Sorry, it's kind of long, but Chapter One is very short, so I included Chapter Two as well. ^^ Let me know what you think.
----
Chapter One
As Rising looked out at the streets in front of him, he sighed deeply; it was one of the same scenes he’d been looking at for one whole year, and he was starting to wonder where all this was going. After all, how long could someone live without food, water, or even having someone to talk to besides himself?
That was just it: Rising had no idea if he was dead or alive. He had woken up standing on the sidewalk in what he knew now was New York City, looking out at the very street beside which he now stood. All he remembered from before then was a room too plain to belong anywhere but a hotel room, then an explosion of orange. He had no knowledge other than that as to what was happening to him. He didn’t even know what his real name was, since he doubted that any sane person would name their child Rising.
He had no family. He had no friends. As far as he knew, nobody he passed could even see him.
For the first few days of his current situation, he had run crazily up and down the streets, asking people if they would – or could – help him. He screamed for hours on end, infuriated by the hopeless feeling of being in limbo. Obviously no one answered him or even seemed to hear him, and he eventually accepted that something must be wrong with him. There was rarely so much as a glance in his direction, and when there was, the person didn’t really seem to see him. They always stared ahead as if they were looking straight through him, a very unnerving sensation indeed.
All Rising wanted was to know who he was. He was fairly sure that he was fifteen years old, though he couldn’t grasp how he could know this. If he had appeared here one year ago, how could he be fifteen? Could there have been a life before this one, in which he was fifteen?
There were so many questions. Too many unknowns loomed in front of him without any chance of becoming answers. It was absolutely maddening. He got the feeling of being alone in a crowded room – seeing people all around him but being unable to contact them or know anything about them. He recognized no one, could distinguish no face from the crowds that surged through this city from day to day. All he could do was to wander, and that he did. People-watching was his only possible pastime, since he couldn’t pick anything up or touch anything: he passed through anything he tried to lay a hand on. He simply stared out of the eyes that he thought were either gray or blue, wishing someone would come to his aid.
On the three-hundred-and-seventieth day, someone finally did.
Rising was wandering down a street he knew he had walked down before, in a state of justified frustration, as always. As he was pondering his strange and seemingly useless existence for what felt like the thousandth time, a man looked at him. It was not like the other times, when someone would happen to glance in his direction. This man looked at Rising, really saw him, and as if he knew Rising was there.
The boy was completely shocked. He stood there in the middle of the street with his mouth hanging open, and the man smiled with understanding. He came to a stop in front of the stricken boy, and Rising absent-mindedly noticed that the man was not much taller than he was.
“Why, hello,” He said, and those were the first words ever spoken to Rising that he could remember. His kind, middle-aged face was very welcoming, and the boy could not help but to be totally bemused.
'He-hello,' Rising said, but his voice didn’t sound at all like the man’s. Where the man’s voice sounded hoarse and breathy, Rising’s reminded him almost of a wind chime: crystal-clear, pure, all silver. He had used it before, but having nothing to compare it to, he’d thought it normal. Only now did he realize that his voice was definitely out of the ordinary.
When the man heard Rising’s voice, however, his grin grew wider. His dark blue eyes shone with a light Rising didn’t understand. It wasn’t quite malicious, but more like triumphant. He shook it away, however, and listened to the words now coming out of this man’s mouth. “My name is Jon Amylace – you may call me Mr. Amylace. Will you walk with me?” Mr. Amylace asked, and Rising nodded, dazed. What else could he do? He needed answers, and this man obviously had more than Rising did.
Mr. Amylace set off in the same direction he had come. Rising followed, a look of confusion on the face he had never seen. So many thoughts were clamoring for his attention, and most of them questions. Shaking his head as one might to get rid of a fly, Rising pursued Mr. Amylace through the crowds, noticing that the man had to push through the people and continually mutter, “Excuse me” and “Pardon me,” while Rising simply passed right through them. He’d always known that there was something wrong with him.
Mr. Amylace soon came to a stop in front of an empty bench on the edge of the sidewalk.
