Published July 30, 2026
Warning: This work has been rated 16+ for mature content.
(Author's Note: I would like to add a note here to say I am not intending to offend anyone religious. This is set in a dystopian future where the bible has been twisted to allow men to rule, inspired by The Handmaid's Tale. This was a story I wrote during my Creative Writing Degree)
PART ONE
I knew that old oak tree could sing.
I had heard the sound a lot; that low, gruff groan of age, lulling my ears as I slept tight beneath my woven quilt. It wouldn’t leave me alone, calling to me over and over, because it didn’t understand that I couldn’t come. Not anymore. There was nothing I could do. For months, I didn’t even know what was trying to reach out to me. It makes sense now, of course: those desperate roots spreading out under the dry earth, in search of sustenance. But it sat past the boundary of my world, beyond the gate, casting a tall shadow over the house and the church, protecting us, just begging us for something in return. Some water, perhaps. It breathed an ancient breath, deep and heavy with the same decaying rhythm as the old grandfather clock at the top of the stairwell. The old bark, rough like the skin on the back of my father’s hands, began to drop dead and dry at its feet, ready for kindling. I’d lie there, and I would listen as that oak sobbed each night. Last night I sobbed too, when I discovered the blood in my briefs. Had it listened to me back?
Listen was all I could do now. And now it was singing, not sobbing. Was there a difference? I glanced up at the rays of yellow sunlight that streamed through the branches, high above, and sighed. I could stand there all day listening to it, but it was Monday morning, and like every morning, that meant church.
“Mary!” came a cheery voice from behind me. I spun around, and there was Meggie Bright, my best friend. The wild locks of red hair that sprouted from her head had been tamed with little black bobby pins to keep them off her face, but some strands had already escaped. I always thought she looked like she had a lion’s mane framing her pale, freckled face. “We’re going to be late again! You’ll never guess what-” She stopped for a second and glanced around my garden. “Oh, aren’t your mother and grandmother ready? Should we wait for them?”
“Mama’s not well, and Grandmother’s already there helping Mrs Callahan set up,” I replied. We stepped out from under the shadow of the oak and crossed the path that separated my house from the front garden of the Smiths’ house. Meggie sprinted ahead, turning left and taking our favourite shortcut through the park.
“So, what’s this news that I’ll never guess?” I wasn’t sure if I should tell her my news. It felt like something I should keep private, but we had agreed never to keep secrets from one another.
Meggie spun herself around so that she was walking backwards in front of me. She pulled something out of the front pocket of her cream frock, a little red square. “I found this when I was cleaning the kitchen the other day. Look!”
She handed it to me. It was no bigger than my hand, several pieces of paper stitched together underneath a red piece of cloth. My heart leapt in my chest, banging against my ribs. “What is it?”
“Open it!” she instructed, so I did. Each page was filled with writing. “It’s a book, a diary, perhaps! I think it must have been my grandmother’s, when she was little, look-” she flipped it to the back and pointed at four numbers. 2146. “That must be the year.”
I quickly glanced around to make sure no one was looking and then took a closer look at the book. The front read "Faith Carter, 14," in barely legible handwriting. Nathaniel had been teaching me to write before he left on his mission, though, of course, as girls we are strictly forbidden to do so, so it was done in secret. He said I had a knack for it, that my letters danced off the page. “Your grandmother’s name is Abigail, isn’t it? This isn’t hers. She must have a sister.”
Meggie shook her head, and more of her wild hair escaped. “No, she only had a brother- wait, Mary, can you read?” She whispered.
“A little,” I admitted, feeling guilty that I hadn’t told her before. “This is dangerous to keep, but I’ll see if I can read the rest of it and tell you what it says tomorrow.”
“I can’t even imagine what it would say. I know all the men keep journals and write recipes and scriptures because that’s their duty, but what would a woman have to write about?” She laughed as I slipped the book into the front pocket of my frock. “Anyway, let us get to church. We’re already running late, and I don’t want to have to sit next to Mrs Smith again; she’s always crying and she smells funny.”
Meggie wrinkled her nose and ran towards the church steps.
“Wait, Meggie! I totally forgot to tell you my news!”
She turned around, smiling again. “What news?”
“I, well, I got my-” I lowered my voice and scanned the road with my eyes for any hidden men. They did not like to hear of any womanly talk. “-monthlies.”
