Hello! I apologize for the delay!
Chapter One
I thought the opening was interesting. I think it had a nice balance of action and description and it left me wanting to find out more. You have really nice descriptions throughout, by the way. You do a nice job of setting the scene and adding details that make me feel like I'm experiencing things right along with the characters.
One larger scale thing to be mindful of was that, to me, this chapter felt like a big piece of foreshadowing and it almost started to feel repetitive. There's so much emphasis on how to stay out of trouble/danger and it makes me think that at some point she's going to be kidnapped or mugged or something bad is going to happen to her or her friend. It's fine if that's the case, but try to mask that a little more in the opening chapter. I understand why her dad would be worried about her, but maybe she can be a little more surly and not agree with him just yet.
It's pretty early to comment on the characters, but I appreciate that there are already different personalities coming through so as we get going they will feel like distinct people.
Some specific things:
It was quiet, everyone was tucked up in front of their fires at home, sheltering from the weather.
This line felt a little out of place to me. We were talking about the weather and this car and then we're inside homes and then we're immediately back to what's happening with the car.
Jessica looked her up and down and shook her head.
There's some pronoun confusion here. These "hers" are referring to two different people. We don't know who the first "her" is yet, so I would say her name. Then the second "her" can stay as is because we know it's referencing Jessica.
Eloise Baxter was an average girl, living an average life. This was the first party she had ever been to seeing as she was only fourteen but she already knew that she could dress like a hooker or she could dress like a seven-year-old, either way, the girls there would still laugh at her and the boys would still ignore her.
Not needed. Info dump.
But being familiar with law and crime meant he had the upper hand when it came to Eloise going out with friends. If she had a pound for every time he had warned her of the statistics of young girls being kidnapped and sold into the sex trade, she could afford to invent and build a device that would make him finally shut up about crime statistics.
I'm also not convinced this is needed. I feel like the reader could infer this type of information based on his career and/or you can just show us.
This is also sort of fore-shadowy to me (like what I talked about earlier). I just have a feeling this is going to turn into some sort of "Taken"/Liam Neeson situation.
“So where are you both off? It’s getting dark out. There are all kinds that come out at night you know.”
This strikes me as a tad over-protective. I feel like they should be old enough to know the dangers of going out at night. (This sort of falls into the fore-shadowing thing again).
“Yes dad, I know. Badgers, foxes, they’re all very terrifying.”
I love the sarcasm, but I would appreciate an eye-roll or facial expression or something, too
“Well, no later than nine, Eloise. A small girl like you, you’re a prime target for…”
Fore-shadowing again. It just seems weird to me that he's instilling this much fear and what not into his daughter. I get that she should be careful if she's not in a safe area and her dad has seen a lot in his career (making him more paranoid), but it seems like a lot for me.
a van sped around the corner and honked its horn loudly and began flashing its lights at her.
I would do "and flashed its lights" instead of "began flashing". It matches the other verbs you have in this sentence that way.
Jessica stepped back in time to let the van pass her and turned to her friend who was shaking, her eyes fixated onto the tarmac.
There's some pronoun confusion again here. I think you could fix it by splitting this sentence into two. Cut it after "turned to her friend" and then have a new sentence about what Eloise looks like.
At around three in the morning, she heard the front door close downstairs. Her mum was back from her nightshift at the hospital where she was a paediatric doctor. Eloise closed her eyes and pretended to be asleep. Her bedroom door creaked open.
This paragraph is pretty long. There's a lot of interesting information, but I would think about what is critical for your reader to know right now and if there are any places you can break it up into shorter paragraphs. I definitely think you could break the paragraph here because you're changing focus (from the dream to the mom).
There's also sort of a weird time gap here. What happens when she comes home? Is her dad surprised to see her? Where does her friend go? What does she do? All of a sudden it's 3am and I'm not sure how we got there.
