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The Witch of the Rotten Borough, Chapter Two

by Horisun


Mayor Barnes Fitzgerald waits for them at the station.

He is strikingly thin, with gangly arms that swing in long arcs as he strides the length of the platform. His suit is neither fine nor poor, and though the gold watch clasped to his wrist suggests a kind of wealth, his worn, ill-fitting shoes prove otherwise.

He smiles sheepishly as he approaches, revealing rows of crooked teeth. He extends his arms, as though to embrace them, but stops short by several feet.

“Dr. Josephina Gundry, welcome to Monsbury.” With a flourish of his hand, he offers it for her to shake. She does, with some hesitation.

“It’s a pleasure,”

Fitzgerald laughs, as though Jo told a joke, “We’re happy to have you. I have heard that you’ll be able to help with our little incursion.” He turns on Oscar, so suddenly Jo feels upended. “And you’re Oscar Williams? A genuine joy to make your acquaintance.”

“The joy is all mine,” Oscar says cheerily.

“Do pardon the smell,” he makes a show of wafting the air around them, as though batting a moth from his face, “we’ve done our best to keep the fires to a minimum, but, well, there’s only so much one can do with a dragon up and about!” He laughs again, and Jo is already weary of the sound. When neither of them says anything, he clears his throat and checks his watch. “Well, then,” he says, his voice wavering, “it’s best we be off. Follow me, now.”

They step off the platform, and it is immediately apparent that something is wrong.

The town is buried deep in the abdomen of Sol’s coldest mountain range; but the heat is thick and oppressive, like Monsbury has been buried in a heap of hot coals. The place is so clouded in a thick, pervasive smoke, it is difficult to see more than the mayor ahead of them. Dust coats Jo’s lungs and throat, and gifts her a second layer of ashy skin. She muffles her coughs with a now-ruined handkerchief.

She fixes her attention instead to the houses they pass. There are no smoldering pits where a home once stood, no obvious signs to where the smoke could originate. Everything, all for being dusted in a fine surface of grit, seems untouched.

They’re all very spread out from one another. One disappears completely into the fog before another rises over the hill. It creates a chilling effect. Were the path not beneath their feet, they might vanish forever into the cloud of mist.

“It looks like it might rain, soon,” Oscar says. (Jo can’t tell how he figures, in the abyss.) “Should we be concerned?”

“My home is not far ahead.” The mayor calls from over his shoulder, “It is just around this bend!”

As the houses grow denser, the path beneath their feet blends into a worn brick road. Signs of a dragon slowly begin to make themselves more apparent. Charred storefronts, free roaming cattle, and quiet folks with ruined cloths; but nothing that could produce so much smoke.

The road widens into a town square like a river gushing into open water’s. But there is nothing so grand as that. It’s as depressing as everywhere else in Monsbury, a semicircle of silent houses, like a cardboard set piece for a low-grade production, and a fountain filled with rainwater and garbage.

At the other end of the square is an iron gate. New, untouched by rust or weeds. Past it is fields of rolling grass, and in the distance, a halfhearted attempt at a forest. It’s odd. Like two different settings were mashed together and forced to play nice.

Before Jo can examine it properly, Fitzgerald tugs them into a sharp left turn, leading them toward a towering house in the center of the semicircle. It’s a pale yellow, with a porch that is, admittedly, lovely.

“Here we are,” says Fitzgerald, stepping aside to let her and Oscar pass.

Jo lifts her skirt as she climbs the stairs, brushing her gloved hand against the railing, then wincing as it comes away with a soot-stain.

The mayor throws open the ostentatious double doors, and the golden lamplight from inside contrasts the monotone world beyond. The rich smell of venison is fiercer than the smoke and entices the three indoors and out of the faux-autumn weather. Jo exhales a sigh as she unclasps her cloak.

“Make yourselves comfortable,” says the mayor when he leads them to the drawing room, clasping together his hands, “I shall go check on dinner preparations.” He tips his hat and excuses himself.

Oscar sinks into the plush couch, leaning his head back in the most ungentlemanlike fashion as he sighs in relief. Jo remains standing, hands clasped, next to the door.

“This is awful,” Oscar says, drawing his hand across his brow, “Far worse than anything I could have imagined.”

“I have rarely seen a town in worse straits,” Jo agrees. “To think; we were relieved that the dragon had not yet made off with anyone. This might prove a slower, more pervasive kind of death.”

