today, jay

by reason

Published February 5, 2013

I thought about you.  Someone triggered the memory of you. 

It was ten years ago when we met.  The Costa Rican sun came out in all its brilliance.  I recalled my parents whispering.  Little Cow reassured them that this had to be done; everyone went to Anne Rose's house . . . They no longer did.  Those times of parties and luxury were nothing more than memories.

Little Cow's husband did not join us.  We buried him -thirteen years ago.  Little Cow's husband said, "If I cannot live the way I wish than I wish not to live."  He died not long after.

A decrepit house came to view.  Silence fell us.  Mother glanced over to me, "Say not a word."  My speaking privileges were never revoked in the United States.  They weren't taken away in San Jose.

Jay, I'm now twenty.  You are too, aren't you?  Oh, god.  I can feel tears welling up in my eyes.  Give me a moment.  Okay, I'm good.  Are you good in your room?  I try not to think about you too much.  I wonder how you're doing . . .

Opening the door, I was met with popular music.  It wasn't discernible at a distance.  I wasn't exactly paying attention.  Instead, my focus remained on avoiding the potholes on the street.  It was like playing hopscotch.  I bounced about until I reached the desired location.  Except there was no smiling when I landed on the sidewalk.  I stared up at this looming place and shivered.  The siding faded to a light cerulean blue.  A window had no glass pane, but was boarded up.  It barely withstood the rain that the tropics provided.  I was left in awe -the place was still standing.

"Watch your step," Little Cow warned.  I nodded, heeding my grandmamma.  The wooden planks for stairs had a big gaping row -the others looked just about ready to give.  I worried about the condition the interior would be like and I worried about who would reside in such a place.  Little Cow whispered, "This once had been the place to be."  Her smile never reached her eyes. 

Mother knocked at the door.  The air felt heavy.  There was this unspoken gloom that hung in the air.  It sensed life and clung to it dearly.

"Hello," it was near breathless.  I jumped, noticing a hollow husk of a woman sitting on a chair.  She had large doe eyes and dark skin.  I remembered the shock of discovering she was still breathing -skeletons in my experience are dead.

"Anne Rose," Little Cow smiled, "I could not recognize you."  She kissed the skeleton's cheek.  That was the tradition, but I did not follow the customs of my ancestors.  This Anne Rose was gaunt and so small.  She folded into herself, holding Tupperware of ice cubes.  She popped one into her mouth.  Anne Rose returned her attention to the desolate street.  Who or what was she waiting for?

The door creaked.  Grateful, I shifted my attention.  I heard them speaking Spanish -small talk.  Anyways, the door revealed grandmamma.  It was your grandmamma -this lady with wiry white hair.  She met us with a beaming grin . . . eh, it revealed she was missing some teeth.  I swallowed.  "Welcome, come in."  The hunchback lady ushered us with some shaking, "Come, I will make you sweet drink."  I felt the need to tell her there was no need, honest.  However, I was not allowed to speak.  I got so scared.  An animalistic cry, so raw, caught me off guard.  It was followed with banging.  I may have jumped.  Your grandmamma noticed me and waved it off, "He's only saying hello."

Something died in me that moment.  He?

I looked around, noticing a disheveled boy on a recliner.  He raised the volume on the soccer game.  The banging stopped and I heard something being dragged against the floor.  I looked about noticing furniture not made for Americans, you can tell the difference because everything looks so small.  There was your grandmamma, clinking the spoon against a plastic canteen -making sweet drink.

Did they ever give you sweet drink?  It's a delicacy in that house: water and sugar.  I don't remember what the others were doing.

Spanish dialogue ran in the background.  I assumed they were graciously accepting the sweet drink at this point, but where the hell was this he?  And who was he?  The banging resumed with intermittent grunts.  A roar changed pitches; he was getting hoarse.  Then everything went silent in my mind.  I caught sight of a hole in the wall.

In that hole was a dark eye staring right back at me, I felt a glass placed into my hand.  I blinked, nodding to your grandmamma with a smile.  I had no intentions of drinking it.  My gaze returned to the hole.  He was still staring.

My god, I don't remember the rest.  I think I looked to the aloof boy watching soccer, wondering why he wasn't doing anything about the boy enclosed away in a room with . . . no door that I could discern.  That boy kept releasing feral sounds, all of them sounding desperate.

