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Hey Lily,

Tanya here for a review!

Well, the four other reviewers mentioned quite good points so I won't delve into that. Much :D

What I wanted to mention is Show, don't tell. You're a reviewer, you know what this is. Use it. Lilla explains everything to us and that really irks me. You could show us scenes instead of her practicing her magic. Maybe have a chapter where she's 13 and practicing alone in the dark, scared but determined to not be stuck in the hell hole she calls home all her life. Have her practice, have the magic backfire. Have her concentrate on her anger to direct the magic.

But do NOT let her have everything. Young writers (including myself) have the tendancy to make everything easy for their characters, much like you did; have her disappear when she needed to.

If you must show her past life, give her a special relationship with Jackamal. Don't make him stoic; after all, he took her in. Maybe he sees her father in herself and he feels close to her.

But what you've done so far is throw plenty of people at us who had really not much depth to them. We don't know them, can't like them, much less love them if we don't know them. Get what I mean? You spent four different pov's on one very long chapter which means that we were thrown from one person to another. Not so bad, usually, but considering how you have them in 1st person point of view, we should know much more.

For example, when the King sends Myra to get the kids, he could spend the precious few minutes with his wife to say a private and moving goodbye. But you just skip that. Reread everything. Try to picture all the potential. I really think you should stick with one POV but if you must do it this way, elaborate. Give them one chapter each. Cut out the bad King's part, we'll find out later. Don't just skim, give the story and the characters depth.

All in all, it's a great beginning. The story is intriguing and it's obvious that you love your baby. We just need you to work on it a bit more so that we can love it as much.

When's the next chapter coming out? Soon? Pm me when it does?

Tanya :D

wow, talk about a late review!!! I had this done a while ago when you reviewed mine, but when i came back to thte page it said 'under construction' and i couldn't post it! Then I forgot all about it, and I found it again today. And anyways I really hope this helps!

My wife and I slowly make our way to the high table in the banquet hall. We are taking it easy, since my wife gave birth to our second child whom I am holding.

(when? Maybe you could say ‘since my wife had just given birth to our second child not two hours ago’. It will make the situation a little clearer)
Once Lilla is seated, I take my seat too. The rest of the nobles file in. When they are all seated,

(would ‘settled’ be a better word since you already used ’seated’ in the other sentence? Really picky comment, but maybe just for a bigger vocabulary)
Suddenly, Lilla wakes up. Zobra and I turn to look at her, but she is only looking at our daughter. I hand her to Lilla. For a while, she rocks her, but a few minutes later she Lilla,

(I think you mean she ‘says’)
I have always been different then the rest of the people in my village. Everything that defines who and what I am has made me different, strange, foreign, an outsider. My behavior, my personality, even my physical appearance separates me from everyone else. My complexion is deathly pale, unlike all the tanned villagers who labor in the fields. Unlike your typical blond, red, black, or brown hair, my hair is a cross between blond and silver. And my eyes, they are a purplish-blue hue that no one has ever seen. Don’t even get me started on my facial features... they are elfish looking, you could even say similar to that of a fairy. Did I also mention my deadly secret? I can perform magic. Healing, summoning objects, manipulating the weather, and controlling the elements of earth, air, fire, and water. For years, I have practiced these skills at night, and even though I am good, I still have trouble controlling my powers. This makes me dangerous. Perhaps, this is why I was given up at birth.


(this is a rather large paragraph of information. You tell us every feature of her physical appearance, every aspect of her magical talent, and emphasize how awesomely unique she has been since the day she was born. I don’t exactly like this introduction. Maybe you should put her in some kind of situation where we learn of her talents instead of you blatantly listing them to us?)

All I know is that thirteen years ago, my parents left me on the doorstep of a very poor couple who had a daughter one year older than me. My foster father convinced his wife to take me in. This gave her the twisted idea of free labor. Ever since I was five, I have been serving her and her daughter. She says I owe her for the privilege of a home to live in. There is not a day that goes by that I am allowed to forget this. Even though she and her daughter have always pushed me around, my foster father has always been distant with me, neutral. Even knowing I was innocent, he never defended me for the times I was blamed for countless things.


(this would be a better introductory paragraph. It makes us feel for your character right off the bat.)

"Can’t you make the fire warmer?" she complains.

(Actually, this line of dialogue could actually start the new chapter. It’s just my opinion, but opening with this dialogue seems like a good idea to me.)

