Dawn rose over Port-au-Prince as I stood on the terraced roof of the medical centre and took in my surroundings below. Rows of white tents were dotted around the vast dry fields, shining against the rising sun, and the air was filled with the cheerful voices of children as they chased each other around the camp. A warm breeze whistled towards me, blowing a light brown curl to my face. I reached and put it back behind my ear with a smile. To an outsider I’d seem completely out of place; a twenty-three year-old American girl overlooking a displacement camp in a recently earthquake ravaged nation. The truth, however, was that I had never felt more at home. It was a country that was broken and shattered, yet there was no place on earth I would rather be. Haiti was the fresh start that I had so desperately craved, a way of moving on with my life after last summer. A way of ending the nightmares.
A loud beeping sound coming from the alarm on my watch snapped me from my reverie. Looking down at the dial I realised it was time for my early morning shift at the vaccination clinic. Turning away from the scenery, I hurried back inside the centre just in time to see a familiar face enter the office. He was in his mid-twenties; tall and thin, with an attractive face and a cropped mess of chestnut coloured hair.
“Hey, Seth,” I smiled, as he closed the door behind him. Seth and I had both studied paediatrics at the University of California, but we didn’t become friends until we both came to Haiti looking for a fresh start. Like me, Seth worked at the children’s vaccination clinic in Part-au-Prince, but while I was still a trainee paediatric nurse, he was now a junior paediatric doctor. “Good shift?” I asked.
“It was alright,” he replied. Judging by the tired look in his hazel eyes, he had just finished his graveyard shift at the clinic, but instead of heading upstairs catch up on some sleep, he headed straight for his desk and turned on the laptop.
“Really?” I asked him with a raised brow.
“Yup, really.” His fingers frantically tapped at the keyboard and his eyes were glued to the screen. “The Lakers played against the Celtics last night and there’s no way I’m hitting the sack without finding out who won.”
I shook my head in dismay before pulling on a fresh pair of blue scrubs. “Well, good luck with that. You know how bad the wireless is round here ...”
“Oh, don’t you worry; I’ll get it to work even if it takes me the rest of the day. By the way, you’re admirer dropped by last night,” he smirked.
“For the last time, he’s not my admirer,” I retorted, half rolling my eyes in embarrassment. I knew exactly who Seth was talking about; the young soldier from the U.S Military who had recently developed a habit of gawking at me whenever he dropped by our clinic to deliver blood. I had hoped that his behaviour would go unnoticed. Unfortunately, the ever-so-observant Seth had quickly caught on, and he and the rest of our team had been taunting me relentlessly ever since.
“You know … you should really just do the poor boy a favour and tell him that you’re not interested.”
“I can’t do that. It might hurt his feelings.”
It was Seth’s turn to shake his head this time. “You and your damn morals,” he chuckled before pausing to think for a moment. “Alright, fine. I’ll tell you what, seeing as I’m such a good friend an’ all … I’ll tell him that I’m your boyfriend.”
I threw him a sceptical look as I began pinning my long curls back into a loose bun. “How do I know you’re not just saying that? For all I know you’ll go up to him and tell him that I asked him out or something ...”
Seth chuckled heartily. “I won’t. I promise – scouts honour.”
Just then there came a knock at the door.
“Uh oh, that’s probably him again,” Seth teased.
“Will you stop?” I hissed in a whispered tone, hitting him lightly on the arm on my way to the door. I was sure that it would be Marie standing on the other side. As team leader of the paediatric ward, it was her responsibility to make sure that all junior nurses make it to their shifts on time. However, when I opened the door, I found that it wasn’t Marie at all, instead it was Patricia, a young Haitian woman who I shared my shift with at the clinic.
“I know I’m late,” I said, before she could.
“Don’t worry about that, Alice. There’s a call for you.” She held out a cell phone and I took it with slight confusion.
“Who is it?” I asked.
“It’s your mother.”
My earlier confusion immediately turned to concern. Swallowing, I waited until Patricia was gone before holding the phone to my ear and speaking down the line.
“Hello?” I waited but there was no response. “Hello, mom, are you there?” I tried louder.
“Alice, darling,” her voice crackled slightly due to the bad reception. “Alice, can you hear me?”
