(I)
I was born on Eid, the second day of Eid, to be precise. My father says there was a curfew in Srinagar that day; they had to drive through small lanes and alleys to get to the hospital.
(II)
One of my earliest memories is of soldiers searching our house, and me being afraid that they would take my toys away. The memory is strong, but old; the details are faded but the outlines are clear. I can still see the soldiers wearing helmets, with rifles in their hands, taking a stroll in our attic looking for whatever it was they were looking for, and finding nothing. They were searching every house in the city, my father would tell me years later. He says that he doesn’t remember whether they took off their boots before entering the house or not – but they behaved appropriately, sticking to their job. Fortunately, they didn’t hit us, interrogate us or torture us like their fellows were doing in the villages and in other neighborhoods in the city. He says they acted decently.
(III)
It was around 1996, I guess, and I was beginning to like school. I was still in Nursery, two or three years old. My mother says that most kids of my age could be seen crying at the bus stop because they didn't want to go to school without their parents to accompany them. I didn't cry.
My favorite part about school was the rhymes we were made to sing in the class and taking the school bus home. Most of all, I liked sitting near the bus driver in the bus and asking him questions about driving, which he would answer rather disinterestedly. There was a guy from fourth grade who was good at origami, but didn’t have anyone his age to sit with in the bus, so, sometimes we would sit together and he would teach me how to make paper airplanes and other creative stuff using only plain paper that I would gladly tear from my notebook.
Staring out the window was another alternative - along the way home we would see rows and rows of soldiers, in a never ending line. Our teachers would tell us to wave at them. We didn’t know what for, but we would. We would wave. Some of them would wave back, others… not so much. I remember that sometimes the school bus would have to stop so that leviathan army truck convoys could pass by.
(IV)
Most of my cousins were older than me, so I attended a lot of weddings during this time. Kashmiri weddings are elaborate celebrations – lots and lots of food, so much food that sometimes, it’s too excessive, wastefully excessive. For women, the wedding means lots of singing and music throughout the mehndiraat – the night of henna, when the bride’s closest friends apply henna on her hands, arms and feet in intricate floral and abstract patterns. For the groom, the henna is just applied on the pinky finger. For men, the wedding means chatting, discussing politics and cricket as they sit by the waaza – the cooks, watching over them as they prepare the seven-course meal – waazwaan. As for children, they just chase each other outside and play. For boys and girls, the wedding means a chance to socialize with each other, even if just a little.
For kids like me, who’re not much interested in chasing other kids and playing - weddings were about running useful errands for people so as not to have to stay in one place: greet the guests, walk the guests to the sitting area, keep them engaged, and see if they need anything, inform an elder if they need anything. Piece of cake.
The drive back home at midnight was what I would usually look forward to. We would almost always have to stop at army checkpoints; turn on the inside lights of the car, explain the reason for driving out this late and let the soldiers stare at us, all dressed in our fancy clothes. I felt like laughing sometimes, but was too scared to actually laugh.
(V)
I used to take binoculars with me on school picnics, and use it to take a look at the mountains around - especially if it happened to be a picnic to Pahalgam. Looking back now, I think that the binoculars weren't too powerful and I was mostly showing off.
"Look at me, I'm the guy with the shiny new binoculars."
Embarrassing. Yeah.
The girls would play antakshari- a singing game. The boys would get into the cold stream and have what we called 'water-fights', it involved getting the other person as wet as you could. Of course, being an ever chivalrous bunch, if one of the girls tried to start a water-fight by throwing water at us, we wouldn't attack them in return, but just smile back like (drenched) knights.
(VI)
I still have clippings of newspapers from those times, and they aren't nice.
The preteens of my generation in Kashmir grew up somewhat in a constant state of fear. There used to be a football ground nearby, with a huge army camp beside it. Our parents wouldn’t allow us to play there. Thousands of civilians, especially youngsters, people in their twenties had been picked up by the army and the local police known as the Task Force or something - all that without warrant or trial. These youngsters who had no whereabouts would later be known as “the disappeared”.
