z

Young Writers Society



Without words

by DNCR


Without Words

My name is Michelle Kapnick and I am an immigrant. I was born in

Johannesburg, South Africa, (and yes that is a country) in the Park Lane Clinic on September

fifth 1995. I grew up in a cottage like home with a tall green gate, fifty nine Lyme street. I was

happy and comfortable with all my friends close by in the sunny suburb of Glenwood. My house,

a large, beautiful garden with a swimming pool and trampoline and no shortage of roses. Pink,

white and peach roses, the peach ones were called Just Joeys and they were my favorite. Spring

was magnificent. The Jacaranda trees would bloom and the jasmine would peek out from

between the leaves; a glimpse of what was to come. After school I would come home and change

into ballet attire for my dancing class three afternoons a week. On the fourth I would take a

speech and drama lesson. Friday afternoons I would sit on a stool in the kitchen watching the

shabbos preparations unfold and enjoy the smell of fresh home made challah. Shabbos

afternoons were spent lying on the grass outside with my tight knit group of friends and talking

for hours. Sundays were always reserved for family and Braais ( what Americans would call a

barbecue), outside while we swam in the pool, jumped on the trampoline and ate watermelon.But

life is like a trampoline, there are ups and downs.

When my father told me we were moving to New Jersey, he actually used that awful

cliche, “It will be an adventure!” I was not convinced, however the thought of having a brand

new life, the opportunity to start over, intrigued me. As the anticipation and excitement grew I

found myself smiling at the thought of attending an American high school. As a freshman I

considered that it might be fun to make new friends, have a new home, a new neighborhood. My

father then announced that he had found us a temporary home in Mountain View; a place which I had

never heard of. From the pictures I saw of the house it seemed nice enough. It had polished

wooden floors, a modern kitchen and three levels. I could see a picture forming in my mind of a

better life. Maybe leaving my home was not such a bad thing. “Saying goodbye is the hardest

part” I told myself repeatedly. I actually started to believe it.

I refused myself the luxury of self pity, But then the goodbyes began. I pretended it

didn’t matter while I was torn up inside. I felt a trembling sensation in the depths of my heart.

People asked me how I was holding up and I faked ease and confidence. They asked me if I

wanted to move - I tried to sound excited. I didn’t want anyone to realize that every time I heard

the word goodbye I felt like I was dying, those were their final words to me.

As I felt the plane take off, leaving South African soil, I forced my mind to shut down. A

few tears managed to escape my overwhelmed eyes. While in the air, I was hit by a sudden

realization; I was alone. All my friends had each other, but I was very much alone, suspended

somewhere above the Atlantic ocean.

The day I arrived in America it was raining. The weather was horrible and my mood was

further dampened. I pressed my forehead against the misty cool glass of the Supershuttle and

closed my eyes. I felt empty and suddenly very vulnerable. “What have we done?” I whispered

to myself in absolute horror. I had not slept in many weeks. My face was pale, my eyes

bloodshot and glistening. My hair was a mess and my emotions lay in tatters. I lost the courage I

had possessed and felt a sense of reality setting in like one of those storm clouds above me. New

Jersey was not the magical place I had imagined, and it most definitely not my home.

The day only got darker as we arrived at our new address which turned out to be a red

brick and stone house. It was nothing like I had expected, not the dream house I had constructed

in my head. The garden was wild and overgrown, every surface inside was coated in a layer of

grime. I looked at my father who was trying to hold me and my sisters in one piece, trying to

prevent the inevitable tears that stem from the feeling of having nothing. I sat down heavily on a

temporary dinning room chair from Costco and gathered my knees to my chest, cradled my head

and sobbed. I remember thinking that a hot bubble bath would surely soothe me but I didn’t even

have a towel and the bathtub was filthy.

I climbed the narrow, steep staircase to my new bedroom and tumbled onto my new bed.

