Finally, a good prologue, I suppose, and nothing to follow? The universe teases me. It has a sort of stigma: you are constantly tugged forward to this seeming huge secret that the reader can't wait to read. It does let you get away (for better and for worse) with a lot of exposition for a beginning, which is great for character development but a bit boring. It's like listening to an old lady tell a story (literally, in fact)- you know it will be good, and you can't fault her for all the background she gives, but you really just want to get to the good part. Of course, whether this is a problem sort of depends on the later chapters. Which will never exist. But hopefully you get the picture. I don't care whether your Dickens or Shakespeare, something has to happen. But that's my view, and my views are usually wrong to everyone else but me by default.
The whole structure of a framing story is also a little dubious and pointless to me, unless you are providing something that benefits the story as it unfolds that couldn't be given any other way. Of course, this also requires you to go beyond the prologue to judge.
And finally, something about this narrator just irks me. She seems to love a good rant and tangent, is a little indirect, and seems to want to exert some superiority over the reader. A great example of a reminiscing older woman, but is a reminiscing older woman an enjoyable narrator in the first place?
Overall, wonderful writing, if not totally my style. You don't need help in that department. Just think about these points a little. Agree or disagree, it will certainly help guide your views for the future, which is definitely a good thing.
Keep Writing,
~Critiq
Points: 4054
Reviews: 27
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