Sherbet Lemons: Chapter 1

by Blues

Published January 2, 2016

18+ Language Mature Content

In Sherbet Lemons

Warning: This work has been rated 18+ for language and mature content.

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(Edited since posting)


Chapter 1: if only for the aroma

I just don’t – fucking – know.

*

Sat at the stairs of number 412, third avenue, was a boy – no, more than a boy, one at the end of his teens. His ankles were crossed, forearms resting on his knees, eyes closed. His thoughts were focused on the rich, warm smell of the tobacco on his hands and the way that the cold breeze was wrapping around his cheek, gently fluttering into his hair. And the crackle of the paper. And the silence – the silence of only his own heartbeat and breathing.

He brought the paper to his lips, sealing it with his tongue. The boy fumbled for a moment, pulling the lighter out of his grey hoodie. The flame jumped out, licking the end of the long, slender cigarette. Seconds later, the smoke was whirling out of his mouth. A faint smile.

His name was Haki.

He knew it was dangerous to be smoking out in the open like this. He knew that a policeman could walk past at any minute, that he could get into trouble; but for the first time in a long time, he didn’t care. If anything, Haki had done much worse in the eyes of any law enforcement that bothered to investigate him. What was smoking a cigarette, out in the open, when he was a drugs mule for a living? Granted, he only really delivered pills around town in order to feed himself and his younger sister but it paid the bills. You’d have thought someone would have noticed that a third of the town took LBD pills.

And the books. God, the books would probably get him killed. But if he could give people reading material ‘contrary to the state ideology’ without being caught – no one liked to imagine the consequences of that – then he could do this without worrying.

He smirked at the thought, leaning back onto his elbows and resting them on the stairs behind him. He looked up at the murky sky, the cigarette rising to his mouth again, hands lit by the artificial orange glow of the streetlights. This smoking break was the first chance he’d had to take a break from looking after his sickly sister that night, come to think of it – thankfully, his friend had come to help, in spite of the time. And so he sat there, admiring the moonless night. He didn’t get a chance to relax like this often.

Suddenly, the beaded curtain which hung closed behind him was swiped open. Haki jumped to his feet, very almost tripping over – he grabbed the banister as he turned to look behind him, but quickly relaxed.

“Hakihaveyouseen – Haki, you – idiot!” A tall, olive-skinned girl with long, dark hair – Kaira appeared in the doorway behind him. She grabbed Haki by the hood of his jumper, pulling him close towards her. The cigarette onto the floor. “Haki!” She whispered. “How many times have I told you that you’ll end up getting caught like that – did you see them!”

“Bloody hell, woman, it was just for a second – it’s three AM – no one is going to be looking now –”

Kaira rolled her eyes as if this were the hundredth time she’d told him off (truthfully, it was the third) as she leaned over him. “This really isn’t a good –” She stopped, suddenly, looking at him with a smirk. “Why are you wearing sunglasses? Now? ” she said, pulling them off his face, examining them. Wayfarer. Black. His boss, Brod, gave him these sunglasses recently.

“Because I felt like it.”

Kaira rolled her eyes, but Haki could tell she was restraining herself from grinning. “Very funny.”

“I know I am.”

She slapped him on the head. “Stop –” smack! it –” smack! “– not now!” smack! “Just go look outside the window. Go!” she added, upon seeing Haki’s slightly bemused expression.

Haki grumbled, shuffling across the darkened front room to the window. “You’re acting like my mother – just because she’s dead doesn’t mean I need a new one –”

“You’ll end up like your mother in a second – just look!”

He grumbled, swiping the blackout curtains to the side and peering out into the darkened street. “What am I looking at?” He peered out of the open window onto the street. Nothing much. Just an empty street and house after house after house. Not even a stray cat clawing at the doors of one of the houses.

She leaned into his ear. “Look towards Brod’s.”

He could feel blood rush to his face at the mention of Brod’s name. This – what? “Why?!”

“Just look!”

He leaned forward, trying to get a better look out of the window.

“Don’t lean too far – they’ll see you!” She called from behind him – but he ignored her. Screw the curfew.

“Policemen…”

There were loads of them. All in a crowd by the entrance of the corner shop at the end of the road – it was through this shop that you could enter Brod’s hideout. There was no other reason why the entrance would be surrounded by policemen. He’d almost known it from the second she told him to look outside. He was cornered. Brod was going to be… “Bloody hell… bloody – bloody hell Kaira, you realise –” He shut the window and swivelled around “– Kaira!” She was checking herself out in the mirror and caught the smirk on his face, which he quickly tried to hide . “No, no – this is serious, we can’t –”

“Does they have any record of you being affiliated with them whatsoever in that hideout –”

“No,” he replied firmly. That, he knew. They avoided records where they could. “But people in town know me. If you put two and two together –”

“A good start.” She sighed heavily, marching towards the bedroom. “Cassia, Cassia wake up –”

“No, Kaira!” He followed her into the room, where she was throwing clothes onto the bed. There his younger sister, Cassia, was: sick, with wet towels on her forehead and feet as she lay, head turned away from them. “Kaira, I know what you’re – we have to think about this –“

“What is there to think about,” she replied, rummaging through drawers of his socks and underwear. “You’ve been saying you wanted to leave this place for months –”

“What?!” he stopped dead in his tracks.

