Hey Berlynn! Sorry for the wait, but here is your review as requested!
Intriguing opening to a story. There was a lot of action which is essential to an opening, especially to a prologue (because people usually info-dump a lot in prologues and tell the entire back story). You put some solid back story information in there and I thought you did that well so kudos there.
One thing I want to point out before we get into the meat of the story is that having multiple POVs in your story is just fine, but when you change throughout a chapter it can become confusing so try to stick to just one per chapter. Also, when there are multiple POVs, each in first person, it is important that the reader can differentiate between them. While we're reading we should be able to tell by each character's unique voice who is "talking" if that makes sense.
Here are my nitpicks:
"Have some patience Renee," Miles smirked closing his phone, "Kota needs to get set up first."
I think both commas could be periods. Each is it's own independent sentence and when you put them all together with commas it's a run-on.I sighed again, (.)I needed to get out of this stuffy car with Miles. Our proximity was to(o) close and I could feel his gaze on my pale face.Had it been anyone else I would have yelled something profoundly rude but Miles had known me from the beginning. That cold rainy night similar to the drizzling dawn of the present day. I was still running as I had been then. The fear had changed though, and the desires.
The first sentence is fine but then it sounded a little odd to me and I think you should rephrase it a little for clarity. It should be obvious that you're not talking about the present anymore. Maybe try reading it out loud.I was skinny and dirty, not much to look at as far as I was concerned. With an awkward pre-puberty hair cut that resembled a mushroom and nothing to my name, no family, no identification.
The second sentence is a fragment (no subject or verb) so either combine it with the previous sentence or add a subject and verb to the second sentence.the surveillance of a man named Rellik Eht.
You mentioned how the names can't change and how to pronounce this guy's name and that would be helpful to your reader too. You can't have a spoiler alert at the start of your novel explaining it so I would find a way to put it into the story (just the pronunciation), that is if it matter to you a lot. The easiest way to do it would be to have a character miss-pronounce it and then have a character correct them so the reader can see a phonetic spelling/pronunciation.
I kind of like the name because it adds an air of mystery. Everyone else has pretty normal names so what's with this guy? I feel like the name will become significant later.I had never met Rellik but Miles had, Miles worked for him and supplied me with stories of the missions and the people I learned to call family. The empty houses and car trunks I learned to call home.
These sentences are messy. You have a complete sentence where you have that comma so you could put a period there instead. The last sentence is a fragment again and should either be combined with the sentence before it or you should add a subject and verb.But the stories, those were what gave me excitement, the team told me them to but only vaguely.
You have two complete sentences here. "But the stories, those were what gave me excitement. The team told me them too, but only vaguely." Leaving it as one big sentences makes it a run-on.In fact, everyone on the team had a codename (code name) and our real ones were our own.It was to protect us I think, from people knowing our pasts or where we came from. My code name was Renee, it was given to me by Miles.I wasn't sure if Rellik knew the real one or cared enough to know.
The last sentence doesn't seem critical to know. When you're giving out information like this you want to keep it as concise as possible so readers don't get bored. Only include information that is absolutely critical to the moment.“Renee?” Miles voice shattered my thoughts, I swallowed. “You don't have to do this.”
The underlined portion is odd to me because there are two different things going on in the same sentence and it's confusing because it seems like Renee is going to be talking after she swallows.
You could say "Miles voice shattered my thoughts and I swallowed." (Which I think works best because there is a transition.) Other transitions would work to like "making me swallow".“Probably.” He looked at me and shook his head, “Richie, don't do this.” He begged using my given name.
New paragraph when there is a new person talking.“This is what I Calvin.” He gazed at me, I could feel his hand grab mine tighter.
I think you're missing a word in that dialogue. Also, she is talking so when the focus switches to him (his action), make a new paragraph for clarity.“The Targets (Target's) name is John Fastfier,acting like I was a last resort was a little insluting. (insulting)Your predenting (You're pretending) to be a law enforcement officer so this should make things easier.”“Good luck.” Then the static was gone.
New paragraph between the dialogue and the action.I closed my eyes. Trying to focus.
Combine these sentences into one.It shouldn't have been this hard for me. I had imgained it a million times, but then again it was never this real for me. I knew the team would go easy on me.
Te repetition of "me" at the end of each of these sentences bothers me. I would try to rephrase these sentences to change that."Wait... help with what?” I ran after his smooth pace. He stopped and cupped his hand over his ear.