“Yeah, I can hear you, mom,” I replied, wondering why on earth she was calling me in the first place. We hadn’t spoken since I left home last summer, and, truth be told, I hadn’t expected her to ever call me ever again.
“Honey, you need to come home. I’m sending you a ticket, OK?”
I let out a sigh and rubbed the side of my temples. I should’ve known that that was why she’d called. “Mom, we’ve been through this already, I’m not –”
“You don’t understand, Alice, you need to come home – right now.”
For some reason the urgency her voice sent a wave of anxiety through my body.
“Mom, has … has something happened?” I asked.
At first she didn’t answer. Several painful seconds of silence passed, stirring panic within me as different scenarios flashed through my mind.
“Mom, please!” I said down the line, clutching the phone desperately to my ear. Sensing the obvious panic in my voice, Seth got to his feet and peered over at me with a concerned frown.
“Everything alright?” he asked nervously, but I couldn’t hear him.
“Mom, tell me what happened!” I repeated down the line.
“Oh, honey, I’m so sorry you had to find out like this,” she finally answered, “but your friend, Tiffany, she … she was killed yesterday …”
In that moment I felt my heart stop, everything, even time, seemed to have stood still.
“I-I don’t understand …” I felt my voice breaking as I struggled to believe what I was hearing. There was a suffocating tightness in my chest. My knees began to feel weak and I found myself clutching at the door for support. “How did …”
I swallowed the lump in my throat, tears brimming, “What … what happened?”
“There was a car accident. She wasn’t wearing a seatbelt …”
My back hit the wall and I broke down. There were no words to describe the utter despair that tore through me. A sudden upsurge of memories and stabs of regret compounded me as I sank down towards the floor. My breath came out in gasps and heavy sobs wracked my body until I felt as though my heart would explode. Seth ran over and grabbed hold of me.
“Alice, what’s the matter? Al –”
But his voice still wouldn’t reach my ears. All I could hear was my mom down the line …
“You need to come home, Alice. You need to come home.”
Chapter 2 - Homecoming
Los Angeles County, California
I stepped out into a busy LAX airport, my carry-on luggage in tow, and made my way out of the Arrivals terminal. As much as I tried, I hadn’t managed to get much sleep on the plane. Whenever I closed my eyes I saw Tiffany’s sweet and happy face staring back at me causing thick tears to stream down my cheeks. And then there were the memories … memories of countless sleepovers, house parties, and drunken nights out in Vegas that replayed over and over again in my mind. To think that they were all that I had left of my best friend caused a paralysing pain that I could not describe. I never even had the chance to say goodbye, and now the next time I would see her she would be in her casket ready to be buried into the earth.
Even the thought was enough to send a shiver through my heart. I couldn’t allow myself to think about it. The very image brought with it an overwhelming tidal wave of emotions that I could not handle at once. Before I could break down again, I swallowed my tears and wheeled my luggage further down the terminal, passing happily reunited families and chauffeurs holding name cards on my way. One chauffer in particular stood out from all the rest. He was short and unusually pale with beady looking eyes that were wide with alert. But it wasn’t his appearance that caught my attention. As I approached closer I realised the card he was holding in his hands. On it was written ‘Alice Wilson’.
I closed my eyes and let out a frustrated sigh. I should’ve known that my mom would send her driver to pick me up, even after I remembered specifically asking her not to.
“Miss Alice Wilson?” asked the chauffer as I stopped in front of him.
“Yes, that’s me,” I muttered back. A part of me wanted to just ignore him altogether and call a cab like I had planned to, but I was too emotionally drained to make a fuss. Instead, I let him take my luggage and followed him out to the limousine.
Before I knew it, I was seated and the chauffer turned on the ignition, pulled out of the parking lot and set off. If I was grateful for anything it was that the journey was completely silent. The last thing I wanted to do was to get into small-talk with the driver. With a tired sigh, I leaned my head against the window, staring at the towering palm trees lining the wide roads and the shiny windowed boutiques of Rodeo Drive. Los Angeles County, the home of the rich and famous – they called it the city of angels, but I knew the truth. Behind the façade of wealthy mansions and lavish parties lay a much darker side.