She raised her pale hands to her mouth and squealed. “Congratulations! That means you’re a woman now! Oh my, I wonder if your father will find you a husband and then you can have a baby, and then I can be an auntie and then when I have a baby they can be best friends like us and then-”
“Shh, Megs.” Those were all the reasons I was terrified to tell my parents about the blood on my sheets yesterday. In the end, Grandmother promised not to tell Father until it happened again next month. Mama was going to clean the sheets whilst he was out. “I don’t want any of those things yet! But don’t tell anyone else, please. We should get in, the service has already started.”
I pushed open the heavy doors and let Meggie pass under my arm. The choir stood in their neat rows singing, mothers and grandmothers tucked behind the pews like soldiers crammed into trenches. Not once did the singing falter, even when the door slammed shut with a bang, or as the steady beat of our heavy boots approached the back bench. Not one of these women was holding a hymn sheet. They knew every song by heart now, each sultry voice queuing up beside each other and stretching out, filling the echoing church hall but not reaching much further. It made the hair on the back of my neck stand up as though something had not just passed over my grave but dug it up, bones and all. I listened closely, and I could still hear the tree’s wailing harmonising underneath us.
I looked up through the faded colours of the stained glass Jesus and saw the spiralling dead branches form a web across the darkening sky. Jesus stood with open arms, the sun behind him rising, or setting. But he wasn’t looking down at us. The expression on his face, that frown, was one of pity and not for us. He was looking away, disappointed, facing the tree. It looked as though he knew that the tree was singing. As the thick fog rolled slowly across the dead grass of Eve, and the sun rose against that barren horizon, that tree sang just as loud as my grandmother beside me. How had I not heard it more clearly before? I mouthed the words to the Hymn of Sustenance. There was no point in singing anymore. All it did was make my throat too sore to eat breakfast. Us women sang all our prayers each morning, loud and clear, so the lord could hear. The Hymn, which my grandmother penned, was no longer about praising God. It wasn’t even asking for his help. We could sustain ourselves. We just wanted to know he was still there. The men prayed in silence in the afternoons. Singing was for women - and for the tree.
“Mary! Hurry up!” Grandmother suddenly snapped, grabbing my forearm and marching down the aisle. I guessed I had been dreaming about the tree and missed the rest of the service. Grandmother stopped and laughed cordially with the other women. “Oh, you know my granddaughter! Always in her own world!”
“Tell me about it, Muriel!” Mrs Smith, the baker’s widow, flapped her hands playfully towards Grandmother, who flinched a little. “My Lizzie is just the same!”
The gaggle of women began cackling, but I was marched out of the church before I could hear what else they gossiped about. Sometimes the trivial musings of the town are the highlight of my day, like when I overheard Mrs Lowry telling Mrs Smith that Daniel Barker had wet himself in fear when he heard a cow moo for the first time. I hated that boy! All I heard today was someone mentioning that my thirteenth birthday was tomorrow. I didn’t want to be reminded.
“Didn’t Lizzie-?”
“Be quiet, Mary. She’s not well.” Grandmother snapped.
I knew not to question her. Everyone in Eve had been acting strangely lately. She stopped beside the old well and peered down into the darkness. I knew what she was thinking, because I was thinking it too. Was Nathaniel ever going to come back? The water was dwindling, and I was parched.
“I saw Daniel Barker spit in here,” I told her as she grabbed onto the handle and started reeling the bucket up. “And Luke Callahan.”
Grandmother fished her small, round flask from her purse. “It’s not nice to tell tales, Mary.” She dunked it into the water and filled it halfway, and whistled the Hymn of Creation tune over the bubbling noise it made. “Be grateful for this and don’t tell your father.”
I sipped at the flask and followed Grandmother back to the house. She always stuck to the paths and smiled at everyone we passed, even loathsome Daniel Barker, who was leaning against the gate to the farm, chewing on buckwheat in his father’s old flatcap. I thought he was a gross little boy, but Mama often talked of my future marriage being to him, because we were the same age. I didn’t want to marry anyone. Marriage seemed to have made my mother shrink. She looked so happy as a little girl in the old photographs Grandmother kept. I scowled at Daniel, and a gust of sudden wind blew his hat off. It made me laugh. I remembered that when I was young, I was convinced the wind was listening to me, and if I shushed it, it would cease. If I were angry, it would storm. Now there never seemed to be any other weather, just the hot sun beating down upon us.
