The sky itself was tired. The atmosphere radiated a deep chill. Even with eyes closed, he could feel that the surroundings were grey and listless, drab, as if to strike down any hope for sunshine. The schoolyard was deserted in the weather but one figure remained, a young man with ancient eyes that knew more than they let on. He appeared to have a walking stick, although he had no limp. He leaned on the trunk of a centuries old tree, enjoying the condition of grey. A light rain dripped through the pine needles.
He remained silent as he hefted his walking stick and looped it above his shoulders. The life he lived has been longer than time and a rather mundane one, if he cared to think of his life as pointless. Oh no, this young man knew he had a needed existence in the lives of man. Right now he was on the job, and yet he should be getting out of the rain soon. The child he looked for wasn't outside; nobody who cared about their wellbeing was out in this morose weather.
The tintinnabulum of the school bell interrupted the philosophical reasoning of his existence. He must get inside to do his job. The child was waiting.
Sighing, the man flipped up the collar of his jacket and with his heavy leather boots he sauntered across the mud and grass. The man's senses were acute beyond human reach and he could hear the soft squish of his boot soles sinking into the mud and the subtle bending of the grass over itself. His dark eyes looked up at the school's grand entry way and jogged his way up the cement steps. As he wiped his feet on the mat he could feel the eyes of the school secretary and the vice principal slide over him. He was nondescript to them, and because of his average looks the eyes of mortals did not see him. Not until it was their time. They were quite safe for now. Dark and looming like a raven, he was not coming for them but instead he was reaching out to the boy child.
Despite the hardened soles of his boots he was noiseless as he crossed the hall to the boy’s classroom. He jiggled the handle, testing it. The teacher and pupils contained within would overlook the sound as the toddler child of a visiting mom or a student aide realizing that they chose the wrong door before they opened it. And so, with this distraction in place, the man walked through the door. The people wouldn’t see the door open, they didn’t want to, didn’t want to see what wasn’t there. With the tiniest of grim smiles he glanced about the room, picking out the faces and reading what the Fates had on them.
One boy would live until he was ninety three but never marry; one girl would become the first female president. The Fates knew what they’d become, and this man knew when they would cease to. He saw the boy, an intelligent looking lad with sharp hazel eyes and a tousle of blonde hair, and cut through the desks to crouch beside him.
The hairs on the boy’s little arms rose in Death’s presence, but the boy smoothed them down with a frisson. His gaze from the teacher strayed to the girl beside him, a cute brunette girl with cherub cheeks.
Death smiled, truly. He adjusted his legs, crouching on the other leather clad foot. With a tip down to the boy’s ear he said, “This won’t hurt. You’re safe.”
The boy’s face distorted with confusion, turning in his desk to see behind him at the man who wasn’t there. The student behind him was oblivious to what the child was talking about. He looked back to the teacher.
Death removed his soft, supple leather gloves, heirlooms almost as old as he was and still just as strong. His hands were flushed, the way they were when Death was on-the-job. His fingers were long and spidery, the hands of a nobleman. He leaned in once more, “Do you have anything you wish to say to the little brunette girl?”
When it came to Death’s question (always interchangeable with the person in question) people finally seemed to hear him, and not question where the inspiration came from. So it was for the boy. He tore a corner of his paper off and wrote on it with his stubby pencil and chubby child hands, writing in young handwriting:
‘Julie, dew you like like me? Chek yes or no.’ With two boxes for her to check, a yes and a no box.
He passed it to the cherub girl, blushing soft red. She read it and checked a box, handing it over to him as she fixed her pigtails. She’d checked yes.
“Now is that all?” Death asked, knowing that the boy was satisfied. Since the boy did no more to say he wasn’t done, Death put his gloves in his lap, hesitantly tapping his fingers in the air. With a deep breath, the smell of cafeteria food and laundry detergent and the teacher’s faint perfume filling his nose and chest, Death laid the fingertips of his right hand on the boy’s arm.
A spasm, nearly unnoticeable, went up the boy’s arm and into his chest. Death could see his touch take effect, feel the blood in the young child’s body slow and cool down. He made sure the boy fell asleep first, made sure he wasn’t awake when he died.
Death left the classroom before the teacher noticed something was wrong in the atmosphere. He flipped up his collar and passed the front counter once more. He must have been off his game that day, because he let the vice principal see him.
“Sir, sir can I help you?” inquired the plump ginger woman from behind the desk, large hoop earrings bobbing side to side with her incessant movement.
“No mam, I’ve just finished what I needed. You’re lights upstairs are fine now. Call us if you have any follow-up questions and we’d be happy to help.” Death smiled at the woman and handed her a business card for a company whose habitat was just down the block. He was careful in doing so, as he’d yet to pull on his gloves.
