E - Everyone

Luneset 01OLD OUTAKES

by Audy
PreviousNext

The clouds overhead blocked all incoming light and it was now more difficult to make out much of the landscape through the salmon-tinted lens of her goggles. Fiel pulled them up over her eyes to wipe away the sweat from her brow, as she came across the familiar crossroads between the mountains and the sea. Contented as she was for making great time on her own, she found it was high-time to mount Atlas once more. She waited until she came upon the cliff-edge in order to hook the heavy cargo back onto Atlas’ saddle, who had recently molted and was getting bigger—and consequently, taller.

It was much more difficult to straddle the bird now, first, Fiel had to try to get him to sit first, which was no easy task. His thin neck would follow her motions like a coiling snake and snap back at her with his beak, probably thinking she was playing a game with all her frantic hand motions. His own thin-prick legs grew to a man’s height just over the past winter. She could stand right beneath him and use him as shade if she wanted. Atlas didn’t like that much. The bird would croak and jump anxiously, almost as if he were afraid he’d squish her accidentally. Fiel recalled a similar but reversed incident of her own anxiety back when Atlas was just a newly-hatched piper with the habit of pecking at her ankles. They grow up fast.

Once she was able to sit on him straight, she was in heaven. The aches in her legs relieved as though she were straddling a pillow, the fresh silver-white feathers were baby soft, and she was careful not to crush them under the straps. Many would believe canyon runners were easier than horses once you got situated on to them. They never bucked and needed little direction. Certainly, they seemed more comfortable to ride, less smelly. How hard could it be? Just hold onto the shoulder blades underneath the undersized wings, wrap your legs around the belly and lean back. Easy in theory. Many who thought along those same lines lost limbs.

In reality, riding Atlas was like riding a bouncing feathered ball that skipped across the ground whole meters in a single stride, all the while bobbing from side to side. Staying on was half the battle.

The bird hopped back a few strides, crooning and cawing as it managed the weight and with one great motion, it swept forward in a single leap and kicked off the edge of the cliff. A canyon runner can break a man’s back with a single kick—and with the strength of its muscular leg, it propelled them far off the cliff and they were as good as flying.

Fiel relished the thrill of the moment, crying out to the sky a holler of a yelp in excitement, her goggles now fogging up from the wind. When they touched down, Fiel could almost reach down and yank at the tall savannah grass from below, before the bird exploded back up again. You would swear there was a certain grace or elegance in the landing and the soft arc as it bounced itself back up again, then you’d hear its legs pounding the ground like thunder and remember its ferocity.

Fiel craned her neck as she looked back behind her. They were miles from the cliff-side now, a rain of dirt trailing behind them. They reached the gates of the city in a matter of minutes.

Half of the city before her laid pillaged, crumbling surfaces of concrete slabs and ground juxtaposed against the cliffs. Homesteads were torn and crafts thrown apart and abandoned. Everything was rubble, rods and dust. There was the stench of death in the air, and the silence of it too—that eerie variety, where the crows and the vultures gathered overhead. Atlas himself would cry out at them on occasions, the screech echoing through the canyon walls. But more than that, Fiel could feel death—the slow trickling of energy seeping, and almost calling out to her.

Fiel did not dare to dismount her companion, but she clicked her tongue, pressing Atlas to continue on. The canyon runner hopped from one stone slab to the next, less jubilantly now and careful, alert. She could feel Atlas' own feathers bristled up against her thigh.

Far from the debris, Fiel could see a blackened clearing sloping towards the center's town square. Here was only ash, the ground itself devoured clean. Fiel thought she could make out a few humanoid parts caked in the black of the mud. Bombs, she thought. She tried not to linger on the sight and kept pressing forwards towards the inner gates, while penetrated in several places, was mostly still kept intact and standing.

She noticed the obvious signs of life as she approached—wide-eyed children with stricken faces popped out, before slinking back into the shadows. There was a craft half-propped up against the wall, while a man and a woman hurriedly tried to fix the hover slides underneath. The craft carried injured and wounded men, countless of them stacked up one on top of another.