“We’re going to run,” she said, simply, stuffing a bag with his clothes. “I don’t see what the big deal is – you’ve been saying you want to leave this place for –”

“No, no – we?”

She looked up, an eyebrow raised. “What.”

“You’re not coming with me.”

She raised her other eyebrow. “What?”

“You’re not –”

“Haki, we’re not arguing about this –”

“She’s sick!” He pointed at Cassia who had put a pillow over her head. “There’s no way she can go anywhere with that temperature!”

“Don’t you shout at me –”

“I’m not shouting –”

“You are! Look –“

Haki stepped forward, only centimetres from Kaira now. “Your dad’s legal immunity – Article 27 – remember?”

“You know I never paid attention to that bullshit.” She looked up at Haki’s wardrobe, now nearly bare.

“Article 27: No member of the police force shall be arrested without the express permission of the state governor! You’re safe!” he added, upon seeing the bemused expression on her face. “And I made you her legal guardian for a reason. Please. It’s me that has to worry – she can’t go anywhere if she’s still got a fever, let’s face it –”

“I – no, you can’t – I –”

“How? How then?”

“What do you mean, ‘ how then’? Haki, I was just going to try and persuade my dad to give you immunity, no big deal –”

“No big deal? No big deal?! This will embarrass him if word got round –”

Kaira sighed, dumping the two piles of socks in the bag. “You’ve been telling me you want to leave this place for months. Now you have a reason to –”

A knock on the front door. She suddenly stood rigid, eyes wide. He sighed, pulling out a knife from his pocket. He marched towards the door, sighing heavily, with her on his heels “It’s probably –”

Haki was going to say that it was “probably his batty old neighbour” but his batty old neighbour certainly wasn’t a tall, dark, exceptionally handsome man. Haki knew him from meetings with Brod and everyone else, although he’d never managed to talk to him, even though they’d exchanged friendly nods once or twice. All he knew was that any banned book that came into the town probably went through him.

Hassan stepped into the house, quickly shutting the door behind him. “Did you see outside?” he said quickly, staring hard at Haki, eyes dark yet warm. “I gathered you did – hello Kaira – they’re going to go in any minute now. We need to run. Now.”

How does he know her name? Haki thought. “But my sister is sick –”

“I have legal immunity and guardianship of her,” Kaira interrupted, looking up at Hassan. “You know who my father is.”

“Then you’re safe,” said Hassan, simply. “For the moment.” He paused. “When did she get sick?”

“Last night. She’s still – there’s no way she can come –”

“Then,” he said, turning to Haki. “You and I must leave as soon as possible. Kaira, I’ll put you in touch with some people so you can leave as soon as his sister gets better, but –” he turned back to Haki “– we need to leave as soon as possible before they tie us to this. Do you have anything packed?”

“I’m nearly ready –”

“Good thinking. Let’s get you ready, quickly. Come on.”

Haki led him to the bedroom – Cassia was there, passed out again – but Kaira stopped him. “A word.” She pulled him by the arm into the bathroom and locked the door behind him.

“How does he know your name –”

She launched at him. Suddenly, her soft lips were pressed against his own, both hands pulling his head forward and her fingers running through his hair –and then he kissed her back, grabbing her face as he did so. Fuck! The smell of her was intoxicating – his mind was in a daze, his heart racing; she was pushed against the wall, hands held against the wall –

Their bodies were pressed together now, his hands sliding across her waist, her leather jacket sliding to the ground now; her lips against his, eyes closed, her breath hot and passionate – God, the smell of her was killing him – as she grabbed a fistful of his jumper, keeping him close. He stroked her cheek as they launched into another urgent kiss. Her long, dark hair was falling onto her face – he brushed it behind her ear as he leaned into her neck, whispering, “I have to go now.”

She whispered into his year, “Remember me.” They broke apart, breathless, and only a few centimetres from one another. She grabbed his hand, pulling off the steel bangle on her wrist and putting it on his own.

He looked up at her. Their eyes met before she turned away from him and walked out of the bathroom. He stood there, bewildered and barely registering what had happened, even when she came back to put her dog tags around his neck and left again.