The plump vice principal didn’t quite remember the lights upstairs giving her any trouble or anyone calling an electrician, but then again, the electrician had done her a favour and her head had been in the clouds lately. It wouldn’t surprise her if she’d called the electrician herself.
The man tipped his head chivalrously, leaving the school with a satisfied smile.
Death quiet enjoyed the tree outside the school, as it was an old soul he could relate to. He suspended his walking stick on a low hanging branch, climbing up into the tree with practiced ease. The sap clung to his trench coat like a fresh smelling reminder of the other trees he’d had the pleasure of dwelling in for one evening or another and this tree was pleased to add its own scent to the cocktail.
The morning came with a robin perched on Death’s head, his animal feet immune to Death’s effects as all animals were. The bird chirped, looking down as if it wanted food from the funny man in his tree.
Stretching and smiling at the inquisitive thing, Death delved into the dark confines of his deep pockets. He was used to birds and small rodents hitting him up for easy food. He often joked that over the generations of vermin and winged creatures memorized his description and passed it down as a name for food. The glove returned with seeds and an accidently crushed peanut in its palm. Death took off the glove and set it on a branch, seeds still in the middle. The robin chirped gleefully, fluttering down to investigate.
Death could hear its faint, frantic heartbeat and the rhythmic whooshing of the bird’s blood through its body. He could smell the trees and fast food crumbs on its feathers, as well as the smell of the robin’s mate. He tossed the meagre seed-meal onto the sidewalk below.
The bird dropped to finish it off, and so did a woman.
She laughed and added her own seed to the mix, a squirrel and a bluejay also joining the robin. She was a not very tall woman, but she wasn’t short. Her clothes were simple jeans and a dark green long sleeved shirt. Her laugh was clear, but Death couldn’t read what the Fates wrote on her. They must’ve been playing games with him. She looked up, thick red hair matting over her dark eyes. She’d seen him?
No. People did not see him, he didn’t allow it. The shadows hugged him in a dark embrace and hid him from all mortal eyes, including hers. Or not. Maybe she did not see him, or in fact was just looking at the walking stick strung up between the boughs of the weather beaten pine. The walking stick was not attached to Death on his person at the time. She reached for it.
He did not panic, he was incapable of panicking. He knew that the moment his fingers knotted around the polished wood of the walking stick it would cease to exist in her universe. But as he reached to envelope his beloved cane she swatted his hand away, his bare, naked hand. Death blinked twice, registering the thing he’d never seen.
She looked up at him, perturb laced into her eyes and down tipped mouth. She grabbed the cane belonging to Death with a grasp that should’ve killed her, should've sent pure death down her arms and into her heart. “Well who the hell are you?”
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I like this take on death. No scythe cloak and ominous single word sentences, just a guy doing his job. I also like his kindness to others, people and animals alike. I am very egar to see who this women is in the next chapter.
I like her, but I'm bias. And yeah, I've had a lot of help with/on/concerning Death. I'm proud of his character.
I loved this piece it was new and refreshing! It is nice to see someone that is going out of the box these days, with a story that does not include vampires and zombies.
This story is quite intriguing, I will have to read more of it. Keep up the good work!!!
KJR
I Nod approvingly at your mastercrafted epic tale with
a handsome and charming character that is awesomean unexplored topic, the manifestation of death in and of itself is a peculiar subject, and to see that he abides by certain rules without being completely mindless is a very interesting twist...For most people.
I love you Confictura x)
I have to say that when compared to a lot of the disgustingly overused conventions flooding bookstores these days, especially where it concerns the sadly cliche-butchered YA section, this is a refreshment.
The premise of giving death a humanoid form, but with a detached, yet eerily human personality, is a very interesting one, if only you would go into more depth without being too telling. What I mean by that is that you should describe how he feels and hint at something that may have contributed to his feeling that way without outright stating it, so it sheds more light upon his character but still has him relatively shrouded in darkness.
This lack of description doesn't only tread into his personality and emotions, but all the characters he interacts with. For example, the girl the little boy has a crush on is described as a "cherub", and this one word points to a bunch of other interrelated descriptions: her apparent innocence, her size, as she is a child, and her skin tone. But instead of using words like "cherub", which is often over-romanticized to the point that it becomes almost ersatz, you could say that she was "diminutive (small), demure (a cuter variant of "timid"), and had rosy cheeks. It just works out better for the reader, as they have more to go by when imagining this little girl in their mind.
I would also recommend a literary technique called "show, don't tell". This means to simply show what your character does, with little to no explanation, so the reader can experience your character's personality unraveling, instead of being introduced to everything they need to know from the very beginning.
For example, to reword the paragraph wherein Death is conversing with the Vice Principal, "He approached the counter, presenting a card to her inscribed with the name of a local company. "If you have any problems with your lights, feel free to give us a call again."
