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miserable mary (unfinished)

by fleuralplants


Miserable Mary had lived her life the way that her name sounded. She went through sixteen years with the blinders of misery fixed upon her face. Every moment was an opportunity for tragedy to strike.

Going through life this way was no way to live. She set herself up for failure, feeling always like a lamb sent to slaughter. Yes, she felt that doomed in her life.

What could be the cause, for all of this bad luck? For all of these tragedies that have come Miserable Mary’s way? Was it the fact that she’d accidentally broken a mirror when she was younger? Was her family cursed in some way, the remnants of some gypsies grudge upon her great-great-grandfather?

No, no, none of these things could be blamed. It was barely Miserable Mary’s fault that that mirror had broken so many years ago- it had just fallen over when she walked by. And there was no way her family was cursed. They had been the most respectable family in town, for so many centuries. They could be traced back to the 18th century, as a matter of fact! And they were just as fine then as they are now.

So, Miserable Mary was left with no answer for why she faced so much misery. It all seemed like too much for a fragile sixteen year old girl.

Indeed, it had become too much. The tragedy of the death of her beloved mother had recently struck. Breast cancer. That sent Miserable Mary over the edge. People can only handle so much, you know. The mind, the heart- they have limits, of how much pain they can possibly bear.

Miserable Mary decided she had reached her limit. This decision did not come lightly; much contemplation was necessary to come to such a glum decision. Such an irreversible decision.

She was set to throw herself off of a bridge. Really, it was going to be a very nice place to die. A beautiful bridge, covered with lively vines that the town couldn’t be bothered to remove anymore. That bridge, overlooking a wonderful, yet treacherous, bay. God, Miserable Mary even thought she felt… excited to die there. Coming, finally, to an end, and it was going to be in such a beautiful and peaceful place. She knew it was her only option, the only cure for the misery that’s followed her around throughout all of the years of her life.

Throughout those years, several things, bad things, happened to Miserable Mary. The fact that all of those events happened to one person seems incredulous, but, it is the unfortunate truth. Uncles who were a little too touchy, mothers who died, fathers who were emotionally absent, grandparents that died, friends that ditched her, and the list goes on and on. She’d seen it all, she’d lived through it all.

So, she was brought to this bridge now, where no cars whizzed by and the only other entity surrounding her were the ghosts whose lives came to the same violent end. She felt surrounded by them, their voices and wispy bodies suffocating her. Really, though, that was what made this area so peaceful; the fact that there were no other people around. No cars disturbed you here, no one hurt you here. Only you could hurt yourself here.

The water below her rushed- incessant, hungry, and never-ending. This water was much like Miserable Mary, or at least she thought so. It never rested, ever. It always moved, thinking, waiting, for something at all to happen. And it would be like that, until the end of its time. She hadn’t known peace since she was in the womb, a moment of blissful existence. Finally, she would reunite with that peace.

Her arms fastened her onto the bridge, behind her body and positioned in a mangled manner, to keep her safe on the bridge and away from the water. She realized that, if they found her body after this, she’d probably be all mangled and out of shape then, too.

Now, when she was so close, she felt so alive. It’s funny how life works; it takes a near-death experience for one to really appreciate life. No one realizes how thin the line between life and death is. Miserable Mary had faced many tragedies, but none of them had brought her this close to death. The only thing standing between her and the water was her own arms, that held on so tightly.

The tremendous gust of wind that came next really pushed her into death’s clutches; she was so close that she could smell its sickly sweet breath upon her cheek. Death was holding onto her, pilling her down into the water below, as she frantically tried to get a better grip on the side of the bridge. She was completely unprotected here, and mostly out of control; on the outside of the railing, with only her arms as a safeguard. She wanted to be down there, or at least her mind did, but her body kept her held on to the railing.

When she felt her grip wavering, time seemed as if it were suspended. Everything slowed, yet Miserable Mary’s brain and body kept moving, like she were moving through quicksand. Colors were more vibrant around her; what once seemed dull now popped at her, screaming in its hues. Her eyes felt overwhelmed by the sigh. Never had she seen something so beautiful.

While time stood still, Miserable Mary carefully maneuvered herself onto the bridge, once again. She wanted to get a closer look at all of these colors, through these new glasses of life she’d been given. She gave herself a few twirls, taking in the way the colors danced before her eyes.

The way that her breath created clouds as she breathed out amazed her. All of these signs of life, the trees waving, had they always been there? Miserable Mary, who was not so miserable any longer, couldn’t accept that all of these things had always been around. Frankly, she was frightened. This was not normal, no, everything was off here. Maybe, she’d already fallen, and this was the afterlife. She gave herself a pinch on the arm, and it hurt. No, this was all real, then.

When time had picked up the pace and her breathing returned itself to normal, Mary began her trek home, where she lived with her father. She used to have a sister too, but she didn’t make it through infancy. Just another one of the tragedies she faced. Mary thought about it now, and didn’t feel as devastated by it as she usually did; looking on the bright side, Mary was glad they got to spend a few months with her at least.

As she walked, she was stuck in a daze, where her brain was completely focused on nature and nothing else. The trees spoke to her, the grass whistled tunes into her ears. Everything just seemed so alive, everything was teeming with life. She started to really feel crazy, when that overwhelming happiness consumed her in a way that it never had before.

She pushed the wooden door open, cherishing the warmth of the heat that warmed her body once she was inside.

“Mary, is that you?” Her father called after her in his gruff voice.

“Yes!” She responded in a cheery tone that was utterly unnatural to her. It was like the noise had come out of someone else’s mouth entirely.

Mary went over to the mirror, just to make sure she was still the same person on the outside. Yes, she was all there. Black dress, black eye makeup. All of her was there. What could explain this mental transformation then?

