Didja have to use 'dayzed' in the title? I mean just
So between all the blood and personality hullabaloo, I couldn't help but hear this in the voice of Edward Norton because Fight Club. I hate myself for it, but it's true. Your first two stanzas are pretty straightforward for your work, honestly. They're good narration, character building; they give us a glimpse into the narrator and really just generally make me care about what's to come--until what's to come comes.
50% through stanza three is where you effectively and efficiently lose me BECAUSE, and I get to use admin red:
Haven't you seen anything with Multiverse theory? You created a branch in the timeline, and now there are two poems.
So please don't focus (don't like this word here, would deffo go with something more apropos??) erotic starvation that drops the BMI counts three percent. The syntax here also branches the possibilities out into syntactical possibilities. I'm not a huge fan of exploring all of them, but EDs are nasty creatures, so the following forcefulness is an interesting concept? Though
i'll stick a banana in their tailpipe is reminiscent of anal rape, and I don't go for that jam in my literature, though I get the forced eating--there are those here who would crucify you for mentioning it flippantly. And it just comes from nowhere. This whole segment comes from nowhere. And goes nowhere. It's very personal, I think, and I think I want to feed you a chicken, but. Oi.
Moving on to the sex with documentary and starvation--it works. EDs are rough. Rough to capture in literature? Spark uses wolves to talk about them. Insomnia once used fire. Consumption. You get it.
Final note--the genocide documentary sidenote is a gorgeous thing that most will miss for its literary value. Wrong kind of -cide, but I love it all the same. Gotta mask it somehow.
Good work. Nix the tailpipe banana.
Ty
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Reviews: 745
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