“I'd stop right there if I were you.” A voice called out to her from atop the single watch tower that stood against the distance. He was a soldier hoisting Varsomme's flags. Incredibly, despite all the damage, the city was still standing. Fiel gingerly hopped off from Atlas' plumage.

“I carry deliveries, and a message,” Fiel said. She had to secure her hood as the wind drowned her voice and threatened to reveal her face. Before the soldier could ask again, she indicated towards the cargo of medical supplies, Montroy Express stamped clear upon the boxes.

It was the Montroy's legacy, started by her great-grandfather. He held a monopoly in the freight and courier business back in his day, when they herded whole plantations of mountain horses, canyon runners, and sea dragons—before the steam engines, electricity and hover technology, of course. He was well respected before the business went under, and soon after his early retirement and death. Now they had only a pickings of the animals left, and not a single sea dragon due to her father's own mismanaging. He wasn't ready to take over the family business, but the Montroy pride kept the business going for a small niche of special orders. Such as shipping cargo through war-torn areas—war was profitable after all.

The soldier recognized the logo and called for his men to greet the girl's arrival and help unload the cargo. Only three men, himself included, came down.

Fiel stayed to help distribute the packages to the injured as long as she could, but the day grew long and she wanted to head back before the darkness. She didn't trust herself in the dark.

“I have just one more,” she said, reaching into her cloak to pull out a parcel wrapped in leather. It had considerable weight to it, Fiel thought it a book inside. “For a Mr. Avory, I've gotta get it to him directly. After this, I'll be off, I just don't wanna wait until—” It was then she noticed the soldier's expression fall.

“I'm afraid he didn't make it,” The soldier said, “He was our former Commander.” He took off his helm, his gaze directed straight at the ground. He looked like he could have easily fallen over. “May p-peace be with him—”

“No—I can't have that. Does he have any family members?”

“I'm terribly sorry, Ms. Montroy,” The soldier said, before walking away briskly without a farewell or word of departure. Fiel frowned.

Another soldier had overheard the conversation. “Aster City,” he said.

“Excuse me?”

“His family is in Aster City.”

A large bonus was waiting for her back at home on the condition she delivered the package safely. Mr. Rosch Nearton made it imperative it had to be given to Mr. Avory, directly. No one else. She weighed the package in her hands, wondered about the contents held within. There was no way she could head to the city by nightfall. What's done is done, she thought to herself. She'll just have to return home with it and present the news of Mr. Avory's death. It was a pity. Her family needed whatever change they could get.

By the time Fiel arrived, it was already dusk. She managed to make it just in time, though the return trip up the mountains went much longer despite the lightened load. Willsboro was just a mere fishing village nestled between rolling hilltops, the Widow River and crescented by the sea, but to Fiel it was home. It spread before her like square patches of individual farmlands that together formed a quilt.

The Montroys lived for many years in the house on the hilltop. Her grandfather said it was easier to tend to the animals that way, for he could survey his entire flock and count them one by one as they grazed. Now there was only the sickened mare, Atlas and Anji left of the birds—and Fiel watched over them together with her cousin Lucas, and tended over the crowberries, about the only thing left that would hold them over for another season.

The house was cold, even as she entered it. It was a large house with terraces, three landings, and even a dock that they used to transport the freight, but now held only an abandoned craft. Fiel had repainted the outer walls a mango orange color to contrast with the boundless green turf that surrounded it on all sides, but she left her grandfather's study tower intact, which still had the peeling white paint job. The tower acted as a lighthouse and bell-tower to the neighboring farms—but inside was her grandfather's enormous library with books nestled from wall to wall.

Fiel used to climb up the shelves when she was little and approach the high window, where she'd be able to crawl through it to the outside, and climb the ledge all the way to the very top of the tower. From that height, not even Atlas could hope to reach her, and she could see the far reaches even beyond Willsboro—to the Greater Cities where their distant lights twinkled and had always inspired her to study harder. She would manage to spend all day in that tower, reading through some of the books and seeing how far she could throw apple cores from that height.

