Warning: This work has been rated 16+ for violence.
Sitting on the bed, the board rough against my fingers, my fingernails caked with the blood of my little sister, I raise my hand, resting my eyes on it, the only reminder that she existed.
Staring at it, I wish for water to wash away the thought of her, beaten and bloody in my hands. But that too is forbidden. I must not dwell on the image of her, not in that way. I must wallow in it, or dismiss it. I must either take pleasure, or not care. That is the way of things here.
It’s the twenty-fourth week of my preparation. Of the hardening for what lies beyond those concrete gates. I hear they are tall, taller than the tallest male Kanyea. I would not know, for I have not seen them. Only three people alive have. And those who have passed in, but they don’t count.
Lower myself down onto the uneven boards, I wince, sore shoulders laughing at me for my weakness in wincing, and for the screams that had erupted when the whip struck. I close my eyes, wishing that I had been one of the ones chosen to be normal. Just an ordinary person, setting out to find their place in the world. But it’s too late for looking back now.
I wonder what they are going to send today. Oats ground and boiled in water? More meat? Something I rarely had before they sent for me.
Only the Kanyea’s and the Talease eat meat regularly. They are the only ones that need it. The rest of us make do with normal grains. Meat is only for the celebration of a Talease becoming a Kanyea. That is the only time when a common Satori can eat of the flesh of animals.
I try to settle my inflamed shoulders down on the wood, but they scream their protest, mockingly. Gritting my teeth, I carefully roll over, until I am lying with my face against the boards.
There is a possibility that I will be punished for trying to spare myself pain, but the chance of torment that is not yet here, cannot combat what is really and truly present.
Letting my eyes close, once again, I let a sigh slip through my half parted lips. Sleep… finally. I have not slept well for ninety-six hours. The angry red lines covering my body have seen to that. Now everything is silent, not a living thing moving in one hundred and eight meters, and I can let myself relax, releasing the tight muscles I have been holding as rigid as one of the rods the Mases Kanyea’s carry.
A dark haze starts to rise up before me, and for a moment I think I’m dying, it has happened before to Talease’s during training, when the wounds became poisoned, but after a moment or two, I recognize the feeling.
I am starting to drift away, sleep overtaking my tired form.
The mist darkens in one place on the left corner, and color start to swirl into being inside the blackness. Merging, they form an image, a face.
My mother, small and faint, her mouth awash with blood, streaming down from her temple, sprawls at the foot of the post, the ground around her stained with the blood of countless others, including my own.
Standing there, I can feel my mouth start to open and try desperately to force it to close. Asking them to spare her life will be viewed as plain insolence, punishable with a cut across the thigh. Just skin deep, they won’t do any farther in for fear of damaging something that cannot be repaired.
My tongue remains silent, my eyes fixed on her. Unable to speak, since the first thing they do is cut out the tongue, she pleads with her eyes. Her blue eyes, steel cold, calling up memories of her, all of them begging for life. But I remain mute, recalling the words they said to me.
“In order to be a Talease you must give up your freewill. You belong to us. You will give yourself entirely into our hands. By doing so, you preserve the life of those who are not chosen. Maybe, someday, you shall be a Kenyea. Maybe you shall pass the gate.”
My face blank, I watch the ax swing up, and then fall.
Pulling my eyes away from her limp body, I turn them to the Kenyea who had terminated her.
Nodding in approval, he swings the ax, marveling at the balance of the head and pole. Motioning at someone in the crowd, he turns his laughing eyes away, carelessly kicking Mother’s arm out his way, as he steps past.
Red impairing my vision, I leap into the center of the room, ignoring the screams and mocking sounds of contempt sailing at me from the other Talease’s at all sides.
Kneeling down in the bloody mud at my feet, I gently lift her head, holding her long blond hair above the muck. Cradling it, I stretch out a hand towards her crumpled form, abandoned in the dirt.
Halfway there, someone grabs me from behind, striking their fist into my back as hard as he can, while other, strides into my view, large hands holding wickedly long knives. My mind goes blank with horror, as I struggle against the firm hands of my captor, but to no avail.