Oscar remains quiet for a moment, then forces himself upright as they hear footsteps down the hall. Fitzgerald peers into the room and beckons them into the dining hall. “Right this way!” He says, voice full with a false cheeriness.

Like the rest of the house, the grand table is lush with finery. Silver cutlery glitters beside loaded platters of venison, corn, and dinner rolls. The smell is heavenly, and even Jo falls momentarily out of step as her empty stomach flutters.

Fitzgerald introduces his family; his wife as Kelsey, a warm face dolled up in powder and blush, and their three rowdy children, who’s names blend together in Jo’s mind. “Take a seat anywhere,” Fitzgerald says, as he sits himself at the head of the table, “and let’s dig in!”

-

Dinner is delicious. Conversation is alright. They do not speak of the dragon in the room. Even as it crept into every silence.

Oscar elbows her in the ribs. Jo blinks. Kelsey is looking at her, waiting for her to say something. By the lilt of her head, she has been for a while.

“Sol.” She prompts helpfully, “What is it like in the big city? Have you lived there all of your life?”

“Yes,” says Jo, setting her cider down carefully, “My father was a veteran, and my mother was a minor noblewoman, so we lived comfortably in a small estate inherited from my grandfather.”

Her family wasn’t pleased with her gallivanting off to pursue magical arts. It was a career path better left to the rich and influential, they told her, they lacked the money to get Jo even a foot through the door.

They had humored her, and here they were. Jo talks more about the capital. “No matter where you are in the city, you can always see the castle,” she says, “In the morning, the dawn reflects off the dome and it’s like a second sun is in the sky. At night, they light fireworks, and there is also a similar effect. I have traveled all over, and I have never seen anywhere like our capital.”

In this Kelsey show’s a polite interest, asking all the right questions, while Barnes quips the occasional, “Brilliant, indeed!” Jo is about to tune it all back out, when she catches the eye of one of the children.

He looks like his mother, with mousy brown hair and beetles for eyes, about eleven years old. He continues to stare at her, even after he was caught, an entanglement of anxiety and wonder written across his face. Jo notices that his plate is untouched.

He looks at his parents, then back at Jo, and cuts his mother off midsentence. His voice is frosty, for a child’s. “Have you ever killed a dragon before?”

There’s a stricken silence.

“No,” admits Jo breezily, “but I’ve dealt with magical creatures all my adult life. I am very proficient in what I do.”

The boy glances at his father, a few wayward tears creeping into his eyes. His voice trembles. “You’ve told her about Susie yet, dad?”

A shiver passes over Jo. She turns to face Fitzgerald. His face as grown to be the color of beets, a combination of fury and embarrassment and a furious sense of embarrassment. He shakes this all aside and says meekly, “I have not. It- it hardly seemed worth mentioning.”

“What is your son referring to?” Jo demands.

Words do not come easily to Fitzgerald. Not like his smile, which even now struggles to leave him. He clears his throat and shakes his head, as if trying to cough up an explanation.

“Devon had a friend,” he says, the words sticking together like tar, “he has a friend. Susanna Peterson. She’s gone missing since we sent you a request for aid.”

“Oh,” says Jo, simply. She squeezes her eyes shut; the inky dark envelops her. It’s never the news you want to hear. It’s just the kind that’s all to common in their line of work. She swallows, stills her heart, and opens her eyes. Remaining calm, even as her stomach churns.

“Peterson.” Oscar whispers, as pale as the face of the moon, “They were who Mrs. Miriam had come to visit, no?”

Jo places a steady hand on his shoulder, and he falls quiet. Fitzgerald clears his throat, and Kelsey rises to her feet.

“Why don’t I show you to your rooms?”


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Mon Feb 19, 2024 4:23 pm
RavenAkuma wrote a review...



Hello (Again), My Friend!

It's me, Raven, and I'd like to review the next chapter in this great story using my Familiar method! Let's dive in, shall we? Heh heh heh...

What The Black Eyes See...

A good chapter for making progress with the story. There's a welcoming demeanor as Fitzgerald meets Jo and Oscar at the station, information is introduced in a casual and well-paced manner, and dinner goes so well that it's almost a dismissive moment -before the tension and eerie factor tics up with the mention of a missing girl. Let's get into the details though.

Where The Dagger Points...

The chapter's content and structure were great! There were just two specific lines that I couldn't help focusing on as I was reading, and I would offer advice free to take or leave. One is the opening line:

Mayor Barnes Fitzgerald waits for them at the station.