But it was Lucas, who, afraid of heights and never dared to climb or even step foot in that tower who still managed to get the better grades. He left for a time. It was in order to study at the grand universities which Fiel would always resent him for, and came back with a degree and the picture of the girl he would one day hope to marry. Many moons ago, Fiel envied the girl in the frame. She was a fine girl with blue eyes, red hair, and a smile that reached all corners of her face. Koraliye, he called her.

He sold his craft just so he could buy her a suitable ring, hoping on the off-chance that she would say yes. And lucky as he was, yes was the answer she gave, but father became sick, the other crafts had to be sold, funerals had to be had, and he had no way of getting back to her, now.

Fiel didn't mind much, she missed spending time with Lucas, and the darkness made her afraid to be by herself. Sometimes, she would dream that she came home one day and found him gone, and found that she was once again alone in the big, drafty house.

But he was still there, sitting by the creaky porch right at the spot where the wood turned to rot. Fiel sighed, she would have to repaint. She clambered off of Atlas, who was soon joined by Anji—her feathers were a powdered blue, nowhere near as impressive or fanned out, and she was considerably shorter, but it was easier to tell them apart. Whenever the two met, their necks would wrap around each other like vines. They were siblings, but she wondered if the animal-world cared about technicalities, and if the birds would not mind making a few eggs...

Lucas seemed to have the same thought. “She's of an age to carry, now.”

“Still would take about two years for the eggs,” she said as she sat down next to him. The wood creaked in complaint. He looked at her expectantly, and she wondered why it was her who always had to be the bearer of bad news. She supposed it was a part of her job-description, and sighed.

“Avory’s dead, Luc.” There was nothing to it now but to go back to Rosch, perhaps he would still compensate her---no, who was she kidding? This was Rosch, afterall.

“I suppose that means no bonus,” Lucas said, simply. “Which means no getting out of this dump.” He threw the apple core he was munching on down towards the fields, but it didn’t fly far before Atlas grabbed it expertly from mid-air, like a whip and swallowed it whole.

“We could sell the farm,” Luc suggested for the umpteenth time. He was counting on her. This whole farm was counting on her.

“Maybe…” She hesitated. Part of her wanted to give it up already. Sell the place and move in with Luc and his soon-to-be-bride, and work in the city somehow, maybe deal with the information trade. The modern information trade. Not this, wasted, obsolete crapshoot. Little by little in some distance future, she would find the money to buy it back somehow, retain the little bit of a heritage she still had left to hold on to. This thought of her resented it all. What did heritage ever get her but loss? The hard weight of it like an imprisonment in acres full of gravestones.

And yet. There was another part of her whispering now, that cherished it, rotten apple cores and all. There was always another way.

“He’s got family in the City, Luc. Maybe, if I could head out there with Atlas, I might be able to deliver it to them in his stead…”

“Ellie, that's dangerous.” Lucas looked at her, his arm around her shoulder. With his other hand he lifted the hood, revealing two curled horns, black as obsidian. Fiel shook her head wildly.

“I'll be fine—nobody noticed today,” she said. “Besides, once I reach the city gates, I'll be fine. There are guards everywhere—”

“Ellie,” he said again, and this time, there was a firm tone to his voice. His head whipped away from her. It took a moment for Fiel to register what happened.

In a blink, the sky burned red. Then a flash of white and a force that flung the two Montroys straight off the porch as though ragdolls to an unseen tremor, shaking everything in its destruction. Bombs! Somehow, the birds knew what to do before they did.

Fiel screamed, as Atlas pecked at her, clenching her by the ankles and dragging her along. She whipped around, her legs saddling around him—the position most natural to her as a rider—and which way she went, she did not know. 

“LUCAS!” she must have screamed his name over and over, as she bobbed this way and that, coughing through a presiding smoke, but she heard not her desperate cry, she felt not even the vibrations of her voice, only a powerful, deafening ringing in her ears that focusing on it now made her black out.

