12+ Violence

His Eyes Were Not His Own--part 1

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            The man behind the desk carried an air of arrogance about him. His eyebrows were bushy and grey around the edges, drooping down to his half-closed, impassive eyes. His massive mouth was sealed in a sloping frown which the rolls of fat beneath his chin mimicked. The suit he wore was an old one; one accustomed to a wearer some sizes smaller and strained at the seams.

            He opened his mouth, a gesture reminiscent of a yawning toad, and emitted two booming syllables:

            “Come in.”

            At his command, the stained wooden door to the spacious office opened, and in walked another man. He was taller and leaner than the sitting man, whose bored eyes flashed upward only for the briefest of moments at the approach of Herr Castle. Gripped within the arms of Herr Castle was a great abundance of papers, mostly handwritten in a luxurious calligraphy, which he laid to rest on the mahogany surface of the sitting man’s desk. An errant slip of paper fell out of an overstuffed pocket. Pinpricks of sweat hung to Castle’s high forehead, some of which fell as he stooped to retrieve the fallen paper. The fat lips of the sitting man pressed together in a thin line, but Herr Castle took no notice, instead focusing on the book he produced from the pockets of his waistcoat. It was a small volume, scarcely larger than the palm of his hand, and looked as though it had been boiled, burned, and buried for decades.

            “As you can see, Emmerich, I have…” Castle began, but was silenced by the sitting man’s objecting hand. He straightened his hunched frame, standing tall and lean in the face of denial.

            “As we are not yet partners, Herr Castle, I would insist that you refer to me as Herr Maday for the duration of your…presentation.” Maday emphasized the last word, drawing out the sounds in a serpentine hiss.

            “Yes, of course, Herr Maday,” Castle said, bowing his head. He closed his grey blue eyes and concentrated. He knew that Emmerich did not take him seriously and needed to perform flawlessly. “As I was saying, I have succeeded in a full decryption of Otto E. Leopold’s diary. The rotating cypher used a different code word every week, but I made a lucky breakthrough when…”

            Once again, Maday’s wrinkled hand rose in protest: a gesture of measured, self-assured command.

            “May I safely assume, Herr Castle, that a summation of your presentation is an easily legible version of the inner thoughts of the first chancellor of the German empire?”

            “Yes. Many germanists have tried to pierce the veil of this book, but they had not…do you not find this discovery fascinating, Herr Maday?” Castle asked, seeing Maday’s hand once again rose, elbow propped on his desk. The hand folded into a fist, and fell on the papers Castle had dropped with a refined, dignified force.

            Castle said nothing, staring at the meaty fist suppressing his work.

            “Understand, Herr Castle, that while your efforts have been undoubtedly…” He paused. “You have certainly put effort into your work, but I am afraid the Wiener Volkskonservatorium is not open such contributions. Surely you understand?”

            “Do I understand?” Castle repeated. “Do I understand that an unprecedented window into the mind of one of the greatest men in recent history is being discounted from the Weiner Volkskonservatorium? Is that the question?”

            Maday nodded, folding his hands under his chins.

            “This is ridiculous!” Castle shouted, grabbing his papers off the immaculate surface of Maday’s desk.

            “Be that as it may, it is also my decision,” Maday said, his tongue caressing each word and releasing them with something of a purr. “The Weiner Volkskonservatorium is to be a conservatory of music and the arts, not of military history. Perhaps another institution would be happy to receive you. But unless you can impress me with a unique contribution of music or the arts, I must insist that our business here is concluded.”

            Castle’s mouth twitched with snapping retorts, desperate pleas, and senseless obscenities, but he made no sound. He looked at the beaten, broken diary held in his right hand. The priceless years of research and obsession had, in its moment of truth, failed him. He put it, gently, back in his waistcoat pocket.

            “There is something else I may have to offer, Herr Maday,” Castle said, careful to rein in his emotions. “The actual work is still at my apartment, but perhaps a summation would suffice at the moment?”

            Maday frowned. “Please be quick about it,” he said.

            Castle nodded, and placed his papers back down on the desk, strumming the polished surface with his long fingers. Maday grimaced at the noise, but remained silent. After a pregnant pause, Castle spoke.

            “I have discovered, in short, the perfect communication method.”

When the pause continued, Maday said, “Short indeed, but I’m going to need something of an explanation of this method of communication before I can judge its perfection.”

