The first four stanzas seem to all lead up to this last stanza which reads as a conclusion, a revelation, as if the narrator has gotten over doubts and fears and presents themselves in the end as edgy and confident admitting to themselves that the tick that made them different and stand out/teased, strabismus, my second name-- ends up falling in love with those quirks, or else confident, falling into the perceived weakness now as an identity to be prideful of.
It is a nice progression and also relatable c: (I hated my frizzy hair growing up and now I love it, not that it is in any way analogous but my point still it's a relatable piece c:)
The lead up though needs some work. I noticed it was a progression told in first person and mainly internally inside the thoughts and feelings of the narrator, which is fine just that it falls into all the traps and pitfalls that are the typical limits of first person. Lots of telling, lots of I's and me's, perhaps just some variety of phrase and point of view can help. You can still write in first person and explore what happens internally mixed in with what occurs externally around the POV as well.
When we get to the "Others looked over their shoulder as I looked at them" that line is beautiful, more of these observations interspersed throughout would be lovely c: or else paring down on the superflous and jist keeping this moment and focusing intently on it, like how does the narrator feel when people never meet their gaze? As less of a person? Not respected? Do they take it as an affront, an act of rudeness? There are soooooo many different reactions and emotions as possibilities here, we don't get much c: But the moment is a rich one in crossing bridges and empathizing for your readers. Not many people know what it is like to have strabismus. But a lot more can identify with "looking away" in that moment. So showing exactly how that makes the narrator feel could be super interesting and enlightening.
Let me know if you wanna chat this up.
~ as always, Audy
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