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If not always, then forever

“O Lord, Jesus Christ, Redeemer and Saviour, forgive me of my sins, just as You forgave Peter's denial and those who crucified You. Count not my transgressions, but, rather, my tears of repentance given unto thee. Remember not my iniquities, but, more especially, my sorrow for the offenses I have committed against You.”

-

The Ronan Chapel was rather small, crouched between two large buildings. It gave the illusion of a young child hiding between the legs of their parents. Outside of it, in the underdeveloped city, the dirt path often left the floors dusty from the dried mud tracked in on shoes. For a city it was not as complete as one would expect. Although buildings were all around there wasn’t much of anything else that could qualify it as a city.

In a corner of the chapel was a confessional. It had been seen to remiss beside from one solitary visit from a week prior. As for the clergy in attendance, a nun, separate from her sisters and a priest were all that frequented the church. However, instead of their usual haunts, they found themselves, along with the county sheriff and his wife, in one of the crumbling city apartments. The apartment was found in one of the busier parts of town always bustling and filled with sound in the day. And at night a drowning sound of never ending music and buzz of liquor drifted through the evenings.

It was Mrs. Caliver, who was currently off playing bingo, who found her sitting in her kitchen next to his body. The bright red stamp of her lips printed on his forehead proved to be the only color left on his body. As for the woman, she sat on the floor in a paralyzed state of statue like shock.

Her raven black locks were cut short in a sort of flapper pixie cut, which contrasted with her glacier blue eyes. Even now, her ever present dimples pierced her cheeks. She often used to brag she was the “14th girl in Ms. Zippities Showline” but that was way back when.

She often liked to believe, late at night in front of the bathroom mirror, that she was famous. She and her neatly applied ruby red lipstick which was neatly applied across her lips would often walk back and forth and flash her old Hollywood smile. Then as suddenly as it had begun it ended with a careful wipe of a tissue, not a single trace of her youthful fantasy remained.

Leaning over the corpse, a startling vision of the woman sat with her lipstick smeared contrastingly crimson across her pale mouth, and on the back of her hand.

“Mrs. Smith?” questioned the sheriff.

“Diana,” she corrected with a voice as smooth as the summer breeze.

The house was stuffy. No amount of cartoonish hand fanning from the sheriff's wife could cool herself down. The Illinois heat persisted like a plague.

“Mrs. Smith?” he repeated, ignoring what she had said.

“Diana,” she said stubbornly. The sheriff sighed.

“Diana,” he said slowly.

-

“Orange isn’t a pretty color on you,” said the sheriff distantly from the other room. He dragged a chair from the other room and set it outside the parallel bars.

“Orange isn’t a pretty color on anyone dear,” smiled Diana.

“You look young. How old are you?” asked Diana.

“25,” he said, fidgeting with the metal star on his chest.

“Hm,” she nodded.

“How old are you?” he asked.

Diana giggled, her delicate nose scrunching up as she did. “You can’t ask a woman that silly, But I suppose since it is for official business…

“Oh no! I’m sorry you don't need to answer that,” blurted the sheriff blushing bright red.

“36,” she said, looking very directly at him. He fidgeted in his chair. His gaze seemed — at her ice blue eyes.

“Do you have any kids? I love kids,” she said wistfully.

“No,” he shook his head. “My wife. She wants kids,” he admitted.

“Did you kill your husband?” The question invaded the room like a plague.

“No,” she said.

-

The apartment was no more than a glorified shoe box, containing the bare essentials to complete something resembling a house. A kitchen with gray tiled floors, a bathroom with no tub, a bedroom with a window overlooking a dismal view of the street, a dining room with a tv box, and a faded pink checkered tablecloth. A thrifted living room couch was placed in front of a tv set. It was patterned with ugly black and white stripes that had faded to black and gray over the years of use. Two pillows, sat in the corners, tried desperately to bring some color but only made the coral clash horribly with the couch. The walls were painted white. Nothing too stark, far from clean, but white.

In a desperate attempt to reduce some noise, sister Catherine Marie switched off the tv. It did nothing to evade the noise. It seemed that everything around them got lounder. A mother scolding her children, an old couple bantering, a whole cacophony of noise invading its way into the room.

“My theory is we do whatever we need to find that girl guilty so she can be hanged and I get on with my life,” complained Mrs. Hall, Sister Catherine grimaced at the bleak indifference.

“Mrs. Hall, How would you feel if someone judged you so soullessly?” asked Sister Catherine Marie.

“I am not a criminal,” laughed Mrs. Hall. “It is so dreadfully hot.” she whined. In his youth, her husband strived to be resilient and tough. However, Mrs. Hall was quite the opposite. She was a delicate southern belle who quite liked being constantly watched over and pampered. If she was not looking in a mirror she was constantly fluffled her heat curled blonde hair.

“Riley,” she exclaimed, her voice a pitchy squeak.

“What is it Dory? I was attempting to inspect the latter rooms in place of your sheer incompetence and your husband's absence but I see I am not able to do even that.” stated Father Riley who had a rather unrighteous habit of rarely holding his tongue.

