Confines V

by TaliaSankEden

Published June 18, 2014

16+ Language

In Confines

Warning: This work has been rated 16+ for language.

Despite the urging of the ever-optimistic Maxine, I refuse to make peace with the reality of what's about to happen. I feel like a lamb lead to the slaughter, like a messed-up version of Jesus, only I'm selfish and a sinner, and he was supposedly perfect. So I guess I feel nothing like Jesus.

I swing the car door open, sliding out and landing on both feet. Resigned to my fate, I read the sign over and over until I've memorized the words:

Bridges Youth Rehabilitation Center

Here Through Your Troubled Waters

This place couldn't be more overly sweet if it tried, except perhaps if the nurses walked around with carts and gave out free cotton candy or something. I almost want to laugh. It's all so revoltingly pleasant. This place has good intentions; I can practically smell them. Good intentions, bright paint, and rooms full of teenagers who positively do not want to be here. Myself included.

An lady stands in front of the door, waving and smiling like she's in a parade, and not one I'd see. "Hi!" she yells, much too loud for the small distance between us. "I'm Diane. You must be Abilene?"

I mumble, "AJ," and shove past her.

Maxine smiles nervously, whispering an apology to Diane. I refrain from saying that I and my bad attitude could be out of their hair in a jiffy if they would let me go. I simply huff in indignation.

"It's really alright," says the lady, smiling widely. She turns back to Maxine and whispers, "Reluctance and even aggression are very normal at this stage of recovery. You'd be surprised at how much progress you'll see in a week."

I roll my eyes and say, "I can hear you," under my breath.

"What was that, dear?"

"Nothing," I answer, plastering a fake smile on my face that I hope looks more like a challenge. "Are you going to give me a tour, or what?"

Diane forces a smile, stammering, "I would love to, AJ, if you'll just follow me to your temporary room so you can set down your things first."

"Well, AJ, I hope to see you later," says Maxine, and she is legitimately sincere about it. "I wish you all the best, sweetheart."

I roll my eyes and turn around, refusing to believe that Maxine cares about me at all. The words "she's just doing her job" bounce off the walls of my brain about a million times. It's just part of the gig. The words still turning in my mind, I follow Diane through the blue-walled halls. One sharp left turn and she leads me down a hallway and to a door marked SW-7. She hands me the key and nods toward the door.

"Go on," she says. "This will be your room this week. If you do elect to stay, or we decide that it would be unwise to let you go, you'll switch next Tuesday."

I push the key into the lock, turning the knob and entering what I assume will be my only room here. It's small, with white walls and wood floor. There's a small dresser, a twin bed, and a vanity with a mirror.

Diane points to a door in the corner. "That's a closet," she explains. "It's not very big, but you'd be surprised at how many centers don't give closets to temporary patients. That is not the Bridges way!"

I sigh and set down my bags. "Thank you," I say reluctantly. "Are we gonna go?"

"Of course, dear," she answers, flustered. "I'm just going to show you the most important things, alright?" She walks out the door and leads me back toward the entrance. "That way is what we like to call the Release Room. You go in there to do whatever you need to do to release your negative energy. I'll show you that later."

I nod.

Pointing to the left, she says, "Therapy happens that way almost all hours of the day. We're not going to go in there for obvious reasons. But you'll see that later, I'm sure." She winks at me.

I'm not sure I like the implications of that. It sounds a little bit too much like a warning to me. "Oh. Okay."

"Like I said, I'm only taking you to the key parts of the facility," she reiterates, "so this is going to be a relatively short tour."

Every time she turns, my heart sinks a little bit more. I get the sense this facility wasn't built with the directionally-challenged in mind. I can already tell I'll have a hard time navigating my way back to my room.

One apparently final turn and we arrive at a set of double-doors.

"This is our last stop for now," she says. "And you're just in time!" She pushes the door open. "Lunch is about to be served. In the cafeteria, we pride ourselves on great quality and delicious food."