A few years ago, mass graves were discovered in North Kashmir. 2943 bodies. All unmarked.
Ten years later, today, while on my way to the bookstore in the City Square, to buy a new novel or magazine, I sometimes still see the relatives of these people – old mothers, fathers, children and widows, sitting in a corner of the park, holding placards like “Where are our dear ones?” The only people listening to them are a few reporters from the nearby Press Enclave.
There are still more than half a million Indian soldiers in Kashmir, making it one of the most militarized zones in the world. Most of these soldiers aren’t locals, have never been here and don’t know much about the local language and culture - and thus this heavy presence is intimidating. Any story that I narrate about my coming-of-age is inseparable from that constant “don’t go out, it’s too late.”, “keep your ID card with you.”, “be home by nightfall.”
(VII)
Being a twelve year old was also a battle against poor social skills. I wouldn't learn to have a normal conversation until later in high school when I actually made friends.
This was also the time when I discovered books. Books were a way to escape reality. I remember having nothing to do outdoors because it was either a strike or a curfew day and finding solace in a new novel or a book I had borrowed from the school library. No one recommended books to me, I just found a shiny set of Enid Blyton's Secret Seven in a corner of the library, The Adventures of Sherlock Holmes, Harry Potter, Pinocchio are some books I clearly remember borrowing. I also read Dostoyevsky's Crime and Punishment rather prematurely, but it helped me understand that there was a whole world out there, full of stories.
I don't remember watching a lot of TV back then, except for the Indian superheroes Shaktiman, Captain Vyom on Sundays and the Alif Laila series - Urdu adaptations of the Arabian Nights. The occasional Tom and Jerry and He Man.
My father used to buy me comics so I was always busy with something. He was a bit a of reader himself, having read volumes of Urdu Poetry, some History in general and Islamic History in particular, I often dared to open his books, and found underlines here and there.
My mother says she used to write ghazals - Urdu poems with a couplet structure - when she was in college, but she didn't read any of them to me.
Literature thus became my escape. I think I wrote my first poem when I was 8, it was titled 'Soil Erosion' or something. Genius.
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i'm still kinda waiting for you to continue this one day y'know
Woops. How did you even find this?
I might continue this someday. Someday.
someday is never going to come isn't it
I could say the same about your memoir attempt. Tehehe.
heeeeeeeeeeeeeey, at least i try
I think that not being able to write a memoir is a sign that one hasn't gained enough distance from those events yet. I don't know about yours but that's true in my case.
Your attempt at memoir-ing way more fun than mine, though. I hope you continue it someday.
Oh no I know exactly what you mean actually, writing a memoir requires a certain degree of standing back so it doesn't turn into one whole long personal rant. But I guess in my case, there is also the knowledge that as soon as I put something down in my memoir I let go of those memories, they've been released.
That's arguable I think they're fun in different ways though, don't worry I plan on it but /I'm/ not the one here who goes through long periods without posting anything -.-
Hey Autumns!
So this is a nice essay, a piece of creative non-fiction that keeps the attention and moves fairly smoothly from one scene to the next. I like that you've included events and concepts important to you and interesting to the reader.
However, and I'm sorry if this sounds a little harsh considering your personal connection to the subject matter, this essay needs some work. The familiar tone works really well to keep your reader entertained and interested in what you're saying but it also takes a little bit away from the cohesion you have moving from section to section. It's a little bit like a recital rather than an essay. I can see that it is an expression of your past, and the way that the past interacts with your present in constant and integral ways. However, this means little to me, as an outsider reading your text I am more interested in stronger details, a clearer connection between the sections. I think each section is indicating a change in time? The further the points go, the older you are in turn? It works, and I like that progression, but I think again it needs to be cleaned up a little.