“So, son, what’s your name?” Mr. Amylace asked casually, sitting fluidly on the bench while still staring up at the boy. As Rising knew he couldn’t sit on the bench – he couldn’t feel things whenever he tried to touch them – he remained standing, hoping he wasn’t being rude.
'Rising, sir,' he said politely. 'Rising Daestra.' As soon as he said it, his mind erupted into a tangled, overlapping chaos of questions. Since when had he, Rising, possessed a last name? And was that what that was? A last name… Rising’s curiosity erupted, and he wondered what this could possibly mean.
The man smiled again, and said, “Wonderful.” Mr. Amylace didn’t seem to wonder about Rising’s name, which was odd to him. Did Mr. Amylace know something Rising didn’t? “So, what do you want to know, Rising?” Apparently, he did. Rising only blinked in confusion. So many questions…which one to ask first? Mr. Amylace understood his confusion. “Let me explain. Rising, my boy…you do know you’re dead?”
The whole world seemed to come crashing down around Rising’s ears. He was dead…what Mr. Amylace had revealed made sense. That was why no one saw him, why he couldn’t feel objects he touched, why he had appeared one day on the streets of New York City. These people were living, and he was not. It all came down to one thing: he, Rising, was a ghost.
----
Chapter Two – Morgan
Morgan couldn’t clearly remember the day she’d been told the news. It had been a normal day before the crisis, going through the monotony of high school just like she always did – that she did recall. But when she’d received the urgent pass telling her to get to the main office immediately, things weren’t so normal anymore.
The pudgy woman with the crazy red curls – the one whose name Morgan could never seem to remember – stretched the phone out as far on its cord as it could, nearly pulling the cradle off the desk, so that Morgan could reach it. Then, in an unnaturally quiet voice, she leaned over and said kindly, “It’s your mother.”
Her tone was far too sympathetic to reassure the trembling girl one bit. It was a voice one used when disasters struck, a voice to comfort, to soothe; it was terrifying when one had no idea what needed soothing.
A million things were scurrying frantically around the insides of her mind – someone had cancer, her house had burned down, her family members were all dead. She was shaking even more as her sweaty fingers took the phone and pressed it to her ear like a lifeline. She whispered cautiously, “Hello?”
Her mother hadn’t even been able to tell her what had happened, her speech greatly hindered by thick, dry, noisy sobs. The woman at the front desk was forced to be the one to tell Morgan that her boyfriend was tragically and prematurely dead.
Understandably, she hadn’t taken the news well. She felt numb, the pain not yet pouncing on her as she knew it would; she stood there, expressionless, fingers relaxing their firm grip on the phone until it fell onto the countertop. The loud noise startled her, and that was when she fell into the void she’d been expecting: a dark, cold place full of too much noise and too much light. Even the empty air was full of something she couldn’t quite understand – overwhelmed, the girl’s subconscious took over, and she fell now onto the floor in a faint.
She hadn’t woken since – well, not really. Sure, she was mobile, she talked, she faked smiles and constantly assured everyone that she was “fine.” But in truth, she wasn’t all there. Morgan Fletcher, once queen of all crowds she included herself in, had allowed herself to slip away.
See, when she’d found herself so obsessed with something that it took up her whole life, her whole mind, her whole heart… it was turning out to be very hard to begin living without him. This was especially hard for someone like Morgan: well-liked, spoiled, and generally carefree. The only care she’d had was for him, and since he’d gone, she had nothing else to occupy herself with, but for grieving. He’d taken up her entire life, and therefore, most pieces of herself had perished with him.
For this reason (along with a myriad of others), the funeral was absolutely excruciating. There was a slideshow played of his life while it had lasted, from birth to age fifteen – the oldest he would ever get. Morgan barely saw any of it, as her eyelashes were coated with wet, sticky tears. The mascara she’d disinterestedly applied earlier was gluing her eyes shut.
She did, however, see the last picture – one she herself had taken merely two weeks before his death. It showed him as she remembered him, lying on the grass of her backyard, arms folded leisurely behind his head. His bright eyes winked up at her, framed by the thick, dark lashes she’d always envied. It was the most beautiful picture she had of him, so therefore, it was also the most painful.