The mattress was still in its plastic wrapping. I wanted to go to sleep and find myself back at

thirty four Lyme street when I awoke.

The first and second weeks were a blur; meeting members of the Mountain View community,

trying to remember names and faces, people commenting on my “cool” accent and sticking out

like a sore thumb. I was constantly filled with a strong feeling of I-don’t-belong-here.

I was hit with severe culture shock. The lifestyle in America was not what I was used to

and nobody knew me or anything about me. I could be the person I had never dared to be. Even

though my name is Michelle, everyone who knows me calls me Mishi, an affectionate nickname. I

thought if I introduced myself as Michelle it would make me a new person, a happier person. It

didn’t. The fact that nobody knew anything about me was a disadvantage, it meant that nobody

understood me. I want to be understood. I was shouting to be heard, in a voice that was no longer

mine. Every time someone calls me Michelle it is as though they are sending me a clear reminder

that this is not my home and they are a stranger.

After three weeks of living in New Jersey I had my interview at Mountain View Prep. I walked

through the halls overwhelmed by their size and the number of faces. I sat down in Mrs. Simmon's

office and she looked me in the eye saying, “I cannot imagine how hard this is for you. New

home, new school, new friends, family overseas, having to start from scratch, build your life up

from the ground.” Not being able to hold back anymore, I burst into tears.

“I think this is the right place for you Michelle.”

I didn’t say anything.

Night after night I cried myself to sleep, emotionally drained with the same thought

running through my head repeatedly, “It would have been easier if I had stayed.”

In the summer I went back to South Africa to visit the people I had left behind. I knew

this was a make it or break it moment. This visit was going to either give me closure or it would

be a major setback on my road towards settling down in the U.S. Watching the life I used to live

as an outsider was heart rendering but at the same time eye opening. I was no longer a part of it.

I didn’t fit in anymore, I didn’t want to. Saying goodbye the second time was harder than the

first because now I knew that South Africa was not the place I wanted to be but I could no longer

deceive myself into thinking that my new life was a utopia. I knew the truth.

The next few months I was miserable, distraught. I felt myself deteriorating, refusing to

confront the pain I was feeling. I simply had no place that I belonged. Nothing has really

changed since then. I don’t remember what it feels like to be me. I have changed, and that only

leaves me with a bigger question; who am I?

Some days I am spiralling downwards. Once upon a time I would have fought that dark

and dangerous pull. Not anymore. I no longer have the energy or the motivation. I have no fight

left in me. And then, just as I have slipped beneath the surface, I see the sudden blaze of sunrise

- only for a second. That small fragment of hope somehow renews of my strength and my head

resurfaces again. Things will get better. I don’t always see it but I believe it. Because I have to.

I learned this year that writing is about “finding your voice”, the people, images, ideas

that inspire you, move you to express yourself to the world in your own unique way. I find

myself desperately searching for my lost voice.


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304 Reviews


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Fri Jun 15, 2012 7:14 pm
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barefootrunner wrote a review...



Hello there, DNCR!

Okay, I see you have a nice, long review from Enigma already, so I'll keep mine short.

Firstly, break it up! Break this one, long, flowing paragraph with open lines—push enter twice between each. The prospect of all that close typing is rather daunting for the reader.

Secondly, this is too much like a mega-information dump about Michelle Kapnick. Give it a plot, characters. Don't do the navel-gazing thing. You are focussing much too much on yourself and you own feelings, and neglecting all the other components of the piece. Even if it is an essay, it needs a more dynamic structure. Give a moment of dialogue while you and your friends are lying panting on the trampoline. Burn your fingers on hot boerewors and don't tell us that you have ballet, pirouette across the lawn instead, falling finally into a Cape honeysuckle. Tell us about those characters in America, the ones who call you Mishi.

This story is very, very depressing. You may want to lighten the tone with one or two more positive moments. This is only a suggestion, though. It just makes the story easier on the reader, but I doubt that William Golding thought about that when he wrote Lord of the Flies.