Mary plopped herself down on the couch, completely relaxing and letting the entire weight of her body press into the couch.


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Fri Sep 02, 2022 8:50 am
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soundofmind wrote a review...



Hey, fleuralpants!

I know you posted this in like, May, but here I am with a review. In your description under the piece you mentioned that this was an old draft written a few years back, so I'm sure you've grown stylistically and in your writing, but I'm glad that you shared it. I found myself enjoying the story, having gone in with no idea of what to expect. Even though in the title you say it's unfinished, I think the story does end on a solid note.

I found myself really digging the style of the omniscient narrator telling the story. In the beginning, there's a lot of repetition of "Miserable Mary" or the word "miserable in general. While I'd cut down on the amount of "miserable"s overall, I actually did enjoy the use of repetition. I don't know if it was an intentional stylistic choice but I felt like it really helped create a tone that echoed Miserable Mary's own mindset. For the word "miserable" to be in her name, misery is clearly something she's wholly consumed by, and I felt like you really set that tone well.

There were a few spots in the beginning, though, where there was a lot of telling and not a lot of showing that she was miserable. Later in the story my question of: "What's making her so miserable?" was answered eventually, but it did feel like I had to sift through about 8 small paragraphs of a lot of vague allusions to misery before I got more details (aside from her mother's death, I think, but with all the emphasis on her whole life of misery, I was expecting more). So I wonder if the story could be strengthened - if you do intend to every return to this or edit it - by moving some of those details closer to the beginning?

I know the story isn't that long by itself, though, but maybe in cutting out some of the repetition padding you could add in more description and details - which I will say, it seems you're good at! FireEyes mentioned it below as well but I would say the scene at the bridge was at its strongest when there was all of the visual imagery being described just before she pulled herself back over.

Honestly, the development of the sudden shift felt earned enough for me for a story of this length. I felt like it was paced well, but I think (and this could be where the unfinished bit of it is) the end could be strengthened with some more descriptions of how Mary feels different, maybe thoughts on her father, and maybe more of that interaction with descriptions of him. At the moment, the end feels abrupt, but I'm assuming that's because it's an incomplete piece. That said, though, I don't think it needs a whole lot to be wrapped up at the end. This piece stands alone on its own two feet.

Anyways, I think that's all I've got. Hopefully, some of this was helpful or encouraging, and if you've got any questions, you're 100% welcome to shoot 'em at me.

Thanks for sharing your story! Keep writing!

-sound




fleuralplants says...


Hi, thank you so much for the review!!



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Thu Sep 01, 2022 4:34 pm
FireEyes wrote a review...



Hello flueralplants! Incoming review!

I liked the overall concept of your work and it had an amazing consistent tone throughout. Your writing style is somewhat akin to John Green in my opinion, I really like it! With that said, lets dive deeper into the review.

I'll start with critique.

Miserable Mary. The fact that all of those events happened to one person seems incredulous, but, it is the unfortunate truth.
The second comma in this sentence isn't needed. When using those types of works (for, and, nor, but, or, yet, so) the comma only needs to be before the word.

She gave herself a pinch on the arm, and it hurt. No, this was all real, then.
There are a few points in your story I think could benefit from rewording to cut down on words. As a writer, I am still learning this lesson too. If you want a compelling piece of writing, you want each sentence you write, to have the same emotional impact as two sentences. If you were to simple take out "and it hurt" it could have your readers feel like they accomplished something too. Because of the affirmation that it is all real, we know as an audience that the pinch should have hurt. You want to have your writing convey that you have trust in your reader.

She pushed the wooden door open, cherishing the warmth of the heat that warmed her body once she was inside.
This sentence in particular doesn't fit with the same airy fluidity of sentences prior. Maybe the redundancy of warmth, heat, and warmed is asking for another word. If it were me, I would change "warmed" with hugged. It could add a little more personification. And I think personification really suits your style of writing too.

One last thing is "Miserable Mary." In the beginning when she really was miserable, I thought you used the miserable title a little too much. I now see how you had her just be Mary after she wasn't so miserable anymore. You could totally keep that, but a suggestion might be to edit the sentence structure of when you say her full title to give it more impact. Each time I read "Miserable Mary" I couldn't help but think "Is she really that miserable or is this a title she put upon herself to seem miserable?" Perhaps even cutting down on the mentions of her own name could give more of an impact because for the large majority, she is the only character.

Okay, done with critiques, let me praise your work!

I can't help but gush over the consistent tone you had. It gave me that feeling of when you're so used to all the bad things that speaking of it doesn't phase you anymore. And when another thing comes you're just like "Oh, another thing to add to the list." It's the nonchalantness that makes it work.

The tremendous gust of wind that came next really pushed her into death’s clutches; she was so close that she could smell its sickly sweet breath upon her cheek. Death was holding onto her, pilling her down into the water below, as she frantically tried to get a better grip on the side of the bridge. She was completely unprotected here, and mostly out of control; on the outside of the railing, with only her arms as a safeguard. She wanted to be down there, or at least her mind did, but her body kept her held on to the railing.
This is my favourite part. I love all the figurative language you used from Death's breath to the clashing between mind and body. I can really see all of this! Great work!!

I also like the vocabulary choices you made. Words such as incredulous, respectable, irreversible, incessant, and tremendous all elevate the work. I don't think it would have been as enjoyable to read if you didn't use these kinds of words.

Well that's all I have for today. I hope you found some of this useful! This is pretty good writing at 15. And at 15 myself, it gives me hope in my own writing! Have a wonderful day! Anyway byeeeeeeeeee!




fleuralplants says...


Thank you so much!!




“And how shall I think of you?' He considered a moment and then laughed. 'Think of me with my nose in a book!”
— Susanna Clarke, Jonathan Strange & Mr Norrell