Warning: This work has been rated 18+ for language and mature content.
September 10th, 2015 at 2:15 PM
"What's that mark on your face?" Aislinn asks, peering across the table.
“What mark?”
“That one. Right below your left eye. Did someone hit you? It looks like someone hit you.”
Lock raises cuffed hands to touch the wound, but still flinches when his fingers make a light graze. He drops his hands and sighs, glancing at the two officers before looking back at his sister.
“I fell.”
“Lock, seriously.”
“What? The officer who came in this morning scared the crap out of me, and I fell out of bed. That’s it.”
Her shoulders slouch. “If they’re bullying you or anything, you know you can tell me, right? I’ll ask them to take some measures and—”
“And what? You want to hold my dick when I piss too? Jesus, Ash. I fell. Drop it.”
All right.
Aislinn glances down at her fingers, wondering what the hell he had done so bad in his past life to deserve this. Lock is good—she can see that even if the rest of the world couldn’t. She knows who he is behind the bruises and the handcuffs and the anger. But does he? Did those guys? What were they thinking about while they were pounding him? Did they ever stop to think that he was a kid like them?
She looks at his face again, her jaw growing tight the more she stares at the purple gash under his eye. They didn’t care. The message is imbedded right on her brother’s skin.
“I made some friends, you know,” Lock says after a while. He smiles a little. “They fell too.”
“Yeah?”
“Yeah. I mean, we didn’t exactly say that we’re friends. They don’t do that around here. It was sort of implied, you know? It’s like hey, we’re both in the same shit, so we might as well trudge in it together. I eat lunch with them. It’s pretty awesome.”
“Who are they?”
Lock sits straighter in his seat, excitement flashing in his eyes. “Okay, so the first one I met was Lee. That’s not his actual name, though. He told me some guys started calling him that when he was new. They were trying to be racist, but it kind of stuck.”
“He’s okay with it?”
He nods. “The next one is Gabriel. He doesn’t like it when you call him Gabe. I mean, I haven’t yet, but Lee clued me in. He’s a real burly looking guy but soft as hell on the inside. He’s pretty quiet. Doesn’t say much. Lee told me the guys try to get a rise out of him sometimes, but Gabriel’s a saint. I swear, the guy never gets mad.”
Aislinn smiles a little. “Saint Gabriel. It fits.”
“Sometimes he’d sit with Lee and me at lunch, or he’d sit with this other Mexican guy. They’d be so deep in conversation sometimes, and I always want to know what the hell they’re talking about, but it’s in Spanish. Maybe I should take up Spanish.”
“You can’t even speak Irish, Lock.”
“I could if I tried. But anyway, those are my friends. See? I’m capable of making friends.”
“And these friends, they both…fell? At the same time?”
His shoulders slouch at the question. He stares at the cuffs with this distant look in his eyes. They look a little glazed from where Aislinn’s sitting, and she can’t help wondering if he’ll cry. “Well, no,” he says. “Lee always…falls. He’s, well, you know. Riding the rainbow. I mean, I don’t have a problem with that, but in a place like this…people like that will always fall. He’s got so much shit on his body that it’s surprising he’s still—”
He takes a sharp breath of air and holds it, still looking down at his hands. He taps his fingers in a steady beat. One, two, three, four. One, two, three, four. His mother taught him that the first time he yelled at her. Just breathe in time with the beat. That’s all you need.
“He’s always smiling too, Ash,” Lock continues. “He’s the happiest bastard in here even though he’s falling all the time. Always fucking grinning like this is some vacation home.” He shakes his head and laughs. “He always gets me thinking about what I have to get back to, you know? I’ve got you and mom while he probably has nothing.”
She wants to touch him. Badly. She reaches across the table even though her arms aren’t long enough, hoping to at least graze some skin. But she can’t. She knows she can’t, so she puts her hand back on her lap.
“You’ll always have a place to come back to,” she says. “Even though it’s not the greatest, you’ll never have to stay alone. You know that, don’t you?”
“I guess.”
Here comes the silence again. The twins sit staring, each daring the other to look away. Their mother always accused them of sending signals to each other whenever they did that. Sometimes I want to know your secrets, she used to say. But I suppose I can’t. That’s why God gave me two of you, right?
“How’s the school thing going?” Lock finally asks. “Is college any fun? Did anybody haze you yet for being a freshman?”
Aislinn sighs. She’d rather not talk about school. She’d rather not talk about what’s happening at home at all. “It’s going,” she says. “I got a scholarship and the government’s giving me some money because of…you know, everything. I have to pay it back though, so I’m waitressing.”
“Damn,” Lock says. “You’re doing all that and taking care of mom? Why doesn’t she just croak so we can all have a breather?”
His sister stiffens. “Lock.”
“I’m serious. We can take care of each other, Ash. We always have. She’s just holding us back. You can’t even move on because of her.”
“Lock.”
“She’s going to die anyway. What was it called again? Creutzfeldt-what disease? I read somewhere that people usually die after a year of—”
“Lock!”
“What?” He studies her face for a moment. “You aren’t going to cry, are you? Come on, you were just laughing a second ago. Are you crying, Ash? For fuck’s sake. I’m sorry, okay? Just stop looking at me like that; it’s pissing me off.”
