Published May 10, 2012
This is a strange little story born from a desire to write something dark and too many fairytales. I have yet appeased my need for very dark, vaguely distrubing things. Expect more from me in the future ;)
I.
There is a girl in the tower.
She has been there for a long time, before even my grandfather was born, locked away behind a cage of thorns and frozen in her endless sleep. Mama used to tell my brother and I stories about her when we were very small. She told us that the girl was a princess, cursed by a witch to sleep for all of eternity. There were a thousand stories about her, all of them as true as the first. Kelsey Bingham at school said she was a ghost. David McCabe said she was a vampire.
That morning, none of it mattered. We congregated in the church, squeezing into the pews and pushing against the walls. It smelled like burning flowers and sorrow. Mama smiled at me, one arm wrapped too tightly around my shoulders. She smiled, but her eyes were empty. Dad clapped me on the back. He stared at Mama, at the window, the wall, anywhere but my face. Cecily smacked a childish kiss against my cheek, hot and stick. My fingers itched to wipe it away.
Then the reverend was calling for us. Lucas waded through the crowd, his fingers tight around my wrist. They parted for us, sliding on the waxed floor as they tried to get away. They did not need to be afraid. Death was not a contagious thing. I hated them for it.
Hayley did not move. She stepped in front of Lucas and refused to move, her face all set in hard lines of determination. “Move, Smith.” My brother said through clenched teeth. His hand tightened, crushing my bones together. My skin tingled and stung with the loss of blood.
“No,” she said simply. I met her eyes over Lucas’ shoulder and she sadly smiled at me. When she stepped around him, my brother did not stop her. She clasped her hands and rested them against the nape of my neck, rested our foreheads together. I tried hard to memorize every detail of her face: her brown eyes, the freckles on her cheeks, the curve of her lips. “Love you,” she whispered, so, so quietly. I closed my eyes and let her take me somewhere far away.
“Jamie.” Lucas said sharply, tugging me away. “Come on.” Hayley let me go and her arms fall loosely to her sides. I wished she wouldn’t. I wished she would hold onto me forever.
My brother led me to the front of the church where the other boys stood. Some stared blankly at the floor, their hands fisted at their sides. Some trembled like birds. David McCabe grinned triumphantly at me, as if he was afraid of nothing. When his arm brushed against mine I imagined his carelessness imprinting itself into me, melting away my fear. I needed his fearlessness now.
It was May Day, and so one of us was going to disappear.
II.
There is a girl in the tower.
For as long as anyone could remember the entire town of Daren squeezed into the church on the first of May, dressed in red. The reverend burned roses and thyme at the altar until the air stung with smoke and smelled like decay. He sang softly in a language that twisted and hissed around his tongue. Slowly, one by one the boys came to the altar. He split the skin of their palms with a dagger shaped like a cross. On my father’s hands, I could not tell where the lines ended and the scars began.
The dagger did not hurt. I watched in awe as bright blood welled up and spilled over my skin, dripped down my wrist onto the pyre. The flame hissed, sputtered smoke in wisps. Then went out. The rose was withered and cracked beneath the ash, charred grey and brown. Only the very edges still had color, and they were as red as my blood.
When the reverend stopped singing and took my wrist with cold fingers, raising my fist in the air, I didn’t cry. I didn’t screamed when Lucas bowed his head and Hayley pressed her lips together to keep the tears from spilling over. I didn’t run when Mama buried her face against Dad’s shoulder. I was completely numb.
Every year, one boy is chosen from the congregation to go to the girl in the tower.
Every year, one boy leaves and never comes back.
III.
They opened the fence around the tower before the sun was up. The sky was stained pink and orange around the edges and I stood close to the fence, gripping the chain link in trembling hands. Hayley curled her fingers around mine. “Don’t you die on me, Jamie,” she said. Her voice was steady, but I saw the tears in her eyes. “Tomorrow morning you’re coming right back, alright? Alright?”
“Yeah,” I said. My voice was threadbare. She kisses her fingers and pushed them through the fence to my lips. “Love you,” I pressed the words into her skin so she would always, always know.
“I love you, too.” She told me. The reverend put his hand on her shoulder and led her away. I watched them, the shaking tilt of her shoulders as she cried and the curl of hair, everything precious.
Lucas was there. He came up to the fence, stood with both hands in his pockets and a sense of desperate urgency. “I’m sorry,” he told me in the softest voice I had ever heard him use. “I’m so sorry, Jamie.”
