The house smells. Well, it does. And the roof is falling apart and the rusty door-knobs are giving me a rash. I think it’s about time we got out of here, honey.
Would you like that? Moving?
Of course you would. Sitting there next to the window all day long. Feeling the same cold breeze creep it's way into our room every morning when I carry you out of bed, and when I put you back in your chair, when I bathe and clothe you. Watching the same fireplace burning up all night.
I bet it's a drag.
You don't complain, though. You never did. And me? Well, I just need a change of scenery, is all. I’ve been working the same job for years and… You know how it is. You start out with all these hopes and expectations and then years pass and you’re still sitting in a cubicle, typing up reports and adding up numbers. Sure, maybe my desk is a little bigger now, but I’m still as bored as you are, love. Really, I am. A new place will do us both good.
Did I tell you that I have a new secretary? Yeah, her name is Sarah. We’ll get back to that later, alright?
Today is our anniversary. The first one we’ve had since it happened, isn’t it? It’s been months since the operation. I can tell you’re proud of me, love. I bet you didn’t think I’d live through a week, never mind months. Do you like how I look? I know it’s an old suit but it’s the one I wore when we first met, remember? Of course you remember. I barely fit in it now, though. I was so young back then, and now I’m rusted and weathered, just like this house. My face is wrinkled and my stand is weak. I mean, people rush past me in the street like I’m going too slow for them.
God, I miss walking with you.
Everybody would stare at us in complete disbelief, giggling and whispering like schoolgirls. “What the hell is a girl like her doing with a guy like that?” I felt like a king. I miss you so much, darling.
I mean, are you listening to me? Are you even there? Sometimes I think that you left a long time ago. Sometimes I think you’re nothing but a shell, a carcass, nothing but flesh and bones, an empty vase. I miss my wife, alright? I miss your voice. Won’t you say something? Anything—? Christ, I’m sorry. I’m sorry, honey. Just… This is exactly what I’m talking about. We should move. We really should.
Did I ever tell you that people at work never really talk to me? I’m hard to like, I guess. You’re the only one who could ever stand me. Sure, they ask me how I’m doing and whether the Goldman deal came through and whether I’m hearing anything about budget cutbacks, but I never get invited to the drink-ups and the parties. The only thing they spoke to me about that didn’t involve work was you. How are you holding up, David? And how is your wife doing, David? But they never really cared, you know? They left before I answered their questions and there were awkward silences when I did. And as time passed, they learned to never bring it up again.
Sarah is different. Sarah is nice.
She smiles at me, and asks me what I did for the weekend. She calls me Dave, and thinks I’m funny. And when she asked about you the other night I could tell she wasn’t just being nice. She cared. And so I told her what I’ve always wanted to say— That there’s good days and bad days, and that I just thank God you’re still here, instead of complaining about how much of you is actually here.
And that’s the truth, you know, babe? Because you probably think there aren’t any good days, don’t you? But believe me, honey, when I see you sitting there in your chair -the sun dimly lighting up your greyish mane, and the wind that creeps though the window playing with your night-gown, your eyes showing even the littlest sign of life-, I recognize the woman I married. My heart warms up. And even if you can’t say it, even if you can’t show it, even if you can’t think it, I know you love me back.
Sarah asked about the bad days too. I told her I didn't want to speak about that.
I’m sorry I didn’t cook, honey, but it’s kinda heartbreaking to make a meal when you know you’ll have to mash it up anyways. Don’t worry about me, I’ll eat later. Just open up your mouth and… there you go. Now swallow. Isn’t that nice? I don’t like beans myself, but you always liked these sort of thing, didn’t you? Everything you can buy up in cans you loved. And when we got inside the truck and drove across the country, and you kept trying to get me to eat those dreadful canned fruits? That was a nice trip. We stopped in the desert and ran around the empty ground, we smoked a joint and watched the stars above us. I never was much of a doper, but you could talk me into anything. Now, I just wish I knew where to get some grass. Wouldn’t that be nice? Getting high together one last time before we move away?
Yeah, that’d be nice.
