Cover art for Chapter 30 - Sange

Chapter 30 - Sange

by WilliamPaige

Published February 22, 2026

16+ Language Violence

In My First Book

Warning: This work has been rated 16+ for language and violence.

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(30)

-Sange-

 “24 hours.” Icarus’s voice trembles. “We have 24 hours until they—” 

Mow us down?

Slaughter us like cattle?

 Our shaky breaths are the only noise. 

 We have one chance, one battle. We either seize a bloody victory, or we lie to rest in a mass grave. 

 Across the table, Benjamin is gone, his eyes glossed and distant, his jaw set tight. Icarus tugs at his hair, chewing the inside of his cheek. 

 “We have to tell them.” Even as I say it, I’m filled with dread. I don’t think they hear me—I don’t know if I hear myself. My eyes burn with unshed tears, unspoken promises. 

 As I look at the two of them, Icarus’s hair thinned with anxiety, Benjamin’s cuticles bloody from nerves, my chest tightens. Pain seizes within my ribs. I love them. 

I love them and they need me. 

“When they come we’ll be ready.” I’m lying through my teeth. “We have 24 hours. I like our odds.” I smile: my heart aches.

The town square is swallowed by the swarming mass, a tense circle of listeners press in from every side.

“Tommorow,” my words ring out across the sea of bodies. They all stare, unblinking, unmoving, hanging on my every word. I swallow the fear choking in my throat, squaring my shoulders. “The enemy will reach our borders.” Somewhere a baby cries; hear the hush of a worried mother.

They fear you

They follow me. I have to lead them.

“There is a fight coming, but you know that.” Head up, shoulders back “You’re probably asking yourself ‘is it worth it’. I know I’ve asked myself the same question.” Slowly the tremble leaves my voice. “But answer me this: where do we draw the line? How many people need to die, how many lives shattered, children slaughtered?”

You might tell yourself those aren’t your people, why should you care? But how long will that excuse work? It’s not you versus me, it is us versus them, it always has been.” Nervous whispers drift through the air. “Those people, they destroyed their home, now they are coming to take ours. So I ask you, I beg you, look to the person to your right—” they do “—to your left? Those are the people you’re fighting for: mothers, daughters, sons, brothers, and sisters.”

A few nods, a building confidence. I take it as a cue to continue.

“This is our home!” A scattered collection of cheers bubbles. “This is our home! Tell me: WILL YOU FIGHT FOR IT!” The response is a roar, it arches through my body, shaking into my bones. 

Yet, in the crowd of cheers I find myself watching two forms. They stand further away from the rest, hand in hand, Icarus and Benjamin. The bedlam falls upon deaf ears as I watch the two of them. How far would I go, just to see them safe?

-o-

Stars peek in and out from behind dark clouds mocking us with their beauty. From my rooftop perch, shadows move through the streets like ants. 

As I watch the night near its end, I can’t help but picture what could have been. I may be young but I feel I have lived a hundred lifetimes. Life becomes so fragile, when you realize what you have to lose. Perspective matters in that sense. What is desperation if not driven from a place of love? 

I sigh, leaning back. 

The gentle ruffle of feathers follows Icarus as he takes a seat beside me. 

“Where’s Benjamin?” I ask.

“Asleep.”

“Whatever happens tomorrow—” I can’t finish.

“I don’t want to think about tomorrow. I just want now.” 

Maybe that's all we have, a single moment suspended in time. I’d stay this way forever if I could. Nothing but the soft sound of our breathing, drifting stars and the utter dark. 

We spend so much time running from the clock, refusing to acknowledge time doesn’t compromise. 

Endings are inevitable.

Sleep finds me eventually. I suppose Icarus returned to Benjamin some time in the night; he’s gone when I wake.

The sun has not yet crested the horizon, but its faint light has already begun to paint the sky in a pale grey. Bloated clouds lug lazily, flaunting their pompous promises of rain. 

Mindlessly, the familiar weight of my knife spins across my knuckles. The worn leather formed inherently to my grip, the metal lambent in the early dawn. When it’s over, I’m done. When the fight ends, when the last soldier falls, I’ll bury it. I’ll leave the sick blade in the earth. 

As for my family, I lead them now. I have the power to fix it all, I could rewrite the narrative. No more desperation, compassion over cruelty. I’ll break the cycle. 

