E - Everyone

Kazuo's Pickled Fingers (pt1)

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{This is the first part of a story I wrote as a 'do the style of Murakami' exercise.  Eagle-eyed readers might recognise the mcguffin in this story from an oblique reference in The Colourless Tsukuru Tazaki and his Years of Pilgrimage.

I'm putting it up in parts so that a) i can fix the start if i need to make it better at retaining attention, b) im advised its polite on YWS to keep things below 2k words if possible, and c) because I'm still editing it from the prior draft so will post more or less as I go.  If you'd like to wait for the whole thing to be done fair enough, but thoughts on this part are eagerly accepted.}

{Edit 1:  thanks for the comments folks. I've given it a polish, trimmed some of the fat, and am thinking of somewhere else to put other parts (the struckthrough passages).  I'll try have part two up quite soon.}

*********

Kazuo was a little out of breath as he battled through the crowded streets of Tokyo, occasionally being buffeted against his fellow pedestrians. Normally he would make some apology, but today he didn’t have the time to slow down, let alone stop. His delayed plane had put the day off to a late start, and caused Kazuo's hurry  He had fingers to collect.

This business had absorbed Kazuo so entirely that he did not see a tall gentleman stepping backwards from a vendor stall and so walked right into him, spilling the man’s coffee, pastry, and newspaper onto the pavement.  Kazuo's manners overcame his sense of urgency and he began to bow, apologise and offer to replace the coffee, the paper, the pastry, the suit, or anything else that might have been injured in the clash. The gentleman took quite a while to gather himself. He turned, looking bemused as if he could not quite connect the lost light-lunch to the forceful impact from behind. As he turned, Kazuo saw a truly dreadful moustache; the hair so thinly spread that it wasn’t worth the effort, but with so much grooming that it was clearly something this man had committed to. He wore horrible, wire-framed glasses, and is hair was disheveled in a manner that was neither natural nor fashionable (the only acceptable forms of dishevelment, as far as Kazuo understood the matter). All this distracted from what was a rather handsome face, and impressive build, leaving the sense of someone who was not unattractive, but deliberately falling short of acceptable.

“Kazuo!” the gentleman declared, beaming.  

Kazuo recognised him.  His manner was very familiar and he leant forwards a little bit as he spoke to you, which made him look slightly off balance and seemed to come from his minority opinion on how far one's personal space extends.  Aiko was taller and broader now, and whilst at high school Kazuo had charitably assumed that the awful moustache had belonged to an Aiko who didn’t recognise the time to start shaving, it was clearly a deliberate choice now. Aiko was the sort of person who acted as if he is friends with everyone who is not openly hostile to him. Kazuo held nothing against him, but this.

“How have you been?” Aiko bowed, then grabbed Kazuo’s hand to shake vigorously. “It’s been years. What are you doing these days?”

Kazuo garbled some polite ‘hellos’, ‘I’ve been well’s’ and ‘how are you’s’. It seemed Aiko did not detect any efforts to brush him off. He urgently returned to the coffee vendor and bought two cups. Kazuo had wanted to apologise and make his escape, but to do so would remind Aiko that people didn’t like him and Kazuo didn’t have the heart to inflict that. He’d seen Aiko, and others like him, gather themselves and put on the show of indifference to these small rejections. It was a heartbreaking thing to witness, and had trapped Kazuo in Aiko's orbit.

“I heard that you and Kana got married. Congratulations.” Aiko grinned inanely. “I bet half of the boys in our year were furious.”

It was true, Kazuo had indeed married Kana. She had joined the school in their final year, before she, Kazuo and a few others from their year-group were accepted to a prestigious private university in Tokyo. By the time they graduated Kazuo and Kana had started dating. It was Kazuo’s first and so far only, relationship.  The crux of their relationship had always been, for Kazuo, his fascination with how she thought.  Kana was considerably smarter than anyone he'd ever met and it was fascinating to watch her work through her thoughts.  She would never lecture at anyone, the way people who know they’re clever do. She was interested in everything and would talk comfortably with anyone on their speciality.  

“It must have been quite a while now. How is she? Any kids yet?” Aiko asked.

“Almost nine years since we got married, but no, no children. We’re not married anymore.”

“Oh, I’m sorry to hear that.” Aiko said, shrugging rather nonchalantly. “But then, she must be difficult to keep - she was smart, and she could take her pick of men”.

Kazuo felt the urge to punch Aiko rise, like a wave inside him, with astonishing speed. He felt it grow in strength and power before it crested and came crashing through his mind - obliterating everything but the simple thought “I cannot punch Aiko in pubic.” Kazuo’s spine, jaw and, and neck all tightened as he resisted the urge.  He reminded himself a few times that it wasn’t Aiko’s fault that he was strange and annoying. He didn’t know when he was being rude. Still, Kazuo felt he’d been polite enough. He reached out his hand to shake Aiko’s, and thanked him for the coffee. Before he could utter the words ‘I must be getting on,,’ Aiko cut him off by loudly declaring his astonishment.

