12+ Mature Content

Barbecue

PreviousNext

She calls at three in the morning, so something must be wrong. After reaching for the phone, my mind catches up with the time and only then does my assumption click into place. “Hello?” My voice is croaky. From the other side of the line there is only static and the occasional breath. “Hello?” Repeating myself prompts her to answer.

“Sorry,” she whispers. Then she hangs up and my clothes can’t get on my body fast enough.

Her place is ten minutes away but it seems like an eternity. Except when the apartment complex comes into view, my mind goes back to the static on her end of the line. She wasn’t at home. That was a payphone. Where could she be using a payphone?

After turning the car around, my cellphone rings again. “Lucia?” Hard breaths answer me. “Lucia.”

“What?” she asks, pauses, then, “Maybe this wasn’t such a good idea.” The stupidest thought comes out of my mouth.

“Where are you getting all the coins to make these calls?” She laughs. Suddenly my body isn’t in the car, racing towards the only payphone bank in town. Instead, my hands are clutching a bouquet of balloons and Lucia is crying in front of me, her tears slipping into her smile. She takes the bouquet from me then wraps her arms around my shoulders while a camera shutters to my left.

“They were a birthday gift,” Lucia answers, bringing me back to the present.

“From who?”

“Some kid,” she whispers, “For the arcade.” My laugh comes out unexpectedly.

“You’re twenty-two.”

“So are you,” she says.

“Are you coming to the house later?” My question is dangerous. Everything anyone asks her has been a risk lately. Her silence motivates my foot to press down harder on the gas pedal. “The whole family is going to be there.” The only thing left to do is to persuade her. “Mom is going to make your favorite, carrot cake.” What else is there to say? “She’s actually going to make a barbecue. Remember the last time we had a barbecue?”

“Uncle Reuben caught fire,” she says quietly, her tone telling me she’s playing along with me, “And so did all the food.” We share a small laugh, a laugh so quiet there is no way either of us really feels it. The last barbecue at our home was a disaster. It was fourth of July and the entire family had come over to spend the holiday weekend with us. This was before Lucia’s first incident. “Will you put your pictures up?” she asks.

“My pictures?”

“Yeah, the ones you’re working on.” My heart feels heavy.

“Of course, just for you.” The streets before me look unfamiliar. Dread fills my stomach when my mind realizes my hands took a wrong turn. “Actually, there’s a special one just for you.”

“Just for me?” she asks.

“Yup,” my mind goes back to the photograph sitting in my living room, “Something special. Somewhere we are going to take a trip to, just the two of us.”

“Where are you taking me?” she asks.

“It’s a suprise.” Conditions, she needs conditions. “And we can’t go unless you go to the barbecue. And only if you tell me where you are right now.” The street unfolds before me, the payphone bank at the far end. It’s empty. Bile rises to my throat but it doesn’t leave my mouth. “Where are you, Lucia?”

“Happy birthday,” she whispers, “You’re the best brother a girl could ask for.”

“Lucia!” The car jerks under my hands. “Lucia, where are you?”

“It’s not your job to take care of me,” she continues, her breaths turning ragged, “It’s not your job to fix my life.”

“Come on.” My eyes sting from the tears welling up in them. “It’s my birthday. It’s our birthday. Please, just one more day.” Lucia’s end is static. “Remember when we were little?” No answer. “The lemonade stand? All the money we saved so we could buy each other birthday presents?” The unmistakable sound of her crying starts me up again. She needs help. She needs my help. “The balloons, Lucia, remember the balloons?”

“This isn’t being alive,” she replies.

“We can change that.”

“How?” she asks, “Maybe it’s too late.”

“No,” my voice cracks, “We can change that. Just tell me where you are.” Another eternity passes before she answers me.

“The hospital,” she answers, “Been here all along.”

“You were never in any danger?” The disbelief in my tone could easily turn into anger.

“Not tonight,” she answers, “Think about it, though. Take a moment.” If she’s in the hospital, where they’re sure to have a payphone, what did she do to get there? “Have you realized it yet?” she asks, “Do you realize how much power you really have over me?”

“Lucia, did you know that everyone has control over their own lives?”

“What?” she asks. My change in conversation should give me time to drive to the hospital.

“Say you’re standing at the edge of a cliff.”

“Always,” she answers.