Washed out blue eyes scorning me with smiles, he spins the knives, the light from the large skylight catching their blades, before they settle back into his hands. Then, bending low, he drives them, again and again, into the still form of my dead mother.
Screams erupting from me, arms straining to be free, I can but watch him. Slashing her arms, he reveals the flesh, kicking dirt into it as he goes. He applies the same method to her other limbs, and torso.
Then, turning his dark face towards me, he smiles.
A wild cry, quickly cut off, echoes as I fling myself out of bed, falling to the floor, my dream still swirling. Casting a wild look around, my eyes encounter only the plain walls of my cell, simply and unadorned. No blood. No anything.
Cursing, loudly, I push myself to my feet, and flop back onto the bed. Yes, mom is dead. But so is dad, and my little sister. Learning from pain requires death, death of those you love. So they took them.
I know why and everything. And when their death’s aren’t right in front of me, I can hide the pain. It’s afterwards, during dreams or when I am sitting still with nothing to do, that they well up in my mind.
Mother died first, but the others quickly followed. Little sister died today. The same way mom did, minus the shredding.
The door clangs open, swing towards the wall, revealing a burly old man, scowling fiercely, throwing angry glances around the room.
“Mesas Kanyea,” I say, touching my forehead, and lowering my eyes. “Is it now time?” I let my hand drop, but keep my eyes on the ground.
“It is time, Talease,” he agrees, striking the ground with the golden end of his stick. Stepping aside, he motions me through the door first.
Stepping quickly, I stride through the doorway, making sure that I am no more and no less than two paces ahead of Mesas Kanyea. Any more, and he will strike me for going too fast. Any less, because I am going too slowly.
Carefully stepping, I lead the way down to the main hall, the scene of all the action here in Datsare.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
Hello once again PickledChrissy! I decided that since I loved your other work so much, I'd check you some more. This piece was pretty cool, I love how we both have the same interest in stories. I love action paced/mysterious/ assasinations and stuff. I LOVE to read those kind of books, yours was amazing *big thumbs up* Someday, I'll be reading this entire book and it will be published, believe me its really good. I didn't see any big grammatical or any other, issues.
A small grammar mistake was in the third paragraph - You said "Lower" instead of "Lowering"
*One suggestion also is that you try and combine a couple paragraphs into bigger ones, maybe. That makes it look a little more professional. =)
That's all I have to say, except - KEEP WRITING THIS STORY. I highly reccommend it. Maybe because I am selfish and really want to read the next chapter *whistles innocently*
Your doing great, keep it up!
~Selina
Thanks Selina! Speaking of which, I really need to write the next part. Oh, and does it sound like a boy or girl? There appeared to be some confusion there.
I thought it was a girl =0
Looks like I am going to have to do some serious rewriting.
It's a guy!
Oh, sorry .... =(
I think that's me. I had a local writing group read it, and they all thought it was a girl as well.
Oh xD
Oops! I seem to have replied in the wrong text field! Silly me! Here's your review.
I agree that this needs some stops. Also, the language is a bit jerky... They sort of remind me of song lyrics, in that they aren't necessarily properly structured. I would go with, "As I sit on the bed ... Blood of my little sister, I raise my hand ...
I like how you phrased this... cannot "combat." However, "really and truly" are synonyms so you could probably leave one and it should be fine.
Mases Kanyeas. An apostrophe 's' denotes possession, so if you were to say "The Mases Kanyea's rods" that would work, but I digress.
Holy crap! That's brutal. I'm not sure who this guy is, but he sure isn't nice!
Thanks for posting! I hope to see more, if this isn't a self-contained story.
I'll try to write more, and will post it if I do. Thanks for reviewing!
Btw I think its funny that you did it in the wrong text area.Hi!
So as a first line this runs on quite a lot- which isn't necessarily a bad thing! I like how you set a place, a person, and an action, all in one go. It sets the scene well! I would maybe break it down to a few sentences personally, it might give more impact. Feel free to try it out and see how you feel about it. Especially where actions run into each other- I'd maybe place a fullstop after 'sister'. This would make the 'it' more clear- after all, rather than having bed, board, fingernails, and blood all coming before 'it', it'd just be 'hand'.
