Monday, April 26, 1999
Dear Hannah,
Your father sent me pictures of you from the Passover Seder, and I can not believe how much you have grown! You are a beautiful girl, my dear, and I miss you very much. I think of you every day, but I will especially be thinking of you this Thursday. You are going to be ten years old already? Incredible! I still remember my tenth birthday—
Here the pen stopped. The old man's gaze abandoned the paper and wandered up to gaze out the small window next to his writing desk. Glassy eyes scanned the swarming, bustling New York City laid out below him. He brought one hand up to his cheek, letting the ballpoint pen rest against his dry lips.
...because it was the first time I knew what it was to be poor.
Papa hated poor people. Not people like us, who hardly had any money or food and lived in a one-room flat that was too small to hold us—but people who were poor on the inside. People who had pawned their souls when we pawned our furniture. You could see them sleeping on Bowery, or begging for nickels from the people in the dosshouses. No matter how much our bellies ached from hunger, no matter how cold we were in our meager flat, watching snow collect like dust against the broken windows—no matter how poor we were on the outside, we were not poor on the inside.
“We are a family of kings,” he said, when he came home after another day of looking for work, so late that it was morning. The morning of March 14, 1933. The morning of my tenth birthday—though birthdays didn't carry much importance to us in those years. Mama and I were on the mattress, shivering with hunger and weak with cold, awake long after my brothers had fallen asleep next to us. Papa had been gone since before dawn and had nothing to show for it but shoe-soles that were wearing ever thinner and eyes tired enough for a thousand years of looking. But his shoulders, thin as they were, did not hunch, and his face was hard.
Weathered hands removed his hat from his head. It was one of the few things of value that we had left. Papa never spoke of it, but his silence cradled it, caressing the battered brim and stroking the dome that showed unwarranted wounds of age. It was a noble crown, but also a war helmet, which he had worn in many battles.
He placed the hat on the table.
“Kings.” He spoke quietly but his words seethed. “All of us.”
“Even Mama?” As the words left my lips, my eyes were trained on his, waiting for a smile.
For a heartbeat, he just looked at me with terrible eyes—eyes that looked, but didn't see. Then he turned away and leaned down over the washbowl to splash the day off of his face.
I let myself fall onto my side and curled up on the hard mattress, with my back towards Mama and her round belly. No matter how late he stayed out, and no matter how tired I was, I never let myself fall asleep until Papa came home. Before, that simple act had guaranteed me a smile—every night, when he saw me, his filthy face would come alive with happiness. But that night, I was just another of his burdens. I was nothing. I squeezed my eyes shut against hot tears and hugged my throbbing stomach.
The fist of hunger is nothing compared to the jaws of defeat.
I didn't want to sleep that night. The sharp, empty pain in my gut told me I couldn't sleep. I didn't deserve it. The chill air of our flat stung my tear-stained face, and the sounds of my family's heavy breathing drowned me. And I decided, sometime during the night, that I would go with Papa in the morning and together, we would find work. Ten years old, I decided, was old enough to help Papa.
When I woke up, the sun was hardly risen but Papa had already gone. Panic boomed inside me—how had I fallen asleep? How had I missed Papa leaving? How had I slept through my first real responsibility? I clambered off of the mattress as quickly as I could without waking Mama or my brothers. Frustrated tears threatened my eyes as I pulled on my coat (which was Papa's old jacket and reached below my knees) and left the flat.
Outside, everything was coated in gray pre-dawn light, as though the city had been forgotten overnight and collected a thin layer of dust. I stood there on the stoop for a moment, watching the parade of men trudge past me, hat-brims low over sallow, shadowy faces, washed with determination. So many faces—and they were all the same.
As I stepped off the stoop, the men turned from faces to legs. Worn leather shoes shuffling along a dusty 2nd Avenue. A flood of legs, all in the same grays and blacks and browns—any one of them could have been Papa.
Not knowing what else to do, I started wandering through the street, gazing up at the faces. I realized then how poorly I knew my own father. I convinced myself that I could have walked right in front of him without knowing it. On the street, he would just be another jobless Jew in the Lower East Side. Just another king.
And I wondered: would he recognize me?