Comments & reviews · 5
Note: You are not logged in, but you can still leave a comment or review. Before it shows up, a moderator will need to approve your comment (this is only a safeguard against spambots). Leave your email if you would like to be notified when your message is approved.

User avatar
Messenger
Review

Hey there! review as requested!

Lemme go through the nitpicks first and then I'll get to the actual story.
I'm struggling to envision these birds. you talk of wings, but I couldn't tell if the bird could fly. It sounded to me more like they're like ostriches and they run rather than use their wings to fly, but it was just a bit confusing.
you make no mention of the city when Fiel is first at the top of the canyon, but I found that somewhat lacking because that's the main point of her trip, so until she reaches it just seems like she's charging down the canyon for no apparent reason. Something to think about mentioning earlier.

Fiel stayed to help distribute the packages to the injured as long as she could, but the day grew long and she wanted to head back before the darkness. She didn't trust herself in the dark.

that last sentence doesn't need to be there. given what the first sentence says ,we get that she doesn't like the dark for whatever reason, speaking of which, it would be nice to have a little hint on why she dislikes the dark. If it's some THING than this is a good place to maybe just give a slight mention of IT, but if it's something more simple, like it isn't safe to traverse the terrain at night because of holes and tree roots and rocks, then say that. Otherwise it doesn't feel like there's a reason.
Fiel didn't mind much, she missed spending time with Lucas

Correct me if I'm wrong, but I think this is a place for a semicolon...


OKAY! So, that out of the way. I like your writing style. It's detailed, but not overly so, with some really nice descriptions like the quilt, the burnt city, and so forth. Interesting premise. It FEELS like there is a whole world that needs to go be explored. Just with subtle things like the history of the company, mentioning ancestors, the sea dragons, and such, makes the world seem alive! I love that :) This also has the interesting mix where it sounds like it's a mix of modern and medieval stuff, something that I'm actually doing in my novel, so I obviously like that xD And then you've got the bombs bursting in air! Good ending. One thing I have to say without having read the next chapter: pleaee don't kill Luc. It may work for the plot, but if it's a center piece of the story, I've got no feelings for him yet. It's just too early to care about him. It's your choice to kill him or not, but if he is, just be aware that for a lot of readers ( I did something similar once ) don't feel like they got invested and so they don't feel that they can care for him.
If you want me to review the next chapter lemme knoooow! XD

~Messy

Weee, thanks for the review! <3 Yep it is totally ostrich-like. I'll find a better way to illustrate that first scene.

I've got to check out your novel now, I agree the futuristic/medieval juxtaposition is SUPER fun to both read and write. You can totes review the next chapter if you would like and see for yourself what happens with Luc ^_~

I certainly need to get to posting up the next ones. I've got chapters 3, 4, and 5 already typed out, but I've been *so* slow in getting them up here, I need to do that this week. You're spot on that it is a big world that gets a lot of exploring ;-)

yay glad i could actually help. Been ages since I reviewed anything XD For my stories i won't spoil anything, buuuut it's more in the stages of where it becomes sorta modernish. hee hee hee >.>
I'll go ahead and work on your next one and then you can tag me whenever you post the others. been looking for a novel to stick with.

~Messy

User avatar
Meerkat
Review

Hiya, Audy! Meerkat reviewing as requested.

Some notes on grammar, spelling, word choice, etc. (I like to get them out of the way first):
-"A canyon runner can break a man’s back with a single kick..." I'd recommend the verb "could" here instead, to keep the tense consistent.
-"...crying out to the sky a holler of a yelp in excitement..." It's best to just settle for one or two actions in this phrase, instead of all three (cry, holler, yelp).
-"Half of the city before her laid pillaged..." I believe it should be "lay."
-"This was Rosch, afterall." "After all" should be two words.
-"Not this, wasted, obsolete crapshoot." The first comma isn't necessary.
-"This thought of her resented it all." The wording of this sentence is kind of odd. Perhaps "She felt a twinge of resentment at the thought" or "Some part of her resented it all" would make your meaning clearer.