He slipped out of the bathroom with a vacant expression on his face, perhaps a hint of a grin there. His hair was ruffled. Sweaty. Slightly flushed, too. When he walked back into the bedroom, Hassan was busy zipping up a bag – he’d forgotten Hassan was there. It didn’t immediately register that he was zipping up one of his bags and he’d only half-heartedly offered to help when he realised – instead trying simultaneously catch her eye and avoid her gaze. His heart was still fluttering in his chest.

“I think we’re done,” said Hassan, looking up at Haki. “Shall we go?”

As if on cue, there were several gunshots outside. Haki jumped back; Hassan nodded, seemingly understanding. “It’s happening. Let’s go.” 

*

A/N: I'll be posting this every week (or should be, anyway) so if you'd like me to notify you when the next chapter's up, let me know!

Reviews and liked greatly appreciated. I haven't written in ages...

Edit: Are all of their personalities and speech patterns distinct enough?

Comments & reviews · 5
User avatar
Apricity
Comment
Apricity commented Comment · Jan 12, 2016

Do you still want a review? Pomp and Sparks basically said everything I wanted to say.

User avatar
Pompadour
Review
Pompadour wrote a review Review · Jan 4, 2016

Hi, hi. I'm typing this out on a phone so please ignore typos/odd letterage.

The one issue that stands out here is that some pills are a bit large to swallow down. Too much is going on and--like Spark said--the pacing is too fast for the reader to absorb this information. That aside, the majority of the chapter is floating a little on air, because third-person limited has the capacity to explore surroundings and manoeuvre the reader gently into the narrator's world. You need to fulfil that capacity, slow down, incorporate sensory description mayhap, and buff up the worldbuilding. What I think is fantastic is that you're heading in a solid direction--you've successfully introduced a conflict, your characters bloody well /know/ what they're doing (this really adds a groundedness to the content, by the way), but you need to execute this in a way that isn't rushed.

One of the ways you could deal with this, I think, is to weed out the clunky bits of info that stray from the ones that we need, the ones that are conducive to the intro as a whole. I'm sure everything is important--Haki and Kaira's relationship, the whole shindig with her being Cassia's legal guardian, Brod's, the strange man whom Kaira trusts and askldfgh--but it's more of a matter of putting as much sugar in the cup as will dissolve. Which information does the reader need to understand, so that they're not thoroughly confused in the next chapter? You can't just stuff a shawarma roll with pickles and forget the chicken//you can't propel the plot with action but forget to lay out the base.

I need to stop making food-related comparisons.

I like how you drop bits of backstory in--it's really subtle and it's really good. But we need more groundedness. Just--where /exactly/ is the novel set? What does the house look like--how come Haki lives there, if his mum is dead--does Brod pay the rent or whatever, and why? I also found that the scene ... clashes with itself a little? Like, at the beginning, it's mentioned that the stairs are facing out onto a street, and it's bright enough that Haki can wrap cigarettes, but the street he looks out at, through the window, is dark? I can't get a solid feel of the place and this bothers me intensely.

I'm not a fan of Haki and Kaira's relationship/the kiss in this chapter. I think they both have the potential to be pretty solid characters, but, to be honest--a kiss in the first chapter, during a harried run-for-it moment is pretty cliché. I haven't grown to care for Haki yet, there's no real connection I have to his character, so why would I care for a passionate moment that just exists atm to ... exist? Tease your reader a tad. Don't hurl them headfirst into something they can't connect with. Make them /care/ for Haki and use third person limited to its fullest by getting into his head. It's not just the italicised thoughts--it's the subtle dropping-of-information, the facial expressions and just sheer interaction of the characters with themselves + with their surroundings that I'm missing out on. I'd like to get to know Haki better, get to know his situation better. (I'm not averse to him and Kaira developing a relationship and all, but guhhh, you could fit this in so much better and torture us so much more if it happened later on in the novel and uggghh.)

Right. So you've asked in your author's note whether or not the personalities and speech patterns are distinct enough, aaand, I'd say that they're not. At this point, anyway. You've laid out the surface-level, 2D structure of your characters--which is what a first chapter seeks to accomplish anyway--which is great. The writing settles into a smoother rhythm as we move away from the beginning (beginnings for first-ish drafts are generally awkward, tbh) and the plot is intriguing! Keep a lookout for awkward syntax + runaway sentences, and you should be good.

One last critique (this is totally description-related, but):

the cold breeze was wrapping around his cheek, gently fluttering into his hair.


'wrapping' movements aren't really all that synonymous with 'fluttering' movements--wrapping is more of a move that constricts, while fluttering implies a kind of ... fluidity? Freedom? It's a light word that clashes with a more concrete one and--this is a handy tip someone gave me that I've learnt to utilise in prose--it's always good to be constant in the images you're creating in the reader's mind. Create links. It's a quiet method of execution, but it works fairly well, I think, in making the prose more cohesive description-wise.