“For what?” I said, scuffing my shoe in the dirt. I could feel the tower behind me; beckoning in a voice only I could hear. It made my skin prickle and my body trembled like a hummingbird.
Lucas rubbed the back of his neck and squinted into the sun. “’Cause it should have been me. But it wasn’t. It was you. It should never have been you.”
“Well, it is. There isn’t anything to do about it.” My brother bowed his head, and I couldn’t help but think that this was goodbye. “I-I have to go now,” I told him.
“I’m sorry.” He said again.
“Don’t be. Maybe I’ll bring her back and then you’ll all have to bow and scrape at my feet.” I tried too hard to laugh and it fell strangled and twisted into the air.
“Come back.” Lucas told me. His hands were fisted tight at his sides, the knuckles white. “Just come back.” I nodded and turned away toward the tower. It cut into the sky like a black knife, surrounded by a forest of thorns. I closed my eyes, remembered the touch of Hayley’s lips and something broken on my brother’s face.
When I pushed aside the first twisted branches, I was not afraid.
The thorns covered the sky. They blocked the sun, curled and twisted around me like lives things. My clothes hung off me in strips, my skin cut in thin lines of red. I had more lines on my palms then my father now, more tears on my face then Hayley and more goodbyes on my lips then Lucas.
But then I stumbled from the forest of thorns, farther along then some boys had gone, and there was a door, the rotting wood sagging and damp when I pushed passed it. Steps spiraled above me into the darkness. The air was still and thick with dust. I coughed into my arm. It hurt my throat. I held my sleeve over my mouth. The spindly iron creaked beneath my feet, rust leaving copper marks on my skin. My hand slid against the wall. I tried to curl my fingers into the rough stone but it only scraped my fingertips; if the stairs gave way, there would be nothing for me to hold to. I shivered, hugged myself so tight I could pretend there was someone behind me.
When I thought that the stairs had to go on forever, they ended.
The room was round, impossibly big. White clothes lay in tatters on the floor. There was a bed beneath the single dirt smeared window, surrounded by threadbare curtains. There was a girl in that bed. Her hair was dark blonde, and so long it curled across the floor in thick strands like living things. Her skin was tight and pale as a ghost.
Carefully, I went to her. She was beautiful, in the way that forbidden things are beautiful. I touched her face, tracing her cheekbone with my thumb. Her skin was dry and as cold as the dead. Something inside of me trembled at the feel of it.
I leaned down on my elbows and kissed her on the mouth.
I was not as strong as Lucas, not as brave as David McCabe, not as good as my father. I couldn’t save her from her endless sleep. I couldn’t love her like I loved Hayley. This was all I had to give: my lips against hers like she was something now instead of something that had been.
She opened her eyes, and I hoped it would be enough.
VI.
There is a girl in the tower.
Every year on May Day, one boy is sent to appease her. Every year, one boy leaves and he never comes back. She takes them away, disappears them off of the face of the planet, because they never have what she wants.
She wants to be loved.
And she’ll do anything to get it.
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The beginning is not entirely detalied, and the first paragraph should be certainly revised. It is truly vague whether he stories about here were all true or false, but that was probably intentional. I do not tend to enjoy stories based on classics, but this seems reasonably original, so I will continue. But the beginning should certainly be expanded.
I live the realism of the few paragraphs after that, but I must say that the first part is certainly confusing. I did not understand what was happening, ands did not teuly care to know due to the fact that all of the characters are strangers to me. I barely know there gender.
And you certainly shoul turn "smiled sadly at me" to "she smiled at me sadly". It is a little too distracringing.
A little repetition which I did not emjoy on part two. The dagger made me stare, for it was totaply unexpected, and for a person like me who spends most of his tike in the serious discussion section this is intriguing, for it reflects the debates which can be found there.
The mc is a boy??? I somehow missed that. Now that explaims what it was all about! Thanks for not keeping me in the dark for too long, as some published boois do. Although I would stI'll suggest that you. Should pump up the story with details.
The third part is getting interesting, and I am curious of what will happen next. You are great at portraying emotions here. But horror fantasy IS my favourite genre, so this might have something to do with my opinion.
The "it should not have been you" argument sounder more like a cliche, though... Like lives things? Replace it with live.
"farther along than MOST boys", perhaps? That same pargraph could do with some serious editing, for it is constructed out of sentences which are simply ok short and too fast.
The next paragraph is great, but less "living things", my man. Too repetitive.