I really liked this! It definitely has a fantasy-magical vibe to it. I really admire your characters, and I think you come up with some really awesome names, too. I can’t wait to see what happens next!

A few pointers- I wouldn’t try to make your main character Lilla turn into an awesome, beautiful, powerful, strong yet vulnerable, heir to the greatest king in the world kind of character. Give her more depth than that. She obviously had a hard life. I would let her attitude would be more shy and reserved than spunky and fearless. Make sure you get that to come through. If you lived sixteen years in a house where arguing your point got you nowhere, you would’ve stopped that struggle long ago. And if you were never allowed out of the house, you might be shy, mistrusting, and confused when interacting with other people.

Drag this story out a little more. I would like even longer chapters and more interaction between characters to make them memorable.

Use magic sparingly. It seems that in stories, magic always comes in the nick of time to save the day, but that’s just being unrealistic. Magic will sometimes backfire and cause more hurt than help. Make sure it is not Lilla’s saving grace!

Thanks for the great read!

User avatar
StellaThomas
Review

Hey Lily! Stella here!

I. NITPICKS

Minutes later I say,” Myra, go and find my children.” She nods, and disappears.


Inverted commas wrong way round.

In he eyes shines a fiery pride as she gazes at the infant in her arms,


In her.

He approaches Lilla (name in honor of her mother) and kisses her on the forehead. He then throws his arms around me.


I don't think this is the best way to introduce her name.

Unlike your typical blond, red, black, or brown hair, my hair is a cross between blond and silver. And my eyes, they are a purplish-blue hue that no one has ever seen. Don’t even get me started on my facial features... they are elfish looking, you could even say similar to that of a fairy. Did I also mention my deadly secret? I can perform magic. Healing, summoning objects, manipulating the weather, and controlling the elements of earth, air, fire, and water. For years, I have practiced these skills at night, and even though I am good, I still have trouble controlling my powers. This makes me dangerous. Perhaps, this is why I was given up at birth.


Wow! Okay! Infodump! Right here. It's not working. The appearance, the magic, it needs to come in droplets, not like this.

"Can’t you make the fire warmer?" she complains.


What a bizarre way to phrase something.

"Her skin is a sickly whie, her eyes are an eeire purple,and her hair is a srange shade of blonde and silver." Upon hearing this, the soldier's face becomes illuminated with interesting, giving his face an even more sinister appearance.


White.
When I look down at my body, it is gone, or at least invisible,perfect timing, because the soldier bursts in followed by Jackamal.

The next thing I know, I am invisible, perfect timing, because the soldier bursts in followed by Jackamal.


Repetition much?

“Thank you,” I whisper, “for every thing.”


everything is one word.

Alright.

II. PERSPECTIVES

If you read through this, you'll see what I'm talking about. We have three different perspectives here- four if you count younger Lilla and older Lilla. And changing perspectives can be alright- sometimes. Four in the first chapter though? Risky. Firstly, I'm curious as to why you used King Jorrel's. Presumably we'll find out it was him who murdered the king and queen later, and do you really want to ruin that suspense right now? It's not that interesting a paragraph, and it only serves to show that it was him who did it. Personally, I'd get rid of it.

Then we have Mika, who gets poisoned... then has an emotional goodbye. I thought poison worked fast? And then suddenly he's in another country! Then we have a random scene of Lilla aged thirteen. Personally, I don't think we need this either. You can mention in a stream of consciousness in the later bit about how her stepsister does things like that.

Quite honestly, I'd prefer to stick just to Lilla. She has to find out about her parents' deaths anyway, and Mika's perspective isn't particularly convincing or heart-wrenching. I mean, if you want to find out more about the man I guess she can always find his diary or something. But if you're using him purely as a narrative tool, then stop. The poor man doesn't deserve it! Let us find out about things gradually.

III. OVERALL

It's really quite good, a little work on getting rid of infodumps and increasing fluidity could be of use- but they both come with time, so I wouldn't worry too much.

Hope I helped, drop me a note if you need anything!

-Stella x

User avatar
Rosendorn
Review

Hello!

I got to the part where King Mika wakes up. I had to stop here because I noticed a bit of an issue:

Your work seems really thin. What I mean is, I don't feel any sort of connection to your characters, I don't have an idea what is going on, and I can't get immersed in the setting. Your banquet scene could be so much richer— describing the smells of the food, the king coddling his daughter and being worried for his wife, idle chatter, the reason the banquet is being held in the first place... a whole bunch of stuff. Take a look at this article on pacing, to see why putting in some of those details and slowing the plot of the story down can be useful.