It's a large, open room. There are orderlies posted at every corner of the room, even one behind the long self-service food counter. It becomes immediately obvious, however, that the facility was built with unfulfilled hopes of reaching many people. The room looks oddly empty.

"This concludes our tour," says Diane. I'd almost forgotten about her entirely. "Go on and make some friends."

I resist the urge to laugh. Friends? At a mental hospital? I reject the idea instantly that I am anything like any of them, though the thought threatens to creep its way into my head. At least I had the courage to do something final about my problems. I took charge. I did what I had to do. They're all still sitting here, waiting for their proverbial knights in shining armor to rescue them from their own individualized hells. I am nothing like any of them.

I walk to the counter briskly and pick up a plate, though my appetite is anything but large. The utensils are plastic, and there is a glaring lack of knives of any sort. The only options are a fork and a spoon, and they're the flimsy type of plastic that make you want to stop eating altogether because they do such a terrible job at being utensils. I settle on fresh fruit and a peanut butter and jelly sandwich. The orderly behind the counter hands me a cup full of water.

"Welcome to Bridges!" he says enthusiastically. "You must be new here. I've never seen your face before." He expects an answer, but he doesn't get one. "Well, then, enjoy your meal."

"Thank you," I say softly, turning and looking at the options for somewhere to sit. I walk to an empty table in the corner and sit down.

I take small bites of my sandwich, chewing it about a thousand times before I swallow. The peanut butter has an odd over-nutty flavor about it, most likely organic, and the jelly is grape, my least favorite. What little appetite I possessed before is altogether extinguished by the weird flavors that have taken my taste buds captive. I set the sandwich down and settle on fruit.

Someone's plate hits the table. I expect to be upset, but find that I can't be mad at the sheepish face in front of me.

"Can I help you?"

The boy in front of me pushes his thick glasses further up the bridge of his nose, swallowing nervously. "N-no," he stammers quickly, sitting. "I just always sit here. But you don't have to move. That's not what I meant. We can sit here together."

"It's fine," I say. "Have a seat."

The silence that follows is positively suffocating. Neither of us eats or speaks of looks up at all. I clear my throat just to kill the quiet for a moment, however brief it may be.

He says, "I'm Noah," quickly, shoving a strawberry in his mouth.

"AJ," I say and take a swig from my water cup. "Are the meals all like this?"

He laughs nervously, "Well, your choices aren't the best. The peanut butter and jelly always tastes a little off. I'd suggest soup or a burrito." His pointer finger reaches up to readjust his glasses once again.

I eat the last piece of honeydew in my bowl. Noah's still looking at me when I look back. I shift uncomfortably in my seat. This feels unpleasantly similar to my first day of high school.

"What are the bandages for?" Noah asks without warning.

I'd almost forgot about the giant white bandages taped onto my wrists that hide the sounds that will inevitably scar. But rage soon replaces my confusion. I swallow hard.

"Son of a bitch," I mutter under my breath. "Don't talk to me about that." I decide against calling him an asshole, though it might be one of the hardest decisions I've ever made.

"I'm so sorry," he says so many times that he sounds like a terrible song on repeat. "It was just a question." Noah shakes uncontrollably, his hand flying to his chest. "Please don't hurt me," he adds pitifully, tears spilling out of his eyes.

"What the hell?"

Noah sticks three fingers in the air, and immediately the water-cup orderly rushes to him, demanding to know what happened.

"I don't know!" I say defensively.

"We'll talk later," says the orderly, pointing at me. He grabs Noah by the shoulders, hoisting him up. "Breathe, Noah, breathe," he instructs, and Noah performs a series of very unsteady breaths. "We're walking to the Release Room. Is that okay?"

He nods. "I'm sorry," he whispers to me through his tears as he stumbles out of the room.

I'm left with two half-empty trays and guilt like I've never known it before. A rail-thin female patient walks up to me.

"That's gotta be some sort of record," she says, sounding somewhat impressed. "You made Noah panic on your first day here." A wicked smile crosses her face. "Welcome to the madhouse, newbie."