I didn’t know we’d be alone when she asked me out for drinks. I thought we’d be a whole bunch of people. I swear I didn’t know it was a date or… Whatever it was. Hell, I’m twenty years older than she is, honey. How could you even think that? And I never did anything to make her believe that I’d be interested in her. God, I feel like such an idiot. Come on, just eat this. Here, let me clean your mouth.
What I miss the most is your smile. You looked so beautiful when you smiled and it’s so unfair that you’re stuck like this. Perpetually indifferent. I remember when they first rolled you out of the hospital room with your head tilted forward, and your eyes looking dead. I thought you’d say something but you didn’t. I thought you'd smile but you didn’t. You just looked at everything and recognized nothing. The scars on the side of your head are a bit less thick now. I guess the cream is working.
No, I know it tastes funny. Just swallow.
Can I tell you something? It's just that— She looked beautiful, baby. She'd gotten us a table for two, in the back of the bar. She was wearing this little black dress, and she looked amazing. Sarah’s a blonde too, and has those greenish eyes that you have. The kind of eyes that look like they’re brown, but surprise you when you get closer. Oh, God. I had a beer and she had two. We spoke of movies we both liked, and how she came to live here in the city, and what she wanted to do with herself. Everytime I brought you up she looked away and quieted down. I should’ve seen it coming. Maybe I did and didn't care. I feel terrible. When I said I had to leave, she asked me for a ride. I couldn’t say no.
I want you to know that I kissed her first. When we got to her house, she didn’t get out of the car, and she stared at me like she was expecting me to do something, but it was me who kissed her, baby. Her lips were soft. And then she got on top of me, and pushed her face against mine, and I felt her tongue inside my mouth, and her hands, so soft, so little, on my chest, and I didn’t stop her. I was so lonely, living in this old, rotten house and I just didn’t stop her. We bought that car together, honey, remember? A few weeks before we found the tumour, we had a little extra money and we bought the Cadillac. Now I had Sarah inside it.
Are you done? Was that good? I guess it’ll happen in a half-an-hour or so. I don’t think you’ll feel anything, really. I love you, honey. Now I’ve got to go and get ready myself. Don’t worry, I’ll be right there in the kitchen.
Don't get angry with the girl. We didn't really do anything. I couldn’t. I kept thinking about you as she... undid my pants and pulled her skirt up. I kept picturing you waiting for me in the house, sitting there, looking out the window. And when she touched me I was limp. I just couldn’t do it. Nobody spoke for about a minute. Then I told her I was sorry. She got out of the car, crying.
When I got back to the house, the nurse could tell what just happened. I paid her and she took the money and then showed me the silver crucifix she wore around her neck. In sickness or in health. That’s what the nurse said. I think I had lipstick in my shirt. When Monday came, I couldn’t look Sarah in the eye. It was awkward.
It’s our anniversary today, honey. This is my gift to you.
I drink it up even though it smells terribly and tastes even worse. My stomach hurts almost immediately. You're still back in the living room, sitting in your chair, but you're no longer trapped inside your body. You’re free to go wherever you like now, you’re free to say anything, you’re free to think about anything you want. The cancer can’t touch you now. And I'm laying here on the kitchen floor and I'm thinking about where we're headed and how good it'll be to see you smile again. I mean, isn't this nice? Moving away from this horrible place?
I feel cold and I don’t know what comes next, but I’m not scared, love. We’ll be together again. I think I can hear your voice already. It kinda sounds like heaven.
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Whoa. I'm on the Featured Works thingamajingydingy. I wrote this fairly quickly, I'm really thrilled you guys liked it so much. Thanks a lot.
Wow that really good.
i was can of confuse at the top be at the end i got it all.
it a sad but happy story
i really like
good job
frenchy
Perfection! You really have a way with words, and I was so into your story...Well done!
!
I don't really think there was anything wrong with this. Through all the emotions you put your readers trhough I think anyone could hardly notice a mistake. Well at least not me, not if I'm caught up in a well written prose.
This thing is dripping in awesomeness. No, I mean I really, really liked it. Original, thought-provoking, emotional, all that good stuff. I don't have much to correct, as everyone above seems to have picked all that stuff out, but I do have one tiny comment.