“And you get the urge to jump.” She doesn’t interrupt again. “Most people get that urge, even if they don’t want to jump. It’s scientific. Their minds are telling them that they are facing death and if they fall over the edge of the cliff, there’s nothing they can do.”

“What does this have to do with me?” Lucia asks.

“Listen. Their minds tell them that, but they also say if these people decide to jump over the cliff, they are the ones making the decisions, not death. That’s the urge to jump. And therefore they are more powerful in their choices.” The silences stretches on between us but she hasn’t left the phone. When the hospital appears before me, my chest almost collapses with relief.

Lucia still hasn’t answered me when the doors to the hospital open up in front of me and the receptionist looks up at me. My hand covers the receiver of my phone. “Lucia Chapman?” The receptionist looks pained and my suspicions are confirmed.

"Are you a relative?" she asks.

"Yes, brother." She makes me sign a sheet of paper and gives me grim smile.

“Third floor,” the receptionist says, “Room 312.”

“Thank you.”

Lucia still hasn’t answered. My finger presses the END button on my way up to her room. When the doors of the elevator open up, Lucia is standing across the hall from me wearing a hospital gown. She's barefoot. Our gazes meet for a second before she crosses her arms and leans against the wall.

“Okay,” she says, running a hand through her hair, “I’ll go to the barbecue.”

Comments & reviews · 3
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
Demeter
Review

Hey dianneece!

I think you did a great job with this! It was fluent and it worked, and I enjoyed reading this. The dialogue was good and I liked that the characters clearly had their own voices, which isn't a given.

I really liked the conversation about the coins and the arcade. I'm not even sure why. It was skilfully written and the characters seemed so real! A little after that when they're talking about the photos, I was a bit confused, though. I felt like the photo thing could have been explained a bit more, because now it seemed a little random. Also in that bit I wasn't sure who was speaking some of the time, so perhaps look over that once more and add some tags or something.

I also liked the bit near the beginning where the brother's mind takes him to the balloons rather than the payphone. That change was written very well and I could see the fading special effects it might have been done with if it was a film!

One thing I would possibly change, though: the receptionist of the hospital at the end and the pained expression she has when the guy says his sister's name. I didn't feel like that was so realistic, because the receptionists deal with hundreds of names every day and I think they should be sort of blank and formal and not show emotion like that. Detached, is I guess the word I'm looking for. I might understand the receptionist's reaction if Lucia had been brought in very recently in a critical condition or something, but it seemed like she had been there for a while and nothing too serious was happening at that moment, since she was able to make a call and talk and walk like normal.

Other than that, though, I liked this a lot and I don't have that much to point out!


Demeter x

User avatar
CollinWitte
Comment

This was great writing! You could hear and feel the panic and fear in the main character's voice. I also liked how they were twins because twins always look out for each other. I must point out that you showed and did not tell which makes for much better writing. Awesome job! And keep up the good work!

Random avatar
deleted30
Review

Hi there! Lucrezia here for a review.

First of all, let me tell you this was fantastic. I loved how you didn't tell the reader everything about the MC and his sister, or their relationship, or their family. You showed us.

The emotion was very real. I could feel the MC's panic and worry and fear, it was palpable. The dialogue was solid, good and realistic. I honestly loved pretty much everything about this.

Pacing was perfect. From beginning to end, the piece flowed together quite naturally. Props for that.

Overall, exceptional! ^_^

Nitpicks:

“Yup,” my mind goes back to the photograph sitting in my living room, “Something special. Somewhere we are going to take a trip to, just the two of us.”


I'd write this more as:

“Yup"—my mind goes back to the photograph sitting in my living room—"something special. Somewhere we are going to take a trip, just the two of us.”

“Happy birthday,” she whispers, “You’re the best brother a girl could ask for.”


Just want to say this is such a lovely and heartbreaking line, if that makes sense. Onto the nitpick.

Since you have a comma after "happy birthday" (the last words of the first part of the dialogue) and "whispers," the Y in "you're" doesn't need to be capitalized. You make this mistake a few more times throughout this piece, but I won't be annoying and point them all out. Just go back and reread it to catch them. ;)

She makes me sign a sheet of paper and gives me grim smile.


I think you meant, "gives me a grim smile"?

Okay, nitpicks aside, this is one amazing story. I really did love it.

Well done and keep up the great work!



I communicate much better on paper than I do when I open my mouth.
— Aaron Sorkin