I remembered Mother's stare.  The look went from me to the cup of sweet water to me again.  I drank it.  Time flew as I stared at the wild boy.  The Spanish dialogue in the background sounded jovial.  Mother thanked your grandmamma for the sweet drink and the hospitality.  We left.

In the car, my speaking privileges were renewed.  I brought up my outrage, "Who was that boy in the room?  And why is he locked up?"  Little Cow knew not English, but Mother did.

She replied in Spanish, "Anne Rose is not a bad person."

"But there's a boy-"

Little Cow took over.  She took my hand with a smile, echoing: "Anne Rose is not a bad person."  So the story of Anne Rose began.  She met a man whom she had a healthy boy with and then . . . she had the boy in the room.  This boy came into the world with two cleft feet and a cleft lip.  His mind wasn't quite right.  The man left.  Anne Rose had been so beautiful during the pregnancy.  Distraught at the loss of a husband and the burden of a babe with special needs, she became a skeleton. 

Jay, I'm still so very angry.  I urged them to call the cops.  No one should live under those conditions, I argued citing neglect and abuse.  But Little Cow did not speak English.  My grandmama instead continued with Anne Rose's story.

Anne Rose knew not what to do.  The proper care may have made the boy housetrained, but she was not educated.  Instead, they hid the boy in a room -boarded up with planks.  She fed him once a day -bean soup.  It makes cleaning after him easy, Little Cow reminded me, "Anne Rose is not a bad person."  The healthy son dropped out of school.  They had government money coming in to aid the boy in the room.  Anne Rose saved it to rebuild a house made of cement blocks.  That house they resided in was beyond saving and the memories were too much to bear.  There had once been happiness, parties, family reunions, and now.

Ahem, they told me your grandmamma went out to the busy highway with coconut treats.  That's how they can afford sugar and pay for water.  Money was always tight, but she managed to cover the necessities.  The healthy son aspired to work in construction, but you need a college degree now for the most menial work.

Little Cow told me, "The boy in the room is your age."  With a tight smile, she added: "He is your cousin and his name is Jay."

I'm sorry, I did nothing.  But I swore never to forget you.  I can't imagine that means much though.

Comments & reviews · 4
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Supermeggs12
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Supermeggs12 commented Comment · Feb 5, 2013

This is nice. I would read on, honestly. I do agree that the mention of Jay's name makes it sound repitive. The grammar checked out pretty well, although work on your flow, some parts were a tad awkward to read.

I am interested. I would love to read more from you :)

reason replied · Feb 5, 2013

Thanks, mate. Pretty sure this is a one-shot deal though.

I've edited out the references to Jay. Although I'm curious, what parts did you find awkward to read in particular? My sentences tend to run on the short end of the spectrum while my transitioning needs work, but specifics would be greatly appreciated.

Thanks for the review.

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beckiw
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beckiw wrote a review Review · Feb 5, 2013

Hi Reaaaaaaaaaaaaaa :)

Thought I would pop by to read some of your writing as I've never read any before!

Then I became painfully aware that I am a very literal reader and so not a lot of this made sense to me. So take anything I say with a pinch of salt.

I read this through twice and I don't really understand what is going on. I've probably missed something vitally important and really obvious. I kept trying to find meaning in it but just felt it was scattered all over the place. I kept thinking like, are they seeing ghosts? Are they mad? Are some of these people voices in their head? Is this sweet drink medicine? I dunno...I just felt generally confused.

I felt like there were too many characters just popping up all over the place and I didn't have time figure out who they all were. I guess if the main character is mad then the jumpy, staccato style kind of worked but for me I just felt like I was being pushed and shoved all over the place.

You're writing is good and I have no issue with that. You're obviously a talented writer, I just don't think the piece was meant for my dense head. I just couldn't get hold of it but that's probably more personal preference than any mistake on your part.

Hope that was the least bit useful...kind of just felt like I was rambling. You know where to find me if you want to make sense of this ;)

Bex x

reason replied · Feb 5, 2013

I wish the story was: and everyone drank sweet drink which made them take a silly trip, but sadly this story (as I told you in PMs) is more a recollection of events presented with little commentary. It's up to the reader to discern the meaning -if there's any to begin with.