Mama was in the front garden hanging out my bedsheets to dry. Grandmother went to help, so I slipped inside and took the diary from my pocket. The first few pages were about daily chores and speaking to her friends in church. She lived here in 2146, which was seventy years ago. I read on, but before I even made it halfway, I heard my father’s footsteps and shoved the book back in my pocket.
“Get to the kitchen, Mary.” He demanded in his gravelly voice. “Those potatoes aren’t going to peel and chop themselves.”
“Yes, Father.”
He opened the door to his study but paused before entering. “Don’t hide things from me, Mary.” My heart leapt. Had he seen the notebook? “I saw the sheets. You had your monthlies. You should have told me.”
“Yes, Father, I’m sorry.” I gulped. “I was scared.”
He reached out a large, rough hand and cupped my face. “Don’t be scared. It’s how the Lord demands. We’ll find you a lovely husband soon, don’t worry.” He cleared his throat. “‘Then the Lord God said, “It is not good that the man should be alone; I will make him a helper fit for him.’ You will be a great helper for any man, my dear.”
After dinner, which consisted of boiled potatoes and boiled eggs, I resigned myself to my bedroom and lay quietly under the covers. I listened to the wailing of the tree as I devoured Faith Carter’s diary. She was just like me. About to be married off to a boy she hated.
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An eggcellently good day to you! I have come here for Team Egg so let’s see what you have for us now!
Because it kinda feels like these two sentences don’t really fit the rest. MC first knows the tree can sing, then they don’t know it’s the tree in the first place (what has singing to do with calling for them anyway?) and then, the expla why they cant come out takes a while to unfold so we are left v confused in the beginning. But soldiering through that part allows me to read the paragraph in context which is v cool and v beautiful =DWell I am genuinely running out of things to review for which I don’t have to first read like seventeen thousand other chapters to get to the stuff that brings points. So let’s read this chapter instead and then the other, hoping no one snatches the points from me. For the Egg!
LOVE the starting line, friend :3
And I love the mysterious quality of that second paragraph. I got a bit confused here:
That’s a nice phrasing!
Hmmm it feels a bit incongruent if Mary says that she and Meggie have no secrets between each other and then reveals that Meggie never knew that Mary can read. Wouldn’t it make sense that Meggie knows but bc of indoctrination didn’t wanna learn herself, but doesn’t pass up on such an important skill. She’d bring the book specifically to Mary BECAUSE she can tell her if this is her grandma’s diary.
That said, I rly like the exposition on when this takes places. Well done!
Aww the childhood innocence Meggie displays here… The way she thinks their children will be friends when they are like 12 atm… (With a newborn I can only say: Aaaahhhh)
And poor Mary… Guess with her subversive reading skill also comes the subversive thought that she should not yet be married of for children yet.
Now I wonder where Mary would get this comparison from? Did she see pictures of soldiers? Or what is the reason why she’d say that in her narration?
I also feel like this narration doesn’t fit Mary either: Like… why would she note that no one was holding a hymn sheet? That should be normal to her. Also words like sultry and queuing feel very… complex for what an at most 14 yrs old?
Ahh I wonder if the reason she no longer can go to the oak tree (to water it or whatever---that is assuming it’s not a metaphor of sorts) is because either her family lost standing or children, once they reach a certain age (girl children) have restrictions placed upon them.
After the casual mention of “my Lizzie is the same” I find this section a bit strange: Like something is clearly up with Lizzie then. So is Lizzie’s grandma in denial over it?
I feel like this might need more grounding: We haven’t really heard much of Nathaniel so far so his sudden mention comes out of left field.
Innnteresting that Mary says the boys did something bad and her grandma immediately dismisses it. Either Mary has a habit of making stuff up or we are protecting the boyz. Wonder if there would have been consequences if Mary had accused 2 girls…
I wonder if Mary really does have some supernatural abilities. I do like being in her head, even if she makes everything up (including the singing tree). There is just something so lively about her!
Well… I guess her dad means well… in so far as he can, in this society.
I also think that the reveal that the diary is abt a girl like here doesn’t come with enough gravitas. It’s just. The end of the chapter. The phrasing doesn’t really make it seem all that special.
That said, I do think you have created an interesting world and I am so curious for the next chapter :3
#TrustTheEgg
thank you for the review! you bringing up some great points that i need to work on, i think some of these i got carried away trying to write something that SOUNDED good that i forgot to make sure it made complete sense XD
Hi 4revgreen! Incoming review!