I stand from my chair, dump whatever is left on mine and Noah's trays into the trash, and get out of the cafeteria as quickly as I can before I start crying in front of everyone. Collapsing just outside of the door, I bury my face in my hands, drawing my knees to my chest, and I ask repeatedly what the hell I've gotten myself into.

Comments & reviews · 2
User avatar
Gravity
Review
Gravity wrote a review Review · Jun 20, 2014

I haven't read the previous chapters, but I really like this one and I've gotten the gist of what's going on. You had some minor grammar errors at the beginning. Mostly punctuation. So, here goes.

"I feel like a lamb lead to the slaughter, like a messed-up version of Jesus, only I'm selfish and a sinner, and he was supposedly perfect."

Run on sentence. Try this:
"I feel like a lamb to the slaughter, like a messed up version of Jesus. Only I'm a selfish sinner and he was supposedly perfect."

I also eliminated one of your "and"s. Next thing is a grammar error,
"An lady." An should be "A".

"so this is going to be a relatively short tour." I could be wrong, but I think that because so is in a new set of quotation marks, it should be capitalized. Its just little things like this. You have several comma splices in odd places. I think it would just benefit you to proofread your work.

Other than that, I enjoyed this. I thought the whole scenario was a bit cliche. "Girl cuts and gets thrown into a mental hospital against her will" it's been done before. But I liked your unique spin on it with Noah. And your descriptions were also different. I also think the tone of your narrator is a bit the same. Its cynical. I wish you would elaborate a little more on AJ's character. It might just be because I haven't read the previous chapters. If AJ got help herself, why would she be so cynical about the hospital? Just stuff like that. But again, it might be because I haven't read the other chapters.

Overall, I give this an 8 out of 10. I can see by the piece that you're a talented writer and that you're capable of great things. Keep Writing, I look forward to seeing your other works on YWS.

XOXO,
Gravity

Thank you for the review! I will definitely look into fixing these things; much of the grammar was simply my terrible editing capabilities! Anyway, I really appreciate your time, and I think it would be awesome if you read the rest of Confines! :)

User avatar
Noelle
Review
Noelle wrote a review Review · Jun 19, 2014

Hi there!

So this is what Bridges is like, huh? Everyone seems so darn nice and over reactive. I hate it xD

As the novel is progressing here, I'm really starting to see a change in AJ. She's still as stubborn and done with life as ever. But at the same time, I can see her changing just a bit. Especially the whole incident with Noah. I feel like the AJ I met at the beginning of this novel wouldn't even give Noah the time of day or care about any problems Noah has. She seems to be at least trying to get on track with whatever Bridges wants to change in her.

There is a lack of imagery in this chapter. And this is a great place to insert some descriptions! Here AJ is, in a new place where she really doesn't feel like being, and she's not even paying attention to her surroundings. You did a good job describing the cafeteria and AJ's room, but what about the other rooms? And what about the hallways? Are there inspirational posters lining the walls? Are there beautiful paintings hanging everywhere? Is the wallpaper from a different century? With just that little bit more imagery, I feel like the introduction to Bridges will be complete.

Despite the fact that AJ doesn't expect to make friends, I think she's on her way to making a few. One of those friends could be Noah. I mean, I know she made him freak out and everything, but I feel like that could be the start of something. Maybe he'll decide it was all a mistake and he keeps sitting with her. Who knows. And also this mysterious girl that AJ meets at the end there. We don't know who this girl is, she's never given a name, but I feel like she's going to come into play later on in the story as well.

I feel like we're really getting into the main story here. We've been through all the information behind AJ and her struggles and problems in life. Now she's at a place that is supposed to help her and the people who work there are most definitely not going to let her fall back into a hole. So I'm really looking forward to seeing how she reacts to everything.

Keep writing!
**Noelle**



The chains of habits are too light to be felt until they are too heavy to be broken.
— Warren Buffet