E - Everyone

To Vesper (A Poem)

I see you in the hallways,

A blur of color in the sea of gray,

Your purple hair always catches my eye.

Speaking of eyes,

Yours are the perfect mix,

Of green and blue.

I sit next to you in theater class,

You laugh at the plays,

While I watch your expressions,

Each smile, each furrowed brow,

While you doodle in your sketchbook.

At the dance, you seemed so happy,

with your hands on my shoulders,

The way we awkwardly talked,

Your face was beaming the whole time.

But it'll never be me, right?

I'm just the friend, the confidant,

But not the one who gets to hold your hand.

You don't see me,

Not really,

Just a name in your phone,

Someone to pass the time with.

We text everyday,

I try to make you laugh,

Send you memes and sweet nothings.

But you don't know,

You don't know how my heart skips a beat,

When your name lights up my screen.

I understand, in a way,

Life's a play, and we're all actors,

You're playing your part,

And so am I,

But the script, it's never in my favor.

Comments & reviews · 3
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User avatar
Junie
Review
Junie wrote a review · Thu Sep 26, 2024 4:30 pm

This poem captures the emotional complexity of unrequited love and the tension between friendship and romantic longing. It delicately balances the speaker’s admiration for their crush with the painful recognition of their unreciprocated feelings. Here’s a detailed review:

1. Observational Details and Imagery

The poem excels at using vivid, sensory details to paint a clear picture of the person being admired. Lines such as “Your purple hair always catches my eye” and “Yours are the perfect mix, Of green and blue” show the speaker’s deep awareness of and fascination with their subject’s appearance. These details aren’t just about physical attraction but reveal the speaker’s attention to the little things, suggesting how invested they are in this person.

The observational moments continue in the classroom, where the speaker doesn’t simply participate in the theater class, but instead watches the crush’s “smile” and “furrowed brow” as they doodle. This shows the depth of the speaker’s infatuation—the way they’re attuned to every movement and reaction, as if these small details offer them a form of intimacy that goes unnoticed by the other.

2. Tone and Emotional Progression

The tone of the poem starts with a sense of hopeful affection, bordering on romantic idealization. The speaker notices everything about their crush, from their appearance to their behavior at the dance, where they “seemed so happy.” These are sweet, tender moments, where the speaker feels connected through observation and shared experiences, even though their feelings remain unspoken.

However, the tone shifts halfway through, becoming more somber and self-aware as the speaker confronts the harsh reality of their unrequited love. The moment of recognition—“But it’ll never be me, right? I’m just the friend, the confidant”—is the emotional crux of the poem. The speaker transitions from hopeful admiration to a painful understanding of their place in the other person’s life.

3. Themes of Unrequited Love and the "Friend Zone"

The poem captures the frustration of being stuck in the "friend zone," where the speaker feels close to the person they desire but knows they will never be seen as more than a friend. The lines “You don’t see me, Not really, Just a name in your phone” encapsulate this feeling of invisibility. The speaker is emotionally present, always reaching out with humor and affection, but remains unseen in a romantic sense.

This leads to the theme of unrequited love—where the speaker gives but receives no reciprocation. The tension between wanting to be seen romantically and knowing it won’t happen creates an undercurrent of emotional pain throughout the poem.

4. Metaphor of Life as a Play

The metaphor in the final stanza, “Life’s a play, and we’re all actors,” is a poignant reflection on how the speaker views their role in this relationship. This idea of playing parts and following scripts implies that the speaker feels trapped in a predefined role as the friend or confidant, without the ability to change the outcome. The line “the script, it’s never in my favor” conveys a sense of resignation, where the speaker acknowledges that their romantic hopes are doomed from the start.

This metaphor adds depth to the poem, suggesting that the speaker feels like their relationship is out of their control, dictated by societal roles or perhaps the other person’s perceptions of them.

5. Realistic, Relatable Emotions

The strength of the poem lies in its realism and relatability. Many people have experienced the frustration of being romantically interested in someone who sees them as "just a friend." The speaker’s feelings of being undervalued—“Someone to pass the time with”—and their internal struggle of holding on to hope, despite knowing it’s in vain, are deeply human emotions.

The poem doesn’t sugarcoat these feelings, instead offering a raw, vulnerable glimpse into the emotional toll of unrequited love. The speaker’s attempts to make the other person laugh, their hope when “your name lights up my screen,” and their understanding that they’ll never be more than a friend all contribute to this honest portrayal of longing and heartache.