“LUCAS!” she must have screamed his name over and over, as she bobbed this way and that, coughing through a presiding smoke, but she heard not her desperate cry, she felt not even the vibrations of her voice, only a powerful, deafening ringing in her ears that focusing on it now made her black out.
I like the confusion and desperation you evoke in this sentence, but it's a run-on and goes on too long. Shorter phrases might give your cliffhanger more of a punch.

Characters:
Right off the bat, I think I'm going to like Fiel as a protagonist. From what we've seen in the first chapter, she seems brave, adventurous, and proactive (an excellent quality in a main character) and yet still remains likably imperfect. You've done a great job establishing a heroine I want to stick with as her story unfolds.
Lucas doesn't get as much characterization, but readers can get a general picture. I'd like to see him interact with Fiel more, if he's to be a major character, that is.
Atlas seems to be worthy as a character in his own right, and I hope you'll give him a larger part in the future. I enjoyed how you gave some hints about his nature—how he acts protectively towards Fiel, how he moves around the bombed-out town with caution, things like that.

Setting:
Oh my goodness. The description and imagery for this chapter were both very, very well done. You don't go too overboard on the adjectives, but paint the scenery just enough to allow for imagination to fill in the gaps. I can picture Fiel's home so clearly in my mind (By the way: a high tower, massive library, and verdant, rolling hills of farmland? Talk about a dream home!) that everything feels very realistic, even with giant birds.

Plot:
This is an incredibly creative premise for a fantasy story, and I'm excited to see where it leads. You left several questions unanswered, which is smart to hook the reader with in the first chapter. What's the significance of the package? Who is Mr. Avory? Is Lucas even alive? What is a sea dragon? I MUST KNOW. :) But don't reveal too much, remember. At least until the end, the best stories bring up more mysteries than they solve. I'm not quite sure where the plot is headed at this point, so here's some advice for any scenario: keep showing us how Fiel (and our other main characters, whoever they end up being) deals with new problems. I'm intrigued by this world you've created, but long-term interests ultimately rests with having compelling characters.

Final thoughts:
Honestly, I really enjoyed this. This book seems very promising, and it's clear you have a creative mind and a flowing voice. If you want, I can try to review chapter two when I have an opportunity. I'll definitely be reading it.

Fantastic job on this chapter, keep writing, and have a great day!

User avatar
Pretzelstick
Review

Audy:

So, this story really drew me in, like into a fantasy world. I am an absolute fangirl for life, and what I specifically liked is that you had some strong worldbuilding, which no infodumps or too much. It was a Goldilocks type of chapter, meaning just right. My favorite place/piece in the whole chapter is probably when she was reading in her lighthouse/tower library. I think that this is such a unique and intriguing part of your story.

I'll try not to repeat or ramble what anyone else has said, but I'll try to now jump into the critique:

For first impressions, I was pretty confused on what exactly is the family business? I know that you did briefly mention that her father and grandfather owned it, and I guess that I have a general gist of it, but I think that you could expand on why they raised dragons and birds. Like what does that have to apply to their whole business thing? If Fiel is hesitant to sell it, then she must really care about it quite deeply.

Also, I do agree with Skins on the whole beginning thing that she pointed out, but just to elaborate that more a bit. This is just my personal opinion, so you can feel free to completely disregard this, but especially for first chapters, I really like ones that dive into the action, or get straight into the action. That's my definition of a good hook, and honestly if you started Atlas in flight because that is much more interesting than starting off with him getting a saddle on.

Contented as she was for making great time on her own, she found it was high-time to mount Atlas once more.


Does this mean that she was walking before and stood on the edge of a cliff waiting for Atlas to come and pick her up? I guess that I'm just asking this because although you have described the getting on process in such a wonderful way, I feel like it's necessary to saw how her mode of transportation was looking now.