You also spelt heart-rending as 'heart rendering'. Sorry, just a note.

The conclusion was beautiful, but if you want to make it even more tragic, you can say that sometimes you imagine you can smell oh, say, a hint of buchu in the air (I really love the fresh smell of fynbos, by the way,) but then it is only your friend Bethany's perfume. This fits in with the idea of twisting the reality of the tale a little to make it more interesting to the reader. Prose does not have to be plain. It can be graceful and agile like poetry, you know.

So, I enjoyed this, but it needs a bit of work to make it more accessible for the reader.

Keep it flowing!




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Fri Jun 15, 2012 2:11 am
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UFO wrote a review...



Hi. I'm a bit new to the site and I can't claim to be a professional writer, so I do these reviews in order to (mostly) raise my own point count so that I can post works of my own and get some reviews. I'm a bit critical, and don't sugar coat anything, but take what I say with a dash of salt. It's your work and you're the master of your own design and I'm merely here to give personal feedback on what I read :)

So lets begin shall we?

I'll get all my nitpicky things out of the way first, if that's ok. These things aren't really too important, they're just minor mistakes or minor opinions that I collected about little things.

(and yes, that is a country)
Should probably indicate which one is the country. South Africa, to an intelligent reader, would be obvious but most people aren't as smart and would assume Johannesburg was the country you were talking about in the southern part of the continent. Yes, people are that stupid.
But overall, I think maybe you could just leave out the parenthesis and clarify it right there in the sentence. Born in the city of Johannesburg in the country of South Africa.
September fifth 1995
Needs a comma
My house, a large, beautiful
Don't sub a comma for the word "was" if unnecessary. In this example, that entire sentence comes off like a fragment.
swimming pool and trampoline and no shortage of roses
too many 'and's.
watermelon.But
needs a space
I refused myself the luxury of self pity,
I feel like saying "myself" and then "self pity" in the same sentence doesn't flow right. The object is already the author's self, so repeating it just feels out of place.
People asked me how I was holding up and I faked ease and confidence. They asked me if I
wanted to move - I tried to sound excited. I didn’t want anyone to realize that every time I heard
the word goodbye I felt like I was dying, those were their final words to me.
This whole section just sounds wrong. unnecessary references to the author, crammed sentences and that last sentence just needs to be re-written entirely or broken into two separate ones.
As I felt the plane take off, leaving South African soil, I forced my mind to shut down. A
few tears managed to escape my overwhelmed eyes. While in the air, I was hit by a sudden
realization; I was alone. All my friends had each other, but I was very much alone, suspended
somewhere above the Atlantic ocean.
I feel like this part just has no depth. The realization that she's alone is just doesn't hit her hard enough. It seems to me like it's a detail just thrown in there for the the sake of having something emotional. Otherwise, it's just a blatant stated fact and has no real fire to it.
the misty cool glass
needs a comma



Now that the majority of that nit picky stuff is out of the way, lemme get into a real review.
I want to say that I liked it... at first.
The beginning flowed nicely. Young girl intriduces herself and talks about her past. Details of her home and life before moving to America. It all flowed well. Aside from minor nit pickings I had, I feel like some of the paragraphs are just too large. They need to be divided into smaller ones, or at least have the ones that have multiple topics of interest in them need to be split. Especially the first one, where you go into detal about the home, the setting, then your character's life scheduel all in the same paragraph. It needs that separation.

I don't like the line "But life is like a trampoline, there are ups and downs." Because it forshadows a series of ups and downs to come. Except, in your piece... Everything just turned into downs. All of it. There was nothing happy in the end at all to make the piece worth reading, in a conclusive sense. In normal writing, a character comes against a problem, and there's a resolution. But in this piece, the resolution seemed to be to just be the writer giving up on being happy... ever again. At least, that's how it feels.