            “I am afraid that would be impossible. Imagine describing color to a blind man, or the sound of a waterfall to a deaf man.”

            Maday put his hand to his face and sighed. “Are you asking for another meeting, Herr Castle?” he asked.

            “Yes.”

            “Very well, you have it. I expect to see you at one thirty tomorrow, right here.”

            “Thank you enormously, herr Maday. You will not regret this,” Castle said, snatching up his papers and turning to leave. The raised hand of Maday stopped him one more time.


            “I expect nothing less than to be amazed, Herr Castle.”

            “What, pray tell, is the exciting nature of the book before me?” Herr Maday inquired. He leaned over an ancient volume splayed open across his desk. The cracked leather covers hid most of the desk and shed no slight amount of dust upon its surface, but for a moment no one cared. Both men focused intently on the glyphs scrawled on the faded parchment paper, one in anxious anticipation and the other in consternation.

            “This book, Herr Maday, I found in the basement of a monastery in France while visiting my brother. He had moved there some years ago, and I had gone then to attend his wedding ceremony, which was beautiful indeed. You should have seen the spectacle! Hundreds of flowers along—”

            Maday’s free hand rose to stem Castle, who fell quiet. “Just the book, if you would be so indulgent.”

            Castle coughed into his hand. “Yes, of course. Those glyphs are of no known language that I can discover, though they have a semblance to the ancient Hebrew alphabet. Their miraculous nature is that you need not be able to read the writing to understand what it means. In fact, though I know not a single letter, I could read to you the entire length.”

            Herr Maday bit his lip, appraising the text. He flipped from page to page, stopping only to glance at the occasional drawing. After reaching the end, he flipped the back cover into place. On it was a short line of glyphs. Nowhere else on the cover were there any marks.

            “Tell me, Herr Castle, what does this say?” he demanded, laying a finger on the solitary line. “Despite what you claim, I cannot derive a single word from this book.”

            Castle turned the book to face him, and read off four words: “The Book of Truth.”

            Maday laughed. “For a book of truth, I cannot verify that you are anything more than a desperate liar with an elaborate prop.”

            At this Castle lost his composure. He threw his hands in the air and let out an exasperated sigh, wheeling around to face the door, his back to Maday.

           “How can you not grasp this?” Castle demanded, turning again to the man in the chair. “It’s not reading. It’s knowing. That’s what I meant! Perfect communication, no mistranslations, no misinterpretation! Just clear knowledge! Just imagine what this book’s technique could be used for. Imagine, for a moment, that the language barrier vanished; even the most complicated ideas could be understood would be shared flawlessly. Surely your konservatorium has a place for this!”

           Maday’s hand had hung in the air, ignored, for the duration of Castle’s tangent. The pudding of his face had soured, and his eyes narrowed to let only a glimmer of peevishness through.

          “It is very simple, Herr Castle,” Maday said. “I cannot grasp your book because there is nothing to grasp. What you speak of is impossible, and I have not a shred of proof save for your convictions.” He stood, and rounded the desk to put himself face to face with Castle. Maday was a head shorter than Castle, but nonetheless forced the taller man to balk.

          “I want you to leave, Herr Castle,” Maday continued, advancing on Castle. “You have wasted too much of my time with nonsensical ramblings, poorly disguised as an insult to the integrity of the Weiner Volkskonservatorium. Take your prop book and be gone!”

          Satisfied, Maday sauntered back to his chair and lowered himself into it. He pulled a string hanging near his desk, ringing a bell and summoning an aide.

          “See Herr Castle out, Leanne. And fetch me some lunch; I am hungry.

Comments & reviews · 5
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I really enjoyed reading the opening. I love when a character is described (especially when it's done very well like this one).
At first, I wasn't really intrigued by Castle, but then he said the following: “Do I understand that an unprecedented window into the mind of one of the greatest men in recent history is being discounted from the Weiner Volkskonservatorium? Is that the question?”
From then on, I really started to like his character more.
In this sentence - "Thank you enormously, herr Maday" - I think the Herr needs to be capitalized. All the other ones were. I'm not familiar with the German language or anything, but all the other ones were capitalized and it stuck out.
I really like this idea. Castle really got into talking about the Book of Truth and it seems really cool. Also, I just noticed there is a second part to this. Heading to it now. I'm excited - I really enjoy this story.