She’d worn an itchy black dress to her boyfriend’s funeral, one she knew he would’ve hated. It covered up all of her freckled, naturally tan skin, and it made her look like she was twelve years old. But these things tended to happen when her mother dressed her.
Plus, she’d had no alternative options that were appropriate for an occasion like this. And when she was attending his funeral, she really couldn’t care less about clothing. It took up the lowest spot on her priority list, with the highest being the fact that he was dead.
The entire school had endured watching Morgan cry at the assembly formally announcing his death on the Monday after the funeral. Most students knew by them, but as he’d died on a Friday afternoon, it couldn’t be helped. The horrific slideshow was played once again, and as Morgan actually watched it this time, she noticed absent-mindedly that it was actually put together very well. His mother always did have a knack for design.
After that, the principal, Mr. Dawson, spitballed for a few minutes about things like “charismatic nature,” “high-spirited trouble-maker,” and “very popular among classmates.” All of these things were true, but Morgan still felt like screaming. No one could ever fully describe him, and this pathetic attempt was miserably failing. She could have described him much better than that.
And she was fairly sure there were plenty of others who were outraged as well – Mr. Dawson hadn’t lied when he’d said popular. During the slideshow, a multitude of females sobbing had echoed through the uncomfortably large auditorium, while the boys remained stony-faced and somber to maintain their reputations. Morgan could see the light of a Gameboy shining onto the glasses of the boy in front of her, and she felt like ripping it out of his hands to throw at Mr. Dawson. How could this kid be so apathetic? Didn’t he care that the world was ending?!
This seemingly tiny thing was what ended up causing the pathetic, wet kind of sobbing that only toddlers did to come out of Morgan’s mouth, loud enough to grant the glances of every member of the audience. If she’d cared, she would have been embarrassed, but as it was, she barely noticed the stares. Josie, a close friend of hers who’d placed herself strategically beside Morgan in case of this very event happening, squeezed her hand gently. She couldn’t really feel it, only wanting it to stop. It felt wrong somehow. Now he hadn’t been the last person to hold her hand.
It took a couple weeks to slide herself back into the environment of school. She still wouldn’t speak unless she had to, and dodged the pity of all who asked the horrible question, “Are you okay?” But somehow, she was able to seem normal enough that she soon began to get away with it. They stopped asking, and left her to deal with the grief alone, as she’d originally wanted.
That is, all except for her mother, still annoyingly observant as always. She kept a close watch on Morgan at all times, making sure she was handling things well – or at least, as well as she could have been expected to. Cathy wasn’t waiting for her daughter to go back to normal; she was simply trying to find her daughter again among the mess she’d been so suddenly tossed into.
Of course, then things had to get so much worse. Her only sibling, Kaleb, ten years older than she, had to go and get cancer. Another of the things she’d been worrying about before receiving the call from her mother – she could only hope that more disaster wouldn’t strike.
Kaleb held on by mere threads for the next year just as Morgan did; he went in and out of remission so constantly that the doctors weren’t sure if it would ever stop. Eventually, Morgan was so used to the updates that he had returned to the hospital or was home again that they didn’t bother her anymore. She could simply nod emotionlessly whenever the news came in; there was only so much more she could deal with before she’d snap.
Driving home after another exhausting day of purgatory, she realized that it had been awfully optimistic of her to put on eyeliner that morning. As the mutinous tears slid obnoxiously down her cheeks, they stained their path black, making her look a bit undead. As always, she flinched away from her face in the side mirror. Her reflection was no comfort to her anymore.
She put the car in drive as if nothing was wrong with this picture, having learned to ignore the wetness on her face and the perpetually runny nose. Every time she was alone, this had to happen. All the self-help books her mother kept gifting her with told her that the tears had to stop sometime, but Morgan was beginning to doubt this theory. It had now been over a year since his death, and crying had become merely part of the routine, just like pretending had. It was normal to her, just like eating or sleeping or breathing – something that simply had to happen.
Cathy had told her not to drive it she was crying. She said it was dangerous, that she would get hit. But she didn’t understand that if Morgan went by that stipulation, she’d never get home.
