18+

The Millennial Ch. 3 (Pt 2/2)

Warning: This work has been rated 18+.

               Digging and filling and filling and digging. They’d had their share of digging and filling.

               David and Juan trudged past an abandoned warehouse; shattered glass littered the sidewalk and the world was a plastered, metallic gray. David walked his bike alongside himself, avoiding the broken shards and listening to the spokes of his wheels. The hum of the click.

               The sun would be setting soon; Juan stopped at the entrance of the Helvetica Springs Cemetery. He stood for some time in silence, holding his shoulder where the tiger tattoo sat underneath his shirt. “It’s a place I like to go to remind myself,” he said finally.

                “Of what?” David asked.

                “That someday we will be here. Not here precisely. But here.”

                David nodded. “Do you want to go in?”

                A trio of dark granite monuments dedicated to the city’s founders dominated the entrance. History was with these men, their obelisks pointing high into the air. Intricate plaques bearing gold letters told the story of how these men had built the city, ground up. At the base of each obelisk bouquets piled up, generously donated by City Hall once a week.

                Carnations and chrysanthemums. White lilies and red roses.

                Daisies.

                Gladioli—glad you are alive.

                “Ground up,” Juan said. “Helvetica Springs, neutral as the Swiss.” He pulled a small flask from his pocket and took a swig. He offered it to David.

                “What’s in it?” David asked.

                “Whiskey.”

                “Yes, please.” He took the flask.

                “This fucking city,” Juan said as he wiped his nose. “We’re sans-serif, David. We don’t want to make anybody mad, don’t want to give the wrong impression. Everything is so goddamned neutral.”

                David took a swig from the flask and handed it back. He watched as Juan checked his surroundings, then slowly bent down and grabbed a small bunch of roses.

                “You’re taking that?” David asked.

                “I’ve stolen communion wine from a priest. I think a few flowers will be the least of my concerns hell-wise.”

                David smiled and grabbed a bunch himself.

                “We’ve washed ourselves of all the calloused hands and broken backs and erected three granite dicks in their place. See how tall they get. Ground up. Toil, sweat, blood and tears.”

                “I believe that’s the wrong order. Churchill would turn over in his grave.”

                “Perhaps if he were buried here.”

                “It is the sort of nonsense up with which he would not put.”

                Juan led David to the old gravestones of those who had died during the founding of the great city. Taking turns, they left a flower at each of the graves. David knelt beside one and traced the illegible letters of the crumbling gravestone with his finger. Was the epitaph witty? Or solemn? Perhaps the letters had been chiseled delicately by the hand of a husband grieving his wife, worn away with time. “Burial is one of the oldest of human traditions,” David said. “A hole is dug. A body fills the void. Digging and filling. Possessions have been found in the burials of humanity’s ancestors. It predates us.”

                “I like to make up their stories. Pretend to have some knowledge of them. At least someone is trying to remember them.” Juan pointed to the stone David was tracing. “What do you think happened to her?”

                “What makes you think it was a ‘her’?”

                “I have a feeling.”

                “I bet she was a lonely mistress,” David put simply.

                “Three months,” Juan said. “She had to wait three months each time, just for one short night to see her lover. He could only come to her when the old bank sent him here on business. They would meet outside the school where she taught. Each time he would bring her a white flower and when they were done, he would go back to his wife and pretend nothing happened. The next time he came to her, she was carrying a child. He became infused. Threw a lantern. Refused to speak to her again.

                “She grew sick and died a month later, their child along with her. The man came back during his next visit and learned of her fate. It ruined him. He visited the grave, but there was nothing there to remember her or his child. In the city, he purchased the headstone and had the caretaker place it here. He never returned; he is buried next to his wife in the family plot.”

                They walked the grounds, putting their hands to the lichen-rich stones and running them over the cracks; at others, they told a story. The rich accounts of carpenters, shepherds, actresses and even an Internet tycoon. They stopped before an ordinary-looking plot, one word etched into the generic headstone.  Francisco.

                “He was the owner of a local strip club,” David began to say, but Juan put his arm on David’s shoulder.

                “I have this one,” he said.

                David stepped aside.