“We’re here, Miss Wilson,” the driver’s voice broke my train of thought and I looked up just in time to see the limo come to a stop in front of towering wrought-iron gates – the gates of hell, I remembered calling them as I watched it swing open inwardly to allow us entry. Looming imperiously before me was Wilson Manor. Built out of light brown stone and partly covered in moss, the three hundred year-old estate was as picturesque as any mansion in LA. As we drove closer, I spotted my mom, dressed in all-black and looking as beautiful as ever, standing at the entrance ready to greet me.
I swallowed at the thought. There was a reason why I had left home a year ago, a reason why I had left behind my life, my family and my best-friend, and I knew that as soon as I stepped out of this limousine I would be reminded why. When we finally stopped, the driver stepped out to open the door for me. I didn’t get out straight away. A part of me wanted to just stay in the vehicle altogether. I closed my eyes for a moment and took a long deep breath. [I was here for Tiffany]. Several seconds passed before I finally opened my eyes again. Straightening my blazer, I took one last calming breath and stepped out. I felt the gravel crunch under my flats and before I could even take a step forward, my mom was calling my name.
“Alice!” she breathed, her heels clicking against the stone steps as she hurried towards me. I only had to look at the look of pure relief on her face to know what was going to happen. In the next few moments my mother was going to act as though nothing had ever happened between us. In the next few moments she was going to play the role of a loving mother and I the loving daughter. It was a role that I had learnt to master after what had happened last year.
Distant memories of a stifling hot summer night flooded back into my mind almost immediately. My mom, sat in her
armchair by the roaring fireplace, her legs crossed with a glass of sherry in her hand, and me, stood by the doorway of the lounge, face pale, legs trembling, with vomit on my shirt, and tears streaming down my cheeks.
“Mom, I’m scared …”
She said nothing. Instead, she took a small sip from her glass.
“Mom, say something, please!” I beg. “What am I going to do? MOM!”
“Nothing,” she finally says firmly. “You will do nothing. I’ll take care of it.”
The memory shattered from my thoughts as I felt her embrace me into a tight hug. “Oh, my beautiful darling let me look at you …” She released me from her grip and looked me over. I was sure that I looked anything but beautiful after the journey I had just had, nevertheless she placed an affectionate hand on my cheek and smiled. “I can’t tell you how happy I am that you’re here. Welcome home.”
Despite my reservations, I smiled back, it was awkward and fake but it was a smile nonetheless. However, it soon vanished when two other people, a man and a woman, came down the stone steps to join us. The first to grab my attention was the man. He was middle-aged, tall and thin, with a permanent frown on his forehead. He was dressed in a crisp, expensive-looking three-piece suit and the manner in which he walked, with his shoulders back and his chest held high, suggested arrogance and authority.
The woman beside him looked equally as pompous.
Noticing the direction of my gaze, my mom’s smile widened. “Alice, you remember, Richard, don’t you?”
“Of course,” I responded. I could not forget my step-father even if I tried. He was one of the most powerful and frightening men in LA who owned half the county thanks to his real-estate business. Shortly after my father’s death, he had somehow wormed his way into our lives and, after dating my mom for only a few short months, he decided to marry her.
As Richard stopped before us I noticed that his previously receding hairline was now peppered with grey and white. Either old age was starting to creep up on him, or the reality of being married to a woman like my mother was beginning to take its toll. I had a feeling it was the latter.
He put both his hands stiffly into his pockets and his thin lips curled upwards into a slight smirk. “Welcome home, Alice,” he greeted, his tone almost as dull and business-like as his suit. His piercing grey eyes surveyed me from head to toe before he continued, “I don’t think you’ve met my mother …”
“I haven’t, no,” I responded, glancing back at the woman who stood beside him. She was quite short and stout with a heart shaped face that was covered with wrinkles despite the obvious evidence of Botox.
“Pleased to meet you, darling,” she greeted. She had her son’s piercing eyes and just as Richard had done before her, she seemed to be surveying me with them, before adding, “I am, so sorry for your loss. I know Tiffany was your friend.”
I didn’t know what to make of such a gesture coming from an old woman who showed as much expression as a concrete slab. I politely thanked her anyway before turning back to my mom. “Where’s Spence?” I asked.
“Yes, about that …” she paused for a moment before showing me a guilty smile, “I’m afraid your brother has decided to go over to a friend’s for the day. I tried to tell him that you would’ve liked for him to be by your side during the service, but …” she stopped right there, however, I knew what she was going to say next. My little brother was still clearly mad at me for leaving home, and knowing Spence’s stubbornness, his anger would not be assuaged easily.
