same could for future.

Steggy

User avatar
Que
Review
Que wrote a review · Sat Mar 05, 2016 5:47 am

Hello there~ Falconer here

There is so much work to get done.

Hmm... While this is important to the story, I feel like you need some sort of snappy line or opener to get readers into the story. Also, we should be able to tell through actions and description that the narrator has lots of work.

After I finish making a batch of rice I go outside to collect some more from my best friend Quaing who is farming the rice with my (sort-of) adopted father.

Ok, since the narrator is actually adopted (just not formally), you can leave out the 'sort of'. And it should also be "adoptive" because he adopted the narrator, not the other way around.

Before Quaing got even more upset, my mother asked him to play our favorite game, weiqi.

Why would she want him to play a game if they need to do work? That doesn't make sense to me. Also, you slipped into past tense just a bit here.

I am really good at the game and I can always win but everytime I play I let Quaing win because he hates to lose and it’s embarrassing to lose to a six-year old.

I feel like you could break this into two sentences here to make it a bit clearer. Also, is it the narrator who's six?! That's a bit strange! She's very young, and you use very formal language for her thoughts, so you might want to change her age or how she thinks or something like that.

I do this all the time so I know the hovel by heart. But today I am feeling curious so I decide to explore around the house. While I’m looking around I see a rock in the corner of the hovel. It looks like it was stuck in the ground or supposed to be there.

Alright, so this makes no sense to me. Sure, she knows the house well. But it's only two rooms and she's lived there most of her life. How can there be anything she doesn't know about?

I run outside asking anyone who would listen if they knew where the red silk had come from. When I get back to the hovel it is already dark. Everyone is yelling at me. I’m not listening to them but I can tell there is a lot of tension in the air. When someone starts talking I pretend to listen but I can’t focus, all I want to know is where the silk came from.

This is incredibly fast-paced! What did the people have to say about the dress? And did her family tell her anything? What about going outside, which she had been longing for- did she enjoy it? I think you should really go back in and expand this part.

Overall, I think what this could really use is some more descriptions and dialogue. It would help to form your story, and make it more real. You also have to wach your grammar at some points, and I think you could vary your sentences a bit more than you do.

Keep writing!
-Falco



You cannot understand and disagree.
— P. D. Ouspensky