I did the one thing they’d told us not to. “Head toward the light.” The light grew. Blurred faces emerged from the mist.
“Are you okay?" asked a masked woman, “You’ve been out a while."
"Really... How long?" I was desperate to know.
"Three months," she replied.
"I-I don't remember anything."
"That's to be expected."
"W-w-what happened?"
"We're not really sure."
"I probably need to get going."
The foamy mist wafted past my face as I drifted down the hollow street, door slammed as my eyes adjusted. Searching for my previous life. There was a shadowed man leaning in the darkness, I saw him. He crept away.
I recognized him for some reason, "Wait! Who are you?"
He spoke politely for what he seemed to be. "I am Armstead, do you remember your name after your treatment?"
"Treatment? What treatment? And no, I don't."
"Your name is Brian Thawburn" he explained "It was a project which has taken years to perfect."
"Who performed the treatment?"
"Ummm, we’re not entirely sure," he replied. Something was wrong
"Okay, so, where do I go now?"
I was directed toward a hollow drive, shallow letters on the door and I was passed a single key. In the corner a grandfather clock stood, hands up, a victim. That’s what I felt like. I start to imagine things creeping around, dark, shapeless things. The old grandfather clock was on an angle, about to crash down. I need sleep.
And then I woke up. My back was stiff, the bed, lumpy with long months without love. As I rethought yesterday, suspicion crept in.
Walking out onto the street, I saw Armstead again, slumped in a new alleyway. Stepping along the pier I begun to remember. I hang my feet into grey crystal waters, memories competed to be flavored. A prominent one, the surprisingly emotional death of my hated wife, pushed hardest of all.
Rethinking the day, I finally had time to think about Armstead's it made me suspicious. "What really happened to me," I asked internally, "I need answers."
I dripped into a dream world, memories once again jostled for attention. I saw masked people injecting me, struggling to keep me down. A blue mist covered all. Why?
I had woken looking for answers. I'd developed a routine of jogging down a neighboring street, halting all thoughts, relaxing. It doesn’t seem right does it? Running from my previous self. Straight into the shower. The water enveloped me, steam clung to the mirror. On the wall a painting rested, it's signed 'Anna T. The name was familiar. Who’s Anna? I could picture her but I still didn't know who she is. There was a picture of her holding up a sign outside a skeleton of a nuclear power plant swarmed with busy high-vis ants. Why was I there?
I knew who to ask! I rush down the street once more, glanced around hopefully. Where is he?
I yelled his name until I got a response, it seemed to work.
"Yes?" I heard his muffled reply.
"Where are you?" As I said that, Armstead stepped out of a leafy doorway.
"What do you want?" he grumbled, I notice his voice is strange, gravelly almost.
"Who really drugged me?" I asked forcefully.
"Us," he replied carefully.
"Who?"
"Someone who needed something to be tested"
"Testing?"
"Don’t say I told you this, but there was a procedure to be tested."
I grew weary, "what kind of procedure?" He was being cautious, I had seen it in his eyes.
"A mind-wipe serum they’d learnt about," He finally exclaimed.
"Why’d they test it on me?"
He noticed the fear in my eyes, "To make sure it worked! They wanted someone to test it on and they needed you to stop with all the protesting. They see you as the leader, cutting you off from your riots would hopefully quieten it down a bit!"
Again I stepped into a wearied doorway, the clocks hands marched toward the truth, it was only a matter of time. I wandered through my scattered possessions. I’d found it, a photograph of this 'Anna.' I looked through the mirror at an empty shell of myself, it clicks. "I'm know Anna!" I exclaim, glee dances through my blood, “But how?"
I scroll through the pages until I find one labeled 'Anna Thawburn.” That must be her! I finally decided to delve deeper. I clicked on it and found a page of information almost blank, a beginning life story. She's a... Someone thumped on the door. It swung open. "Dad!"
"Anna?"
"Who else would it be? Mum?" she laughs.
"Anna!" Warmth flooded to my extremities.
I had found myself!
Now that I’m 60 and older than ever, searching for my life had been a hard task, but finding my daughter had been worth every step that it had taken.
-Ruben Kelly
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Hey Ruben! I was really intrigued by the title of your work, so here's my two cents:
I really like the opening. It immediately sets an anxious tone for the story, because the phrase "going towards the light" is used when someone dies. So opening with that phrase, and saying how the character wanted to go towards the light is an awesome beginning!
Then, the dialogue begins. Since (I assume) the character, Brian, is waking up from a coma of sorts, I would recommend that the descriptions and imagery be really heavy here because it is the first things that he is seeing. Like here:
You could really delve into a lot of detail and maybe clarify the "masked" part, because I honestly thought that poor Brian was waking up to a murderer or something!
Here, I got really confused. Where is Brian? What's happening? How did he even get outside? I would suggest clarifying this part so that the audience knows where Brian is all of a sudden, how he got there, etc.
I loved this analogy between Brian and the grandfather clock; it's very clever and contributes to the eerie feel that the story has taken on.
Here are my few nitpicky grammar comments: "Stepping along the pier I begun to remember," 'begun' should be 'began'; "'I'm know Anna!'" 'I'm' should be 'I'.
And, the symbolism/motifs begin! In this line "A blue mist covered all" is where I first noticed that the mist is going to be a motif throughout the story; perhaps it symbolizes mystery, unknowingness, etc? I'm excited to find out!
In this part, I think you should mention that Brian is now on a computer, and not searching through his belongings, because I thought he was looking through a photo album or something.
I like the happy ending: Brian discovering Anna is his daughter, and her appearing right then.
You have a good basis for a great story, you just need to be a little more clear and add some more imagery. I can't wait to see this (hopefully) continued!
-unluminescent
Hey there!

So this was pretty interesting. I mean, your opening line surely hooked me right in, but I'm sorry to say that I found myself lost by the end. Things are just going a bit too fast in the story. You should take time to build on the character, the setting, the time, etc. Ease your readers into what's happening. Let us know more aspects of who this person is, what's happening to them, where they are, and what's going on. With what you were doing, you jumped from one scene to another so quickly that it all became a blur.
For example, the character wakes up not knowing what has happened and who they are. Cool; this is a great place to start. It hooks me right in. We get into some dialogue, but then suddenly, we're outside. The character is given a key by who? Where are they? What's the scenery around them? We're directed into a place (which you should specify what kind of place EXACTLY), but we don't get much context of what it looks like on the inside other than an old clock. Then suddenly the character goes to sleep and wakes up? What happened in the middle? When did we even get to the bed?
See, the sequence might make sense in your head since you're the writer, but you've got to take a step back and look at things through the readers' minds. We don't know your character or your setting. We're being introduced to this for the first time. Therefore, go through things slowly. Make sure your sequence makes sense for better readability (I'd advise putting yourself in your character's shoes. If things seem unrealistic, then you should probably work on it).
Another thing I feel the need to point out is the fact that you do a lot of telling rather than showing. Instead of telling me "I need sleep," how can you show me? Think of the actions people do when they're in desperate need of sleep. Their eyelids flutter. Their eyes are red. They look like they're kind of swaying. These things show me that someone is tired without them having to tell me. So in this story, I'd advise for you to look through and see what can be shown rather than told.
I'm sorry if this seems like I'm complaining; I'm not. Your story was actually interesting (I'm not just saying that) and I think it would be even better if you take these things into consideration. You've got a strong idea here than can go far. It's just the execution that needs a little work.
If you've got any questions (or if I made no sense here and you need clarification), don't be afraid to ask. c:
Have a wonderful day/night!
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(Sorry, made a mistake!)