As if sensing my thoughts, my mom took my hand in hers and smiled. “Come, we should make our way to the Haughton’s. The service will be starting soon.”
I felt the lump return in my throat once more, but this time I found that I couldn’t swallow it down. As I was ushered back into the limousine, the realisation of where I was heading sent heartbroken sobs clogging at my throat. Bleary eyed, I held down my tears and closed my eyes. I didn’t believe in a god. Too much had happened over the years for me to think that there was some higher being watching over me. But at that moment, I found myself calling his name over and over again in my head, asking him … begging him for the strength to get through what was to come.
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Hiya *coco! Sorry for the slight delay but here to review as requested
) There were a few times when i was reading this and thought you were telling rather than showing. For example:
Nitpicks in the spoiler:
Spoiler
Hmmm, this sentence is quite long. Perhaps try and have a semi-colon instead of a comma after 'rising sun'.
No need for the comma after 'and'.
I like this line!
I don't really like this sentence as I think it is quite long and filled with commas. So maybe try and break it down into two or more sentences, or add interesting connectives.
Now, onto the review. So your story-line is pretty interesting so far. I think it all seems to make sense and there are loads of questions as a reader that I am thinking of. I think that the end of chapter one was brilliant as you left a real cliff-hanger-ey thing there which was absolutely great! That being said, the ending of the second chapter wasn't equally as good, but still pretty strong. I'm not sure which direction your story is going in, is it going to be a mystery sort of tale about who killed Tiffany? Or is she going to return to Haiti? Either way, right now the story is a bit thin just in the sense that nothing has really happened yet, so make sure in the next chapters that you try and have something HUGE. Not overly huge which makes it realistic, but something slightly different.
Your POV was maintained really well and I think your character was really suited for it, if you see what I mean xD. Your sentences were pretty varied in length, I did mention in the nit-picks that some of your sentences had to many commas, and therefore to many breaks when you're reading it. I find I do this too, because I think when you're writing, you're almost writing your thoughts, and your thoughts have loads of breaks. So yeah, watch out for that next time (I will too
I don't think you need to say 'it suggested arrogance and authority, because you showed that in your description. Similarly, if the woman looked equally as pompous, how did she look equally as pompous or seem equally as pompous? This could be shown in description again or better yet in some of her actions, or some of the things she says.
Generally, I thought your language was actually really good. Especially whenever you were describing the feeling Alice was going through now that she had lost her best friend, you could really imagine it. However, at other times, I think you could expand on it a bit more and use more imagery. For example:
How tired was he? How tired did he look? Again, this sort of comes under the whole showing not telling thing.
Lastly, your characters so far are pretty good. I don't think you really need to add anything now, maybe slightly more to the character Seth. Also, I was slightly confused, does she like him or not? Obviously, you don't need to add any romance in here if you don't want to, but I think you leave us under the impression that something is going on. And we, as curious readers, want to know more
I hope this review helped, PM me with the next chapter please! I'd be happy to review it. Keep Writing!
-Arc
Hi, Coco! I’m finally here – so so sorry it has taken such a long time!

And I’m really interested in finding out why it’s a fresh start for her and what has happened to her in the past.
I’m going to give you a sort of running commentary as I read this because it’s easier for me to do it that way
Chapter 1
- I really like the start! Exotic places, love them! Even though the very start ”Dawn rose over Port-au-Prince” is slightly cliche, I still like it because it sounds so beautiful.
- In the first few paragraphs, all of your sentences are quite long. There’s nothing wrong with long sentences if they’re constructed well like yours are, but some variety makes everything easier to read. You could well do with dividing some of the sentences or adding shorter ones in between.
How exactly do you “half roll” your eyes?
I found this a bit funny… why doesn’t she hear the urgency right away? If the situation is bad, surely her mother would’ve sounded urgent at the very first comment.
Since you have a first person narrative, it can’t really be omnipotent, so if she can’t hear him, you shouldn’t tell us what he says. If you say “He said something with a concerned look on his face, but I couldn’t hear him”, it doesn’t sound as odd.
Chapter 2
I think it should be “the” since, there’s only one LAX.