                “He lived in a small Latin country, trying to make a living caring for horses. Came into money trouble. His wife died in childbirth and he fled the country with the baby. It was his last link to her. He found his way to America and settled down in a small city. Went to church, found a nice elderly couple who invited him to dinner on Sundays. Then every night. He named them his child’s godparents. One day, he was driving and was hit by a mother of two. Not a drop to drink, was driving to pick up her kids from soccer practice. It was just an accident. No one’s fault. An accident. The boy came to his father’s grave once a week. Left flowers. The boy came to know the other graves, giving them stories, hoping they kept his father company in the afterlife.”

                Juan set the remaining roses down on his father’s grave. He’d had his share of digging and filling.

 

----

 

                “He was your father,” David said.

                “Yes,” Juan answered.

                “You live with your godparents.”

                “They adopted me shortly after.”

                “I called him a strip club owner.”

                “You could not have known.”

                David put his hand to Juan’s back and led him to the cemetery’s exit. “I should have known. I should have guessed. How can I be forgiven?”

                “There is nothing to forgive,” Juan said.

                “A good deed,” David said.

                “A good deed?”

                “Yes, to be cashed in anytime you need it.”

                “Anytime?” Juan asked.

                “Yes, anytime,” David said, thinking back. “Cheer up now. I only do favors for people I like.”

Comments & reviews · 3
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User avatar
Rydia
Review
Rydia wrote a review · Sun Mar 31, 2013 12:49 pm

Hi Trident!

My apologies for being so late coming to this - I've had somewhat of a busy month. But here I am now and looking forward to what I am sure will be an excellent read!

Specifics

1.

David and Juan trudged past an abandoned warehouse; shattered glass littered the sidewalk and the world was a plastered, metallic gray.
Beautiful. I couldn't go by that sentence without reading it a second time to admire its construction.

2.
David walked his bike alongside himself, avoiding the broken shards and listening to the spokes of his wheels. The hum of the click.
I stumbled a little more at this part, I think because the click doesn't hum? That's two different sounds. The spin of the wheel makes the whirring/ humming side and then the spokes click. It feels a little off to combine the two productions in this way.

3.
“This fucking city,” Juan said as he wiped his nose. “We’re sans-serif, David. We don’t want to make anybody mad, don’t want to give the wrong impression. Everything is so goddamned neutral.”
It's the lines like this which really highlight to me what I love about your writing. I'm having some difficulty with these characters though. They're all so intelligent. It feels like you're not giving a broad enough view of our current society because you're featuring such a minority group of highly intelligent individuals. Yes, these people flock toward each other, but we can go for months, years in between finding people of a similar nature. Much more often we come across half-fits and we connect to them because it's better than waiting for perfection to come along. For this to feel like a real reflection of our society, there needs to be a wider range of personality types in the foreground.

4. I like the symmetry of the digging earlier and the thoughts of digging now. I also like a lot of the psychology here and their act of filling in the blanks: creating lives for people. I also love the revelation at the end, but I wonder if we couldn't have a slight break in that dialogue, just to drop the final three sentences on to another line. I feel that would add more impact and give the sense of a natural pause. That slight moment before a person knows if they'll complete the story or leave it half told.

5. Love David's return to 'I called him a strip club owner'. That's perfection. Juan's 'You could not have known' feels awkward on a lot of levels though. It doesn't feel like natural speech and it's disconcerting - not in a good way.

Overall

I wasn't disappointed - it's a great chapter, Trident. There's nothing too far out of place and while I do have my concerns over your flood of intelligent characters, I like them enough that if I didn't know what you are trying to do, I wouldn't have brought it up.

That's something to think on I guess. Tell me when you've posted the next part!

Heather xxx

Thanks Heather! Lots to ponder. I've been hearing this thing about characters and I think I need to take a look.

User avatar
dogs
Review
dogs wrote a review · Thu Feb 28, 2013 11:51 pm

My goodness... so much work in my life! Well I'm excited that I'm FINALY here and able to read this piece. I've been looking forward to it :). Although do keep in mind that my spell check is not working right now for some reason, and I appologize for any spelling errors I have in this review. Let's dive in now shall we?