“Hey sweetie, it’s just me," she whispered. She smelled of a combination of perfume and iodine. When Eloise didn’t respond, she kissed her faintly on her forehead and left. Before Eloise knew it, it was seven a.m.
I really like this last line. It shows the passing of time and that it probably wasn't the best night for Eloise. However, I'm not sure what purpose introducing the mom here serves other than to pass some time. It's such a short introduction and I'm wondering if that can happen elsewhere.
Chapter Two
I'm not sure how I feel about this chapter. There are three main events and I feel like they each pass too quickly. I would think about what you want the main focus of this chapter to be - school, the dream, the party invitation, something else. Focus on that. The parts and scenes that don't add to that main point don't need to be here. That doesn't mean they don't have to be in the story at all, just that maybe they don't need to be in this chapter.
If you feel like all three parts (class, the headmistress's office, and the dream) are all important for this chapter there are a couple of things you can do.
1. Add more detail to each and add some transitions between each scene. Right now it feels a little jumpy to me.
2. Add more detail to each and break up the scenes with dividers like ***.
I'll go into where I think you can add more detail in the specifics.
Partly due to having barely slept in almost two weeks and partly because the dull sounds of Mrs Boon explaining Pythagoras’ Theorem yet again was enough to tire anyone out.
Read this sentence out loud. I think it reads a little funny. I also think you could start a new paragraph after this sentence.
Once she had told Eloise that she wanted to be a doctor, Eloise had explained that with her spidery-scrawl, she’d end up killing more patients than she would help. Since then, Jessica had decided she wanted to be a pole dancer instead.
I think you could start a new sentence after "doctor".
And is this for real? She went from wanting to be a doctor to a pole dancer? Seems a little strange that Eloise wouldn't support her friend's wish to be a doctor and not have a problem with her then deciding to be a pole dancer...
“I heard Richie broke up with Sophie! Think we should maybe go 2 Liam’s party on fri coz I no Richie is gonna be there and u should defo get ur flirt on. Also look at Boon’s top, the button is undone, u can see her boob poking out hahahaha luv ya.”
Is there a reason they write in chat speak?
Eloise felt someone standing over her. She looked up to see Mrs Boon, her blotchy red face even redder than usual.
“I can’t believe we got a detention for writing a note.
So *** between these two lines or a transition. If you go with a transition, what happened between these two events? What did Mrs Boon say? How did she react? What was the reaction of the class? What exactly happened that got them to the office?
Eloise wasn’t one to get into trouble in school so it was the first time she had been there.
New paragraph at the start of this line.
“Well, we meet again, Miss Halloway. Miss Baxter, I don’t think I’ve seen you in here before. Miss Halloway must be a bad influence on you. Not that that would surprise me.” She gestured for the girls to go inside the office.
What is her tone of voice or her expression or what does she look like as she says this?
You could do a new paragraph after this.
“As this is your first offence, Eloise, I will lessen your sentence to a lunchtime detention instead of an after school detention. Friday afternoon, don’t be late. Jessica, as this is your hundredth offence I should give you an after school detention however you have been saved by Eloise. This time. Lunchtime on Friday for you as well. Now both of you, out you go.”
This goes so quickly. You could stretch this out a lot more with tone, expression, actions, reactions and involving Jessica and Eloise more. They could give their side of the story before their punishment is handed to them. I'd also be interested in seeing more of their thoughts and emotions and reactions.
[/quote]That evening.
This is a fragment. You could do more of a transition to what happened between their sentence in the office and now. Or, you could do a scene break.
You have an interesting start here. There are a lot of different moving parts already forming and I'm really curious to see how they all come together. I feel like I have a better sense of Jessica's personality than Eloise's (but it's still very early and that's okay). They feel like two separate people and that's more important at this stage You have good descriptions and pretty good execution, but I think you could slow down a bit more.
I'll leave things there for now. I love YA and I would be happy to follow this and review each part as you post it if you're interested! Just let me know! And let me know if you have any questions or if anything I said was confusing!
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