“What was that?”
New paragraph at "He" and then combine it with his dialogue.He pointed, I climbed up the wood crates akwardly, these clothes really didn't fit.
Period after "He pointed" and then new paragraph after that because you're changing focus.The warehouse was bright from artifical overhead lights and two men were tied to chairs with ducktape (duct tape).One man had brown hair in a slick comb over and sweat was dripping from it(.) he (He) seemed so small compared to the one in the other chair. I could see James acting his usaul cool self. Laughing (, laughing) and grinning at every threat that the men standing shot at them.James had cut his hair short, real short so there wasn't a need to take care of it.He wasn't that type anyway. To bother with hygine.“What am I saposed (supposed) to do?” He smirked and pointed down the crates.
New paragraph after the dialogue.“Play along.” I climbed off the crates and began walking to the door of the warehouse. “You know which one is Mr. Fastifer now right?” I nodded.
I'm so confused as to who is talking. Put the dialogue cues/actions with the person's dialogue and whenever there is a person change, switch paragraphs.It made a sick popping sound as the large mans (man's) skin came in contact with James wide cheek. James neck rolled to the side and his eyes flickered for a moment before he spat blood on the man in frount (front) of him."Put your hands in the air where I can see them!” A saproano (soprano) voice shouted.Then three shots. Then silanced (silence)."To what?” He shook his head.
“What did it look like?” He looked me in the eye.
The multiple paragraphs here makes it seem like there is more than one person talking but it's Renee both times right? I would have four lines here to differentiate her from him from her from him.“Sorry Officer, but I can't let them take you.” I unblucked my seat belt and threw open the door just as the concret below me became air and water.
He says that and then she does the action, right? If so, new paragraph after the dialogue.My head aced and there was something crimson and sticky touching me.
It's a real pet peeve of mine when people describe blood like this.
1. The idea - Definitely intriguing.
I'm curious to see where this is going and who Mr. Eht is and what this is all about. Obviously there is going to be some romance between Renee and Miles which is exciting because I'm a sucker for romance. I thought you did a good job of starting that off in this chapter. They're not obviously in love but I'm already rooting for them to get together. The only problem I have with the overall plot right now is that I'm not sure who is on who's side. A lot of characters were brought into the mix at once (when she started the mission) and the people I thought were on Renee's side then didn't appear to be and now I'm confused.
2. The voice - Could use more.
When you write in first person, voice is extremely important. The narrator needs to be someone the readers actually want to listen to for an entire novel and you do that by having a unique, interesting voice. So try to really get inside each character's head that is going to narrate and find their unique voice.
3. The action - Not bad.
You mentioned at the beginning that you wanted help with the action scenes. I didn't think they were too bad. I couldn't picture the scene in my head that well but everything made sense (aside from not being sure who was on who's team). The best way to improve action scenes is to add more description. I want to know what everything looks like, where everyone is, who everyone is, who is doing what and when and how people react to what that person is doing. Another great way to improve this skill (it's a skill to write good action scenes) is so simply read really good action scenes. If you read a book with some great action in it, take a second to think about how the author was able to make it so good. What did you like about it? Are you somehow able to implement any of that into your own writing? Likewise, if you read a really boring action scene, take a second to think about why it wasn't exciting so you can avoid that in your own writing.
4. Spelling and grammar - Needs some attention.
First of all spelling. Run a spell check to catch some of those more obvious mistakes. Overall it wasn't too bad but there were some errors in there that I pointed out for you.
There were a couple of grammar errors I saw repeated over and over. First, paragraph breaks. You want to start a new paragraph when a new person is talking, a new person is doing an action, or when there is a change of topic or focus. All of this is for clarity.
Second, commas and periods. I pointed out some of this but not nearly everything I could have. You had quite a few fragmented sentences, commas where there didn't need to be commas, commas where there should have been periods or semi-colons, periods where there should have been commas, and nothing when there should have been something. This stuff can be tricky and I've found the easiest way to catch a lot of that stuff is to read it out loud. This accomplishes a couple of things. First, you'll catch any awkward wording. Second, pretty much any time you naturally pause while reading, you'll need a comma. Commas and periods help slow things down. Remember though that each sentence needs a subject and verb and not to have too much going on in each sentence.
Please let me know if you have any questions or if something didn't make sense!
-Carly
Points: 32055
Reviews: 1162
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