“Wow, what happened to the fingers?”

“Oh,” Kazuo said, a little sheepishly, “Uh - I had them amputated a while ago. A little before Kana and I got married.”

“Wow, well done. I always wondered why your parents didn’t have it done when you were small. It’s totally normal now, you could never tell.”

“I had a blood disorder. They couldn’t do the operation on me until I was an adult.”

Kazuo had been born with six fingers on each hand. When he was little he’d used it to scare the girl who lived two doors down. It was only play, but as he got older he found that people behaved strangely towards him after they noticed.   He never felt any ill-disposition towards them.   That they illicit reaction in people at least made them interesting and he could always multiply by twelve faster than everyone he knew, (not that he was using his fingers - he just felt the facts were likely related). Among his childhood peers his fingers set him apart. He always played a wizard or kitsune or powerful alien in their games. He was often the villain, but always respected as much as feared.  When the rare turn for him to be the hero came around, he was revered for his powers.

Another wave rose through Kazuo, slower this time, not violent like the last one.  He wasn't quite sure what it was doing, but it became apparent to him that he had been altogether too polite for today. His business was urgent, and Aiko had imposed on his time more than enough. Kazuo thanked Aiko again for the coffee, made a curt farewell and walked on. The cup was warm in his hands and the coffee was dreadful so he binned it as soon as he suspected he was out of Aiko’s sight.

It was not a cool day, and in his suit he had started to sweat with the strain of walking too fast. When the opportunity presented itself he slid into a Starbucks to but a bottle of chilled mineral water. His habit was to hold something chilled against his neck, cooling the blood in the jugular. For this, the shape of the container was more important than its contents. A can of pepsi would do, but some bottles were well designed for maximum contact-area. Having handed over two hundred yen, he pressed the bottle against his throat and sighed deeply a few times. The moment his lungs took the fist gulp of cooled air was always blissful. He started to tune out the noise of the queue, the chatter of the shop, and the traffic outside. As he did, his mind drifted and it all became white noise, soon overcome by a quiet, understated adagio, raising in the back of his mind, half familiar. 

He was jolted out of his relief by a call... “Kazuo!”

Comments & reviews · 3
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User avatar
Brigadier
Review

Hey there DFMaolMoire and welcome to yws, which I already said on your wall but gosh darn it I have an intro image to keep up. It's just lizzy dropping by real quick, so without a further ado, let the reviewing begin.

By just glancing over this, there are two main complaints I have for you and the night is just beginning my dear.
You have the double issue of walls of text and info-dumping, which are things that go hand in hand for the most part. Too many details = too may lines = it's hard for anyone to get through your story. This is not particularly bad in your case but still just enough to tick me off and go into it with a sour taste about the writing.
Upon a closer look at the descriptions making up those giant walls of text, you need to kick it down a notch or separate it out more. It's just not gripping enough for me to slide through the rows and rows and rows of info while still remembering I am supposed to be reading a short story. The effect of multiple walls of text is quite painful to my eyes and my mind as I'm trying to process all this information. This brings me into the next thing.

The pacing. Big chunks full of long sentences move very, very slowly. And therefore even if you're writing some epic fight scene, it doesn't go by in 30 seconds, it takes too long. Besides the previous walls I mentioned, the pace is thrown off by the writing as well, where it dips from sort of fast and necessary information to "I didn't really need to know that right off the bat". This review is kind of out of order for me so let's take it from the top.

Kazuo was a little out of breath as he battled through the crowded streets of Tokyo, occasionally ramming into fellow pedestrians.

Okay. Main character introduced right away, always a good thing. Current stand alone description kind of has him sounding like an ass but the 'ramming' into people is understandable if Tokyo is anything like New York. Setting is also brought up so as an open this is somewhere in the middle. Overall, good so far.
Normally he would make some apology, but today he didn’t have the time to slow, let alone stop.

Okay so maybe not usually an ass but he is today so the reader is going to have some dislike for him right away. (Note: never swear in reviews and please don't tell my boss that i am) It brings up the question of why is he in such a hurry and I guess that will be introduced to us very soon.
The rest of the paragraph is really along the same lines of eh and I really do not feel like stretching this out farther than would do you good.

His business had absorbed Kazuo so entirely that he did not see the tall gentleman stepping backwards from a vendor stall and Kazuo walked right into him.

So it was sentences like this that I was trying to talk about earlier and kind of failing at. It's one of those cases where I know what you're trying to say here, it just wasn't executed in the best manner possible. If anything, it's a bit repetitive. At this time of day, I have no recommendations for you on how to fix this recurring issue but if you have any questions about the stuff in this review, I do try and have a wfp open a lot.