When it's over, everything will be different.

The piercing scream of a horn blowing shakes the ground, shatters reality. 

No, no, no. It’s too soon. This wasn’t the plan.

Our borders have been breached.

Panic fills my lungs. My vision swims, caught somewhere between a dream and materiality. Every flicker of movement I witness in grotesque lucidity. 

 The streets flood with frantic bodies, ripped out of the safety of sleep. Pounding footsteps echo as the delirious mass swarms to find friends or weapons. Hysteria lights like a fire, it catches quick, spreading rampant through the ranks. They’re not going to their posts.

Get over yourself,

they need direction.

“Nothing has changed!” Focus on me. “Get to your posts!” Faces turn upward, their fear is palpable, stinging the sharp air. Despite the shake in my voice they begin to obey. 

As soon as I reach the street I scan the pulsing mob for my team. A glimpse of twitching crimson fur, reveals them standing firmly at attention. Pitiful relief washes over me.

I bark a series of orders. They do as they are told. 

The first shots ring out. The sound is like nothing I have ever heard. A vehement cacophony and a wave of gun fire. My ears ring violently. From the ridge archers release their arrows and they arch through the blood red sky. 

Kindled by the dry month, sparks light. Smoke plums the air, billowing from the smouldering birth of a forest alight.

Gore and hysteria flood the minds of soldiers and bystanders alike.

“We hold the line!” my words feel foreign on my tongue, “Are you with me!?” Cheers. 

We charge.

That’s when I see them: a wall of soldiers, adorned in deep blue uniforms. We advance, yet they seem numb to our approach.

The ground beneath my feet erupts. I’m thrown, as if I weigh nothing more than a ragdoll, sent lurching into a half’-crumbled wall. The back of my head cracks against the hard wood. Spots swell within my vision, blood beads sticky in my hair. I grind my teeth, pinching my eyes shut. My stomach rolls and I retch into the dirt, vomit smearing with gore and sweat. The sounds around me are foggy and distorted. 

I drag myself off the ground, fighting against the dizzy sway of the earth.

A single step forward. My foot catches and I fall, landing on something soft. Torn flesh slips beneath my fingers, slick and cool. My stomach writhes, I can’t breathe. Terror nips at my heels, threatening to pounce.

The face that stares back strangles the cries in my throat. Unblinking, his head bent angles as if straining to see something overhead—too far—bone glints devilishly white, protruding from the puckered flesh as if new teeth from young gums. Blood seeps in thin ribbons down dirty cheeks.

Rage slinks in the back of my mind—I seize it, falling into the cruel familiarity. Anger is easier: the comfort of wrath.

A snarl spits through my teeth, a deep animalistic growl, reverberating in the darkest depths of my ribs. I force myself to my feet. 

Let’s bring hell.

The flurry of battle shatters every preconceived perception of time, it stretches, dilates, stops and skips. 

To my right the steady presence of my troop, fighting with bloody ferocity. It’s about speed, everything relies on not getting caught, if you slow you’re dead. We brought knives to a gun fight. 

Conflict dances with familiar precision, a misstep of the enemy, an opportunity to strike. The wall of blue plows forward, falling bodies like a tidal wave.

A break in the line.

A series of shouts ring out—too slow—I seize my chance. A low kick and knees snap backward with a sickening crunch. Crimson stained soil skids beneath my feet, as I dart behind the line. I can’t help but grin at my own cunning.

I have seconds before they notice me. 

Deft fingers snag the handgun off the belt of an oblivious soldier. 

Shoot,

You don't have time.

Shoot

Just take the shot. 

Like fish in a barrell, 

You know what they’ve done

Rage, my dear friend, my kindest comfort, sweet palliation. 

I level the irons—

A cruel crack whips my head to the side, my vision spirals. The pistol clatters from my grip. I fall to my knees. Time slips through my grip. The earth rocks, swaying as if a boat in open water.

The cool metal of a gun barrel, an icy kiss on my forehead. 

Bang.

A mist of gore slops from the sky. My heat rattles within its confines.

The man slumps.

Comments & reviews · 2
User avatar
vulpesvelox
Review
vulpesvelox wrote a review Review · Jul 16

Hello, hello! :mrgreen:

Across the table, Benjamin is gone, his eyes glossed and distant, his jaw set tight. Icarus tugs at his hair, chewing the inside of his cheek.