Your sentence structure is very "listy". What I mean is, it reads like so: "He did this, while doing that. He said this, did this, felt this, this happened, he moved this way..." and it continues. This gets pretty boring to read, and it gets boring quickly. I'd suggest you notice how published stories are written, or even the work on YWS. This will help you get a feel for sentence structure.

Hope this helps! PM me if you have any questions or comments.

~Rosey

User avatar
Twit
Review
Twit wrote a review · Thu Jun 24, 2010 7:46 pm

Hai! I'm Twit, back from the dead to review your story. :smt004 On a side note, could you make your chapters shorter? Only this took up, like, five pages of a Word document and took forever to go through. 8)


King Jorell


Meh, the name’s too much like Jor-El for my liking. Maybe consider changing it?


“Ah, good, you’re finally here,” I say to my spy as he approaches the steps of my throne bows.


Missed out word?


“Take this liquid and slip it into Queen Lilla and King Mika`s food You are now dismissed.”


Mistakes like this could be fixed with a quick proof-read.


King Mika


Now this one you really should change. Every time I look at it, “Grace Kelly” comes bouncing into my head.


My wife and I slowly make our way to the high table in the banquet hall. We are taking it easy, since my wife gave birth to our second child whom I am holding. When we reach the high table, I shift my daughter to one arm, so I can help Lilla into her chair. Once Lilla is seated, I take my seat too. The rest of the nobles file in. When they are all seated, servants bring out the dishes and drinks followed by musicians and jugglers. The servants place the trays of food on the table, and fill the goblets with wine as musicians begin to play, and the jugglers perform. However, I raise a hand for silence; the music, laughter, and voices die down as the jugglers stop performing, and everyone looks at me, waiting for me to say something. I stand up to proclaim the news of our daughter’s birth. Proudly, I hold her up for all to see.


This is descriptive, and that’s good, but it’s kind of boring description. This is something I struggle with, making my descriptions interesting, and what I find effective in other people’s work is mentioning colour and using verbs, not just adjectives to describe things. A well-placed verb can create a really cool effect, imho.


“Father, you summoned me. Myra says you and Mother were poisoned. But you and Mother are going to be okay, right?” His voice is deathly quiet, like that of a frightened child.


The first part of his dialogue is quite formal, but the ending “going to be okay, right?” is very modern and American and it’s kind of jarring and doesn’t fit with the tone. Also, frightened children are usually loud, not quiet and dignified.


For a while, she rocks her, but a few minutes later she Lilla, “Mika, we need to talk.”


Missed out word again?


“Our daughter will never be safe here. Look at what happened to us.” She smiles ruefully.


They are both incredibly calm about the whole dying thing. Why aren’t they getting a little more worked up? No tears, no trying to bargain, no nothing. If the king doesn’t care for himself, wouldn’t he be concerned for his wife and the safety of his children? Surely they’d do more than smile ruefully? It’s like, “Oh huh, yeah, we were poisoned, oh well, silly old us for being so careless!”


I get up, belt my sword, and place a map and purse of coins in the pouch at my waist. After one last glance at Lilla, I turn my back to her, and exit the room. Zobra looks at me quizzically. I beckon him over.

“Father, what are you doing?”

“I’m taking your sister to a place where she can be safe.”


Oookay, hasn’t the guy just been poisoned? Isn’t he, in fact, dying? Why isn't he gasping for breath, doubled over with stomach cramps, puking his guts out, coughing up blood, all the good stuff? Even if this is fantasy, your poisons have got to act... poisonous, otherwise it’s not real.


“Where are you taking her?”

“Remember you met Jackamal four years ago?” I say. Zobra nods. “Well, we’re good friends. I met him twenty years ago. His cousin is an Alvelvan and my most trusted adviser. He introduced me to Jackamal, and we became good friends.” My son nods again.


Why is he telling the kid this? What if Zobra’s captured and tortured? And what’s the big deal about the daughter? Zobra’s fourteen. That is not old enough to defend himself against a king who’s clever enough to send a spy that no one sees who puts a poison that no one’s heard of and no one detects in the king’s cup. Why would the king needlessly endanger his son by telling him exactly where his sister’s going? It doesn’t make sense.


“I guess this is good-bye,” Zobra says.