I am interested in the overgrown bird Atlas. I have dabbled my hand at writing a novel with a parrot as a minor character, and the tricky thing with your specific bird here, is that it can't talk so the characterization is a bit harder to show. I think that some of your descriptions are a little bit vague and cloudy, so maybe you could strengthen that. Now, in the first chapter when we are introduced to the characters, I want a visual picture/image of Atlas in my mind, which isn't quite happening yet.

Another minor comment that I may say, is that the way that the bomb threat/shot was set up. I guess that it is supposed to be random, but if you could incorporate a tiny bit more of foreshadowing, for ex. maybe the hostile enviorement that Fiel is living around, or maybe they had personal enemies who were insane in revenge tactics. Or they received an anonymous threat on the phone earlier that day. These are just all things to consider. ^^

The thing is, that because I don't really know Lucas, I don't care whether he survives or not or what happened. Sure, I'm more concerned for Fiel's mental wellbeing the Lucas's physical being. I'm just honestly not a big fan of these types of catastrophic events, save the plot twists for later.

Oh, and on another note I did pick up that you kind of brushed past the name of Asher City, like although I do know that you mention it later on, I would think that Fiel would be at least a little bit more interested in this hopeful prospect. The hesitation that you showed later on after the exchange of this name was on point, but maybe you could include some second thinking on the way back to Fiel's house before Lucas had a conversation with her about it.

I think that you could have weighed the $$$ a little bit more, since apparently this meant so much to them earlier on. If indeed this money could have contributed towards them rebuying the farmhouse after selling it, or possibly a trip for Lucas seeing his fiance, then why does Fiel seem to act so nonchalant about it? I guess one way to emphasize this, is to compare how much money this is=how much they would have to work to get this at a normal wage. (For ex: this was half a dozen's month of rent) or you could give a number amount that maginified this a little bit. (For ex. this was 20,000 which was enough to live on their means for one year). Or whatever you want to do to bring out the motivation behind the thing.

That's all that I have for this chapter. I really honestly did enjoy, putting everything aside is was a pure delight to read through this. <3

Until Next Time,

~P.S.

I want to sink my teeth into this review, Pretzel! Thank you for your thoughts and contributions. <3 You've given me a lot of specific points that I'll be looking back to developing more.

1.) I'll be going back to fix that opening. It'll also give me a chance to characterize Atlas more and a chance to briefly explain the family business. D'oh! How did I forget to include this? xD Well, consider it done.

I don't think I'm going to have room in the future chapters to go back to it, so I'll find a space to mention it in chapter one during my edits. Basically, the Montroy Express is my 'steampunky/fantasy' rendition of the historic "pony express", they used to have a lot of riders deliver packages and messages to people in their spread-out area. Hence the dragons, canyon runners, etc. This is a separate venture from their farm. I think I mentioned -super- briefly in the chapter that it was popular during her grandfather's time, but it quickly went obsolete. Crafts are just much more faster and more efficient!

2.) I'll dabble with some foreshadowing during the bomb bits for sure ;) Thanks for the suggestion regarding the $$$!

I'm really intrigued about your parrot novel! :o I will definitely drop by and take a look at it because bird-characters are too amazing to pass up!

Thanks again! =^_^=

User avatar
Sins
Review
Sins wrote a review · Tue Mar 08, 2016 8:05 pm

ohhithere.

So this was pretty awesome. I can't say I've read anything the slightest bit similar to this, so 10/10 for originality. Ellie (or Fiel? I always feel wrong referring to characters by their nicknames until I get to know them, I'm so weird) already seems like an interesting character, and I like that she's not the stereotypical financially troubled MC who kind of just whines about everything. Oh, and omg, your pace and flow give me life. One thing I always seem to be picking up on in stories where the writer sets up their own world is that it's never really done that greatly. You either get people info-dumping it all in the first chapter, or writing it blindly as if their readers know exactly how their made up world functions. You've got the perfect balance of making your world understandable, but not shoving it in our faces. Kudos to you, my huckleberry friend. So yeah, in case you can't tell, you've got yourself a fangirl right here.