I feel like the line is a bit vague and lackluster, just saying that the mayor is waiting for "them." Even if you don't wish to reference Jo and Oscar by name, to give the impression he's not familiar with them yet, you could say that he's waiting for the doctor, the witch, the next train, etc. Likewise, you could add some emphasis that would tie in with the mood by saying he was waiting eagerly, or anxiously, etc.

The second line to remark on is when dinner commences:

Dinner is delicious. Conversation is alright. They do not speak of the dragon in the room. Even as it crept into every silence.


I feel like the term "every silence" is a bit awkward. I'm not sure if it's an error or just an oversight, but perhaps it would read better as "even as it crept into silence" or "even as everyone fell silent." Again, a descriptor could help, by saying "even as it crept into eerie silence" or something like that, but I digress.

Of course, I am not a professional, so please always take my advice with a grain of salt. I mean nothing negative by this, I still thoroughly enjoyed the chapter regardless! ~

Why The Grin Widened...

Albeit slow, the chapter had a lot of great content; I enjoyed the introduction of the mayor and the town of Monsbury, including your brilliant description of the dire state of the town. This line stood out, in that regard:

“To think; we were relieved that the dragon had not yet made off with anyone. This might prove a slower, more pervasive kind of death.”


This felt like a different approach to showing a dragon's wrath; slowly roasting and suffocating the town with heat, smoke, and ash rather than immediately turning everything to charcoal and swallowing people (not that that's much better). It certainly drew my interest.

I also liked the use of casual dinner conversation to give us a little more information on where Jo comes from. However, I think my favorite moment was the sudden shift in the mood, toward the missing girl. You captured that shift very well, and I loved that you had Oscar link the missing girl back to the woman on the train in the first chapter; it adds a little more depth to the moment, for the team to have run into a member of the Petersons before, and now to be having dinner with a distressed friend of hers -and a mayor that seems concerningly reluctant to speak on the matter. Chilling to think why...

Our Mad Thoughts...

Overall, this was another great chapter that expanded nicely upon Jo and Oscar's mission! Nicely done! :)

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Horisun says...


Thank you for the review!



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Wed Feb 14, 2024 11:17 am
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humblebard1 wrote a review...



As promised, a review of the second chapter of 'The Witch of the Rotten Borough'. Let's commence!

As the Ballad Begins (first impressions)
Oscar and Jo are greeted by the mayor, Fitzgerald, as they step off the train. He walks them through the town of Monsbury, which has been left in a dire situation after dragon attacks, and the whole place still smells like charcoal. He puts on a fake smile to keep his guests happy, but they can tell something lies behind it. They go for dinner with his wife and children, and after mediocre conversation, a child brings up his lost friend, Susie, who Ms. Miriam (I believe this was the woman from the train? Correct me if not) had come to see. We cut off there.

Little Ale Spills (what you could improve on)
I can't think of much; as ever, great imagery, funny interactions between characters, and your description of scenery was phenomenal. You could possibly add some more detail to how some characters speak; this is incredibly nitpicky, but certain ways that they speak could help us tell more from them in a shorter time. instead of someone saying something, perhaps they mutter it under their breath- then again, this only applies to tiny bits of your writing, as most of it does include the detail.

Enthralling Performance (best bits and lines!)

Words do not come easily to Fitzgerald. Not like his smile, which even now struggles to leave him. He clears his throat and shakes his head, as if trying to cough up an explanation.

Your vivid imagery creates a very immersive mental picture of this struggling man- you can tell that everything is catching up with him to the point where he can only sputter out answers.

The boy glances at his father, a few wayward tears creeping into his eyes. His voice trembles

Perfect example of the detail you include in your writing; you feel and understand the emotions of the small boy just from these two sentences, how only a few tears build up in his eyes, and how his voice quivers with the memory.

Bardic Inspiration (a few parting notes)
All caught up on the story now- I'm loving the tension you're building between chapters, it really leaves you budding for more! Looking forward to chapter four :D

Best wishes,
-humblebard




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Mon Feb 12, 2024 9:48 pm
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Spearmint says...



They do not speak of the dragon in the room.

Love this twist on “the elephant in the room” :D




Horisun says...


Thank you, lol. I was far too proud of it!




Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love and belonging and joy—the experiences that make us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light.
— Brené Brown