I like the tidal wave metaphor here because it sort of goes with the island theme. Intentional or not, it’s pretty clever!
- I’m wondering a bit why she goes back home for her friend but not her mum. Granted, the friend has died, but Alice seemed a bit like she just wanted to cut herself off from the past, and now she’s going back for someone who isn’t even family. I know that friends are really important, but I’d like to learn more about what’s so special about Tiffany. I probably sound really heartless xD I hope I can make any sense!
Well, you certainly don't let out too much too early
Happy writing!
Demeter
x
Haiiiii!
Specifics
1. I think the first sentence should be combined with the second. It's not punchy enough to be a short sentence so go for the scoping, landscape description instead. A general rule with regard to the first sentence is, if you're going short, it should be dramatic or it should be action.
2. Sentence Structure
This is really important in novels and at the moment yours is a little stiff and unvaried. The lengths of your sentences change but not the structures. You tend to have: This happened. It happened like this. This happened and it happened like this. This happened and this happened.
Obviously I'm exaggerating, but let's take your early section as an example.
Your shortest sentence is five words and your longest is eighteen words so that's not too bad, it's a pretty good range! But at least one in every five sentences should be a descriptive one and none of these are. Let's try to break these into their components:
Action; emotion. Reflection. Reflection. Statement. Reflection. << This is a very simple break down, but what we're seeing is not even an attempt to hide one of these reflections in a nice pool of description! I've never been great at explaining myself so now I'm going to play with your words to try and give an example of how this should read. Please forgive me!
I reached for it and put it back behind my ear as a delirious grin split my face; how on earth had this tiny country ended up feeling like home? It wasn't even a country. Their idea of a city was more like a village with a few ramshackle houses leaning together under the shadow of a crumbling church atop of the hill. But there wasn't anywhere else I'd rather be. Haiti was a fresh start for me, a way of moving on with my life after last summer. A way of getting over the nightmares.
3. The previous lines of dialogue build a beautiful sense of suspense but instead of giving us what you want here, you let that fade out. We know it's her mother's voice on the line so don't waste words telling us. Instead describe the way she sounds, the tone of her voice. How Alice tangles her fingers in the cord of the throne or leans against a wall. Phone calls are difficult. It's easy to get wrapped in the conversation and not realise that what you're doing is leaving your reader hanging with only sound coming out of the TV and no picture. And your sound has to be really good for that to not be a distraction. Remember that the small details make a piece of fiction. The expression on the other girl's face as she tries awkwardly not to listen in but it concerned. Pick something small and make it a big focus.
4. Try to avoid phrases like 'something in her voice' or 'time stopped still'. These are really obvious constraints of reading and it's difficult for a reader to not stumble over them. They're not original enough or unique enough to your own style. If your first person narrator rambled more then you might get away with it, if you were setting up the expectation that they aren't original and do repeat a lot of what they hear. But this character seems to be at odds with such phrasing.
5. Chapter two starts off very nicely, much more powerful than the end of chapter one! You give specific details and examples for us to build a picture of this relationship so the grief is believable. At the end of the first chapter it isn't because there has been no build up of this relationship. Nothing to give us a grounding for it. You could remedy this with a subtle mention of her earlier on, perhaps a photo on her night stand. Something that already has the name in our head. But also by slowing down her reaction and giving us her first thoughts. You find out your best friend is dead. What do you feel? Do you think about the last time you saw them or do you think of empty Christmases in the future? Give us something solid so that we can believe the way she feels.
6. Making memories and reflections active: You've got a lot of memories in this piece and of course you have, it deals with death. But while you're writing about memories you're taking us into the internal and it's not working very well. We haven't got a strong enough grip on the character or setting yet to be dragged so frequently into her mind. So how do you make a memory active? Link it to the scenery or actions. She's walking through the air port and she sees a bear hanging out of a little girl's bag. Maybe it reminds her of being at the fair with her friend? Or she sees a coin on the ground and remembers that her friend would always stoop and pick them up. That way we're getting characterisation, back story and present description all at once!
7. Nice descriptions of Los Angeles, keep it up! Also you showed us she's rich without making it dramatic or over doing it. That was nice and not too in our faces at all.