So even despite being inconveniently blinded – by both tears and the rain pouring from the sky like a waterfall – the girl pulled out onto the wet road, her truck’s tires protesting against the wild half-circle. But Morgan couldn’t help the drastic movements: today had been even worse than any day she’d experienced since his death, and she needed to get out of there. Today was his seventeenth birthday.
Morgan had already dealt with his sixteenth, only a month after his passing, and that one had seemed a lot worse in comparison. Before he’d died, Morgan had already been planning an elaborate surprise party to occur on that day, but for obvious reasons, it was sadly precluded. Sweet sixteen was a milestone he’d never reached.
His girlfriend, however, passed that mark a few months before he would have; he’d celebrated it with her, just him, Morgan, and Cathy. Usually, girls with her status planned elaborate parties complete with drinking, unsupervised houses, and a nice selection of illegal drugs, but Morgan wasn’t like that. She’d made sure that this special occasion was private, non-stressing, and definitely legal.
As soon as Cathy had left the two alone – raising her eyebrows at Morgan to remind her of responsibilities, as she always did whenever her daughter was alone with him – their arms were around each other, his nose in her hair, breathing her in as she laughed delightedly. His dark curls tickled her cheek as he whispered seductively, “Happy birthday.” Following that were the delicious words, “I love you.”
She could hear his voice now, as she turned a corner past the supermarket. Except right now, he was saying, “Be happy. Live the life you imagined.”
Morgan sobbed even harder at the sound. How was she supposed to do that? The life she had imagined included him, and it no longer possibly could. How could she follow the advice he’d given her from the grave, when his very post-death state was what made it unattainable?
She was beyond wondering how he could possibly communicate with her, even though she’d watched his body placed delicately into his own special hole in the ground, three blocks from her house in the local cemetery. This sort of thing had happened before – he didn’t speak to her often, but enough so that she was not surprised to hear it now.
As she completed the turn, she was so absorbed in the memory that, despite Cathy’s warning, she wasn’t watching the road. Therefore, she had no way of knowing that there was a particularly foul piece of roadkill occupying the middle of the lane opposite the one she was turning into, or that the driver coming towards her had swerved to avoid it, or that the rain was blocking his vision so completely that he couldn’t see her coming. Morgan was simply in the wrong place at a very wrong time.
She never saw the car directly, just as he never saw her. All she saw were the headlights, coming disturbingly closer and closer as she wiped her eyes in an attempt to see what was happening. Strangely, she looked to the side, and as the car’s lights washed over the seat next to her, she could almost see the outline of a distressingly familiar figure sitting there, his eyes wide with panic. She stared right into his face, desperately trying to make sure that it was him, but that was about the moment that the two cars collided.
It was a series of unlucky coincidences that brought about the end of Morgan Fletcher’s suffering.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Okay, maybe I was just a tad slow when reading this. we all have those days. Thank you Scarecrow.
Anyway Dark Angel, I liked these chapters. Very nice detail. Except I felt like you dragged on a lot in some areas, and I often found myself wanting to inch ahead a bit. I guess that's why I didn't read the part about her being older, I must've skipped a little ahead. Sorry....Overall It was nicely written. Maybe you could just take out a few things that drag it down. In the very first chapter as Rising is walking, I remember reading how people couldn't see him it was repeated a few times just in a different way. Sometimes too much detail can leave the story dragging.
The ending was sad, but very well written. It was a surprise ending; it's hard to pull that off. Good Job and I'm really really sorry if I was harsh at all.
~Moony
Almost forgot: 8/10
Moonlight - she was 16 when he died, it says so in there, so when she's driving she would be 17 as her birthday is before his.
Onto the review:
I like where your going with this, it's keeping me interested in it but at places I just wanted to skip ahead quickly.
Your writing style is awesome, descriptive with good imagery.
The plot is interesting as well, but 370 days?
Imagery 8/10
Plot line 8/10
Scarecrow
she is only fifteen. Was she driving?
Hey there dark_angel, and welcome to YWS. I'm going to be reviewing only the first chapter of this.
