And away we go! This will probably be my shortest review today, because I couldn't find a lot to point out, but we'll probably end up talking about the main plot here at the end.
So let's start with the fun stuff -- stuff I loved about this part!
The first two paragraphs are stunning (well, all of it is stunning, but they're extra stunning). The description and how isolated Kerani feels because of the poison and how the castle behaves and feels around her when she's not at peak performance really gives the whole thing an air of separation. It makes me think, because Kerani is super connected to her people and her family lands and her castle, but it's apparent that not all of them share her dedication or even consider her necessary -- obvious from a political standpoint, and really intriguing from a character standpoint.
Kerani is so dedicated and it just amazes me.I’d take it in their place, if that’s what it took.
I love this description too! Antidotes can obviously knock you out just as bad as a poison, and knowing what I know, it's absolutely amazing that Kerani's fever broke so quickly and she's started to recover from the double-hit of poison and antidote. It shows that she's really working at peak magical and physical performance (emotional is definitely another story lol).I would have much preferred to tell Father I would stay overnight. My body didn’t feel right, yet. My skin felt too tight, joints too loose— and I felt weak. Even though I could sense again, nothing felt properly connected, yet. Fever still raged just under the surface, temporarily kept at bay.
Kerani is so interesting because by the nature of the magic of this world she gets an inner look at the workings of emotions in everyone around her, and it really gives such a cool insight into how she perceives her world. Like, there's the possibility that she can't feel the wild concern and terror, or it's just plain not there because people know that they're not in danger -- she is.The undertow of servants blending together in an ebb and flow of normalcy, the odd patches of worry there had been an attack. Everyone was on edge but it didn’t press down on me like it normally did; there wasn’t the concern of wild horses who had just been leapt on, wondering if they would be next.
Everyone seemed to know I was the target.
Yes! The escalation from street conflict/drug-running conflict to political conflict is so good. I want to see so much of this!“They were strong enough to take out a whole squad of Rats. I knew they were good. I didn’t realize how good.”
Onto some grammar points, which as you know will mainly be me pointing out a few nitpicks here and there.
Confusing phrasing -- maybe "whoever targeted me had picked/chosen the best" or "had settled for no less than the best" instead?whoever targeted me had taken the best.
I think I point these out a lot, but this could stand to be two sentences. ("Giri appeared... He took one look at me.") It also gives you a chance to drop a half-line or even a couple words' description of Giri.Giri appeared within moments, taking one look at me and ordering me to bed.
Simple typo (but I imagine the vial is pretty vile lol).Knocking back the full vile [vial]
You switch between using Aydin and Ayden in this chapter -- maybe take a look at that.
More things:
Yes autistic characters <3 <3 <3 You know I love autistic characters, and Kerani's portrayal is so realistic to experience that it's waycool. One thing I'd love more is a more visceral gut reaction of the feeling, something that the reader can feel in their spine instead of just reading it. It might be difficult but I think it would do this section a heck of a lot of good.Ihit hadn’t ever described this because he wasn’t a sensor— but here I was, feeling everything more intensely.
And here's where we'll talk about the plot:
It's been 10k since the last thorough mention of the attack at the palace. I know that the current chapter plot is "Kerani gets betrothed and an attack happens here", but right now it feels like your previous Big Events haven't been carrying over to the main story.I hadn’t heard news in weeks. There was still nothing from the farmers. Bahij hadn’t gotten a messenger through, even with Rat help— not like they wanted to provide much, between his loose lips and their own self interests.
Like, the main story right now is just Kerani vs. Poison -- obviously vs. the people who are behind the poisonings and the attacks, but what happened to her Rat informers? What happened to the attack at the palace? We've had a chapter, basically, of cooldown and her being poisoned at her betrothal party, and while I think some cooldown was necessary for the tension and the attack at the party is an awesome way to bring the conflict ever closer and closer to our main character, I want to see a lot more of what we started with. I feel like there's a thread running through all of this, but we skip almost episodically from chapter to chapter, and it doesn't feel like the stakes are tied together. We could basically divide them into Chapter 1 Conflict, Chapter 2 Conflict, etc.
I hope that because this is mentioned here, we're about to pull that beginning conflict -- what drew the reader into the story -- into the main thread as well. While obviously not every single word has to further the main plot, that's initially what I had started to read, and if you wait too long to bring it back to the forefront, the reader may have forgotten some important details to the story.
Obviously Kerani's been torn away from the city because of her betrothal and her father's paranoia, but I'm just thinking out loud here. You know I adore Cat Steps, I'm just having a hard time with the episodic Plot Chunks you have right now because I just want it to be a single (or many-headed) fluid Plot.
Keep writing!
Points: 50
Reviews: 425
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