I was a small boy—barely taller than most men's waists and skinnier than I should have been—but the emptiness inside me then was big enough for a giant. Big enough to devour me. Big enough to cloud my eyes and numb my feet and dull my brain. The world around me touched my eyes and ears but left no fingerprints. I walked on blindly, unfeeling, not knowing where I was going. All I knew was that I didn't care.
And then I saw something. A glimmering oasis of color amid the eternal grays of the city. I walked towards it, forcing my eyes to focus. What I saw made the emptiness inside me swell so huge that I was sure I wouldn't be able to contain it all.
It was a fruit stand. Oranges, grapes, apples, bananas, pears—the wooden crates displayed such fantastic colors that my eyes watered. I had seen fruit stands before, but I knew I had never seen such a glorious eruption of color in my life.
I was right in front of it now. My nose was mere inches from the glistening red apples. The tips of my fingers tingled.
My arm raised. My fingers stretched out wide and grasped one of the apples tight to my palm. It was hard and heavy and smooth.
“Apples are a dozen for a dime or a penny for one.”
I clutched the fruit tight against my chest.
And ran.
Papa hated thieves. Thieves were people who were poor on the inside. Every New Yorker in those days was poor on the outside—none of us had enough food to eat or enough clothes to wear. None of us had enough of anything, except hunger and holes and shattered pride. To steal from someone who was struggling was the poorest thing you could do, Papa said. And since we were all struggling, stealing from anyone was despicable.
I knew this. I knew Papa would hate me if he found out. But I kept running, clutching the apple in my hand. When it is quiet, I can still hear the echoes of “stop thief!” engraved on the inside of my ears. My legs ached, the paving stung the soles of my feet through the bottoms of my shoes. The cold air burnt my lungs.
But still, I kept running.
I don't remember how the apple tasted. All I remember is that I ate it as fast as I could. I was destroying evidence. Mama used to tell me never to eat apple-seeds, or “applebeans,” as she liked to call them. She said they brought bad luck. I carefully picked out all of the seeds before shoving the core into my mouth.
I didn't tell anyone about what I'd done. I thought Mama would have scolded, my brothers would have been jealous, and I didn't think I could stand Papa's disappointment. Not yet.
That night, when Papa came home, he still hadn't found work. I could see the humiliation in every part of him. It dripped from his hair, clung to the wrinkles in his face, tangled itself into his beard. I turned away from him and pretended I hadn't noticed that he was home. Pretended to be asleep.
“Daniel, my boy,” he said, tossing his hat onto the table. His warm words churned the cold air.
I sat up and forced myself to look at him.
And then something miraculous happened.
First, little folds rippled out from his lips, as though his face was a puddle and his mouth was someone's finger, tickling the water. The surface of the water was nubbly with dark specks of dirt, and as the ripples got bigger it was like the specks fell into them, making them look as though they had been drawn in charcoal. His lips stretched tight over his big, crooked teeth, sending ripples down into his beard and up to his eyes.
For the seconds that his face held the smile, I was the happiest boy in all of Manhattan. The whole city (the whole world) was in that smile, traced in those creases and glistening in those eyes that were too tired to see it. And it was all mine.
“Happy birthday,” he said, and then turned away to wash the day off of his face.
The next morning, I planted the applebeans in a tin bowl I found in the street after one of the breadlines had cleared. Over the next few weeks, that tin bowl full of earth became my one focus. I kept it behind the crate that our washbowl was on and watered it every day. Every morning, after Papa left and before Mama woke up, I would take the bowl outside and sit on the stoop with it on my lap so it could get first dibs at the day's sunlight. I promised myself that once the tree sprouted, I would tell Papa about the apple I stole.
All my hunger, all my guilt, all my emptiness was channeled into willing the seeds to grow.
On the morning of April 8, 1933, there was a small green sprout in my bowl. My heart leaped. I had never seen something so beautiful in all my life. The tiny green leaves were already infinitely complex and unique, like a newborn baby's fingerprint. All day my eyes explored them. My thoughts were filled with apple trees, looming over the city and dropping apples into the hands of all the people who were poor on the outside. Nobody would ever again be so poor on the inside as to steal apples, because you can't steal something if it is falling to you from the sky.