She doesn’t stop, which makes Lock look at anything but her eyes. The officers are still staring straight forward, and Lock swears he sees one shift from one foot to the other.
“You think you can spot me a smoke, man?” he asks one of them, but gains no response.
“What do you have against mom?”
“I just need one cigarette, man. I won’t tell anyone.”
“What did she ever do to you?”
He finally looks at her, the words at the tip of his tongue. She’s sick all the time. She threw Dad out. She’s making you work. She put me in here. She keeps apologizing, but she never tries to fix it. She never tried to fix me. He wants to tell her, but he can’t. He knows he can’t. So instead he says, “I’m sorry.”
He isn’t.
“Fucking hell,” he calls. “Will it kill somebody to get me a fucking smoke?”
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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Me again! So the "date" of this chapter's actually my birthday, so that's kind of cool. Anyway, on with the review...
Much of what I've said regarding the dialogue in chapter one applies here too, so I won't repeat the same stuff. The writing in this story so far is pretty strong, but it does tend to get a bit sparse during the conversations. A degree of sparseness can work sometimes, but... You want your descriptions and detail to be fairly consistent, which they aren't at the moment.
Going to talk a little more about character development in this review than the last one, because I'm becoming less and less sure what to think of Lock. Aislinn's development I can't really fault at the moment - she's compassionate, worried about her brother, and it seems like she wants to think the best of the people she loves. Lock on the other hand doesn't quite seem to be presenting himself quite as well.
It's the "It's pretty awesome" that throws me off a little in this chapter. It doesn't quite seem to fit his character - it feels a little cheery and naive, perhaps? Most of the time, he doesn't seem like the kind of dude who would be using words like "awesome" to describe making friends, even if he's trying to put on a brave face for Aislinn. A simple "It's good" *shrug* might make more sense with him. Obviously he's your character but I think that his personality feels a bit inconsistent. Which I suppose it's meant to be, but it still feels off to me.
I think what I'm trying to get at is that you maybe should go through Lock's dialogue and work out what his motivations are with what he's saying. Is he trying to convince Aislinn he's doing okay? Is he angry and isn't filtering what he's saying? So on and so forth. At the moment he's not quite making sense, and as much as he can have conflicting sides of his personality, there still needs to be consistency. Sorry for the rambling.
This one's kind of a dialogue-y showing instead of telling sort of thing. If that makes sense. Lock's anger comes through in his dialogue pretty well, but his... anguish(?) isn't necessarily always apparent - in this example, it isn't until he stops talking. Maybe try playing around with punctuation and sentence structure a little to make the emotion more apparent in the dialogue itself. Lock always seems either angry or sullen, and I think you could work on bringing out the nuances a little more through the dialogue.
Can't think of much else in terms of criticism. The conflict between Lock and Aislinn at the end was a highlight of this chapter, and I'm loving Aislinn. The mother aspect of the story's very interesting, and I'm hoping you'll continue posting this story so that I can see how it all develops.
Let me know if you have any questions.
Hey there! I'm here for a quick review on this lovely review day.
So, I'm not going to lie - this isn't really my cup of tea, mostly with regards to the language. The plot and characters are interesting, but the swearing bothers me. I understand that it makes sense that they would talk this way, I just don't much like reading it. So feel free to take my opinion with a grain of salt. Also, it's probably good to realize that because of the swearing, it will appeal to a different selection of people than it would without as much swearing. It shifts your audience slightly.
Overall, I found this to be excellently well-written. I especially appreciated how well I could hear the voices of the characters - they both stood out to me as distinct, and even the characters that were only talked about seemed interesting.
Also, I don't know if this is what you want, but I really don't like Lock. He's too crude and seemingly heartless for me. It especially surprises me that he is so bitter towards his mother - I mean, being sick isn't her fault, right? It seems really heartless of him. Anyway, he's not that likable of a main character, which will of course affect the story.
The main other thing I have to say is: why the third person present tense? In my opinion, it's one of the most distracting POVs to read - even first person present makes more sense because it's as if the narrator is narrating his/her life as it happens. Why doesn't third person past work? I'm not saying you should never use third person present tense, but you need to know what about the story makes it so it's best to use present tense. It's not something you should do just "because" - the cost of the the reader being distracted by the unfamiliar tense is too great. (Although I will say in this case it's easier to read than others I've read.)
Anyway, that's all I've got for you. I know this is old and you're probably not working on it anymore, but I wish you the best of luck with whatever you're working on now!
Oh my gosh.
it's amazing though
This is amazing. I want to read more like right now, but it seems I'm going to have to wait in suspense *sigh*
I love how you're developing the characters at the same time as allowing them to have a conversation and... I can't actually think of the right words to describe why I love this. Please let me know when you've posted the next installment, I'm curious about where you're going to take this. Though I kind of hope that it ends with Lock getting out of the facility.
Anyways, I loved it, and actually can't find one thing that might help to improve it. Sorry for being such useless help
Haha, don't worry, this isn't useless at all! And I actually have the next chapter done; it's just in its editing phase. Thank you very much for this review. I appreciate it!
Awesome! Let me know when you've posted it, I wanna know what happens!