Part I: Pondero
It has occasionally pleased me to consider whether the sole purpose of my ears is to provide me with a frame in which to display my jewels.
I do not know of any other part of my body for which there is no use. There is my nose, of course – but a flat stretch of skin between my eyes and mouth would surely look so very odd that a purpose is almost formed from the singular necessity of beauty. And then there is hair – but again, it serves for the worthy cause of beauty, and a form of distinction between individuals. Ears, though; ears seem entirely without purpose.
Still, they do what they do; framing earrings as if they were made to do it, rather than the other way around. The rubies I am now fastening in, for example, are most flattering. They emphasise every one of my exquisite beauties –green eyes, auburn hair, pink cheeks, red lips, white teeth. My crimson dress, too, is made more beautiful by the long, queenly jewels. To make me so much more beautiful, then, is perhaps their purpose. They serve it well. Indeed, I am very beautiful; my reflection tells me that.
Oh! suddenly the earring slips from my slender fingers – my nails painted red, and another sweet ruby on my middle finger – and it falls to the floor, where it shatters into a thousand tiny gems. I do not drop to my knees, though; not to collect the broken shards nor even to mourn their loss. No, instead, I turn; turn to face the one behind me whose presence caused such a tragedy. Flawlessly, elegantly I turn, but when I see his face – no, even before I see his face, for his very stature, even the first glimpse of the edge of his coat tells me who is here – I forget the rubies, for I had not hoped to see him for a long time, and while he is gentle, he is a man: his ego therefore must be great indeed; and if I am to have him later, he must now be the centre of my focus.
James.
His lips wrap themselves snugly around the familiar pattern of my name, and something in me gives cause to move forward – so – as if to kiss them. Of course, I cannot behave so. Poor James is the greatest slave there ever was to propriety, and would never dare to risk the approval of society for one moment of raw instinctive passion. Once he has wed me he may have me whenever he likes, when we are not in company, so of course we must wait our few months. I have no objection, although he should make just as good a conclusion to my maidenhood as any other man might.
His lips shape words, but words I do not care for. My eyes drop away from his face – what if he were to know what I am thinking? If he knew I had already lost interest, he should never marry me, and I should be fated to die – oh horrors! - an old maid.
I am glad James does not know what I am thinking.
Indeed, nobody can – not my mother, in the next room, nor my governess, nor even my reflection. My reflection – does she think what I think, or has she a mind all her own? Has she her own intentions? Would she rather marry someone else, not James, but lives as a slave of every move I make? Could I separate us, that both may do whatever we wish?
My hands, which do not require rational thought before action, dart forward, grasp the frame of the mirror on the wall, hurl it – onto James’ head. Even before his head hits the floor, thick blood, blood the red of my lost rubies, spills out onto the wooden floor.
And the mirror lies in pieces.
But when I glance at my reflection – she is immaculate, her body unbroken by the splintered glass. No; it is my own world, which lies shattered on her floor.
Part II: Aminadverto
The rubies, certainly, flatter me, but their weight pulls, and I am almost afraid that I shall tear my earlobes.
Of course, though, I have to be a vision of beauty tonight. I shall take my every asset and emphasise it; make myself so beautiful that Maria and Isabella, the little daughters of the host of the ball, shall think me a fairy princess – and talk, if I am as successful as I intend to be, shall reach the twenty miles to London, in which delightful town resides-
“Miss Elizabeth Byrne!”
The crash as my earring slips from startled fingers and shatters onto the floor is delightful, and I am elated indeed to be rid of the cruel thing, even if it does subtract a little from my beauty. But now, now that is of little matter; for the voice belongs to James. I must regain my breath: hold, Eliza; hold. Elegance, now, is more important than e'er it were before. My eyes meet his, and I allow a joyful smile to spread across my face.
“Miss Elizabeth,” he says again. Such lips! Such beautiful lips: full, moist, dark; they are crying out for me to kiss them. My body moves forward – but no! I cannot. James is so insistent on propriety that I must allow him to suppose I have the same respect for it that he does. If we are improper now, he shall never marry me, for society’s censure is the greatest shame he could bear - as he once told me in confidence, as we danced together at Mr. Preston’s ball last summer.
“Mr. Abbot, how wonderful to see you here! I was quite certain we should not meet again for months! or even years! Might I be so bold as to ask what brings you back to us?”
James hangs his head so low that I am surprised it stays on his neck. “I am afraid... It is a dreadfully improper request I have come to make, Elizabeth. I am greatly ashamed to be asking this of you, but...”
He trails off, his face reddened. “Why, James, there is no need. You ought not to fear me! We shall be shameless together.” I laugh playfully, and the sound of happy silver bells echoes around us in the great hall. James does not smile. Of course, my poor lover must feel it terribly, and at once I drop my eyes, that he may see how understanding I am and love me all the more for it – we shall be the most loving couple in the land by the time we are married. Of course there is nothing improper about him confessing his love, but I suppose he is afraid that I should not love him back – oh! James, dearest, of course I love you.
“I have come to you at this agitating time, Miss Elizabeth, for advice regarding La- your sister, Miss Byrne. I know that you must be her confidante, so tell me, I beg of you – have I any hope in securing her?”
