III. The Answer of Nix
Together Fee and Nix swam down the street of Kelpie City, passing all manners of sights, or at least those want to appear in such a place. Kelpies of note rode about in chariots made of grand, chromatic seashells, dressed in the sort of glossy refinery they found beautiful; often these were tiny beads or miniscule pearls, or sometimes the scales of more loudly colored fish. These scales, the reader may be assured, were appropriated by no violent means. To the contrary, where one finds kelpies one seldom finds violence, unless mischief could be considered a lowly form of that activity. But then, of course, all Faerie were inclined towards mischief, so it would be odd to hold that especially against the kelpie folk.
Merchants littered the streets, mustached shrimps weaving their appendages, clutching baubles and gadgets of every sort. Shrimp have ever been the salesmen of the sea, for being especially diminutive and exceptionally useless (except as food or fertilizer) to the intelligent society of the waters, it was necessary therefore that they ape stations of import, inventing needs where nothing was wanted and wants where nothing was sought. In this manner, shrimp avoided, whilst in the sea, the dangers of cocktail sauce when they were among fellow water-creatures, though as yet the only defense the cunning of these salesmen have artificed against humanfolk is the trail of fecal matter lining their bodies, a result no doubt of their trade among kelpies.
What are called by Faerie fishdragons and by men seahorses abounded in the city too. Some of these towed the carriages before mentioned, or sported sometimes single riders, kelpies either of youth and wealth or submitted to positions of civil service. The fishdragons had great wide eyes and beautiful gold, brown or green eyes, and their riders were often swathed in expensive trappings, scintillating rainbow fish scales, dollops of gold and trimmings of the finest red seaweed to make the most distinguished dress among kelpie fashion.
Fee found herself noticing the gills of Nix as they passed along together, their natural means for breathing water, which she herself lacked. Airbubbles and drifts of water flowed around the creasing, wavering strips as they opened and closed, revealing for brief moments the dark red flesh within the gills. Certainly partakers of this tale have asked to themselves how Fee breathed without this physical accoutrement; had one seen the little Faerie, or any little Faerie of her sort (which are called sprytes, as I have neglected to mention, by many, though they call themselves sylphs most usually), one would note a most beautiful, translucent glow about her body. This iridescent aura possessed by all sylphs is their Faerie magic, and its brightness indicates their health, and its hue their mood or sometimes their endeavors. Ordinarily, Fee’s glow was the greenish gold typical of her kind, but now it was a bluish white, mostly. This change allowed her to breathe in the depths of the ocean; how exactly this is so remains a mystery to most non-sylphan scholars on the matter, and so I would ask the reader not levy too harsh an opinion of my ignorance therein.
Nix, of course, was entirely aware of Fee observing him in this manner, but did not let on until suddenly he swung his gaze on her with an amused grin.
“It’s not polite to stare, princess,” he chided lightheartedly.
“Forsooth, and it is most improper to correct a princess, moreover,” Fee answered with a grin of equal ebullience. She was thinking of Sindri’s question, and for some reason she wondered if the answer was in those gills. “Nix, why does water not speak?”
He gave her a peculiar stare and did not answer, thinking for a few moments. “One of Sindri’s assignments, huh?”
She nodded, rolling her eyes. “You know him too well.”
“You’re in luck. I know precisely why the water does not speak.”
“You do?”
“Yes, I do.”
He was silent for some choice moments, until she burst out, exasperated, “Well, why, then?!”
“It’s very simple, really. The water does not speak, you see,” and here he paused very sagaciously, “because it does not have a mouth.”
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Canary word: Present
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Good Morning/Afternoon/Evening/Night(whichever one it is in your part of the world),
Hi! I'm Knight Hardy here on a mission to ensure that all works on YWS has at least two reviews. You will probably never see this but....Imma do this anyway.
First Impression: First of all this one has a lot of info dumping. Just a whole bunch of explanations crammed in there with the actual dialogue that makes up the story being quite tiny in comparison to how much of this is just explanations. For a short story you don't really care too deeply about how this works and the history of that etc. If you know the bare minimum that's perfectly enough so this feels like its way too much information that's being given out here.
Anyway let's get right to it,
If you put aside the overload of information, the description here is actually quite nice to see.
More great imagery there. You an just picture this scene really well here and that's great.
The entire last bit of that is completely unnecessary. Unless this was to be a long novel or something like that (even then most people wouldn't bother) this whole description of how she breathes serves no real purpose to the story overall. It just feels like something you'd do to prolong a target word count or something like that.
For a light hearted conversation where they are smiling at each other the language is very stiff and formal sounding. You would expect like lawyers or something to talk like this.
Not sure if that's a joke or he's just being mysterious and referring to some other reference that we don't know about.
Aaand that's it for that one.
Overall: And that's about it. This one feels slightly clunky and weighed down by all the descriptions and explanations. It doesn't flow very smoothly and I don't see much of an actual story here. It's just a tiny short scene that conveys pretty much nothing and the dialogue doesn't seem to be going in a realistic direction. It sounds very scripted. I feel like it needs a bit more normal pleasantries before going straight to the point because real conversations never just go right to the point like that. But that's just my opinion.
As always remember to take what you think was helpful and forget the rest.
Stay Safe
Harry
Overall, really good. I've only got a second, so I'm just going to tell you what I don't like.
The dialogue.
It seems fake, presumptious (hope I didn't over-mangle that!), just-unnatural. I can't imagine hearing real people talk like that. Ok, gotta go