Hrmm. He's been staring at the streets for one whole year? Seems pretty unrealistic if you ask me. I'm pretty sure he has other matters to attend to than just staring at the scenery.
Sounds a bit off. Try "All he had remembered was being in a room..."
This sentence also sounds kind of clumsy. Consider rephrasing.
Why not show him sitting by himself somewhere with no one around him instead of telling us that? Show us that he has no friends/ family.
So what does being in limbo feel like? Describe that feeling to us more.
Overall impressions:
OK, I didn't exactly bothered much with the line to line except to point out places in the piece which caught my attention. From what I've read of your first chapter, you should be much more concerned about the concept of the piece rather than the finer details.
1) For over 300 days, Rising did nothing?
This has to be your biggest flaw in the piece (the main reason as to why I lose interest in this immediately). I find it ludicrous that Rising would be doing nothing but staring at people and being in the same spot for 300 days plus. It would get rather monotonous (to the point that he would drop out) if I was in his position. Seriously, for 300 days, he doesn't know he's a ghost? Who in the world is that stupid? I had a feeling that he would find out eventually and would be going to places he wouldn't had been able to go to (eg: maybe he could have a peek at a girl showering?
2) What are the rules for your ghosts?
I think you should establish this ASAP. In your novel, are your ghosts confined to the area in which they've died in or are they able to roam the mortal realm willingly (eg: Casper the friendly Ghost). This links in closely with my first point, as since you haven't established this earlier in the first place, I have no idea as to how to interpret this piece.
If Rising is really confined to the spot that he died in, then you need to make that more evident. Being confined to a spot isn't all about being lonely, but effectively, you are a prisoner. I would like to see more exploration of this idea in your piece. Right now, I do not feel sympathy for your character, because he doesn't seem to consider the greater implications of just being in the same spot, doing the same thing for 300 days plus nor is there that specific feeling of him being trapped in a "limbo" sort of state. Elaborate on that ASAP or else it will seem really random. While I'm at it, why is Rising willing to go with him?
3) The guy near the end of chapter one
Just a nit pick, but 300 days later, a guy suddenly comes from out of the blue and suddenly solves his problems? Sounds like deus ex machina to me. It's just way too sudden and fortunate. It's like that plot point is just dumped into the story without really considering whether or not it would fit logically with what's presently occurring in your narrative at the moment. Is the guy scared of helping Rising out? And why is he willing to help him out? Elaborate.
Overall, I highly suggest that you should do more research on ghosts. This piece has too many logical gaps in it. You would be better off getting rid of all that waffle concerning the "unknown" (is it not obvious that there would be unanswered questions and some confusion during his first few days as a ghost? Why do you keep shoving that point into our faces? It's really annoying and does nothing to drive your narrative forward. You are basically beating a dead horse by doing that) and replace it with the finer details of being a ghost as well as more description of the setting/environment and include more of the five senses.
Good luck, and I hope my critique has helped.
Andy.
P.S: If you do not know what deus ex machina is, here is the link for a definition of this literacy device:
http://en.wikipedia.org/wiki/Deus_ex_machina
all righty then, this looked all lonely with no replies so i figured i save you the anticipation and shred it. so here goes my picky copy editor act.
two problems, first off is the name. if you like, that's coll and whatnot but really, couldn't you have found something that's a little more creative (or less creative i don't care) and that i might not mistake for an action? and second remove deeply. it is an adverb and therefore probably redundant (or should be). avoid adverbs religiously (don't say a thing).
say "a whole year" the one is irrelevant and "a" is just short sweet and to the point.
this sentence doesn't make a whole lot of sense. say he roke up standing on the sidewalk. he now knew... he was looking at the very street...
i don't know maybe there's a better way to handle that. anyway...
take out the room on the end. how can a room belong to a room anyway? second you can probably make this its own sentence.
oh that's where he go the name. whoopsy.
take out current, we got the idea already so that's redundant. and take out crazily. we should get that idea from the whole running up and down the streets. also take out the hyphens and replace with parentheses. hyphens are connectors parantheses mark a short sudden change in idea or optional add on to a previous idea.
in limbo pretty much means at the mercy of the elements so remove hopeless, it is redundant.
