'ello there, SubSub!
I wasn't sure if this painting in here was an actual, real-life one, so I actually looked it up. I didn't find it! But I did find a lovely old work called Pais Street; Rainy Day... I'm not sure if that had anything to do this, but I'm just throwing it out there lol.
You open this piece with descriptions of the painting, which is super awesome. I thought I was in Paris for a second. I like how there is a cyclist and a fat man with a mustache, and the Eiffel tower looming over them all. But I did think the descriptions were a little too straightforward and dull. Since this is a painting, I can totally understand why that's so, but it might help to add some color. Tell me more about the boy and girl on the bicycle: what they're wearing, what they look like - what's unique about them? Try to make the descriptions unique. Is the woman 80 or 30? Is man's hat just "red" or could it be a deep, wine red. Are those loaves of bread in that fat man's cart hot from the oven?
Since this short story revolves around this painting, I do think it's important to give the reader a beautiful picture of what, well, this picture looks like. :p
And one other thing on that: it might be best to clear up the exact location of everything. I'm not sure where the boy is riding his bicycle or where the fat man is pushing his cart.
\Paris was beautiful at night.
A man with a red beanie waited just outside the doorway of a small cafe.
We have this lovely opening statement, and then we go straight to the man outside the cafe. I'm sure this man is handsome enough and no offense to him but he isn't what makes Paris beautiful if you know what I mean. :p It might be cool if you start out with the glowing and gorgeous Eiffel Tower, and then proceed to describe the street scene that's nestled in its shadow.
Paul shifted to look at the man just behind his elbow. His pointer finger dropped from where it had rested so long on his lips and helped the rest of his hand straighten his tie, which seemed to be hanging from his neck at an angle again. He didn't dare touch his hair for fear of mussing it. He'd slathered it with enough gel to cement this painting to the gallery wall. He was sure it hadn't moved a millimeter and he didn't want that to change. He'd do best to leave his hands where they were, crossed against his chest now.
I feel like this was a lot of unnecessary information. And it read a bit awkwardly. Those last few sentences all began with "He" or "He'd", and the second sentence was much too lengthy. Chop it up, change some things around here, shorten it. But I will say, I liked the sentence on his gel and cementing the painting to the wall. xp
"Mr. Carson, paintings are always quiet. If you want noise, you've come to the wrong place. May I suggest a French opera house?"
lol
I think it's interesting Paul only notes the quiet of the picture. Sure, that is strange for Paris, but I'm wondering what he thought of how this picture was painted. Maybe he only mentally noted the paint strokes and style and the lighting of the whole thing, but I'm curious as to what it looks like. Since this story does center around the painting and all.
I'm also curious about Paul... why this painting? Why take time for it? Any special importance or meaning behind this story?
Other than those notes... I believe that's all I have to say. This was a short and sweet piece, and I hope to read more of your works soon. :]
Have a great one.
~rosette <3
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