And my thoughts were also filled with Papa. Knowing that it soon wouldn't be a secret anymore, my memory of being a thief stopped aching. I knew he would smile when he saw the sprout. And when Papa smiled, it made me so rich on the inside that I was a king of kings.
I was the only one who sat awake all night, because my brothers always slept like stones and Mama she said she needed her rest because of the baby. I sat on one of the crates that we used instead of chairs, with the tin bowl on my lap and my eyes fastened tight on the door. Waiting.
I sat that way all night.
A few hours after sunrise, there was a knock on the door. I must have answered (though I don't remember what I said), because soon the door swung open and a man walked in.
It wasn't Papa.
It was a policeman, coming to tell us that Papa's body had been found in the street, run over by an automobile. His hat had been stolen.
The old man's dark, wet eyes blinked, as though in an effort to clear something that was clouding them. Slowly, they scanned the city before him—taking in the shoppers flitting in and out of storefronts, the bright billboards, the new, colorful buildings. His eyes shifted to the balcony, where a crab-apple tree was growing in a large clay pot. New, bright green leaves glowed in the early spring light. Slowly, minutely, he shook his head. He took his right hand away from his cheek, bringing his pen away from his lips and back to the piece of paper on his desk.
—and it feels as though it were only yesterday. How time flies! Before I know it, you will be diving yourself all the way to New York to visit me. Here's a big happy birthday wish to a very special girl.
So so much love,
Grandpa Daniel
Points:
Time spent:
IP address:
Canary word: Present
Possible AI signals:
Original Text:
Are you sure you want to delete this comment? This cannot be undone.
Mark this comment as a review? Points will be awarded to the poster.
Your comment was posted, but it wasn’t long enough to count as a review. Reviews need about four complete sentences (at least 250 characters). Try writing another review that explains your thoughts in more detail — the author will appreciate it, and you’ll earn points for it.
I'm glad to see that you've added the crown bit we had talked about earlier, but I'd still recommend a re-write (even though we both agreed that those are nigh impossible to do). While the new lines you added do make the emotions a bit more coherent and tight, packing a stronger punch, they still aren't quite enough.
On the second read-through, I realized something, and I think this is what has been bothering me for quite a while about this piece (and I think that this is one of the biggest missing puzzle pieces that are preventing me from taking the full brunt of the story's emotional impact). The apple tree is a symbol - and nothing more. Daniel did not plant it because at that moment, he thought "This will be a symbol for my growth as a human being". He planted it because he hoped it might help feed the family. You never mention what it had done for them after Dan's dad passed away; in fact, at the end of the story, when he looks at the tree, you do not even mention the small green apples growing on its branches which Dan thought were the most delicious things on earth, what with them saving his family and all. The only thing that's there is the tree. Nothing else.
Good job on characterizing the hat a bit, though I still felt a bit lost when you mentioned it was stolen. Perhaps you could reference it just before he leaves to try and find work that day, so that the reader's memory is jogged? Or-- I recall you saying it's a special Jewish thing-- you could mention that somewhere. Because as things stand now, it seems perfectly normal for a dead man in the Great Depression to have his hat stolen. That context makes it OK, just as it would make it perfectly OK for a family to drag a corpse to their house and eat it, if the story took place in Leningrad in 1942. But while you've got that link there to provide an explanation of why the heck somebody would consider doing that OK, it's still not 100% clear (at least to me) why the hat was special.
On the subject of letter writing confusion - I think what you've got set up right now is almost perfect, BUT! Why not make all the parts that are supposed to be the letter in italics instead? That way it can't be misunderstood. Or so I hope.
...and honestly, I think I have to stop here. It's difficult for me to review a non-fantastical piece as it is (remember my signature? "If it doesn't have freaks, monsters, or anything that isn't grounded in reality, it cannot be fun."), and it's even more difficult to review something that's so well-written already. But I hope this provides a bit more insight, besides what we talked about before.
Your hat,
cC
Wazzup. Corrections/my comments will be in red.
Whew. That took a really long time. Well. Good job and all that jazz. Keep writin'.
-Kafka
Wow, this was thoroughly engrossing. I really got into the story, and you portrayed everything beautifully. It's better written then a lot of published work! Anyway, I agree about the letter as a birthday letter....especially to a ten-year-old. I mean, seriously? Anyway, others have gone into that, so I won't. I do have to admit, I wasn't sad. Really. It didn't make me feel sad, it almost inspired me, more then anything. Daniel's hope and emotions...were so fantastic! I love this!