So far, I really like this! (ALSO, what does the title /mean/? o:) Keep me updated pls and I hope this helped~

Keep writing!

~Pomp

User avatar
ArcticMonkey
Review
ArcticMonkey wrote a review Review · Jan 3, 2016

Hi beg

I don't think I've ever reviewed anything of yours! madting. Okay well I'll try and be as formal as possible but I think I've already messed that up. Starting off with the good points, it was pretty exciting and being introduced to like all the new concepts of the story like the drugs and stuff but without revealing too much was pretty cool. I like the tone of the beginning of your story, even though it's slightly rushed. Also, I liked the stuff at the beginning with the cigarette and the flames, works well.

One issue I found with this is your sentences are pretty long, a lot of the time. Also a lot of dashes! '-'. I think I use dashes too but not the this extent, it makes it all a bit difficult to read:

Spoiler
Sat at the stairs of number 412, third avenue, was a boy – more than a boy, one at the end of his teens – with his ankles crossed, forearms resting on his knees, eyes closed.

So like here, as it's your first line it's pretty gripping but because it's quite awkward to read that takes away from it.

If he could give people bags of drugs or books ‘contrary to the state ideology’ – and that being caught with those carried a much heavier penalty than smoking a cigarette – without ever getting in trouble, then he could smoke a cigarette without a police officer walking past, thank you very much.

Look how long this is! I don't know, this might just be bothering me, but it just doesn't read as well as it could.


Another thing is that I think the characters could be introduced a bit better, because it was all quite rushed and pretty confusing. Especially the part with Cassia, and then, a Hassan out of nowhere! I guess because it's quite an action-packed chapter coupled with the fact you have a few characters to bring in makes this difficult. The beginning with just Kaira and Haki was good but it all got a bit confusing after that. Basically, I think this could do with some slowing down.

Lastly, I found some of the dialogue a bit chunky, like, just a chunk of dialogue in places. I think the one-word dialogue was good in the sense it created a sense of urgency however I think dialogue and descriptions could be mixed in a bit more together- it'd make it less spaced out to read. That brings me to my next point, some more descriptions. LadySpark already said the pace is pretty fast, which I agree with, so maybe some more descriptions would help slow it down a bit.

I look forward to reading more! I hope this helps, feel free to ask me any questions and let me know when you post more :). Keep writing,

~ArcticMonkey x

Blues replied · Jan 3, 2016

Cheers beg.

That was super helpful - I totally agree with everything now that you've pointed them out. I'm finding slowing down quite hard to do but we'll get there, haha. Thanks again, beg!

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LadySpark
Review
LadySpark wrote a review Review · Jan 2, 2016

Hi darling

So I get what you're doing here, making it all disjointed and jumpy because everyone's all stressed out and stuff-- but I'm not quite sure it's effective. It was hard to keep up with and really confusing in places (especially that part where it's just back to back dialogue).

But let's start at the beginning. My first reaction to this is that you need to slow down and explain yourself. So many things are happening so fast that I read this the first time in a mad panic because it made me feel panicky. You don't want your reader to feel panicky. I had to read this three times to understand exactly what was going on, because as soon as we got used to something, you switched the tempo/what was going on. We find out his sister's sick, then suddenly the police are chasing him down??? Over a cigarette?? It's very confusing. I get the feeling it's some kind of apocalyptic world, but I don't understand why. The events don't make sense.

My thought process for fixing that is to make it longer/slower. Like I said before, I understand WHY you're doing it. But at some point you've got to consider whether or not it's effective. In this case, it's not.
Really, that's my only critque for this. Slow down, describe. Explain to us what's going on. The excuse of "you'll find out later" doesn't really work for me here. Because you literally don't describe anything, it doesn't hook me at all. I want to be worried about Haki and what's going to happen to him. I want to be curious about what the police want or Hassan. I want to be excited about that kiss (good job describing that, by the way, i love how he keeps returning to her smell) etc etc. Make me want to know more.

--Pey (also add me to the notif list)

Blues replied · Jan 2, 2016

Thanks Pey <333

That was really helpful, by the way - pacing has always been a weakness of mine so I'll definitely try to slow it down much more.

Would a "we're all scarily calm even though our world is crashing down" type feel work better here? Reading it back I feel like that might be more appropriate for the reader to understand everything I guess.

Glad the kiss scene was okay though ;)

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Sachiko
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Sachiko commented Comment · Jan 2, 2016

{THIS WAS A MISTAKE IT ISN'T A REVIEW I'M ON my kindle I hit the button by accident.but I shall review properly, I promise!!}



I didn't know beards could do that ;)
— ShadowVyper