Past the Windowpane chapter 5

by idkwhattoput

Published December 8, 2025

12+

In Past the Windowpane chapter 5

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Chapter 5

The bus smelled of diesel fumes, stale popcorn, and wet wool. It was nearly empty, just a few scattered figures slumped in the dim light of the overhead reading lamps. The engine rumbled beneath my feet, a deep, constant vibration that was both jarring and weirdly soothing after the frantic escape. We were moving. We were out.

Caden sat beside me, his head tilted against the windowpane, eyes closed. His duffel bag was stowed in the rack above us. I was slumped low in my seat, my left shoulder throbbing a steady, hot rhythm beneath the improvised, blood-soaked bandage. The first-aid kit was tucked under the seat. I hadn't had the energy to clean the wound properly once we were safely on the bus and moving away from everything I knew.

I stared out the window, watching the last of the city lights dissolve into the vast, open blackness of the rural highway. The pain and adrenaline crash were mixing into a heavy fog of exhaustion, but my mind wouldn't shut down. My mother's voice was a constant loop in my head.

“You did this… You killed him.”

I nudged Caden with my good arm. His eyes flickered open instantly, sharp and alert. He hadn't been asleep.

"She meant it, Caden," I said, keeping my voice low so it wouldn't carry to the front of the bus where the driver sat. "She really believes I'm responsible."

Caden sighed, rubbing his eyes with his hands. "Alex, your mom isn't rational right now. She's been drowning in grief and whatever other stuff is going on in her head since the accident. She's looking for a target for all that pain."

"But why me? I was there. I know what happened." I swallowed hard, the memory flashing behind my eyes with stark clarity. "He was teaching me how to drive stick shift in the neighborhood. We were laughing. And then that guy just... walked right out from behind those parked cars. Dad swerved. He saved my life."

"I know the story, Alex," Caden said softly.

"It was an accident. The guy on the street was a stranger. A pedestrian who wasn't looking." I leaned forward, resting my elbows on my knees, the motion pulling painfully at my shoulder. "But the way she said it... it wasn't grief, Caden. It was conviction. Like she knew something I didn't."

Caden looked uncomfortable. He shifted in his seat, the worn vinyl squeaking. "Look, maybe there's something to what my uncle said. About the insurance people poking around for someone to blame. Maybe she overheard some rumor that the guy who jumped out was doing it on purpose? I don't know, man."

"A rumor? That’s it?" I felt a cold disconnect settling in my stomach, worse than the pain in my shoulder. "She ripped my shoulder open, Caden. She was going to stab me. A rumor doesn't cause that kind of hate."

"Grief does crazy things to people, Alex," Caden said softly, stepping closer and putting a hand on my good shoulder. "It eats you alive. Turns the people you love into monsters, and turns monsters into the truth.

"I know," I admitted, my voice dropping to a whisper. "But this... this is different. It feels calculated, not just madness. It felt like she was reading from a script she’d written years ago."

Caden rubbed the back of his neck, his gaze distant. "Maybe she did write it years ago, Alex. The second your dad died, she stopped being her. She became this fractured, hollow version of herself. You know how my dad used to say she spent all that money on 'therapists' and 'grief counseling' that never worked? Maybe they just fed her paranoia." He looked at me, his eyes earnest. "I’m scared for her, man. But mostly, I'm scared for you."

I sank down onto the worn seat, burying my face in my hands. The questions hadn't stopped, but now they had a new, sinister weight. Was it grief? Or was there more to the police "chatter" that Caden mentioned? The cabin might be miles away, but the darkness had followed us here.

The bus hit a pothole, rattling the metal frame and sending a fresh jolt through my body. I gasped, leaning back and gripping the armrest.

Caden immediately reached under the seat for the first-aid kit again. "Okay, we need to re-wrap that. The bandage is soaked. You can't get an infection."

He gently helped me pull my jacket and shirt away from the wound. Under the dim reading light, the torn flesh looked worse than I thought.

As he worked, his hands careful and quick with the fresh gauze and tape, I looked at his face, illuminated by the weak light. He was the only person I had left.

"When we get to the cabin," I whispered, my voice rough with exhaustion and emotion. "We have to figure this out. There's something missing from the story of the accident. Something big."

Caden secured the tape with a final, firm press. He met my eyes, his expression serious and determined in the gloom of the bus.

"We will, Alex. We’ll figure it out. Together."

