The Lizards -Installment 2-

by IdaPhillips

Published August 11, 2014

18+ Language

In Comedy

Warning: This work has been rated 18+ for language.

-Have you read installment 1? If not, this won't make much sense to you.-

“Look at you, waking up before noon barely hung over, what a rock star. That bitch with her stupid, crazy-attractive face doesn’t know what she’s talking about; you’re awesome,” Amylace,a twenty-two year old lizard with a brain like a quantum computer, assured herself into a reflective sheet of metal screwed into the wall in her bathroom. She, after a second, flashed the careful smile of a person who doesn’t want other people to know she smiles.

Amylace had woken up that morning with a stabbing pain in her lower back. She was irritated by this, but really it's hard to know what she expected sleeping on a piece of cardboard on the floor. That's what you get for being poor, as well as lots of other things. For example, cavities and a flat stomach. It's a trade off.

The young woman exited the bathroom and swept the cell-like "apartment" interior with her eyes. Nothing was missing that morning, which was always a plus. The place was shaped like a hexagon, with the bathroom in one corner, a useless fridge and stove--useless because they hadn't had electricity for months--in another, and their cardboard yoga-mats/beds/food-when-things-get-tight in a third corner. Architects in the future/present/past have finally acknowledged the usefulness of corners in their building plans, hence the hexagon, and everyone has benefited for it, well, almost everyone. If you could see me I'd be looking into the distance, meaningfully.

When Grover, Amylace's despondent roommate, finally groaned awake, it was almost three in the afternoon. In his defense, he'd had a lot to drink the night before. The young man, slightly older than his roommate, wobbled into a standing position and rubbed his eyes.

"Aw, my princess is awake. How did you sleep, Gorgeous?"

Grover found the strength somewhere inside himself to glare at her, but it was unimpressive, and Amylace decided not to reward him with her trademark indignance. Instead she went back to scribbling mathy strings of consciousness on the wall with a rusty piece of iron pipe. Grover went to sit on the floor at their table made from a huge, industrial tire covered on the top with cardboard. What do you know? Another of the nearly-infinite uses for cardboard.

"Do we have food?" Grover grunted, sleep in his voice. Amylace hardly acknowledged him.

"No."

"Beer?"

"Nope."

"Anything? Do we have anything?"

"The rainwater bucket is half full. You could trade that for something, a cigarette maybe."

"Amylace, that rainwater is poison. I drank some yesterday, and it gave me hallucinations."

Amylace stopped scribbling for a second, tossing a thoughtful look over her shoulder. Grover didn't notice. He was busy pouting.

"Drug-hallucinations? Could you tell people it's a new-age drug?"

Grover wrinkled his face and unwrinkled it. He wasn't an especially motivated person.

"No, more like fever-hallucinations, not addictive either. People are more into inhaling their drugs lately anyway."

Amylace shrugged and went back to scribbling.

"Alright, that's fine, but you'd better get your ass in gear networking through the complex. There's a whole community out there we're not capitalizing on. Why don't you go talk to that guy who trades squirrel meat for hooch? We can ferment our nasty acid-rain water and get some food."

Grover moaned and stood up, throwing his head back like his roommate had asked him to go to her daughter's fundraiser.

"Why don't you ever go 'network'?"

"Because I'm busy being a genius and sustaining your pampered lifestyle, Grover. It's a full-time job."

"You're a terrible sugar daddy and a sub-par genius, Amylace," Grover informed her flatly. She could hear how he knew he was inferior in his voice. The tone might've been imagined, but regardless of his awareness or lack there of, Grover was inferior. If Amylace was sure of anything, she was sure of that.

The young woman, despite all that, ground her teeth like any manically egotistical pride-monster would, and Xenu knows Amylace is the definition of a manically egotistical pride-monster. After a few seconds she pointed at a letter sitting open under the mail-hole next to their door.

“You can do it later if you want," the young woman growled. "Someone invited us to a dinner party.”

You are cordially invited to a dinner party, the thing said. At my fancy mansion that I own because I am rich and attractive. Mostly because I’m rich, I guess; I’m an entrepreneur if you were wondering by the way. A car will be by to pick you up at seven o’clock should you choose to attend.