This shows the reader that he was posing as an electrician without explicitly stating it, which does more to the overall mystery surrounding his character, and it also doesn't take away from the suspense. A reader, having come just come upon the phrase "he approached the counter" may expect that Death will kill the Vice Principal as he killed the boy before they reach the end of the sentence. This is an example of the edgy mood you should strive for. If you are stuck as to how you might more easily achieve this effect, try not elaborating on a particular thing until it is necessary. As another example, instead of describing the dress and overall appearance of a character the moment Death approaches him/her, try not going into their looks until he is specifically thinking and/or referring to them for some specific purpose: perhaps the character's red hair reminds him of the brightly colored pumpkins around Halloween time, which then reminds him of how absurd he thinks Grim Reaper costumes are, or he can relate to the character because her grey eyes remind him of his own apathy.
Also, concerning his nature as the Grim Reaper, you should also refrain from calling him "Death" so often, as it does take away from the suspense. It would be better if you had not referred to him as Death until later in the chapter, after the reader had garnered a physical manifestation of him in their mind. And anyways, one could tell from the first paragraph that it is indeed Death who is loafing by that tree, basking in the unfavorable weather. The setting itself gives him away, so there was little need to call him by name so early in the chapter.
To wrap up, I did see some little grammar Nazis stalking your writing, but I've already written a 3,000+ word review of your work, so I don't want to nitpick at it that bad, as some of these Nazis are merely words I would replace with what I percieve to be better-sounding.
So, hope I haven't bored you to death with this review. All critique aside, I appreciate the ideas you're working with, and I would like to see this continued. C'est la vie!
Well hello there Renn! My name is The.Dreamwalker but most people just call me Dream or Walker. You can call me whatever you find plausible. I'm here to review this piece!
My reviews contain the usual spectrum; Grammar and Punctuation, Setting and Description, Plot, and my best subject, Characterization. So, hopefully you find it useful!
Grammar and Punctuation:
Throughout this piece, I have found lines that seem 'wonky' as if they need to be rephrased. The first part of this sentence, for example, sounds odd. Trying rewording it. Make it flow better so as not to make the thought process choppy for the reader.
You over-explain certain things in your sentences as if you are trying to squeeze all too much in one line. Try splitting this one up. Don't worry about things being long because, in this case, you probably want length.
Here we have an innocent typo. Even still, when a reader sees a typo like that, it makes the writer look lazy because they don't reread their work properly. Of course, in this case, I could see why it could be overlooked.
I would change the 'his' to a 'the'. Though it doesn't necessarily state that its his own reasoning, because he is the only person who seems to be here at this time, it shouldn't matter too much whether or not its stated. The reader can pick up for that themselves. Writing 'his' twice in a sentence makes it redundant.
This confuses me. You say that he is as old as time and yet you frequently call him young. Young-looking of youthful in appearance would be better to explain someone who is old though does not necessarily look it.
Why I quoted this was because of the use of 'ands', so much so that its way overdone. Use connecting words but don't always use and. It becomes redundant too.
Anything else falls under what I had corrected before. If you'd like me to fine-comb through it, I would surely do that for you!
Setting and Description:
Your description was fascinating. Your setting lacked. Seeing as you're going into the eyes of death, you might want to show the world for Death's eyes right off the bat. That way, people get a sense that this person truly cannot be human. That his world is not ours and his emotions are completely different.
I would have also preferred if you tried to work your descriptions without using the word 'and' so much. The word was littered throughout this piece so much that it made it almost daunting to get past. Change some of the 'ands' to different connecting words and you should find it a lot easier for a reader to enjoy your work.
Plot:
I must say, very interesting plotline. I like the idea of Death. As a person, though... well thats truly something I would love to read about. What I would like to see is a little more shaping when it comes to the plotline. When you have a chapter, there should always be a point to it. Something specific needs to happen. In this case, it was a bit of character development - showing people into the world of death - and whatnot, but I would have liked to see more before ending it. Like what his world looks like for example. Really give people a glimpse into the mind of a character only you can truly sculpt.
Character:
I explained a little of this before. Go a little more in depth with what Death thinks or feels or sees. From what I got from this piece, I see only what he does. Not why he does it or how come he can do it if he has emotions. There are hints of amusement and annoyance in his character so there should be all spectrums, if I'm correct. Either way, you have a very interesting idea here and a character that could be sculpted into many different shapes. I can't wait to see what you do with it!
Overall:
I liked it! Very original and almost eerie of which I like. There is definite paranormal veins throughout this piece so I could see it being popular in this day and age, if you should go so far as to finish this. Other than that, you have a ton of potential with this and I'm sure you'll only get better
~The.Dreamwalker