Hello hello! I'm here to bring this out of the green room for you! I apologize that I haven't read the previous chapter yet.
My first thought upon reading this is that it reminds me of Little Orphan Annie a little bit - which isn't necessarily a bad thing! I loved Annie The reason I'm feeling the comparison is because from my understanding, this story is taking place in some sort of home for children/orphanage type place with a bunch of different girls and mean/harsh caretakers. Same sort of situation in Annie. Again, not necessarily a bad thing and I have no idea if you're a fan of Annie or if that's the vibe you're going for, it's just something to be mindful of.
I'm a little confused about which character is which and that could be for two reasons. One, because I'm coming in late and don't have a lot of context. Two, because there are a lot of characters so far and it's hard to keep them straight. I think it's a bit of a combination of the two. There's nothing wrong with having a big cast, but you have to be careful as you introduce your characters that you give your reader ample time to digest and take note of everyone so we can keep everyone straight
This is an interesting chapter and you've done a nice job setting up the world and what life is like for these girls. You've planted some seeds that are interesting enough that I would want to keep reading to figure out what's going to happen next. My biggest qualm with the chapter is that I feel it lacks a little oomph. Things are happening, but nothing feels consequential enough to seem like the plot is moving forward in any substantial way. I know it's early in the story, but I still need to feel like I'm being propelled into the plot and that every single moment you're including in the story has a clear purpose and value in moving the story forward.
Kind of along with that, I think one thing you can do to move your writing to the next level, is to think about showing more. I noticed a lot of telling and info-dumping - meaning pieces of information that are just that, pieces of information. Information is nice in moderation so the reader feels like they know what's going on, but too much, especially early on in the story starts to feel info-dumpy. I'm thinking about this:
Those two will never get along and haven't for every day in their thirteen years of life, but when it really came down to it they loved each other. When they had first moved into the third room when they were five, I thought that they would be our downfall, so much disagreement and fighting would never get anything done, but soon I realized that all that fighting against each other has a way of getting more done that one might ever expect.
And the subsequent information about the twins. Interesting stuff, not needed at this exact moment. We'll have plenty of time to get to know the twins and their story. Propel me into the present moment story.
In terms of showing and adding more description, I'm thinking of things like this:
We all show the same lack of emotion upon our faces and inside we feel the same fear that will never go away, it doesn’t matter that we have done this every day of ours lives.
What do their faces look like specifically? There's a lack of emotion on their faces, but what does that look like exactly? How does this narrator know they're all feeling the same fear on the inside? Why doesn't it matter that they've done this every day of their lives? And what is "this" that they've done?
So overall, I think you have an interesting idea here and mechanically I think your writing is fine. I would think about how you want to use this chapter to move the plot forward and what information and details you absolutely have to include to achieve that goal, develop those, and leave out the rest for now
I'll leave things there for now, but keep working on this story and let me know if you have any questions or if there's anything you want feedback on that I didn't mention!
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