All sketchiness aside, neither of them had eaten anything for at least three days, might’ve been longer but they were so drunk all the time it was hard to remember, Grover and Amylace decided it’d be a good idea to jump on a free meal when they had a chance.

A few hours and one awkward public transit ride later, Amylace and Grover found themselves standing in a dirty garage under a lizard apartment complex, a different one from their own, with three other lizards. One was a tall, thin, gorgeous black woman, clearly a hooker, with neon-orange eyes like fire. She stood apart from the other two with her arms crossed over her chest.

The aforementioned other two were a strange pair. One, a man in his thirties, was dressed in a dirty tuxedo he'd undoubtedly found in a dumpster somewhere and was smiling a wide, unrelenting smile donned by serial killers and overly-enthusiastic, old, distant relatives everywhere.

His partner was much less human than the others in the room. She was clearly descended partially from a POE viper with her sharply curved spine; scaly skin with feathers sticking erratically out from her arms, neck, back, and scalp; wide, reptilian eyes; warped, clawed feet and hands; and her long face with sharp teeth like a dinosaur.

“Amylace! So happy you could come! Who’s your friend?” the tuxedo man cried, too excited, and Amylace took a startled step backward.

“This is Grover; he lives with me. He’s not a threat, or anything-”

“Oh of course not, just look at him.” Grover made a slightly offended face. “Nice to meet you Grover and Amylace, my name is Maurice. This beautiful creature,” Maurice gestured at the dinosaur girl, “is my good friend Zoey Owens, and that woman’s name is Monique Capone. She prefers Moe, and good Xenu do what she says. You do not want to make her angry.” Maurice chuckled ominously to himself. Amylace’s eyes were wide with fear-irritation, an emotion she’d practically invented.

“What,” she spat.

“That’s Moe, I’m Maurice, and this is Zoey,” Maurice reiterated.

“No. After that.”

“Oh, ha, ‘good Xenu do what she says. You don’t want to make her angry.’ Moe explodes when she gets upset; it’s a mutation in the Z Chromosome, the Viper Chromosome. Let’s sit, shall we? I have a business proposal I’d like to pitch to you three.”

The five of them went to sit at four chairs Maurice had set up for them. Grover sat on the ground, and he didn't really mind. Honestly, it sort of fit with the rest of his life up to that point. Sort of like, of course there weren't enough chairs for him.

"So, I've gathered you here today to propose to you the chance of a lifetime-"

Amylace cut the man off with a raised hand.

"Um, before this gets totally batshit insane," she began as though it wasn't already, "I have a few things I'd like to say."

"Of course, Amylace. I live to serve you."

Thoughts like "what the fuck," and "oh god he's going to kill us and wear our fingers for a necklace," came to mind while the girl hesitated to respond.

"Ok, first of all, where's the food? The only reason I'm here is because there was going to be food. Second, in what world is this a mansion you lying shit? Third, you're not actually that attractive, who are you kidding? Four, what's the deal with your friend, she's freaking me out. Did she just lick her own eyeball? Also, are you going to kill us and eat us, because I'm like three percent body fat, and frankly that's just a waste of your time."

Maurice shook his head without breaking his smile.

"There's no food Amylace, and no this is not a mansion. I included those things in my letter to be a glimpse into the future. I think our partnership, if we all choose to form one, will be very fruitful and will greatly benefit all parties involved.

"My physical appearance is a matter of opinion,

"Zoey, my friend, is descended from a POE viper created to resemble the ancient dinosaurs. Because of this she struggles with an in-and-out mental state, but don't underestimate her. She is an essential piece of our pentagon.

"And, no, I do not intend to kill you or eat you. I simply wish to propose an arrangement to you that you may find rather enticing. May I?"

Amylace thought for a few moments, and eventually she nodded. Maurice smiled wider somehow, like he was a lion in a territory dispute, and proposed to them his proposal.

"Alright, as lizards, we all know what it's like to be brutally oppressed, given the short end of the proverbial stick, and spat on. Until now, what have we done about it? Nothing. Because we were alone, but imagine what we could do together. If not actually make a substantial change or give hope to our fellow minorities, at least we could band together to make life as a lizard in Neo-America easier for each other. I say it's time for some social activism."

The four were quiet for a few moments.

"So," Grover interrupted the silence, who was mildly offended, "like charity work?"

Maurice shook his head.

