Published January 7, 2011
Taken down, have some Lovecraft instead
IThreading now the low phosphorescent aisles between those gigantic trunks,
Carter made fluttering sounds in the manner of the Zoogs, and listened now and
then for responses. He remembered one particular village of the creatures was in
the centre of the wood, where a circle of great mossy stones in what was once a
cleaning tells of older and more terrible dwellers long forgotten, and toward
this spot he hastened. He traced his way by the grotesque fungi, which always
seem better nourished as one approaches the dread circle where elder beings
danced and sacrificed. Finally the great light of those thicker fungi revealed a
sinister green and grey vastness pushing up through the roof of the forest and
out of sight. This was the nearest of the great ring of stones, and Carter knew
he was close to the Zoog village. Renewing his fluttering sound, he waited
patiently; and was at last rewarded by an impression of many eyes watching him.
It was the Zoogs, for one sees their weird eyes long before one can discern
their small, slippery brown outlines.
Out they swarmed, from hidden burrow and honeycombed tree, till the whole
dim-litten region was alive with them. Some of the wilder ones brushed Carter
unpleasantly, and one even nipped loathsomely at his ear; but these lawless
spirits were soon restrained by their elders.
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Hahaha, sargsause,
Thank thee very much for the feedback!
This is all a part of a sub plot mini-story arc taking place in bits of part 3 of a part 4 book, so hopefully by the time readers get here, they will have integrated into their psyches both Anton’s approach to the world, and Natalie’s.
But dude, thanks for all the punches in the face, I mean, the editing and proofreading contributions, the switched on TV, the willpower stuff. Perhaps I would have caught them themselves come the time for the final edit, but perhaps not, perhaps I would’ve been too in love with them.
…You leave the hand-spinning out of this. That’s called whimsical style boy, style I say. (But how can we trust someone with style when they call the middle finger the index finger, JR?) By willpower boy, willpower I say!
Haha, anyway, thanx again.
That last phrase needs rewording. "She should've come to work...and doesn't pick up her phone." It just doesn't read quite right.
The "immediately" there adds a sense of literalness to the sentence, which makes it weird. Also, so does the "small tight" part of the knot. It's so explicit that the reader thinks his stomach is physically moving and tying itself. I think it could be shortened to "Anton's stomach tightened into a knot" or something similar.
I hope Jane was someone Anton didn't like, because "demise" has a rather cold, antagonistic tone to it.
How does one stand up in agitation? Reword.
Lose the "...with an effort of will." What else would he shut out nightmares with? A punch to the face? It's obvious that he does so mentally.
More instances in which I ask, as a critic, what made you feel the need to insert the words "switched on"? Can you hear a TV that's off? When you go out of your way to say something, the reader can't help but wonder why.
So are they on a first name basis or on a "Dad" basis? Also, when "Dad" is used as a proper noun (as opposed to "your dad" or "my dad"), then it's capitalized.
For parallelism's sake, "He heard the locks unlocking and latches unlatching" or "He heard the locks being unlocked and the latches being unlatched." Or just change it completely because it already looks a little weird in any form.
Proper noun, capitalize "Dad." Add a comma, too. "I'm sorry you were bothered, Dad."
"So what happened?" he said. (Notice period) "Why didn't you go to work?"
"his smile"
Capitalize "And"
This guy reads like a jerk. Is he supposed to be? He's suddenly all-knowing, telling her what to do with such finality, and not using contractions enough. If I were her, I would think he's a jerk.
The index and forefinger are the same finger. The whole "except the door, which he indicated..." part reads really silly and wordy.
The fence of denial. Pretty weak metaphor.
All this hand gesture business is getting out of hand (so to speak).
Okay, now I know he's a jerk, calling his daughter a "thin wretch." I sure hope he's supposed to be a jerk. Unless it's you, the author, calling her a thin wretch.
This, all of this, is really boring. Just listening to this guy talk. He's not very eloquent or very interesting. Just a jerk who doesn't use contractions, and now he's talking endlessly. Sounds like a motivational speaker on TV.
When was she burying her face in his palms in the first place? Last we knew, his palms were ruffling her hair. Her thin, wretched hair.
So all in all...this is a transition section. Just trying to get from interesting event A to interesting event B. And being so, it shouldn't be dragged out this long. We spend so much time not learning much, with nothing happening, and the two characters having the same attitudes toward each other (No, I can do it. No, you can't. No, I can do it. No, you cant.) until one finally breaks down. So this either needs to be spiced up, we need to learn more about something, or it needs to be shortened drastically.
Them's my thoughts.