“Riley,” she pouted, her bottom lip comically quivering. “I'm burning up,” she whined. Sister Catherine sighed and turned to leave the room. “I feel like I am gonna die,” she whined. Sister Catherine took hold of every piece of self control she had built up over the years to keep herself from slapping some sense into that woman.

“Dory, don’t say that,” said the priest pulling out a chair, so that she could sit down. Afraid that she herself would say something far more insulting that Father Riley, Sister Catherine walked into the living room. A whisky bottle sat open on a desk next to the tv. The cap was discarded on the floor. Next to it was a dinner tray. A routine developed in her mind. Mr. Smith would come home after probably working at a factory, which provided most of the work, he would come home, eat, drink himself to sleep with the television playing mindlessly in the background.

“Sister Marie,” said the priest announcing his presence in the room. She swiftly turned around.

“Father,” she said. Then she repeated it in a questioning tone this time. He nodded.

“Why are we here, why is it not the sheriff or the county detective or…”

“Sister Marie. We are merely observers in the eyes of God.” he explained. She nodded. As the priest took leave to check on Dory, Sister Catherine found herself wandering through the house and in the bedroom. Sister Catherine Marie knelt next to the bed, a small piece of stationary paper peeked out. It was shredded in a rather aggressive manner. She blindly reached under the bed and found a red box. Inside were thousands of the violently cut confetti like pieces of paper, like the one in the bathroom banister. She one up and unfolded to find the words “...As for me” and another said “...happiness is a thing for poets” she grabbed another and another, the words carefully scrawled onto the page in neat — script. She found a piece that was not creased, instead if it had two rugged edges, and two perfectly straight sides, this must be a corner piece. These words are carefully slanted in a mock cursive like manner.

“Always and forever,” Sister Catherine felt her breath hitch in her throat. The paper fluttered to the ground like a final leaf off an oak in autumn. No, she hadn’t heard words in so long. And like that, the final piece of evidence was set in place, the conviction in the final act of the great play was performed. And it lay at her feet, desperately begging to be performed.

-

The girl was a star. The very flash of her million dollar smile was enough to outshine the spotlight upon her face. Flowers were thrown at the show girls’ feet. Roses, daisies, pansies… She picked up a bouquet and gave a final bow and ran off stage.

Out the back door, two girls ran out hand in hand. A daisy tucked behind the ear of one of the girls as the other carried a bouquet in her hand. They ran a few more paces, both barefoot. The cool grass brushed against their feet. Until, both arrived at a bridge. It was an old stone bridge, one often found in the area overlooking a small burbling stream. The older girl lit a cigarette between her fingers and sat smoking it for a second.

“Kitty,” said the older girl, letting out a cloud of smoke. She had a Kentucky southern accent.

“Hmm,” she answered simply.

“I want to be a star,” she said.

The other girl didn’t answer. She just looked out at the sky.

“What kind of a star?” she asked finally.

“World famous, Somethin’ like Cleopatra” said the other girl, getting up and standing on the ledge of the bridge. Her white skirt just above her ankles, accompanied with a tank top and slightly curled raven hair that flowed freely in the wind and reached almost down to her waist.

“I want to be in magazines, immortalized” she giggled.

“What do you want to be?” asked the girl, finally sitting back down and resting her head in the other girl's lap so she looked up at her.

“I don’t know,” she shrugged, Kitty hardly ever knew what she wanted; she just wanted the world to spin by, around her.

“You don’t have to know. You just have to include me,” she looked up at her brown eyes.

“Always,” smiled Kitty gently.

“And forever,” laughed Diana.

-

Diana was set free soon after and left that town. Perhaps it’s fate that some of us are doomed to be starry constellations reaching out for one another while the other walks in a different scopes of life. No evidence was ever found, but underneath the bed of a solitary nun, one could find a box of shredded letters. 

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Wolfi
Review
Wolfi wrote a review · Thu Mar 06, 2025 2:20 am

Hello aquarious! I hope this review finds you well! Saw this story in the Green Room and figured I'd leave a few thoughts.

Ronan Chapel

Hmm surely that's a Chapel Roan reference! (Her name is as far as my knowledge of her goes, so if there are further references in this story, sorry! I probably won't get them xD)

...was rather small, crouched between two large buildings. It gave the illusion of a young child hiding between the legs of their parents.

Ooo, what a delightful little metaphor. Starting off the story with a bang, I see!

It had been seen to remiss beside from one solitary visit from a week prior.

Not sure what "been seen to remiss" means. Maybe try: "It had been neglected, except for a solitary visit a week prior."

The apartment was found in one of the busier parts of town always bustling and filled with sound in the day. And at night a drowning sound of never ending music and buzz of liquor drifted through the evenings.

Love how the story is taking its time here to establish the setting and mood.

It was Mrs. Caliver, who was currently off playing bingo, who found her sitting in her kitchen next to his body.