Moving on since I am now starting to repeat myself.
Once i finally got through everything, this story was okay and rather surprising, sometimes dipping into the first level of depressing. So he's got his double sad backstory and some people he obviously dislikes, where else would the end go besides your nice cliffhanger? And considering that you do have to sometimes knock stuff down for yws readers, splitting it there only adds more suspense. It actually does you a favor since the set-up is not particularly well done.
He runs into a starbucks to escape and someone runs after him. I know that's not exactly what you said but that's what it all boils down to when I read it on this end.
The title is becoming clearer so I'll be expecting more out of that further down the road.

That's really all I have for now. This was really scattered so my apologies.
Have a nice day.
~Liz

User avatar
LittleFox
Review

Hello, Littlefox here for a review!

First off I thought the title was really interesting and because of that I clicked on this immediately. I was very curious to see what it was about.

I've never read anything by Murakami, so I can't really compare it to that style and have to judge it as it. That being said, I really loved it. I think this is written very well and I there's nothing I didn't like. I suppose some parts were a little slow, but I don't think that's a big problem.

I also really liked the characters. I think you did a great job with Aiko. It seems like it can be hard to make a character just the right amount of annoying without going a little overboard, but you got it just right.

The mystery is also very enjoyable in this. I'm really curious to find out whatever it is he might be collecting fingers for. I'll definitely be looking forward to the next part!


-Littlefox

User avatar
ExOmelas
Review

Hey, figured I might as well stop by to return the favour. Also if I do 6 more Green Room reviews this month I get a make-believe raven... long story.

Nit-picks and nice moments:

An American self-help books


Whilst he abhorred the trite pop-psychology industry, it was a rather fitting title


The delay was the reason for his hurry, as Kazuo had fingers to collect.

Hehehe so I was about to pick up on this being a bit of a mundane, tell-y sentence, but the second half threw that right out the window xD

His business had absorbed Kazuo so entirely

Is there a reason you have "His" and "Kazuo" that way round, rather than "Kazuo's business had absorbed him so entirely"?

that he did not see the tall gentleman stepping backwards from a vendor stall and Kazuo walked right into him

Ahhh I see, perhaps it was to make this sentence structure function. That's a lot of pronouns and proper nouns in one sentence. It's grammatically valid, but it might be easier on the eye to change the "and" to a new sentence.

The gentleman took quite a while to gather himself. He turned, looking bemused as if he could not quite connect the lost light-lunch to the forceful impact from behind. As he turned, Kazuo saw a truly dreadful moustache

Instinctively, the paragraph containing these sentences just looks too long. I think somewhere around here the topic changes enough to go to a new one. Again, it's not that this is currently incorrect, but the value of how a story looks on the page is, I would argue, a factor in how much you feel engrossed.

With this utterance, Kazuo recognised him.

I think it would flow better if you said something about how this helped Kazuo recognise Aiko. Describe his voice, or maybe his mannerism. Something distinctive that makes him feel like a real person.

“it’s been years.

Direct speech grammar isn't my strong suit, but afaik that should be a capital letter at the start.

It was fascinating just to watcherwatch her her think


“I cannot punch Aiko in pubic.”

It's slightly better for flow if speech and thoughts look different eg thoughts in italics.

It was only play, but as he got older and people behaved strangely towards him after they noticed


Overall:

First thing I want to draw attention to is your paragraph where you describe the relationship between Kazuo and Kana. That is a lot of information, and I highly doubt we need all of it. At the very least, we don't need it right now. And I know that doesn't sound like an active harm but the problem is that it messes with the reader's immersion. It's a lot of information to take at once with the plot coming to halt, and we don't necessarily have a reason to invest in the characters yet. As a result, it almost feels like non-fiction, which is just more difficult to focus on when you don't clearly see the relevance.

I'm not saying we shouldn't know this information, but it would be better for it to be spread out. For example, if we are going to meet Kana, telling us Kazuo's internal monologue bit by bit based on what's relevant to the situation would be a much more engaging way to do this.

Interestingly, you do tell us big chunks of things about Kazuo quite often, but more often than not they are actually humorous enough to get away with it. It's easy to be engaged if you're laughing, so you don't have to worry about the fact that the plot has paused.

And speaking of humour, that was a really funny piece. Just little deadpan bits that go against what you'd expect (for example the last sentence of the first paragraph) and especially the bits in parentheses. They all added to a fun tone that made this an enjoyable read.

There's also the fact that I'm very intrigued by the whole fingers thing and where the hell that might be going. (Ngl that book I did in english lit last year with the dismemberment cult and the genetically modified carnival children popped into my head when it's mentioned that Kazuo had his fingers amputated, but it would seem that everything is fine :P)

The only other thing to mention is that sometimes your sentence structure is a little repetitive. See if you can find a way to vary that.

Let me know when the next part's up,
Biscuits :)

This review courtesy of
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More than anything she wanted the world to be uncomplicated, for right and wrong to be as easily divided as the black and white sections of an Oreo. But the world was not a cookie.
— Roshani Chokshi, Aru Shah and the Tree of Wishes