"where the tiger tattoo sat underneath his shirt."

Awww he put his shirt on :(. Anywho, minor detail but you describe them digging and shoveling and all that jazz, but I want you to add in a bit about them leaving their work as they walked along the road. I mean, what is their motivation for this? Did they finish all their work? I feel like this is common sense and I should know this... but I'm one of the most ignorant readers you'll get, so state the obvious at times sometimes.

"Everything is so goddamned neutral"

As always, be careful with how much cussing you use in your writing. Almost every time it's effective and adds in an edge of humor, but in this case I think you should just take out the "gddamned" bit. Usually I read dialogue as if I was acting it out, and it doesn't seem natural for this line in the sentence.

"We’ve washed ourselves of all the calloused hands and broken backs and erected three granite dicks in their place."

Hahahahaha, love this line, really funny :). Although, the only issue I have with it is specifically with the: "and the calloused hands and broken backs and erected..." triple and. I think you know what I'm going to say, but maybe make this a list or break it into two different sentence. The tripple and just really breaks up the flow of your writing.

“It is the sort of nonsense up with which he would not put.”

This line is oddly worded and I'm not entirely sure with what your trying to say here. Usually you're spot on with your word play, but here I think it just comes off as confusing.

"Taking turns, they left a flower at each of the graves."

Ok, so this problem is starting to come up a little bit more in your writing. You have these two different actions or 'scenes,' if you will, and they happen without a transition. It's like having a choppy memory and only remembering the bare essentials of the evens that happened and not how you actually got there. Need to create an image of Juan and David walking over to the tombstones. I'm not sure if this is an issue of the transitional writing, or the fact that you're not painting the entire picture for the reader before you describe where these characters are going.

"Possessions have been found in the burials of humanity’s ancestors."

I think this might be just me, but this line seems a little out of character for David to say. It just seems like such a random a philisophical thing to say that came out of the blue that it doesn't really seem "David" ish to me to say something like this without a valid reason. Not entirely sure how to fix that issue.

“You could not have known.”

Nice bit about the father thing and Juan. I like that, it's an interesting deep moment. Although I'm not sure I would opne up that much to any one that I've only known for barely a day. That's the only thing that seems off there. Also, I would make this "couldn't have known" because that's just the slang of modern day language and sounds smoother that way.

"How can I be forgiven?”

If someone is pissed at me, I never ask them how I can be forgiven. Maybe say something more akin to the modern saying of: "how can I make it up?" Or somethign else along those lines.

Niceeeeee I love how you bring the entire thing full circle to the beginning with the "good deed." Nice job there, I really liked it. I think it's interesting how at the beginning of your writing, I thought for sure that you were writing a book about 9/11, not so at all. I like where this is going, there are a few logical lapses in this piece but only minor things. Be sure to better create the picture for the reader, that's absolutely essential. As always I love reading your writing and this piece certainly doesn't dissapoint. I"m hungry for more! Let me know when you post the next piece. Keep up the good work!

TuckEr EllsworTh :smt032

User avatar
StoneHeart
Review

Okay, this was interesting.

I'd like to know why they were putting flowers on the graves in the cemetery???
Also, you could use a bit more detail on what things look like, moss on tombs, people, grass.
Everything.

I like how they told stories like that, the touch with Juans dad was nice.

I'd advise you to try to keep the end a bit more open as well, it would be a good idea. You want the reader to read on, so make it so there's more to it. I could see this as a short story and you're ending here.

If this is a novel, which I assume it is, due to the multiple chapters, you want chapters open at the ends.

I guess I'd have to read the rest of the story to know what you mean by all their digging. . .

You have one major problem with your grammar. Going with a sentence then completely changing it and throwing in some thing completely irrelevant.

Example: David and Juan trudged past the abandoned warehouse; shattered glass littered the sidewalk and the sky was a plastered, metallic grey.

What does the metallic sky have to do with the glass on the sidewalk.

That doesn't work, and you have a couple of spots where you do it.

I'd advise you to fix those, they're really messy.

But this was interesting. I read it easily and it sucked me in really well.

Great work!

Keep writing!



I wish literally anything else I ever said made it into the quote generator.
— CowLogic