Hi LowriGrace, I’m June,
I really enjoyed this piece. I think you did a great job capturing the sense of someone longing for her brother’s absence, and I especially love the emphasis on the glasses in the end, because his glasses have become such a powerful statement, especially following his death.
All of the issues I have with this piece reside in the second paragraph. Let’s have a look, bit by bit:
There’s a big chasm, punch-in-the-wall where your room used to be. I run up the long and winding stairs from school, naturally, and when I get to your cove my feet come to a halt and my leather-bound shoes screech across the hardwood, mahogany floor because I suddenly come to my senses and realise you’re not there anymore.
The first sentence, I like. I’m not sure how much I like the use of “chasm” here, but “punch in the wall” brought to mind a feeling of sinking of emptiness I personally feel when I’ve lost someone, and I typically refer to that as being punched in the stomach.
It’s the second sentence I have issues with-- for one, it’s long and feels like a run-on. Further, the part, “I run up the long and winding stairs from school”, I assume, you mean when she gets home from school? I don’t like the heavy language where you mention leather bound shoes and mahogany floors-- I think these descriptions would do quite well in a story, but here, in a letter to a brother, they feel odd because I wouldn’t be so descriptive in a letter to my own brother.
The realisation hits me like a sledge hammer shattering your very existence and I cling to the vague memory of you carefully preventing you from skimming past my fingertips.
Here, we meet repetition. In the sentence prior, you tell us you come to your senses and realize he’s not there, so I don’t feel that concurring the word is doing you any favors. I would nix this whole quote all together, because, as I said earlier, it feels heavily descriptive for a letter to a brother someone lost. If I were writing a letter to my sibling, I would try to spend the space letting them know I loved them, not dwelling on tiny, insignificant detail. Finally, memories don’t pass by fingertips; I understand that you want to convey the idea that memories are in or out of the narrator’s grasp, but I don’t like this image because, again, it feels odd in a letter.
You have a good grasp of language, which I applaud you for. Thanks for the read, it was nice.
If you have any questions, feel free to reach out,
June
Points: 15394
Reviews: 1464
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