He, too, is oddly calm about the whole dying thing.


He approaches Lilla (name in honor of her mother)...


Did he name her just now? Or was she called that before? Only you never mentioned her name before, and mentioning it now seems like the king just named her on the spot.


“Just remember, son I’ve always been proud of you. Just make me one last promise, you’ll stay with your mother.”


This is kinda clichéd. Think, if your parents were dying or about to leave you for ever, would you want a vague platitude that everyone says when they’re about to die? Make it specific to the occasion.


“I’m so sorry,” he says. He takes another look at her, and comments, “She looks just like her mother.”


How old is Lilla? Only babies don’t often look like anything except babies until they’re a bit older.


“If she never leaves the house, then no one can see her.”


She’ll also grow up unhealthy from lack of sunshine...


I have always been different then the rest of the people in my village. Everything that defines who and what I am has made me different, strange, foreign, an outsider. My behavior, my personality, even my physical appearance separates me from everyone else. My complexion is deathly pale, unlike all the tanned villagers who labor in the fields. Unlike your typical blond, red, black, or brown hair, my hair is a cross between blond and silver. And my eyes, they are a purplish-blue hue that no one has ever seen. Don’t even get me started on my facial features... they are elfish looking, you could even say similar to that of a fairy. Did I also mention my deadly secret? I can perform magic. Healing, summoning objects, manipulating the weather, and controlling the elements of earth, air, fire, and water. For years, I have practiced these skills at night, and even though I am good, I still have trouble controlling my powers. This makes me dangerous. Perhaps, this is why I was given up at birth.


Very, very clichéd. Nix it.


“She has skin that is practically white, her hair is an unnatural cross between blond and silver, and she has oddly colored eyes.”


This sounds like an author’s description of a character, not of a girl describing her annoying step-sister. If Maida hates Lilla, wouldn’t she try to make her sound ugly, not exotic and interesting?


“Let me go!” I hiss, kicking and clawing to no avail.


Why doesn’t she scream it? Or scream for help? Why isn’t anyone else interested in what’s happening?


The next thing I know, I am invisible, the perfect timing, because the soldier bursts in followed by Jackamal.


How does she know she’s invisible? Show us it, make it more subtle, don’t just go, “Hey, and then she turned invisible in a really neat example of deus ex machina!”


However, if I do not release the energy, it will kill me.


How does she know this?


Jackamal gives me the sword, and I unsheathe it. When I wield it, the balance is perfect; the sword feels like an extension of my arm.


How does she know that the balance is perfect? It’s not like she’s had swordsmanship or fencing lessons.


Jackamal smiles sadly. “One the night your father brought you here, soldiers were after him, and though he held them off with magic, he was gravely wounded by a stab in the left shoulder. Though he was strong enough to bring you here, he passed away within minutes on my doorstep. He is buried right here.”


I thought he was poisoned? Or is he lying to her? Why?


I recoil at all this information as hot, livid tears stream down my cheeks


Why is she so upset? She never knew him. Think about all the people who die every day, all the starving children in Africa and the soldiers in Afghanistan. You don’t know them, you don’t cry when they die. They’re strangers, like Lilla’s father is to her. He’s just a name. No face.

----

O hai thar. :mrgreen:

I know all that above probably looks really mean and all, but it’s only meant to help, not be mean. I have younger brothers; I don’t need a punching bag. ;)

So! Overall, this was very well written. It had a strong, smooth flow, and there were only a few nitpicks on style. Your dialogue is strong for the most part, and your description as well. However, it did feel rather rushed towards the end, as though you wanted to hurry through the boring bits to get to the good parts. Like the bit where Lilla turned invisible. It was like, bang, “hey gang, new trick I’ve got!” Slow down, take in the scene and describe it to us. Add colour, add sound, add smell, add touch. Make it real. Think about all the things we experience in a scene in real life and bring all that in to your writing.

Characters and plot, though, was where you need most work. Run Lilla through theMary-Sue Litmus test, because a lot of her traits – different appearance, using magic, being of royal blood, having parents die when young, being raised by people who aren’t family, being raised by abusive people who aren’t family, having a map to a secret location, having a special item of jewellery that marks her out as different, having a special weapon that’s really cool and marks her out as different – they all point to Mary-Sewage.

PM me if you have any questions!



Nothing of me is original. I am the combined effort of everybody I've ever known.
— Chuck Palahniuk