In the middle, I feel like the dialogue is too short, or needs to be removed completely.
A lot of this just feels like an information dump. Either put some focus on dialect in order to make the characters have life, or make the information dump more interesting in order to draw focus on the author's feelings and emotions instead of her attempts to decieve everyone else in to believing that she's not upset. It makes the character feel weak, when she's trying so hard to be strong. But then again, the trying to be strong part feels weak because it's so loosely written and there's little emotion in it. Simply stating that someone is sad doesn't actually make the reader feel empathy toward the character.

Nothing about it catches the reader's attetnion once she leaves Africa. After that, most of it is just simple depressing time skips, first day by day, then week by week, then a few months jump past and it's as if you (the reader) are still sitting in the day she arrived in America. There's nothing in this last half that feels like the story is actually progressing. In all honesty, I feel like the character didn't change at all during the supposed months interval between arriving and the end. That's just not possible. But there's not enough detail to determine whether or not she gained her identity back, came to terms with what was going on and tried to be happy, or simply blended into the background never to be heard again. It feels to me like she just simply... was. And that's all there is to it.



Your writing is fair, and your grammar (aside from minor mistakes) is good. I like that you're capable of using words to describe what you mean in as few words as possible while still being able to have your reader picture what's going on with their own imagination. However, I don't like that the attention to detail merely halted upon arriving in America.

PART 1: Home, great detail about home, details about my life, no detail about the family (which I find a bit odd, but it isnt important really)

PART 2: Important news, excited emotions, nice details about the house in america, then suddenly your character changes directions in the emotional department but there's little to go on other than "i was happy, but now i'm sad, and i'm not gonna show it"

Part 3: Sudden departure, no emotion in it at all. the bit about the plane was just filler and seemed more or less useless as far as story goes.

Part 4: Arriving in america, the entire story takes a turn into pretty much your character being completely outcased, depressed, and it never picks back up. some details about the house being dirty and not as depicted as the images in the photographs... and nothing else. no details about settling in, trying to clean, trying to make the home what it was imagine to be. Actually, the house (being a major point of interest in the second part of the story) vanishes completely from the story.

Part 5: a bunch of time skips, and then a teacher makes a sort of connection with the character. The character has an emotional breakdown that's been building and the teacher appears to have empathy..... But it's cut off so fast that it makes it meaningless.

Part 6: more time skips and some depressing stuff. I wanted to stop reading, but I pressed on. I feel like this section just doesn't have anything to offer the reader. The character needs to come to some sort of moral conclusion, whether bad or good. Indecision is a terrible thing to end a piece of work with. Even if the character doesn't actually come to any sort of beneficial end, it's wanted by the reader for the character to at least strike some kind of identity, self recognition, or some sort of encompassing conentment.

I just felt like the second half of the story was someone's diary entry.

This part TRIES to bring that focus together:
And then, just as I have slipped beneath the surface, I see the sudden blaze of sunrise
- only for a second. That small fragment of hope somehow renews of my strength and my head
resurfaces again. Things will get better. I don’t always see it but I believe it.

But I just don't feel like it was drawn off of anything significant to the character in the story other then the writer putting it in there to end the story. The character never openly comes to this conclusion on her own, or has any interaction that causes her to come to that conclusion. At least, not from what I read.


Sorry if I'm too critical. Its just how I review.
I did like it (the first half more so) and I did like your use of proper grammar, description, and attention to detail for the most part of it. You're capable of doing good things with this, but I just feel like certain details were missing that needed to be there. Otherwise, I just feel like the end wasn't progressive, skipped too much time, and didn't come to any real conclusion to make the reader feel like they gained something from reading the story.



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DNCR says...


Hi Enigma, Thank you for your extremely thorough review. I appreciate your critique and our taking the time to give your opinions.
Firstly, I know that I make a lot of punctuation errors, I'm working on that...
Secondly, I agree with you one hundred percent about the trampoline line - it's irrelevant and also cliche.
You were harsh but your comments were valid and helpful. So thank you.



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