So Mrs. Caliver found the lady next to the man's body in Mrs. Caliver's kitchen? Or in the lady's kitchen? There's a definite shift in the story here, from lazy (in a good way) meandering descriptions to the appearance of a dead body, and I suggest playing with the sentence structures to match. Let the details about the city be long and colorful. Make the discovery of the body be quick. Clear. Sharp. Not only because it will help with the tone, but also because we're now getting to the meat of the story, the core of the mystery, and making sure the reader has the basic facts straight is important.

The house was stuffy. No amount of cartoonish hand fanning from the sheriff's wife could cool herself down. The Illinois heat persisted like a plague.

Up until this point I was imagining an urban fantasy setting. Not necessarily a bad thing, but this Illinois drop caught me by surprise. Perhaps throw in a similar Illinois descriptor earlier on?

“Oh no! I’m sorry you don't need to answer that,” blurted the sheriff blushing bright red.

Is this the same sheriff who ignored her when she wanted him to refer to her as Diana? What's with the shy gentlemanly attitude here?

“My theory is we do whatever we need to find that girl guilty so she can be hanged and I get on with my life,” complained Mrs. Hall, Sister Catherine grimaced at the bleak indifference.

I assume the girl she's talking about is Diana, but I don't know who Mrs. Hall or Sister Catherine are or how they tie in with the rest of the story.

Inside were thousands of the violently cut confetti like pieces of paper, like the one in the bathroom banister.

The way "the bathroom banister" is referred to makes me feel like this isn't supposed to be the first time we've come across one of these pieces of paper, but I'm pretty sure it is. Even if it's not the first one Sister Catherine has come across, if it's the first one the reader has seen, we need to be looped in on the extra context. With that in mind, the sentence could be rewritten to something like: "...confetti-like pieces of paper, similar to the mysterious scrap she had seen tucked between the railings of the bathroom banister earlier that day." See how that gives a lot more context?

No evidence was ever found, but underneath the bed of a solitary nun, one could find a box of shredded letters.

I appreciate this final sentence spelling things out a little more clearly! So Sister Catherine and Diana were romantic partners at some point, and Sister Catherine discovered evidence of this under a bed. This line tells us that the bed is Sister Catherine's, but that throws me off - it seemed like she discovered the torn letters beneath the bed, and that in general she was exploring the rooms of this apartment in a way that an occupant would not. Besides, in her dialogue with the priest it seemed clear that they were investigating this place. So whose bed is it, I wonder? Diana's? Is she also a nun?

I reaaally really dig the environment and tone of this story. The descriptions are excellent, and the characterizations are solid, though maybe a bit inconsistent at times. The main thing I'd want to see from the next draft is added clarity! This is a mystery story, so I get how you want things to be murky for the reader so that they ask questions, but when some of the basic details like who's who aren't laid out clearly enough, a mystery story can quickly go from intriguing to confusing.

Overall, excellent work! I enjoyed this a lot!

Wolfi

Hi.
This is the best review I have ever gotten! Your correct about the Chappell roan reference. Seen to remiss is basically like it had been neglected in a fancier way. I was thinking of like Illinois chicago. I think the cheriff's attitude has changed since he wanted to be all tough and like stern but he kinda becomes more shy and calm. Sister Catherine takes the evidence and hides it under her bed at the end to keep it away from the law. Thanks for your excellent review.

Maybe Diana shows surprise at the shift in the sheriff's attitude?

Best of luck with your next draft! :)

Hello there, human! I'm reviewing using the YWS S'more Method today!

Shalt we commence with the gory S’more?

Top Graham Cracker - Diana’s husband has died! More so, he has been murdered! Diana has always dreamed of being a Hollywood star, but it didn’t quite pan out. It is suspected that she killed her husband, but then, they can’t accuse her if there is no evidence to convict her, isn’t that so?

Slightly Burnt Marshmallow - I think that you may have meant to put in a period after “tongue” when you are talking about Father Riley’s words but that’s just one little thing.

Chocolate Bar - I love the description of Diana Smith, like she was an old Hollywood star stuck in a time, paralyzed by illusions of glory. The story was written in poetic rhythm, I felt as though there was more behind everything than what was being conveyed. If I’m reading this correctly, I think that Sister Catherine Marie (Kitty) and Diana were in love with one another, but circumstances got the best of them and they could not be together, so Sister Catherine Marie stores all of the old love letters of Diana and doesn’t want Diana to be caught or found out. That’s the vibes I got from this, anyway. Please correct me if I’m wrong!

Closing Graham Cracker - A mystical, alluring story on how even in the face of crime, love will still prevail. It is the very bonds of love that protect and harm others, that can lead many to madness. But goodness, it’s the type of madness that nobody would mind falling under. Catherine will always hold dear to her heart the time she was tenderly called “Kitty” by Diana, when all the sky had seemed tinted with roses.

I wish you a glorious day/night! ^v^

Thank You for reviewing by story. You are absolutely correct about your theories. Diana, and Catherine were in love.

Oooh okay! I sure do wish they could have been together. But I guess that%u2019s just life.

I%u2019ve enjoyed reading this.

I am glad that you enjoyed reading it.



rule #1 of being a potato: potatoes gotta defend their friends from negative self-talk
— Spearmint