I don’t think "gone" quite works here because for a second it sounds as though Benjamin has physically left. You could say that he’s gone somewhere distant in his head or that his expression has emptied. The details after that are good though, especially Icarus chewing his cheek. You use those signs of anxiety well throughout this chapter.

"When they come we’ll be ready." I’m lying through my teeth. "We have 24 hours. I like our odds." I smile: my heart aches.

I like that she knowingly lies to comfort them, and it tells me quite a lot about the role she’s trying to play. I’m not sure about the colon in the final sentence though. "I smile, even as my heart aches" would read more naturally, or you could describe how forced the smile feels. It’s a strong moment so I think it deserves something a little more specific than her heart aching, as that is very overused.

A low kick and knees snap backward with a sickening crunch.

Whose knees? I understand it’s an enemy soldier, but I don’t see the person before the injury happens. "I sweep a soldier’s leg and his knee snaps backwards" would be much easier to picture. The same applies to stealing the handgun. You may want to add a little more positioning so it feels more important rather than the weapon conveniently appearing within reach, which doesn't seem to make sense.

Bang.
A mist of gore slops from the sky.
The man slumps.

This reversal is good! I think the narrator has been shot, then realise someone has killed the man holding the gun. However, "Bang" on its own makes it seem as if the weapon against her forehead fired, which should have much more immediate impact even if the bullet somehow missed. It may help to mention that the barrel jerks away or that the man’s blood hits her before she understands what happened.

***

I feel like I shouldn't have started this from chapter thirty, though I do enjoy it! I like that the narrator’s public confidence is almost entirely an act driven by the need to protect the people she loves. The contrast between her speech to the town and the rooftop scene is good, as well, because I see both the leader she needs to be and the frightened young person underneath it. I also like the dynamic between the narrator, Icarus and Benjamin.

Some parts are a little overwritten, though. There are lots of metaphors, fragments, abstract statements and intense reactions, and because they’re used so constantly, I think they start to overshine each other. This is especially true about the battle, though I did like the scene. Before it begins, you may want to establish the geography and the intended defence so readers can understand what "the line" actually is. During the fight, maybe focus on fewer events and make each movement easier to picture.

I’d also bring Icarus and Benjamin back into the narrator’s thoughts once the battle starts. They are the reason she’s fighting, but after the horn sounds they disappear entirely. Even if she can’t see them, she should probably be wondering where they are or searching for signs that they’re alive.

Cheers!

Lipton

User avatar
Tikaya
Review
Tikaya wrote a review Review · Jun 27

Well then, you didn’t answer my PM but your work still remains in the Green Room so let’s look at this context-less pre-climax you have here 😊

I already like the first line! It conveys a sense of urgency and the bold, left-aligned text to show potential endings for that sentence is a cool idea!

I love how this works, even without context. I just feel so immersed in this first section, how you describe the characters, the word choices you made. It works so well. That said, I feel like the speech could use a bit more editing. In the beginning of it, the interspersed narration did work for me, but as the speech got longer, I felt like I was lacking not really information (I think you recap well enough) but a glimpse into Sange’s demeanor. How she says this, not only how the people react. Maybe you’d want to do something more to bring emotions across that accompany the rousing speech?

Hmm in that second section it feels more and more as if Sange is trying to convince herself that she’ll stop the fighting. That she knows she’ll survive this and that she will stop once it’s all over. First of all, last section she lied to the others abt how assured their victory is so this feels a bit odd to me. And second of all, … maybe it will not be so easy after all. Maybe even winning TODAY will not stop the fighting, maybe she will have to continue wielding that knife… this is what I think of when I read this.

This time to, I feel like her rallying the troops interspersed with narration works much better! I feel like you do more narrating that speeching and this just reads much better to me :3

I feel like the battle itself worked decently well. I wasn’t lost and I assume that by now we have good reasons for why the MCs are fighting against guns with nothing but knives.

Still I feel like that last …breech in the line where she goes in to grab a gun… With how you slowed down the narration it feels like a) she deliberated too long with the gun in her hand without taking a shot and b) how did no one notice her coming in. I have a hard time imagining that. Maybe more descriptions are necessary in how the line is arranged?

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