The bus rolled on through the darkness, taking us away from our past, but the silence between us was heavy with the weight of the secrets we were now carrying into the unknown.

I’m exhausted, we have about 2 hours till we reach Dallas. Then from there we’ll go to the cabin and figure everything else out. But for now, I need sleep or else I won’t be able to function correctly. I closed my eyes, letting my mind drag me deeper into the dark.

The first thing I registered was the absence of the sharp pain. It had faded to a dull, manageable throb. The second thing I registered was the quiet hum of the bus engine, a sound I’d grown used to in my sleep. I blinked my eyes open, disoriented for a moment, thinking I was back in my own bed. The weak light of dawn was just starting to filter through the dusty bus windows, painting the vinyl seats in pale gray light.

I was still on the bus. We were still escaping.

Caden was asleep beside me now, his head tilted awkwardly against the window. Outside, the landscape had changed entirely. The suburban sprawl was long gone, replaced by endless fields and the distant, dark outline of the city skyline: Dallas. My shoulder felt stiff, the new bandages tight against my skin. Sleep had offered a temporary ceasefire from the pain and the questions, but now they rushed back in, heavy and cold as the morning air seeping into the bus. The temporary safety was fading with the dawn.

I turned to look at the time next to the driver. 6:45 AM. We have about 5 more minutes till we get to our stop.

I should wake up Caden.

I turned to him, and tapped him on the shoulder. “Caden get up, we're almost here.” He woke up immediately.

A wave of paranoia washed over me. What if my mother had called the police? What if they were waiting at the station? She was crazy enough. I leaned my head against the seat in front of me, trying to spot uniforms or patrol cars amidst the early morning activity of the terminal. The few people milling around seemed normal enough—travelers with tired faces—but I couldn't shake the feeling that every stranger's gaze held suspicion. Caden noticed my tension, his hand resting briefly on my good arm.

"No cops, Alex," he murmured, reading my mind. "Just us and a long walk."

The reflection in the window—a pale, exhausted kid with a bandaged shoulder—stared back at me. I thought about who my mother used to be: the woman who smelled like the vanilla perfume she wore every Christmas. The stark contrast to the knife-wielding stranger of last night was a chasm I couldn't cross. "You killed him," she'd screamed. The casual pedestrian who jumped in front of the car... was it really so casual? A chilling thought flickered through my exhausted mind: what if the "chatter" Caden’s uncle heard wasn't just insurance nonsense? The memory of my dad swerving to avoid that stranger was the defining moment of my life, the hinge on which everything broke. I stared out at the passing fields, a silent vow forming in my mind: I will find out what really happened.

The bus hissed to a stop, the air brakes releasing a final puff of air. We were here. The dull ache in my shoulder sharpened into a reminder that this was our new reality.

Comments & reviews · 2
User avatar
LMonroe
Review
LMonroe wrote a review Review · Mar 30

Caden sat beside me, his head tilted against the windowpane, eyes closed. His duffel bag was stowed in the rack above us.
-It feels rather odd that he would call it a windowpane and not just simply a window. I don't think I've met many kids who would be so technical when they are talking about someone leaning their head against glass.

I was slumped low in my seat, my left shoulder throbbing a steady, hot rhythm beneath themy improvised, blood-soaked bandage. The There was a first-aid kit was tucked under the seat but I hadn't had the energy to clean the wound properly once we were safely on the bus and moving away from everything I knew.
-I think you can do without the last part of the ending sentence. It doesn't feel necessary.

My mother's voice was a constant loop in my head.

“You did this… You killed him.”
-Couple things, one, take away the quotation marks. Second add the second line to the first and then italicize it. The reasoning behind this is that one, it isn't something that a character is currently saying in the present but rather a memory that Alex is having about what was said. If you leave it how it is then it looks like his mom is with him and talking to him while they are on the bus.

"I know the story Alex," Caden said softly.
-You don't need the comma before Alex.

"Grief does crazy things to people, Alex," Caden said softly, stepping closer and putting a hand on my good shoulder. "It eats you alive. Turns the people you love into monsters, and turns monsters into the truth.
-Again, you can delete the comma before Alex as well as before the and after monsters. Also, I really what Caden said. It's a very deep, mature way of thinking and it makes me wonder how old he is. Especially in comparison to Alex who I am getting the vibe is somewhere in his early teens.

"But this... this isit's different. It feels calculated, not just madness. It feltenter a comma here like she was reading from a script she’d written years ago."
-You're using the ellipsis a lot, especially when writing Alex's character and his dialogue. Careful with that because it can make it look like he is questioning his own words and can turn him into an unreliable character.