Hey Azila!

It's so nice to read something of yours. I have to say, you write just as well as you review. Maybe even better, if that's possible
This was like an emotional rollercoaster to read. The bit where he's told his father was dead was like a sharp slap to the face to read and it was so sad. And then the part where his father smiles as him, says happy birthday, made me smile ear to ear. You are good at manipulating your reader.
I think this review is going to fail at being very helpful - not that you need the help - but I do agree about the letter being a bit heavy for a letter to a ten year old on her birthday. I get that it may just be her grand-pa teaching her a life lesson - don't steal. But it still seems a bit... odd, for the occasion. Don't get me wrong though, I enjoyed the story and the fact that it was the grand-pa telling his granddaughter about his own tenth birthday does kind of cancel out the heaviness of the letter. I mean, it's not his fault that his dad died, is it?
I did spot one mistake.
'an' should be 'a'
***
So, I'm glad you beat writer's block. And with a mint story too! I just hope it's not too long before we get to experience another Azila special
xDudettex
Yourface. Yourturtleface.
It's not that this doesn't work as a letter, not at all! It's just that... I don't know, I guess it just seems weird that he's writing it to his ten year old granddaughter... for her birthday.
I'm kind of disappointed that you wrote this because I was getting excited at the idea of Ranger setting me free to attack you. Ah well, another time, eh? Except for that though, I'm so glad you posted this! I know you've been struggling with writer's block recently so it makes me feel so warm inside to know that you've managed to write something up, and something good too!
Now, I'm certain you know me well enough to know that I'm a fan of depressing writing. I mean, look at my own writing. Because of that, I liked this piece even more. On the other hand, when I think about it, this isn't really a depressing story as such. Sure, the ending didn't exactly lift my heart, but the rest of it was so... nice, you know? Daniel had so much hope and happiness, despite clearly having such little money. He had such determination with growing the apple tree, it was incredibly sweet. I also like the whole irony thing at the end: never steal things, eh?
Now. Critiques. LOL, this is going to suck.
The first thing that comes to mind is about the letter itself: the fact that it's a letter to Daniel's ten year old granddaughter on her birthday. I understand that he may be sending it to her to teach her a life lesson e.t.c. but it seems a bit... odd. I don't know about you, but when I used to receive birthday letters from my relatives (I had an Aunty that used to live in Canada), she had a tendency to say happy birthday, have a lovely day, I hope you like you present, what's it like being...years old? e.t.c. She didn't write me a rather sad, complicated-to-understand-the-true-meaning-if-you're ten-years-old story about her life as a kid. xD
Maybe I'm looking too much into this, I don't know, but do you see what I mean? If I got a letter like this from my grandfather for my tenth birthday, I think I would have just stared at it...
On a kind of similar note, I found that the last paragraph threw me off a bit. The last paragraph was what I'd think of when I'd think 'grandfather's letter to his granddaughter on her birthday'. I mean, you went form this:
It suddenly transfers from such a sad, deep subject to him being very positive and wishing Hannah a lovely birthday, and how she's going to be visiting him soon e.t.c. I guess the emotions just change very quickly. You did have that paragraph in-between where he saw the apples and that, but I got the impression that was full of negative emotions... so it didn't really help. From giving off negative emotions (to me anyway) in both his letter and his narrative, Daniel's tone changed and turned all happy. Besides, when Hannah would read the letter, it would literally be:
It's kind of like, "My dad died. Happy birthday!" Obviously not quite as extreme, but yeah. Once again, I'm probably just overthinking things... a lot, but yeah, it did strike me as abit weird when Daniel's tone changed within the letter so quickly.
This has probably been the most unhelpful review ever... I'm awfully sorry. I've hardly brought much up, and what I did try to critique was just weird anyway. It's not my fault though! You should start writing badly or something. >.< Maybe I'll be of more help next time, eh? Probably not, but it makes me feel better to say, okay, turtleface?
Keep writing, (or i kill u)
xoxo Cat, innit.