"No. Charity work would only feed a corrupted system. If you chose to join me, we would exact revenge on the vipers and humans who oppress us, in small ways at first, but we'd grow as more lizards heard about us. Eventually, we'd be the largest vigilante operation in history."

While the idea was undeniably enticing, Moe, the combustible hooker Amylace reminded herself, was still skeptical.

“A ‘vigilante operation?’ You’ve got to be fucking kidding me. The OPVI kills lizards who forget to apologize for coughing near their vipers. Not to mention you picked a prostitute, a lesbian, a mutant, and some guy to help you fight the most powerful NGO since the Illuminati. This is bullshit, count me out, freak.”

Maurice nodded respectfully, but wouldn’t be shot down so easily.

“I’ve been watching you and Amylace, Moe. You two are special. Amylace built a self-aware robot with AI advanced enough to feel emotion; admittedly she repeatedly told it that she loved her dishwasher more, and eventually it became manically depressed and dropped itself into the bathtub, but the point is she did it. You, on the other hand, are a living ball of unstable lighter fluid. I’m an entrepreneur; Zoey is a terrifying mutant, and Grover can…um, whatever. What I’m trying to say is that we’re basically a textbook formula for a rag-tag band of superheroes. Come on, it’ll be fun-” He stopped when Moe lunged forward and literally roared at him. Grover used Amylace’s skinny body to shield himself from the disaster coming at them like a train.

“We’re not special,” Moe shouted in a coarse, throaty voice, and the sound was deafening. “We’re freaks. We’re nothing, Maurice. We’re fucking lizards.”

The woman crumpled into herself, and when she re-expanded a shockwave shot out from her body that shattered anything that would shatter in the underground storage unit and sent the other lizards flying backward onto the floor and against the walls. With an alarming ‘foop’ Moe burst into flame.

There was a good amount of chaos and screaming, and for some reason Zoey was laughing, before Moe calmed down enough stop, drop, and roll. After that, the lizards had to exit the building that was by that time very on fire.

They stood in a slightly-charred row, facing the inferno, in silence for a few moments.

“Now that,” Maurice grunted, “was impressive. So what do you guys say?”

Amylace and Grover were undeniably shaken, visibly so. Grover's limbs threatened to give out any second. With his liver and kidneys already on strike and his corrupt brain too busy taking bribes and dosing itself with heavy narcotics to care, the man's body was fragile as it was.

Amylace put her arm around her older roommate like her little brother and shook her head.

"No, Maurice, this has been hilarious and uncomfortable and terrifying and all, but we were born lizards. It's shitty, but that's just how it goes. I'd rather live out my pre-ordained miserable existence and die peacefully, unremembered, in a ditch somewhere than pretend I'm some noble social-rights activist for a few weeks and die, gored by an OPVI officer, unremembered, in a ditch somewhere," she explained, resolute but apologetic. Grover nodded and they broke from the row to begin the long walk home.

"Moe?" Maurice pled, desperation leaking into his cracked composure. Moe glared at him and left without a word.

Zoey looked at Maurice with cloudy confusion in her giant, avian eyes.

"Did it work, Maurice?"

Maurice frowned and shook his head. He took Zoey's clawed hand in his and guided her with him towards their home under a concrete, pig-iron mega-bridge.

"No, but don't worry, Zoey. They'll come around."

"What if they don't?" her voice was warbley like a bird's song.

"I'll make it work for us. Don't worry."

Zoey smiled and rested her head on the young man's shoulder.

"I'm not worried," she whispered with all the charming naivety of a child.

-to be continued...-

Comments & reviews · 4
User avatar
Vervain
Review
Vervain wrote a review Review · Aug 31, 2014

Hello, darling!

I skimmed back over your first installment and saw little to comment on, as I'd already reviewed it, of course. So let's hop into this one.

First of all, I will say that I find your characters absolutely intriguing. I want to see what happens to them; I want to know their story, and that's probably the best thing that can happen to this, because honestly, the characters are what's driving the story right now. I like how you keep them reasonable and realistic - Amylace is a bit of a sociopathic genius, and that reflects in the narration of her world, but that leads to... a problem.