Overall
Okay so I like this and I found myself interested in the main character, though more toward the end than at the start, and it was very easy to read and follow. The plot had some nice hooks and here and there you had some gorgeous description. You need more of that! What I am feeling though is that I don't understand why she's gone home. You give us a girl who's independent and seemingly has nothing to go home to, particularly now her friend Is dead. I want to understand the reasoning more as without that I can't entirely understand the character.
Hopefully I've given you a few ideas and a few ways to improve this, but if you've got any questions do let me know. I'm always happy to read a re-write or to explain myself further!
Best of luck!
Heather xx
Hey Coco!
Please, how could I forget you? I’m glad to see back around the site. I’ve recently returned myself, actually.
So let’s get down to the nitty gritty, shall we?
Writing:
Okay so if we inspect your writing, I can say a couple of different things. Firstly, I agree that you were rushing your writing. I think you were very eager to get the setting out of the way so you could start with the story but without a proper beginning, it’ll cause some heavy lifting when you go further along the road.
Try to add in more description and create better sense of imagery and give us more information! I want to know why she left for Haiti, how old is she, what kind of place was she staying at and most of all, why Haiti? Why not Europe? Or China? What makes Haiti extra special to her?
As far as grammar and sentences go, it’s fast paced but easy to read and I didn't spot any huge grammatical errors. You have two chapters and these two chapters are extremely short! Why are they so short? Why not just fuse both of them together and create an entire first chapter that tells the readers about her life in Haiti and then a phone call that forces her to go back to a place she never wanted to return to?
Characters:
Your character is still quite flat but for some reason I like her. I can’t exactly explain it but if you were able to show us more of her emotions and give us more concrete reasons for why she acts the way she acts or does the things she does, we might like her even more. So far, she’s heading towards the YA cliché passive-female character cliff so hit the brakes and make a U-turn before she falls off!
Story:
As for the story, all I know is that she doesn’t want to be home. Something must’ve happened there that made her leave. Maybe it’s her mother but based on the phone conversation she didn’t seem to overly hate her mother enough to have left the country and live in Haiti over the summer so I’m thinking it must be a little more than that.
That said, I’m left with too many questions about what’s going on with only one answer: She left Haiti because her friend died. Which isn’t too bad considering these two chapters are short and to the point but if you’re going to re-write this and make edits, I hope you consider adding some more emotion and background to the meat of the story. It’s a bit thin right now.
Overall, I think there’s some work you need to do but all hope is definitely not lost. I think you still have a female character that could be molded to be liked and inspirational even, given what direction you choose to take that is. You story even seems to have this modern-day Victorian era setting and feel to it – with the mansions and all plus the awkward relationship with the mother, lol. In any case, this needs some more work but it’s still good.
Hopefully this review helps some. Do not hesitate to let me know if you need another review or anything else for that matter. Keep it up!
-S
Hey there!
So first thing I have to say is this story felt very rushed and there seemed to be a lack of description.
What I mean by that is the narration is missing out on many aspects of a good story. Firstly, I don't know what Alice looks like. I can see the scene in front of her pretty clearly due to your description but I have no idea what Alice herself looks like. Also what was she doing on the roof of a medical center? You should at least give the reader a little information on that.
Now to the phone call. I don't think the part about the bad reception is needed because it doesn't have much effect on the story. It sticks out weirdly and the reader is left wondering what that has got to do with the rest of the chapter. During the phone call itself, Alice seemed nervous when she noticed the anxiousness in her mother's voice. That part was pretty well done, but the part when she heard her had died in the car accident wasn't exactly what I wanted. I don't see the sadness coming out there. To me Alice was sad alright, but it didn't feel that sad. You didn't mention her crying, which I think she definitely would have. You didn't bring out the sadness in Alice upon hearing her friends death and I would have liked to see that.
The part when I can see Alice's sadness is during the first paragraph of chapter two. When she talks about the memories they had together. Still I find that it was only a few short sentences that you had the feeling coming out. Describe Alice's emotions more, describe how she broke down. Not just tears in her eyes, did she scream her lungs out? Did she cry out and demand her friend back? Was she on the verge of breaking down in that sense? Or did she just have a few tears in her eyes?
Overall your strong points are the description of the setting and narration. What you need to work on is the character and their feelings and actions. It's a good start you have here, and I would like to see more!
Hope my review helped!