Emotional/defensive reaction: SHUT UP. YOU SHUT UP. RIGHT NOW. I DON'T WANT TO CRY.
right now.)
^
That happened right around the time he started crying because his daddy didn't notice him. Gah.
Logical reaction: This is beautiful. :p
(For the record, I stayed up till 3 am and my head hurts. So. Sad things =
You have fragments in places. Like this part:
Blech, Zilly. ;3 The way you say it is still beautiful, but you need different punctuation. Maybe a comma after the first part and hyphen after the second part-- it would connect the sentences better. Or maybe two hyphens. Or maybe one hyphen. Either way, I think this is too many short short sentences right next to each other--if they were spread out a bit more between longer sentences, they might be fine.
There was another spot like that, but I'm too tired to find it again.
I kinda like that you note that papa's hat was stolen. Seemingly a random fact, but since they're so poor and papa hated thieves, it was significant, right? So I like it.
I also agree that the transition was confusing--I couldn't figure out if it was all a part of the letter, or if he was just reminiscing. Try dividing it with
or something. Just a little mark to let the reader know that this is a different part of the story. (I know that some people on YWS don't really like lines separating things, but I can't for the life of me figure out why. Sometimes we need division! It's not always a bad thing! Hmm, the scenery on this rabbit trail is nice. ;3)
Overall.... I wish I could write short stories that were this long. I know I can write good things, but I have trouble writing long things. Though I do have several novels/comic book ideas floating in my head... I need to get them all on paper.
....................PANDA ATTACK!!
The Gila Munster came through! *pokes Skinsy back into the cage* Way to go, I knew you could do it!
First off, this was beautifully written; I felt my heart drop when I read the ending, and felt so sorry for Daniel! I don't know much about that time period and the whole setting, but it felt like it all made sense and was accurate.
My only real nitpick would be confusion in a couple of places -- first, regarding the entire letter. I thought he had written that entire story relating his tale and didn't think that he might have just been thinking back in the middle of writing the birthday letter until the very end, when he finishes. I don't know if there's any way to make this more clear the first go-round. I hope this makes sense, let me know if you need more clarification.
Second part I got a little confused about was this:
I thought Daniel dropped the apple and ran, because it was too tempting for him and he knew his father would disapprove. It wasn't until you said that he was still clutching it in his hands that I realized he had stolen it. Maybe it's just me being...me -_- ...but I feel like it could use a little more indication that he still had it as he ran off. Just a little issue, though.
Um...I really don't have much else to say. You didn't give me a whole lot to work with! You portrayed Daniel's emotions and the way he looks up so much to his father and pines for his love and approval so well...and he never gets to show his father the apple sprout...gah! Beautifully done. But nothing less than I was expecting.
Keep up the great work, m'dear! Cheers. [:
Azi! This is amazing! About the only mistake I found was not yours.
)
After and before (respectively) the places where the grandfather's actions take over the letter changes to talk about his life. Although this transition was good enough for us, I could barely imagine a ten-year old girl taking it so well. It's her birthday, goshness-sake. Would she want to receive a letter built to make her cry (not sayin' I did) or effect her deeply? I don't think the grandfather was without that knowledge either, and would have built it up a little more slowly.
Unless he thought he was teaching her a life lesson, and that no one should shelter her from the realities of life.
Whatever, I just wanted to say this was awesome!
Jenth out.
(This deserves an Azi-Stamp, but...never mind
Here to repay the favour! How has this got so many views yet only one review? This was fantastic! I adored reading it. It was paced and flowed well. Your use of language was excellent and the only gramatical error was the one pointed out above. Sorry for the poxy review - off to bed now, got exams in the morning...keep writing and well done ( *like*, too).
~ Amelia xxx
The one mistake I found :
driving.*sigh* Zila, tis no secret how sensitive I've been since the beginning of my pregnancy. Maybe you should have put a warning on this story "Tanya, you're at work and can't afford to be emotional. Read this later."
Not sure I would have heeded your warning although I should have. This was sooo sad, but so beautiful. Daniel was so earnest. I could feel his hunger and his hope and his love. You've portrayed the boy, his thoughts and the time period so well. I'm glad to see that the Grand-Pa is doing ok. He survived, as he should.
Well, I really have nothing more to say. Still crying over this one.
*loves*