I'm going to be super picky with critiques because, as I've said, I thoroughly enjoyed reading this. As such, please take everything I say with a pinch of salt (or pepper, whatever floats your boat). I guess the first thing I want to highlight is your opening. This critique is influenced by personal biases, so add a heap of salt to this one. I'm, like, obsessed with opening lines, paragraphs, chapters e.t.c. and I always want them to have a massive impact. Yours is interesting, and your descriptions are lovely, but it's not super grabbing. Now I'm biased because I'm not overly fond on descriptive openings, but I do feel like adding some more oomph[/i[ would be beneficial.

Let me think of an example... Hm okay, make us go [i]huh, what?
at the end of the first paragraph by noting how Atlas is a bird because up until you told us, I assumed he was a horse. If that twist comes right at the beginning, it'll be a pretty good drawing-in-your-readers technique. Now obviously you don't have to do this and you may loathe that idea and/or want to burn it int he pits of hell, but do you get the kind of thing I mean? Again, I am being super fussy, but I think adding something a bit more enticing int he first paragraph or so could definitely spice things up a bit.

In regards to character, again, Ellie is a good one. Despite the fact that I do like her not being whiny, I do feel like I'd like to get a bit more from her in terms of emotional reactions. She seems a little monotonous in that sense. For example, what was her reaction like to finding out this guy had died? She briefly noted it being a pity, but goddamnit girl you need the money! I mean, if that package delivery meant some extra £££ (I wanted to use the dollar sign but I can't find it on my computer ok, pretend they're dollar signs) then I'd be pretty gutted. It's just that as it stands now, we see her half-heartedly wishing for more money, but not aching for it. Her dream to visit the city helps, but I don't know, I kind of want more. What about the news of the package receiver being dead? Does that happen often? Did it freak her out a bit? I'd just like to see her reactions a little more to things like this!

Oh, also, sticking to the low on money theme, how come it's all on Ellie? I am so sorry if this is just me being an idiot and missing it, but is there no one else bringing money in? What's Lucas doing? The lazy bugger. It may not solely be on Ellie, but I kind of got the impression that it is. Again, apologies if you explain this in the chapter and I missed it, or have forgotten, but some clarification on that would be swell.

Aaaaaand finally, the bomb scene. I'm a little torn on it, to tell you the truth. The twist itself I love, but the way you wrote it is what's on my mind. On one hand, I love that it happened all of a sudden and all at once, but part of me feels like it was maybe too sudden, and therefore a little random. I realise bombings are random and don't carry a five minute warning, but it felt a bit off. This is another 'add an entire ocean's worth of salt' critique because as I noted, part of me likes the way you've done it. I'm thinking that maybe a change in pace would help because as it stands, there isn't a stark difference in the pace of the bombing scene compared to the rest of the chapter. Adding some classic drama-inducing shorter sentences, for example, could help. Hm, I'm not sure, this is a weird one. Sorry for making no sense.

I think that's me done on critiques. As I keep saying and wont shut up about, please be aware that this is me being very picky. It was a wonderful first chapter, and I am super intrigued to find out what's going to happen. Is Lucas alive? Is Ellie going to flee to the city?? Is someone going to find her??? Is it okay to reheat sausages??!???!!! Oh wait, no, you're not google. The technical side of your writing is such a pleasure too, with its steady flow and smooth pace. You totally have to let me know when you post the next chapter because I am so down for reading on. Anywho, enough of me rambling on. f you've got any questions or comments regarding this somewhat nonsensical review, please don't hesitate to chase me down! :)

Keep writing,

xoxo Skins

Weeeeeeee <3 I loved reading this review! :3 Thank you! It just so happens I like them extra salty-peppery.
1.) I was really worried about my opening cause I know it's not the traditional hook-line-sinker and I was worried that people might not get through the first paragraph lolz. I actually might steal your suggestion and just open with her mounting the bird! I'll do this in my edits, I want to also frame it in a particular voice.

2.) The suggestion regarding her reaction to the dead man is GOLD! Like, I was like, SKINS I DIDN"T THINK OF THAT! And this is why we need second sets of eyes!