What are you saying in each section? I can see clearly what you want to tell us but you're not giving me a reason to care, as awful as that sounds. I suppose while I am used to academic essays, I do read very little creative (or non-creative) non-fiction as it usually doesn't interest me - this may be why I don't feel a connection with what you're talking about. I feel, however, that you need to couch your commentary in a larger narrative, or to contextualise what you're saying with a stronger motif. You end on the books, literacy, and poetry, but that is something you could have been weaving through the entire piece, to really situate your commentary in something you love.
I am probably just being very picky, but I do think that you need to tighten this up a bit by thinking about exactly the message you want to get across to your reader and the best way it would be to do that. You have a good voice and kept my interest throughout the piece, not just in the way of how awful occupation narratives feel, but also in that I was interested in where it was going. Experiences are often difficult to express effectively, so mad props for being able to do it here.
If you do make any changes to this, please let me know, I'd love to read it again.
Thanks for posting!
- Penguin.
I really appreciate this, thanks.
assalumualikum
for seven years now i have lived in jammu and kashmir. actually i live in a town which is neither in kashmir or jammu. it is somewhere in between (four hours distance to both places). in these seven years i caught a little bit of this places culture and different customs.
"Kashmiri weddings are elaborate celebrations – lots and lots of food, so much food that sometimes, it’s too excessive, wastefully excessive."
this sentence just caught the thought. i remembered my neighbors (a kashmiri family), they were actually boasting about how much meat was wasted in their marriage. it's like it shows their status. i remembered a lot of stuff that passed in this unknown place (except paper planes flying everywhere on school bus everything was new to me in this place). i myself saw two curfews, though it was something to be pleased with, i mean no more schools for whole fortnights or maybe months. but this area's reason for curfew were lame. Baka's fighting over religion!
i never realize what serious danger this place is. and i think it is not now. but whatever, its just a bloody valley that cant continue without blood shed. as for the last escape, books are life!
a brother in the same journey as yours,
May Allah be pleased with you!
Shoaib!

Here I am, as I said!
So my first impressions as a reader : I am super super intrigued by this from the perspective of someone who has never been to Kashmir, but has heard tales from army uncles and tourists. So, I loved the little details involved with the mehendi night or the ID cards.
Now, stylistically, I enjoyed the tone you used to describe the scenes, the sort of not-over-the-top but still poignant descriptions are really nice. Sometimes, when you shifted between the timeline while narrating it got me a bit confused, especially, part VI, where I felt that you started at one age, moved to another and then ended at another? Or maybe I am confused!
Onto the nitty-gritty impressions :
Loved the starting sentences. It totally sets the tone for the rest.
In (III), "bus driver in the bus" seems redundant and you could do away with it?
I think here : "lots and lots of food, so much food that sometimes, it’s too excessive, wastefully excessive" because of the repetition of food it might sound nicer if you said '..that sometimes, it's wastefully excessive'
In the wedding scenes, when you used the word chatting, it seemed to deviate from the tone you were building. I would suggest another word or rephrasing?
Again, in (VI), you used "Embarrassing. Yeah." which to me seems like an odd phrasing that breaks the tone and flow you started with and I'm not sure if this break works well in your favour?
I feel that (VII) while tells a lot in terms of people and development, I feel like you can definitely rework the chunks so that it sounds/reads better. It seems like just editing it so that it reads nicely would help you loads in improving this chunk. I owuld like to see a little more of your impressions on maybe what you saw in the History books so that it helps develop the scene of the narator's mind as well?
Enid Blyton! <3 Collective Indian childhood memories!
At the end of it, I love the narrative style and the way your portrayed these things. Let me know when part two is up and/or you want to discuss what I said in more detail.
Cheers
Lava
Yes, tourists - listen to tourists. They interact with people to some extent during their stay. But do not listen to army uncles! xD

I did screw up the sequence of the timeline a little bit, actually I haven't even edited this yet, so I'll look into that. But I like it this way: random, unpolished fragments - just the way memories and recollections usually are.
I'll fix the redundancies.
The History books were read by the narrator's father, not him. I think, I got the commas wrong there!
Also, Enid Blyton <3
Thank you.