You know how my dad used to say she spent all that money on 'therapists' and 'grief counseling' that never worked? Maybe they just fed her paranoia.
-It's hard to imagine that a therapist/counselor would feed paranoia into their patients. I mean their whole purpose is to do the exact opposite. Also, you don't need to have the single quotations around therapists and grief counseling.

Caden immediately reached under the seat for the first-aid kit again. "Okay, we need to re-wrap that. The bandage is soaked. You can't get an infection."
-How would he be reaching for the first aid again if we were already told that they hadn't properly cared for the wound when they got on the bus. Wouldn't he just now be reaching for it.

"We have to figure this out. There's something missing from the story of the accident. Something big."
-It's not really a story if Alex was actually there.

The second thing I registered was the quiet hum of the bus engine, a sound I’d grown used to in my sleep. I blinked my eyes open, disoriented for a moment, thinking I was back in my own bed.
-You kind of contradict your character here. If he has already registered the hum of the bus engine and knows what it is enough to tell us, then how can be disoriented and thinking he was at his house.

Well, I probably should have read this part before I read and reviewed the next one but alas, none of us are perfect. That said, I do believe this chapter had answered a few questions I had on the other one, so you are more than welcome to disregard those if you so choose.

I really liked this bit of story we got here. I think there is still a lot of room to enhance it and truly draw your reader in, but it is a great start. I do have some generalized comments though that I would like to touch on.

First, you keep referring to Alex's mom as simply just his mom. Which is fine, but then right away in the next chapter he is referring to her as his stepmom and 'the shadow.' I would suggest you keep it consistent throughout the story otherwise it may start to confuse your readers.

Second, you have a tendency to switch perspectives. One moment you're writing in a present day, this is happening now, way and the next you're writing as if it had already happened and we are seeing it from an after perspective. It makes the story a little jumpy and can also confuse your readers. I would say pick one perspective and stick to it.

The final comment I want to make is about details. More commonly known as the age-old topic of showing versus telling.

While you have some wonderful descriptors and you do give us the detail that is needed in a story, it is done in a way that I feel hinders the piece rather than enhances it. We don't need to know every color to everything, or what items are made out of what, or each sharp turn or even every time Alex has a dull ache. Right now, you are adding details in places that aren't always needed and they're being stated as fact instead of described to paint a picture. This will come with practice, and you have a good start, it just needs polishing.

Anyway, I think that is all I have for you today. Feel free to take what you will from my review and leave the rest and as always, thank you for sharing your work.

User avatar
Tikaya
Review
Tikaya wrote a review Review · Dec 9, 2025

Hey there, since I started reading from the beginning, I thought I might as well continue =D
Also wanted to address some of the stuff you said under ch4.
First of all, I am horrified by the American healthcare sit. To think that kids would be injured like this and get turned away/would have to pay horrendous sums at the hospital is such a terrible thought.
Secondly, I don’t think the mom coming out and looking for them would be a big deal since they have the car. They are already running away… Maybe I just need to read more of this to understand =D
Onto this chapter!
I like how you describe the bus and how the kids exist on the bus. I was right there and could imagine everything 😊
I also like how our MC keeps going over what his mom told him. It’s heavy stuff…
Not to be that girl but from the way Alex describes this, he should have been driving slower to make sure random pedestrians are safe. Is this another cultural difference? Bc cars in where I live don’t drive that fast in cities. (Still, accidents happen) I don’t mind not blaming Alex, I’m sure he tried his best and Alex’ Dad as well, but this “a pedestrian that wasn’t looking” kinda rubs me the wrong way ☹
Oh nvm what is this abt the insurance guy and the pedestrian maybe doing this on purpose? Call me intrigued!

Uhhh I also don’t really like that Caden’s describing legitimate institutions that help ppl in need (grief counseling etc) like this. As if it was wasted money and couldn’t ever help her. I think it’s good that she tried to go to therapy?

I like that line a lot: “the hinge on which everything broke.” Nice description!

I also like this chapter a lot. Despite my gripe about making pedestrians (the undoubtedly most endangered ppl in traffic) and therapy evil in your story, I enjoyed myself quite a bit. I also know more abt what the boys are planning and I had a pleasant time reading about their journey 😊



You are all the colours in one, at full brightness.
— Jennifer Niven, 'All the Bright Places'