I like the start to this. One thing is the description. You did a fabulous job at describing each and every detail, but it was almost too much for me. I got anxious as to what was going to happen. I really do enjoy this piece though, and I look forward to reading what comes next. You are a talented writing. As always good luck to you and your writing.

This isn't bad at all. I actually enjoyed reading this and I agree that the description of the men was amazing. The only problem I could see was the amount of details that described, well, pretty much everything. You should spend more time on the actually story, especially since it is a short story, where everything has to be kept short and sweet. But overall I enjoyed this. You definitely should keep writing and I can't wait to read the second part!

User avatar
Kafkaescence
Review

Some notes:

He opened his mouth, a gesture reminiscent of a yawning toad, and emitted two booming syllables:

"Reminiscent of" denotes similarity to something in the beholder's past, and, as no beholder is evident, much less a history with toads, the idiom is used incorrectly. "Akin to" would be more appropriate.

The man behind the desk carried an air of arrogance about him. His eyebrows were bushy and grey around the edges, drooping down to his half-closed, impassive eyes. His massive mouth was sealed in a sloping frown which the rolls of fat beneath his chin mimicked. The suit he wore was an old one; one accustomed to a wearer some sizes smaller and strained at the seams.

The above paragraph is descriptive but boring, devoid of action or comparison and laden with repetitive and passive "be" statements. Consider "His massive mouth was sealed in a sloping frown...." The structuring of your verbs is imperative if you aim to be engaging with your prose. The sampled sentence depends on the verb "was," which is inactive and vacuums the life out of the sentence. Verbs should be the vigor of a sentence, not constricted into an adjectival form by a "be" verb. Try: "His two massive lips, sealed wetly at the point of their unity, sloped downward in a stiff frown that was lost at the edges in a terrace of folds." Aside from my admittedly indulgent descriptive revisions, notice how the verb "slope" now plays a far more active role in the shaping of the sentence, immediately transforming the sentence into something far more intriguing and readable.

“As we are not yet partners, Herr Castle, I would insist that you refer to me as Herr Maday for the duration of your…presentation.” Maday emphasized the last word, drawing out the sounds in a serpentine hiss.

It's not clear what, if any, connotations the word "presentation" carries in this context and/or culture, so its emphasis came across as theatrical and unwarranted.

He straightened his hunched frame, standing tall and lean in the face of denial.

"Tall and lean" is a description contrary to the previously noted rolls of fat beneath his chin. Also, what do you mean with "in the face of denial?" Do you mean to say he was wearing a face of denial? If so, what is he denying?

“I am afraid that would be impossible. Imagine describing color to a blind man, or the sound of a waterfall to a deaf man.”

To better link these two sentences, try substituting "imagine" with "it would be like" or something of that nature. As it stands, the second sentence doesn't hold any clear relevance to the first.

“I expect nothing less than to be amazed, Herr Castle.”

“What, pray tell, is the exciting nature of the book before me?” Herr Maday inquired.

I imagine that some kind of spacing was intended here to differentiate between the two scenes.

Maday laughed. “For a book of truth, I cannot verify that you are anything more than a desperate liar with an elaborate prop.”

I like this bit.

As a final comment, the character of Castle is ill-defined and seems erratic. On the one hand, his juxtaposition with the clearly antagonistic Maday suggests that you intend the reader to sympathize with his schemes, but on the other he appears erratic, prone to impassioned outbursts, as well as an architect of far-fetched and inconceivable concepts, such as a universal language (which proved unreadable to its very first tester). You must either establish him as a stable protagonist or clearly illustrate his character before this story can progress.

-Kafka

Thank you for your advice! Looking back, I do suppose that Castle comes across as almost childish in his efforts. I'll see if I can fix that.

User avatar
Winterhawk393
Review

I love the way this is written! your description of the men was FANTASTIC. and i'm super intrigued about the communication method/book. one thing I did notice though was that when you changed scenes, from the first day to the next when he came back with the book of truth, there was no break or anything to let the reader know that time had passed. I was a bit confused for a moment. I don't have anything bad to say about this; it was phenomenal. can't wait to read the next part!

Thank you! The second part is now up and ready for reading.



Perhaps the real rickroll was the friends we made along the way
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