You have an omniscient narrator, which means that all of your characters thoughts are known and public, but this omniscient narrator, while hopping heads, repeats things in various different ways so they're even more confusing. This is most obvious when you pause and give us a giant description on places or people - your description of the apartment in the beginning didn't feel like a logical progression, it felt like a derailing of the narrative, and I think it would benefit your story if you found different points to work in the details you put there (yes, even the funny little bit that corners are very useful, thus the hexagon).

This omniscient narrator also takes time to hold the reader's hand and explain how people are feeling, or why they're feeling this, while it would be easier on the reader if you just showed how they acted. Actually, the end of your piece is a lot better on this point than the beginning, in my opinion - you show Zoey's inability to completely understand a situation, and Maurice's hope, without coming out and saying "Zoey can't completely understand a situation and Maurice is hopeful".

I think your storyline is promising to be interesting, and I think you have a lot of potential in this story. A bit of proofreading might be useful - you can always ask around and see if people would be interested in helping you proofread - just for the minor mistakes that everyone makes, and a proofreader can also act as a beta and give you their initial two cents on the story before you post it. I'm looking forward to reading more, most definitely.

Hey again! Thanks for the review :). I agree about the descriptions derailing the narration and with kind of an elaborate world that the lizards live in, that's different in a lot of ways from the actual world, there's a lot of pressure to explain or lay it out for the readers and so that's what's up with the giant descriptive chunks that don't fit in. I'll work on it :).

Also, about the "handholding," I really agree that the end bit about Maurice and Zoey was better than previous character interactions, and so explaining instead of showing like you said must play a part in that, but I'm having trouble pinpointing exact places where I do that. If you wouldn't mind I'd love a little elaboration on that tip; it's something I've had a lot of problems with before.

I will def look into getting a proofreader, and I'm glad you're enjoying the story so far :).

Honestly, the first thing I'm going to say is that if people pressure you or you feel a general pressure to explain everything flat-out as it comes: don't. I have a fantasy world right now with like a million different things, and people say "you need to explain everything!", but I can guarantee you if I sat the reader down and explained everything, they'd complain about that, too. Don't bother going into detail unless the detail is necessary for a basic understanding - if you tell me that Amylace goes to a bar and orders a Micatini Hylate, I'm going to assume that a Micatini Hylate is a kind of alcoholic beverage, so it's not necessary to sit down and explain, "a Micatini Hylate is an alcoholic beverage yada yada", right?

tl;dr: There are people who treat readers like they're stupid and need everything explained ten times, and if anyone tells you to do that, it would make for a very dry, boring story indeed. "Protagonist drew his giant flaming sword. This sword was very hot because it was on fire. The heat singed his hands." Cut out the middle sentence, and you've got some decent description.

As for examples of hand-holding, one that stood out to me even on a skim through is where you're describing Moe as "clearly a hooker" - it's a useful tidbit to know, and provides a bit of internal description for the reader, but it's phrased in a somewhat condescending way; you could describe her as "a tall black woman with neon-orange eyes like fire and a confidence in her posture that only rich bitches or hookers had" or something like that, and the reader would be able to understand that well enough, you know? I'll look through and see if I can find any more instances of it, but a key rule is looking through it and saying to yourself, "can I make this clear without directly explaining to the audience?"

I'm glad you liked the review, and I'm -very- much looking forward to seeing more of this story!

Awesome, thank you. I will get on that. Obviously a balance needs to be met, somewhere between describing the shit out of everything and telling a story that takes place in limbo, so I'll work on that and hopefully it'll get better with practice :)

Yeah, finding that happy medium is going to be hell, but you'll find where it works for you and your narrator! It's different for every person (I wish I could just tell you "write like this and it'll work", because that would be awesome), but I have full confidence that this work is going to absolutely blossom.

User avatar
Vervain
Comment
Vervain commented Comment · Aug 31, 2014

So I wrote a review and it ended up being submitted as a comment. Whoops.

windrattlestheblinds wrote a review Review · Aug 13, 2014

Hey! Here to do a review as requested (apparently, I reviewed the previous installment already, so here I am xD).

I’m not a huge fan of your first sentence. It’s long—which at the beginning of a chapter, especially such an early one, is generally something that turns readers off—and despite the fact that it promises misery and regret in the immediate future, it doesn’t pack all that much punch. I’d recommend breaking it up into shorter bites. Likewise, I don’t like the first sentence of paragraph two much either—it’s very listy, which makes it less than engaging.