I'm sure Fiel was probably half-shocked, half-in-denial, and half-disappointed (soo many halves) And probably also contemplating the dreadful realities of the war too. Hmm. I think she's the kind who would sympathize more, knowing firsthand what it's like to lose someone, so she would probably feel the weight of the loss in that sense. She'd ask questions, how'd he die, if anyone heard of him expecting a package, etc. I think she's also upset for not having arrived sooner and I think she feels more of a responsibility for delivering the news to the family members of his death. She's got that Montroy-Messenger-Responsibility thing going on and this is the perfect opportunity to show more of that, so I will! I think that inside, she does kick herself for having the bad luck of not being able to get the money, but she would never show that side to anyone, not even Luc :P Gonna have to squeeze all of that in there somewhere, now. Thanks for that, I think you've just added so much more interesting-ness!

3.) Lucas works the farm, Fiel runs the Express! I dunno if that was made clear? Anyway, Lucas does what he can, but is also in tremendous amount of debt. He owes university fees, but also it takes a lot of money to run farm equipment. I don't think Fiel is comfortable unless she takes things into her own hands, so that's prolly what I meant to imply with the "it's all on me" bit.

4.) I agree with you on the bomb scene. I like your suggestion with varying up the pace, so I'm def gonna do that, what I was thinking of doing as well was to have a line in there about a whistling tea pot. The implications that there was no tea pot. Lolz. I unno, I'll try it out!

THANKS SO MUCH FOR SHARING YOUR THOUGHTS! :D I will totes update you when I'm ready with 02.

OH MY GOD I MUST HAVE MISSED THE NOTIFICATION FOR THIS, I'M SO SORRY, I HATE ME TOO.

Well, I'm glad I was of use anyway. You sound like you know Fiel super well, so I have no doubt that you'll be able to really let her flourish as things move forward. I've just finished the review of your second chapter, and I already feel like I'm getting to know her well, so that's awesome.

Apologies again for not noticing you'd replied to this review. I only spotted this as I read over chapter 1 to refresh everything. I would make up an excuse, but the truth is just that I'm useless :P Hopefully my review of chapter 2 has been useful to you, anywho!

User avatar
micamouth
Review

OH NO THIS IS BAD

----

Hi there, Sagi here to help pull this from the Green Room and give you some tips along the way ^^

Plot

Spoiler
Your plotting in this chapter is very good!
Everything flowed pretty well from one thing to another. It was easy to follow and wow, what a sudden plot twist! The plot began to pick up its pace towards the end of the chapter - a nice transition from facing possible bankruptcy and losing a home to bombing and a missing family member. This got me hooked, I can't wait to find out more about Fiel's world.


Characters
Spoiler
One thing I'd like to mention about Lucas - we don't get to see much of his personality before he goes missing, meaning there's less of an attachment to him and wanting to know what happens next. This isn't a major problem on its own but when it happens a lot in your writing, the piece loses emotion and hooks for the reader - keep an eye on that!


Nitpicks
Spoiler
There's only one thing I want to clarify, and here it is.

...then you’d hear #EE0000 ">it’s legs pounding the ground...


The difference between its and it's is often unclear. Its is used in this case, where you are replacing the canyon runner's name with a pronoun. It's essentially means 'it is', and makes no sense in this context -

...then you’d hear #EE0000 ">it is legs pounding the ground...


This could just be a typo, but I wanted to make sure. ^^


Well done on this piece - you've got me really interested! Would you mind updating me on new chapters? :3

-Sagi

Sagi, thank you so much for this review! It warmed my heart and made me happy reading it ^_^ I will totes update you!

ooo, I think you're right about Lucas! I will totes give this a read-over and add some bits here and there in my edits and keep it in mind in future chapters.

Also - you totally scared me with the "TOTES BAD" I was like OH NO...DO I CLICK THE SPOILER AND WINCE AT IT? But I am pleased ^_^ XD

<3



I haven't failed, I've found 10,000 ways that don't work.
— Thomas Edison