Generally I would avoid starting a sentence with 'And'. Conjunctions make confusing and jarring sentence openers.
Do do you mean 'passed on'?
I am one hundred percent, since I do not know exactly how the noun Kanyea works, but I'm going to assume that 'Kanyea's' is not a contraction. Apostrophes only come in when noun owns something, or there are letters missing- for the first example, "Timmy's ball", because the ball is owned by Timmy- the second example would be something like 'Can't', because it is a shortening of cannot. Ignore this if there are letters being shortened out of Kanyea's.
I really really like the imagery here! It's very clear that she's alone. I personally would have ended the sentence after "let myself relax", and then work in the simile with the rods in slightly differently. The sentence comes to a lull, a natural resting point at 'relax'.
This is a really effective image. It highlights the casual cruelty of the situation.
There's some awkwardly placed commas in this sentence. I have this problem a lot myself, actually! I love commas, and I love linking ideas together, often to the detriment to the rhythm of the sentence. One thing you can try is reading your story out loud- or asking a friend to, if you're both keen- and seeing if they get caught up on comma placements. Commas generally sit where you want to take breath, and if you're cramming too many ideas and actions that need to be separated into a single line, you may want to rework the structure a little.
Overall- I like it! You've really set an emotional, oppressive tone for a story. It introduces some particularly interesting and horrifying areas of society, and a character who is struggling to live in it. I'd be really interested to see how it turns out!
In the future maybe you could extrapolate on the reasons she wants to participate so badly-obviously it is an intensely class-based society, and that'd be interesting to explore. Whether it's all stick and conditioning, or there's some carrot there for the protagonist too. There are obvious compelling reasons to raise above family bonds.
Interesting concept! Interested to see where you take it.
Thank you! No, I meant passed in. The meaning of the phrase becomes clear later on. I will work on the comma problem, and one more problem that you showed me without meaning too. The girl is actually a guy, so I need to work on that. Apparently, it isn't obvious.

Thanks again!
@PickledChrissy It's probably just me projecting that got a girl out of it, haha. Not really your fault. You're welcome!
Hey there! All in all, this is actually pretty good! I'll just leave a few things that I noticed.
[q]Sitting on the bed, the board rough against my fingers, my fingernails caked with the blood of my little sister, I raise my hand, resting my eyes on it, the only reminder that she existed.[/q]
I agree that this needs some stops. Also, the language is a bit jerky... They sort of remind me of song lyrics, in that they aren't necessarily properly structured. I would go with, "As I sit on the bed ... Blood of my little sister, I raise my hand ...
[q]There is a possibility that I will be punished for trying to spare myself pain, but the chance of torment that is not yet here, cannot combat what is really and truly present.[/quote]
I like how you phrased this... cannot "combat." However, "really and truly" are synonyms so you could probably leave one and it should be fine.
[q]the rods the Mases Kanyea%u2019s carry.[/q]
Mases Kanyeas. An apostrophe 's' denotes possession, so if you were to say "The Mases Kanyea's rods" that would work, but I digress.
[q]Pulling my eyes away from her limp body, I turn them to the Kenyea who had terminated her.
Nodding in approval, he swings the ax, marveling at the balance of the head and pole. Motioning at someone in the crowd, he turns his laughing eyes away, carelessly kicking Mother%u2019s arm out his way, as he steps past.
...
Washed out blue eyes scorning me with smiles, he spins the knives, the light from the large skylight catching their blades, before they settle back into his hands. Then, bending low, he drives them, again and again, into the still form of my dead mother.
Screams erupting from me, arms straining to be free, I can but watch him. Slashing her arms, he reveals the flesh, kicking dirt into it as he goes. He applies the same method to her other limbs, and torso.[/q]
Holy crap! That's brutal. I'm not sure who this guy is, but he sure isn't nice!
Thanks for posting! I hope to see more, if this isn't a self-contained story.