I only thought that if the last line was a paragraph of its own, maybe it would have a stronger impact? Up to you, though, as its great either way.
Keep Writing!
[s]BlackGhost[/s]
Hi Icaruss,
here comes your review.
Alright, first things first: This was a very hard piece for me to read. Somewhere in the middle of it, I was at the verge of tears and had to stop reading. I know people who've been this way and for a husband or children and anyone close to the family it is the hardest thing on earth to see someone in a state like the one you've portrayed. So great job putting yourself into the situation.
I was also irritated about the two ands, but now I have trouble deciding whether I like them or not. I'd suggest you try to reword this part and come up with something definitely satisfying.
You start out great, because from the first sentence you manage to show the reader that something is not right with her. Your narrator addresses her, but in a way you'd address someone you don't expect to answer. You let me know there was something not right with her from the very beginning and had me hooked. Also the moving out thing made me want to know to where he wanted to move. Plus the repetition of it gave me the feeling there was more to it.
This is the place where it pretty much clicked in my head and I knew he was talking about dying. The 'one last time' was what did it.
Suggestion: Put a 'But' at the beginning of the second sentence.
Wonderful!
Okay, this is awesome.
I wouldn't put the 'here' in italics. Grants the 'you' more emphasis and I in my eyes 'here' alone is enough.
I'd substitute 'babe'. In my ears it's such a casual thing teenagers say to each other and doesn't have the same loving sound to it as 'honey' for example. Too casual.
My heart warms up seems so flat and maybe even too cliche, I'm not sure, but somehow it bothers me. I'd try to either substitute it or get rid of it all together.
This sort of things?
These two sentences sound somewhat emotionless compared to the rest. Kind of calm and calculating. He's putting his wife to sleep and about to commit suicide, I don't know if this is the way he'd speak. I would probably have him sound tired. Still calm, but not calculating. Just tired. I'm not sure, it's up to you. How is he feeling? Does he really react this way?
Sounds a bit casual, maybe try: I've got to go now, and get ready myself.
Or something else, but perhaps that's just me
[i] and then she showed me the silver crucifix she always wears around her neck. , for she always wears it? (Suggestion.)
In terms of emphasizing the freedom you could try it this way? Yet again merely an alternative.
Whew, done. I love this to pieces, really. My critique is mainly stuff you may want to think about, so don't be shocked at its length
All the best and happy writing,
~Kalliope
Hey Icaruss! I read this a while ago, and I loved it – I even gave you a gold star! I’m just getting around to critiquing it, though, and am not sure what (if anything) I’ll be able to find…
Nit-Picks
That’s fine, but it’s not too good for the very beginning. We don’t know his voice yet, so this seems out of place.
I don’t like the repetition of ‘and,’ but I do like how it starts with ‘and.’ Maybe just separate this?
I don’t think you should say ‘honey’ just yet. Let us get used to the fact that we’re the woman, then call us ‘honey.’
I actually hate that line right there. Maybe just say something like ‘she’s nice – you’d like her.’ Like he’s trying to make what he did sound less terrible?
When I read this the first time, it made me think he had the operation, and there was something wrong with her.
A bit random? Maybe start a new paragraph before ‘do.’
I’d ditch the ‘though.’ You slow us down like this too much, like ‘remember’ a little while ago.
The ‘I mean’ bugs me.
I'd ditch the comma. It’s grammatically correct, but it sounds better without it.
Pick one: is he saying what would happen, or what did happen? You switched.
What’s with all the random ‘I means?’
Italics.
‘When I did’ makes it sound a bit odd, like he left…
‘Didn’t’ or ‘don’t?’ Makes a big difference here.
What’s with the question mark? Either say ‘remember’ at the beginning, or turn it into a period.
Did they do it often? Maybe show that a bit.
How’s she open and close her mouth to eat, yet not be able to smile?
I thought paralyzed people could move their faces, and talk with the speaker thing…?
To make this less of a drastic jump, maybe say ‘the scars on the side of your head were so thick, but they’re getting better.’
How’s she show him that it tastes funny?