So in general, I feel like this chapter doesn’t really hit its stride until the third paragraph when Amylace starts talking to herself. With a bit of tweaking, you could actually make that paragraph the first one; otherwise, I’d really suggest revising the first two.

“When he, Amylace’s roommate Grover” is really clunky. Also in this paragraph, “they didn’t really own furniture” is a parenthetical phrase that should either be in parentheses or (my preference) partitioned by em dashes (ie “…sitting on the floor—they didn’t really own furniture—and crossing out…”). Things like this are things you should be looking out for, because the rambly style of narration runs the risk of becoming incoherent if you lose control of it. (That said, as with chapter one, I enjoy the vaguely snarky narratorial voice an awful lot)

The pacing here is really breakneck, and we’ve not even got any scene breaks to help us along. It feels like you’re rushing to get to the good parts, so to speak, to the detriment of the story as a whole. For example, spending exponentially more time on establishing how very extremely smart Amylace is but all of six sentences on the actual plot point of the dinner party invite and their decision to accept it. And then you skip over the idea Maurice is pitching in a single sentence after going into detail about the dinner party. Consider where your priorities are in telling this story; is it to tell a STORY, or write out character sketches and vignettes? Because right now I’m getting the latter.

Worldbuilding stuff:

In a magical setting, I’d be totally on board with Moe exploding because magic, but since you’ve set this up as (admittedly soft) scifi, I’m left wondering how she survives? Is she just sending out a shockwave? If so, why does it catch her on fire?

Xenu is presumably a god or approximation thereof, but what sets it/them apart from current wide-spread religions? (Or, even weirder: How on earth did Scientology become a mainstream religion??)

I like the concept of the OPVI versus OPHI with lizards getting caught in the crossfires and mistreated by both sides. But: Amylace’s and Grover’s living situation reads more like “slightly broke college kids” than “doubly oppressed group living in segregated slums” to me. Like, they’ve got the means to buy magazines and also build robots. On the whole, Moe seems like the only one damaged by systematic oppression, which, considering all the other ones are lizards too, seems inconsistent to me. I think it all needs to be fleshed out more (expanding on what Maurice’s idea is and showing his pitch would help a lot with that, I think. You could show us more of their reactions to the idea of going up against vipers).

Overall, this seems to me like a bunch of good ideas, applied very hastily so they end up less than cohesive. Taking the time to think about your world (and jot down some notes, too) and then giving the story longer to unfold would go a long way toward fixing the problems this chapter has. And you can do that without losing the rambly, snarky narration, so don’t be afraid to give it a shot.

Oh gosh, sorry about that lol :) Thank you for reviewing again! It's super appreciated of course. I'm not super experienced with scifi so it helps a lot to bring all these plot things to light.

Heh, no problem xD I'm enjoying reading this a lot; you can go ahead and tag me when the next installment is posted, if you want.

i will be sure to do that, and any future input is extremely welcome :)

User avatar
IamTraunt
Review
IamTraunt wrote a review Review · Aug 13, 2014

Hey there, IdaPhillips!

Nitpicks!

Amylace woke up one morning with a bored scowl on her face, completely unaware that that particular morning would prove to be an especially miserable one attached to an especially miserable day she’d regret for the rest of her mortal life.

First things first, I've noticed you have some really long, chunky sentences that need cropping down. This needs to happen or your reader will get bored and skip it. The first sentence was pretty long, so I think you need to split ot into two (also you have two "that"'s in there), like so:
Amylace woke up one morning with a bored scowl on her face. She was completely unaware that that particular morning would prove to be an especially miserable one attached to an especially miserable day that she'd regret for the rest of her mortal life.

The young woman, a twenty-two year old lizard with a brain like a quantum computer, rolled out of bed, tripped over her roommate who’d passed out next to her the night previous, wandered to their horror-flick worthy bathroom, and she brushed her teeth.

Again this needs to be cut down and adjusted a little:
The young woman, who was a twenty-two year old lizard with a brain like a quantum computer, rolled out of bed and tripped over her roommate who’d passed out next to her the previous night. She then wandered to their horror-flick worthy bathroom, and she brushed her teeth.

"That bitch at the bar doesn’t know what she’s talking about; you’re awesome,” she assured herself, flashing the careful smile of a person who doesn’t want other people to know she smiles.