You mc appears dto have some problems with jecropjLeia. I personally woior not mind, but the wider auaudience might find it unsuitable. He is also a little too enthusiastic about what he is doing.
Interesting ending which sent a shiver up my spine. Reminds me of Medusa, actually, as well as sone witches. Although it is a little short, and the emotions, although graciously portrayed, do not seem to fit in in some cases, I certainly did find it quite interesting.
Please forgive any typos of mine. Editing on my phone is such a pain that I should just leave it. Anyhow, it was worthmy time to read though it and write the review.
P.s. I sound very wane to myself...
Hey Sierra! Lauren here for a review
Let's get right to it then!
This confused me a little. First, we hear that she's a princess and then stories that she's a ghost or a vampire. I feel like "all of them as true as the first" is being slightly sarcastic, but not quite pulling it off. Certainly they're not all true, but this line doesn't make that distinction as clearly as you want it to. I'm assuming the narrator knows/discovers more about the girl than we know right now, so it would be okay to let him say something more along the lines of "all of them were as wrong as the first" unless of course one of them is correct... Alright, I'm rambling xD Hopefully you got something sensical out of that!
Our narrator was just in the pew with his family, but then very suddenly he's walking with some kid named Lucas we have never met before. It's okay to be vague in a story, but this is too vague.
Similarly to before: who is Hayley? Where did she come from? We find out eventually that she's his girlfriend, but until that point we're lost from the story trying to figure out who people are.
Honestly, I first thought that somehow Lucas was crushing his hand so hard that he was bleeding. Then I realized he was cutting off his circulation. Most people might be smarter than me, but it might help to change blood to circulation in order to be completely clear with what you mean.
Part III is the only one without this line. Since every other part has it, III should too. Consistency, you know
This got me wondering about two things:
1) How close to the tower is this town/village/settlement? It sounds really close, which is interesting. How does that make people feel about the tower? Obviously scared, since there's the fence (though it's only chain linked so obviously not that scared) but why? The girl in the tower has never come down from the tower, she can't hurt them unless they go to her. And did they really built a fence all the way around the tower? That sounds like a lot of work digging through the vines and thorns that apparently surround the tower. Wouldn't it make more sense to just build a fence around the town? /ramble
2) What is the time period for this? Up until this point (the point of finding out the fence was chain link), it felt rather modern but otherworldly-modern. Like the people talked the way we would talk today, but their level of technology/worldliness was not a modern one. They obviously allow this huge myth control their lives, which suggests a less developed culture. Modern cultures don't buy into mythologies as strongly as this. By now, someone would have arranged a group to go tear down the tower and kill the girl inside if she kept disappearing the town's boys. The only aspect that threw me out of my idea of the time period was the chain link fence. That could be cleared up as easily as making it a brick/stone wall with a gate in it. Then, I would have bought into everything else about the story without a distinct time period mark.
I love the first part of this, but by the third it feels sort of repetitive and not achieving the feeling you want it to.
Overall, I really liked this story. Dark, vaguely disturbing fairy tales are wonderful. I like the general vagueness it has in the writing style as well (except for those places I've already pointed out; there's a difference between being vague and witholding information
A few things I might like to see more of... I'd be interested to see more deliberation before our narrator kisses the girl in the tower. I don't think he knows that kissing her will wake her up? So wouldn't he possibly try a few other things first? Obviously no one has ever returned to tell anyone that kissing her wakes her up. Unless that's a part of the story that no one knows is true or not. I like his explanation of why he kisses her in the end, but I just feel like he ought to wonder what he ought to do for a moment before doing it. Also, this now makes me wonder... how does she put herself back to sleep after each boy wakes her up? Did she put herself to sleep initially, rather than having an evil witch or someone do it to her? Or does the witch come back and do it every single time?
And then, lastly, part IV. This might be a nice way to give a little insight into what actually brought the girl there/put her to sleep/keeps her asleep (though I do enjoy the vagueness of the general story, so I wouldn't give too much). I also would like to see a little less...repetition. Especially in this part:
I understand why it's repeated, but the shortness of part IV (it should be IV which is 4 and not VI which is 6, too) makes the repetition stand out. Consider adding a bit more to it, maybe? Even just expanding the girl's desires for love and how no one ever loves her how she wants (and maybe reveal a bit more of her evil side, how she makes the boys disappear - does she kill them? hide them away? - would be interesting to know).
And that's about all I have to say! Again, I really enjoyed reading this story! If you have any questions or want to discuss anything further, feel free to shoot a PM my way!
Keep writing!
-Lauren-