Lavinia? But James cannot love Lavinia, surely. She is much too plain, and old, and dull. The compliments she has paid him when the two of us are alone must have been for my benefit. She must have known of my love for James, for since childhood we have always known what the other was thinking. Lavinia does not love James, and I am certain he cannot really love her. There may be – nay, must be a misfunction in his thinking. He might have hurt his head, he might be delirious. James, my love, I owe you this, at least – to remove the damage. And if it pains you – I am not so very sorry. You ought know better than to fall for the charms of foolish Lavinia, and if this be your punishment, I may say that it is just.
The mirror, now in my hands – it has much less weight than I had always supposed. Perhaps the silver is false - 'twas Lavinia that bought it. It smashes over his head, and the sound – oh, the sound! Such a crashing, in our huge, lonesome, echoing hall, that thunder never made. When Mamma knocked Papa's favourite maid, Betty, down three flights of stairs, by way of an accident, when I was small, there was not such a noise.
I kneel, and look into the glass. Blood is on my hands, but I do not care; now, perhaps, James will come to understand just who it is he truly loves.
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I just hopped over here to read a bunch of your stuff at random because I was talking to someone about stories that end with death/a disturbing twist, and I just made two different people read The Train Man, so then I had to read more of your stuff.
THIS IS SO GOOD. Disturbing, but elegant, and kept really well within a Victorian-era style. I wasn't sure about what was going on at first, so I looked up the Latin words for the first parts. (Btdubs, Google was all "did you mean animadverto," so you may want to check up on that?)
Pondero: to weigh, to consider, to reflect
Animadverto: to perceive, to take notice of, to see, etc.
So with that, plus what Katriona said--I think she was right, that the first part ("to reflect") was the scene from the reflection's viewpoint, especially with that line at the end of Pondero about "it is my own world which lies shattered on her floor" or what have you. Although, tbh, I didn't get that on my own and it might have taken me forever...I mean, I was kind of leaning that way once I got the Latin, but I wasn't sure.
Although, now that I look back over it...I mean, I actually thought the OTHER earring had also fallen from her hand to the floor, and I was like, "Wow, she's got bad luck with earrings," but now it's apparent to me that it was the same earring, from the other perspective.
I think what confused me was the dialogue in the second part. For whatever reason--possibly because it seemed like James was shouting her name across a room, I got the impression in the second part that she was in a ballroom or something (maybe because you mentioned a dance and the host's daughters, etc), so I pictured them conversing in this ballroom, with a bunch of other people around, and then suddenly she's hitting him over the head with a mirror and they're in a room alone, and...do you see what I'm saying?
I think if you just clarify at the beginning of part 2 that she is in that little room with the mirror, looking at her reflection, not at the ball yet, that would make the events of the story clearer. At least for people like me, who are apparently too dumb to realize...it was the same earring.
So, sorry for showing up at random and reviewing something you posted a million years ago, but...I really loved The Train Man, so. Good job. Yeah.
Blue
I know it's been ages since you posted this, but...
I believe I know what the answer is. But first, the review.
Wow... I believe I have read this three, perhaps four times since it was first posted. Your writing is very elegant, so very beautiful, though not overdone. I really have nothing to critique— the story is captivating, though I usually don't read stories like this. I like it a great deal.
I believe (tell me if I am wrong) that the first part is her reflection, the second part herself, reality, some would say. That's part of what makes it so compelling, and it is certainly fitting that it should be in the Fantasy section. Am I right?
Thank you both very much! I did have a reason for putting this into Fantasy, but I'm going to wait and see if anyone picks up on it. But I prefer the different opinions flitting around up there to what I had in mind, so kudos.
Hey Grin!

Wow. Okay, so as soon as I started reading I was hooked. I love the tone of the entire story...this reminded me of Edgar Allan Poe. You do a great job of making the vocabulary, syntax, everything, sound like it's in the Victorian time period, and I love it.
Now, for the story and my interpretation - I think the titles are the clues. "Pondero" sounds like "ponder," which leads me to think that the first part is what was going through her head, at least the "mad" part, as I think she's somewhat crazy. The second part, "Animadverto" sounds like "animadversion," which means "a criticizing comment", by which it brings to mind the fact that the second part is what actually happens and her thought process behind the deed.
I don't know if any of that made sense...
In other words, the first part is where she explains calmly and poetically what happened from her skewed viewpoint, while the second part is more factual, given for the benefit of the reader.
Will you send me a PM and tell me what you had in mind while writing? I'm really wanting to know.
And great job once again. I absolutely love this story.
Okay, first of all - and I apologize in advance for this - the heavy usage of red, the male character's name, and his speech patterns made me think of this guy:

Seems more at home in the "general" section instead.
Spoiler
To denounce the evils of truth and love...!
As for the story, it is obvious that both parts are the same thing, except the first one predominantly takes place in the character's mind and is more abstract as a result, while the second one is more down-to-earth, and explains better what's going on in the scene. It's a nice twist to separate the story in this way, and give one impression and then shatter it right away. The first part made me think of a tremendously self-absorbed snob prone to random fits of violence, while the second one gave an actual reason for said violence. Looking back at it, it almost seems as if the first part was written after the second one - the MC's thoughts are a result of her trying to comfort herself after James rejected her like this.
Actually, now that I think of it... maybe the first part is how the MC wanted the scene to happen, while the second part is how it actually happened? Hmm...
My only complaint is that I don't think this belongs in the Fantasy section