The ‘but’ seems odd, since it sounds like she was waiting for him, so obviously he would do it first…
Italics.
‘In’ his shirt?
Too random. Show us him telling her not to worry as he walks into the kitchen, just to remind us that he’s leaving the room.
Quick much? You said ½ hour, but this feels like two minutes.
Can’t she always think anything…?
I know the ‘I mean’ is part of his personality, but he’s already so developed. It sounds odd, slows down the pace. I’d ditch that and make the rest of the paragraph (‘isn’t’ to ‘place’) a separate paragraph.
Overall Comments
That’s all I have to say. This piece is amazing. Try to get it published in something. Plenty of magazines accept short stories, and you could get it published if you won a contest.
Really, I hate that it’s this good! There’s not much for me to say. You captured his voice perfectly, and I just love it. I can feel his emotions, and actions, even though I’m never told. I just love it. Definitely worth that gold star.
PM me with any questions.
~JFW1415
Wow. That was really good. Very detailed. A lot of stories written in a sparse, sort of modern, I guess, style tend to come of as generic, but not this!
Hi Icaruss, thanks for posting in my review topic.
The excessive number of ‘and’s in this sentence irritates me. Remove the first one.
As a reader, I am interested here but still confused as to who you are really addressing: me, or a character? Direct address to the reader must be distinguished from if you’re addressing the characters, and from a quick scan through, I see the reader is a character of the story.
Lowercase ‘Y’, since it isn’t a new sentence.
Either ‘too slowly for them’ or ‘I’m too slow for them’.
This isn’t how I would write it, try: “something—anything?” Since it connects these together and the dash after ‘anything’ is out of place.
Lowercase ‘T’, as before.
Same as before.
There more, but essentially they detract from the general point of the story. Anyway, those grammar issues are in fact irrelevant. The ending I thought was great – and I loved the gradual change into directing the wife. I was unsure at first whether this was just a piece about a dead wife, but the character development was great – enjoyable. The storyline was clear to me, if a little subtle in places.
Of course I have a few issues:
Descriptions: The emotions here were wonderful, but only up to the point where I was wondering if this is really believable of a character. I would say, yes, but even in first person there was a lot of expression lacking. In some place, wonderful, but for example:
Picky, put necessary. I must ask you, who is this guy behind all the thinking? How does he feel?
I can’t offer a lot more concrit than that, because I thought this was a great piece.
Best of luck,
Mark
Wowwww.
Like woww.
I really really really really liked this.
it was amazing in every way.
It confused me a little when he was
talking in the end but then I got it
when he said "heaven".
It has so many mixed emotions, first
its like your happy, then sad that he
almost cheated, then smiling that
they love each other, then in peace
that they are finally in peace.
Aw, this is so cute.
I love it!
I'm not quite sure what to say. kittykat pretty much summed it up. Wow.
You're an excellent writer. I loved every bit of this piece. It went in so deep--it wasn't just some superficial, fake kind story. You really feel everything that David feels, which always means your reading the works of a true writer. I also love that there is no real dialogue in the story, but yet, you hear David talking to himself in his mind like he was talking to his wife. I think that's what makes it so deep... you hear in David's voice (figuratively, of course), all the guilt and the pain and the sorrow. You know exactly what is going on in his head. I, personally, felt like I really knew David in such a little passage.
Anyway, this a really powerful piece of writing. Excellent job!
Holly
Thanks!
No, his wife had a tumour in the brain and was left like a vegetable. David feeds her poison with the beans, and then drinks poison himself.
This was... Was... wow. Yup. All described in one word, wow. I know that your supposed to say the things you liked and the things you disliked, but I couldn't find anything that I didn't like. It written very well and I the plot was great.
- kittykat
There was no grammer errors that I found here, so no use in that. I could picture everything that you wrote, from the description of the house to David laying, cold, dead, on the gruond. So wait... in the beginning, it said something about a tumor. In the end, it said the cancer can't touch her. Can cancer and tumors actally paralize someone? Hmm...
So David commited suicide because his wife died. Wait. When did she die? I don't remember it saying anything about her dying. But still, it was and awesome story.