This sentence could be a lot simpler, like so:
"That bitch at the bar doesn’t know what she’s talking about. You’re awesome,” she assured herself, flashing herself a smile that was hidden from the rest of the world. She was the type of person that didn't want people to know she smiled.

He stumbled into the living room, where his young friend was sitting on the floor; they didn’t really own furniture, crossing out from the newest issue of Electrodynamic Cytosymbiotics Today all the things she deemed “redundant ramblings, science-sounding gibberish, or biology AP test guess-answers,” which was a lot.

Another sentence that could be cropped down:
He stumbled into the living room, where his young friend was sitting on the floor. They didn’t really own furniture, crossing out from the newest issue of Electrodynamic Cytosymbiotics. Today all the things she deemed “redundant ramblings, science-sounding gibberish, or biology AP test guess-answers,” which was a lot.

He was about her age, also a lizard, and if you asked any of his acquaintances what Grover’s best attributes were, they’d probably tell you a story about a time when he got drunk off two beers and cried and vomited for the rest of the night.

Another long sentence, it just needs to be shortened:
He was about her age and was also a lizard. If you asked any of his acquaintances what Grover’s best attributes were, they’d probably tell you a story about a time when he got drunk off two beers and cried and vomited for the rest of the night.

All sketchiness aside, neither of them had eaten anything for at least three days, might’ve been longer but they were so drunk all the time it was hard to remember, Grover and Amylace decided it’d be a good idea to jump on a free meal when they had a chance.

This needs to be cropped down. Like so:
All sketchiness aside, neither of them had eaten anything for at least three days, might’ve been longer but they were so drunk all the time it was hard to remember. Grover and Amylace decided it’d be a good idea to jump on a free meal when they had a chance.

She was clearly descended partially from a POE viper with her sharply curved spine; scaly skin with feathers sticking erratically out from her arms, neck, back, and scalp; wide, reptilian eyes; warped, clawed feet and hands; and her long face with sharp teeth like a dinosaur.

Seeing as you are listing ger qualities, the semi colons need to be commas.

Amylace built a self-aware robot with AI advanced enough to feel emotion; admittedly she repeatedly told it that she loved her dishwasher more, and eventually it became manically depressed and dropped itself into the bathtub, but the point is she did it.

This needs splitting:
Amylace built a self-aware robot with AI advanced enough to feel emotion. Admittedly she repeatedly told it that she loved her dishwasher more, and eventually it became manically depressed and dropped itself into the bathtub, but the point is she did it.

Can I just say... Wow. This was so unique. I really didn't know what to expect when I started reading this, and it just blew me away. So all of them are genetically engineered lizards? Have they been infused into the human cell? I was curious as to that. How did they come to be? Maybe you should add that in somewhere along the lines just to clear things up. I certainly love your story. Mutated lizards and vipers! Woah. And superpowers? That was just awesome. So, so different. I loved that.
Well done!

Yours sincerely,
Traunt

Truant, thank you so much for the review! This story is actually continued from my The Lizards -Installment 1- where it explains what lizards and vipers are and how they came to be etc. Also it talks about most of the acronyms I was using lol :). If you don't care to read that I can just quickly go over the important stuff.
a "viper" is slang for a 'human' created completely from science, so they have no relatives and are modified usually to be smarter/stronger/prettier etc than humans are.
a "lizard" is the heavily oppressed bastard child of a human and a viper. Often they inherit positive traits from their viper parent and so are like humans but better and, in Moe's case, drastically more unstable.

Again, thank you. I'm so glad you liked it! Stay tuned for more misadventures! :)

Oh, sorry! ^^ I will be sure to read the first one. Thanks!
I will look out for them. I really like the concept of this story. It's brilliant.

oh my gosh thank you. I've been developing it for a long time, it's nice to hear that people actually like it! lol :)

It's right up my street (British saying for it's my type of thing) ^^ I love all the superhero-mutant type things. Hence my avatar and my background for my homepage. So when I read this I really enjoyed it. I'm sure others will too.

Thank you, I love sci-fi and humor, so I enjoyed writing it as well. :)

I can tell ;) A good story always is written by someone who enjoyed doing so.



Prometheus, thief of light, giver of light, bound by the gods, must have been a book.
— Mark Z. Danielewski, House of Leaves