*sighs*
kay, sorry bout wigging out cause here's the exception. some (very,very few) adverbs cannot be removed, (things that cannot be told evidently anywhere else without sounding terrible, like slowly for instance) rarely here is irremovable. don't do a thing to it. oh and btw we get the idea already that people don't see him. this is becoming redundant.
take out indeed. it sounds like you're telling this as a fire side fable, and that isn't the style nowadays.
take out absolutely. if you tell us it was maddening we get the feeling.absolutely is unnecessary.
take out absentmindedly. most people (with a few notable exceptions like me and maybe you) consciously note things. besides it doesn't matter how he noticed it here. that is not the point. the point is that he did notice it and that he is the same height as rising (or close).
comma instead of semi colon (i don't know if your machine told u that or not i just dont think its right) and then you get one too many descritions in on rising's voice. consider dropping one of 'em.
lose definitely
lose simply
lose both fluidly and casually. if you want to enforce the casualy because you don't think the dialogue does it, try and say something to the effect of "the tone in his voice was casual"
on the other hand fluidly is just corny sounding, lose it.
remove one of the descriptions on chaos (overlapping or tangled)
if that's a short chapter (relatively, for this website) i'll eat my socks. maybe it just feels longeer when you're critiquing. anyway on to chapter two.
given what comes after it, i think you can loose clearly.
scurrying implies frantically. lose frantically.
lose greatly.
couple of problems here. first lose tragically and prematurely. i think those come standard issue on death in the teens. second, why the heck would her mother know about her little romance? trust me on this, my friends won't shut up about their love lives so i know what im talking about. a boy wants to keep it secret long as possible from the parents. the girl's parents will raise hell with him (in general, there are a few exceptions). no matter how nice, decent and well meaning the guy is. one last thing, i understand that it is tragic and you can call in tragedy to the office at your local school, but being interrupted to hear about your boyfriend dying seems a little strange. maybe its just me.
drop constantly and make the period after fine into a comma
drop disinterestedly. its kinda border line after a whole paragraph of irremovable ones.
even if the whole school had known and was okay with the romance i don't think they'd make her do the school eulogy. that's fricken cruel.
drop actually and absentmindedly.
drop miserably.
wouldn't the girls sobbing (and do call them girls by the way) sobbing almost make her jealous in a sense. i wouldn't know never having been a girl. and the line about the boys, totally true btw, we're cold apathetic bastards aren't we?
separate this up into a couple of sentences. and change that first bit to "this sing seemed so tiny but it seemed to morgan big enough to..." or something like that.
its hard to edit these adverbs out but try a couple ways of rewriting them.
say, "like she wanted"
another hard to drop adverb, but please try to rewrite that one out.
drop both simply and suddenly. i don't think that they are needed.
seriously? talk about days where you wish you hadn't gotten out of bed. a little cliched however.
firs toff i dont think emotionlessly is a word and second it needs to go. it is implied by the nodding. that is totally emotionless.
its hard to remove obnoxiously so try to rewrite that one out too.
listen i know a little about psychology and Freudian psychology and i don't think it is possible for a mind to totally obsess itself like this without destroying it when the obsessed item is removed. if that isn't the case the psychology also says that it wont go that long without finding a way to deal with that. it would destroy itself anyways going that long a time in mourning. sorry just had to play reality police.
remove merely
remove inconveniently. its irrelevant. and i think this could be made a couple of sentences.
drop sadly. its redundant.
drop definitely
remove definitely (its implied by laughing, laughed nervously is okay however)
remove possibly
remove possibly. delicately can stay
remove particularly and bust this up into separate sentences.
remove distressingly, it is irrelevant and it becomes redundant after (before really) desperately. i think desperately can stay.
death to relieve suffering? a little emo. or maybe im being judgmental. hey its your story who am i to tell you what to write
Overall:
the idea is there, i like it. However, it probably belongs in the romantic fiction section. (this isn't the romantic fiction section right?) your writing style is good and places but very, very choppy in others. take a look into that. and as one angel avatared person to another (as if that mattered really) i liked it. 8/10 i say.