Omg I loved this beginning. It felt like Tuck Everlasting. But this is a future-set world that feels so old and lived-in! Ahh I love it. I haven't seen The Handmaid's Tale personally, but from what I've heard, I can see the inspiration. Okay, let's continue with the review!
So first of all, I really like how you started this chapter. The oak tree groaning sounds like such an interesting motif/symbol. Having it be just out of Mary's (? That's the narrator's name right?) reach is symbolic of how she feels in this society. I can't wait to see how it is incorporated in the future installments.
You've got me very invested in the world-building. Especially with Meggie. In a dystopian world, usually everyone is very dissatisfied with their day-to-day life, but Meggie as a character shows a more real-world example of propaganda. She is happy and merry and doesn't keep secrets from her best friend and genuinely believes in the ideologies having been taught to her. It's that detail of getting excited over Mary's period that shows how this is all so normal to her, getting married off so young and being at home and not knowing how to read. The way you incorporated that too was delightful. It makes Mary special, but not in the 2010's sci-fic dystopian way where she's so perfect and different and has love triangles. No, Mary just knows how to read because her brother I'm assuming taught her how to in a small act of rebellion. So good!
I also appreciate how the catalyst for a lot of what's happening right now is because Mary just got her first period. You NEVER see periods portrayed in written media like this and have it be relevant. I think this scene here also adds to the world-building.
Mary is scared of her first period just because she doesn't want to be married young. What her dad does here could have been written in a more sinister way, he could have lashed out on her, but he is being quite gentle and the advice he gives is not all that terrible. That's what makes it so scary as a reader. Not everything in a dystopia is bad and not everyone in authority of another (in this case, man being a head of his house) is going to abuse that power, but it is instead the systems that everyone has to follow that get scary. Her dad is sounding quite loving, but because Mary cannot express herself and everything, the system is becoming her nightmare. I can't wait to see how this is built upon while she reads Faith Carter's diary.
That's it for this review. I hope you enjoyed. And I'll be checking out more of your works soon! Anyway have a good day and byeeeee!
Hi, hello!
I’m interested in the world-building here, but I’m not completely convinced Meggie would immediately understand the four numbers as a year if girls aren’t allowed to read or write. She may still recognise numbers and understand dates, of course, but I think you need to establish what girls are actually taught. Are they allowed basic counting for cooking and household duties but forbidden from reading full sentences? Can they recognise years because they appear in church? Hm.
I do really like the discovery of the diary, though, because it gives Mary something personal to investigate while also opening up the history of Eve!
This whole church section is probably my favourite part! I think the comparison to soldiers gives the women’s singing a sense of duty and suffering rather than simple worship, and the fact that the sound fills the church but does not reach much further is a very nice detail. I also love the idea that the hymn has changed from praise into an attempt to find out whether God is still listening. There are a lot of long sentences here, though, and some of the images begin to pile up in the same way as the opening! You may want to spread these images apart so that they do not become "too much" in a way.
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I really enjoyed the atmosphere of this! There are also lots of questions being introduced without it feeling completely overwhelming: what happened to the water, where Nathaniel has gone, why the tree is singing and what Faith Carter wrote in her diary. That makes me feel like a detective trying to solve the mystery myself!
Mary is also a very likeable narrator as well. Her voice throughout makes her feel convincingly young rather than like an adult voice placed inside a thirteen-year-old, which is something I notice in a lot of prose. Meggie is fun as well, especially when she immediately races from Mary’s monthlies to husbands, babies and their future children becoming best friends. Their friendship gives the chapter some warmth and also makes the restrictions placed on girls feel sadder because they’re both so curious and energetic. I feel bad! I hope that, over time, they are able to find some sense of freedom in the world!
The main thing I’d watch is the density of the prose, too. Your descriptions are very good, but there are places where most of your sentences contains a metaphor, ominous image or piece of world-building, and it can make the chapter feel heavier than it needs to. That works for horror! However, I think it can be hard to balance. Sometimes I found myself having to reread sections to understand what you had intended, such as the introductory sequence. I would suggest to parse through what is and is not needed.
The final connection between Mary and Faith works particularly well, though, and I will have to read the next part to see what happens!
Cheer, thanks for sharing this!
Lipton