6. Conclusion

This poem beautifully captures the pain of unrequited love through clear, heartfelt imagery and realistic emotions. The shift from romantic admiration to a bittersweet recognition of unreciprocated feelings gives the poem a sense of emotional progression, while the metaphor of life as a play adds a layer of philosophical reflection. The speaker’s vulnerability, combined with the relatable theme of being stuck in the friend zone, makes the poem both touching and accessible to readers who have experienced similar feeling.

☆_JUNIE_☆

User avatar
Que
Review
Que wrote a review · Wed Sep 25, 2024 4:11 am

Hi there, DeadMenTe11N0Tales!

I really like this poem, and I think it's really relatable. You told us the story of a crush that doesn't see the narrator in the same way, and I think you condensed that feeling really nicely into one poem.

One thing I notice right off the bat is that there are no stanza breaks. That's totally fine, but it might help you convey your message to include some! For example, I think that line, "But it'll never be me, right?" is a pretty decisive shift in the tone of the poem, where we see where this relationship is (or isn't) going. Could be cool to have a break there to heighten that feeling!

I also see around that point a shift in the poem's language. In the first part, you use a lot of description, and we get the sense of the narrator noticing everything about their crush. :) Then, there's a little less of that kind of imagery later on, and what there is shifts (interestingly) to texting rather than in-person interactions. More emphasis is placed, I think, on the narrator's thoughts and how they're processing the situation, if that makes sense. We see "I understand" and "you don't know" and "you don't see." For me, it kind of speeds up the second half, because at first I had to slow down and scrutinize that furrowed brow, too!

I think it would be neat to show a little more of the relationship through imagery. From what we see of the person the narrator is interested in, it could be mutual? I guess I'm looking at the dance specifically. It would be interesting to see the things the narrator interprets as not being interested in them romantically, like if she danced with all her friends or something.

And it could be cool to bring up some of that texting relationship a little earlier, too, if that's possible. Because before we got to that bit, I thought that maybe it was just a crush from afar and a one-time thing at the dance! But instead, those great lines about texting every day and "You don't know how my heart skips a beat, / When your name lights up my screen" (a really nice way of putting it, by the way!) are the first time I realized that these two have an ongoing friendship. So it just feels a little different than how readers might interpret the beginning, I guess.

One question I had about the texting was this line: "Send you memes and sweet nothings." Because to me, sweet nothings are like what you would say romantically? So I guess I'm wondering if the narrator is just trying to make them laugh and says nice things, or if the narrator is actually saying straight up romantic things that they aren't noticing...

I really loved your transition here:

Your purple hair always catches my eye.
Speaking of eyes,
Yours are the perfect mix,

It not only was a cute way to transition, but it gives a sense of how the narrator thinks of this person and maybe even what they'd say if they had a chance.

Life's a play, and we're all actors,
You're playing your part,
And so am I,
But the script, it's never in my favor.

I also really liked this metaphor after talking about sitting together in theatre class! It would maybe even be a good idea to bring it up again, like, "As we learned in theatre class / Life's a play..." just to help make that connection? But super cool.

Overall, I really love how this poem is written in a really readable, almost casual style. Not that the style is casual, but just the language, it feels readily accessible and relatable. The images were really nice and helped create that feeling of a crush!

Thanks for sharing this poem! I hope it helped with your feelings, and I wish you luck with that. <3 Let me know if you have any questions!

-Q

Hey, coming in to review this cool poem!
My first impression of this poem is how much feeling it had in it. You really showed us how it feels to be the “other person”, and be in unrequited love with someone. I love that!
That being said, I do have a few things that could be changed to really hit home that message. In the fifth line, I feel like the comma at the end wasn’t really necessary and the poem could have flowed better without it. I also feel like the sixth line could have been a sentence by itself. It does feel like that one line goes on and on for a while, which can be tiring to the reader.
I’d also love to see more imagery, the imagery that you use is so descriptive and I wish I could have seen more!
Of course, all of my advice is completely optional as it’s your poem and you should do what you like :)
In this line:

I'm just the friend, the confidant

The correct spelling is “confidante”. Just nitpicking at this point!
I will say, I love your use of imagery and the metaphor at the end. As a theater kid I especially approve of that metaphor in the last section. Life really is a play!
Overall, I love this poem and I think with a few tweaks to flow and imagery it could be even more amazing!
<3, Meenal (theromanticchemist)



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