I'll definitely look over the piece and see if there's anywhere I can slow it down. There is most a large cast: Little Cow (narrator's grandmamma), Little Cow's Husband (deceased), Mother, Anne Rose, Grandmamma (Jay's grandmamma), Jay, Unkempt Boy watching Football, and Father even though there's no references made to him short of (parents.) I kept it scant on details about the characters since the narrator isn't impressed by them, but by that experience. Granted, the narrator knows their own parents and thus would take it for granted. I also set out purposely not to bog it down with too many details that didn't push the story ahead, but that may have confused the reader.

I appreciate the readings and this review, Beckster. Thank you for your time. Hopefully, this clarified some of your concerns.

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PenguinAttack
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PenguinAttack wrote a review Review · Feb 5, 2013

Hi Rea,

It's nice to see some work from you, I don't think I've encountered it before. This is interesting. It's a pretty smooth read and there aren't any nitpicks I can make regarding spelling or grammar because I'm pretty sure it's all good.

My main issue right now is with how many times you say Jay. This may be a difference in personalities, or countries, or just something, but I don't know anyone who says names that much. In fact, I rarely use people's names when I'm speaking to them. They know who they are, I know who they are. The only reason to use someone's name is to catch their attention, and you already have Jay's, because... he's the one inside the Narrator's head. I know you're reassuring us and the narrator that Jay is there and he's the one we're focused on, but it's too much. No one really speaks that way, I don't think. Some of the rest of this is just slightly stilted, but that's a more natural tone issue, so that's fine. But really, lose pretty much all of those uses of "Jay", because they're getting in the way of your text.

I completely forgot, by the way, that Jay was who we were going to meet until the end of that. And I was like "I thought we were talking to Jay?" And had to go back. That might be me not paying attention properly though I suspect it's also because the narrative slides away from the focus of the lad. I think if that's done on purpose, it's done rather well. If it wasn't on purpose, well, some things are happy accidents, haha.

I enjoyd the description of the house, although I found the wooden wall comment really odd? I'm not sure why, but it just didn't sit right in my head. Anne Rose being addicted to ice also confused me. I assume it isn't the drug but the literal ice she's addicted to? That just seemed super odd because there's no reason for it, there's no trigger, it's just "she got addicted to frozen water for no reason". I don't know how you'd include a reason in there, so I think I'm suggesting you remove the "addicted" bit, not the behaviour because that's solid, just the addiction suggestion. Unless you didn't mean a literal addiction? It seemed literal rather than hyperbole.

I'd love to see more writing from you, this is solid and you maintain your narrator's tone and inflection well throughout. It wasn't captivating for me, but it was interesting and you kept most of that interest up so thanks for writing and sharing.

Hit me up if you have any questions and such.

~ Pen.

reason replied · Feb 5, 2013

I definitely see the Jay problem, there. Haha, this teaches me to never post a first draft again. I'll edit those out. Now, onto the wooden wall comment -my English failed me in the moment. I forgot how to refer to a window that has been boarded up. See, all the dialogue is in Spanish therefore my mindset was in that language which made "boarded up" come out as wooden wall. Not ideal, but I'll definitely tweak that now.

Anne Rose being addicted to ice cubes is more of a coping mechanism. She brings Jay into this world, her partner walks out on her, and in the typical fashion of that time -she was only a housewife. Instead of adapting, she hid -no longer eating and sucking on ice cubes (as a nervous tick.) Granted, the narrator doesn't really develop this idea. Perhaps, I should have them look at it funny and Little Cow explain. The comment about literal versus hyperbole -the Spanish language is basically a hyperbole in itself.

Thank you for the review, I appreciate it. With some polishing, hopefully this piece will be smoother for it although I doubt any amount of editing will make it captivating. Thanks again for your time.

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Cadi
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Cadi commented Comment · Feb 5, 2013

Nothing really to say, but you give me shivers in all the places good writing does.

reason replied · Feb 5, 2013

Thanks, Furry Dragon. I appreciate it.

Don't think this will dissuade me from posting in Feminism~ <3



“Hope” is the thing with feathers - That perches in the soul - And sings the tune without the words - And never stops - at all -
— Emily Dickinson