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Ciel: Something of Fear



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Mon Dec 26, 2011 8:36 am
AelitaLienne says...



There was once a girl named Ciel Courtois who was only distinguishable by the hat that she wore. In fact, I would have forgotten who she was, or at least what her name was without this hat, which happened to be a well-shaped, bright red cloche that could never have possibly matched with what she was wearing, but did not look particularly bad, as I remember that I liked the hat very much. I cannot recall what she looked like beyond this, but I certainly noticed her, and when I saw her I knew her, and with what seemed like intimate knowledge that should have been reserved selectively for close friends.

It was a summer that I met her, well, that is wrong- in actuality I cannot remember what season it was, only that it was warm and I did not need sleeves or length to my skirt, and my hair had been cut short to accommodate the sun that did not care for the comfort of those it watched. And also, if we did in fact meet, we did not acquaint well. She didn’t know my name, as I did not tell her my real one when we traded hands and lightly smothered each other with passive gestures and words that touched but never kissed.

“Hello, I am Ciel Courtois. Pleasure.” She extended her hand and acknowledged me with a slight rising of her strange hat. Her face was hidden in shadows, (created by dips and coils of light, or by my careless memory I cannot say,) though I could tell that she was smiling thinly, as if she were overwhelmingly uncertain.

“I am Alice. You come by often?” I replied, giving her hand a delicate shake and presenting a winsome smile that faltered slightly as it grew old.

“Hm. I can’t know, have you seen me around here many times?” She answered, not mockingly in the least, but as if this simple truth was somehow not important enough to hold onto.

“Yes, I sit here, on this stair, and watch the people pass, and you have crossed my path at least eleven times in the last twenty-two minutes.” I replied almost wearily as my curiosity was not fervent enough to keep me engaged.

“Really? That must be why you smiled at me as I walked by just now.” She frowned to herself, as if she were trying to draw a thought from somewhere that no longer existed. She touched her hat instinctively; just grazing the side with her fingernail just like she would reach out for a railing that she had to confirm was there. “Why do you sit here always…is it just to watch people walk by?” She added suddenly, after studying me for a brief moment and taking a slow breath that caught the air around her off guard.

“Yes, I come to know more about people by watching them do nothing but go from one place to another and disappear as easily as they came. But you are different, you did not disappear, you became clearer and clearer. This is why I smiled. And now I stand talking to you, the only person who does not seem to be going anywhere.”

“Why do you believe that I am not going anywhere?” She questioned, appearing slightly offended, yet childishly so.

“You walk in circles, I have seen you. You go from the corner of that street to the edge of the pathway and then walk back. You do this over and over and I cannot imagine that you have a destination in mind.” I defended, subtly challenging her.

“How do you know it is always me?” She replied stubbornly.

“Your hat, that red hat always indicates that it is you.” I laughed, shocked that she would not come to this conclusion herself.

“Ah, I see.” She bowed slightly and turned to walk away. “Goodbye Alice,” she called back to me as she joined the crowd of people, who seemed to be congruous, and identity- less. I saw her walk by at least two more times, each time she would look at me with a mixture of sadness (for me or for herself?) and amusement. Then I noticed her remove her red cloche and carefully place it on the naked branch of a tree. I was able to follow her back into the crowd, but after that I was never sure if she was still walking back and forth or if she had moved on, as she had become a part of the collective and someone who I could not separately discern. I sat alone on the stairs by the sidewalk and looked only for her, while before it did not matter to me who I watched.

“Miss, are you looking for anyone?” An anonymous person once stopped to ask me.

“No. I am looking someone in particular, but I do not expect to find her.” I replied wistfully.

“Then why do you still search?” This person answered, an ironic smile on their mouth.

“I do not know. Perhaps because I hope to find her eventually, or perhaps because I cannot move on without knowing if she is here.”

In the end I left my solitary spot on the stairs and headed home, though I felt as if I was still seated there, gazing intensely at the people that flowed in a monochromatic wave.

Suddenly I knew what it felt like to wander in circles, and then it occurred to me where Ciel was. I put on a coat and ran back to my spot. The sun no longer shone down on the street and so I had to squint to see through the shadows that moved in the blurry dark illuminated only by the cold light of the moon. First I saw her hat, still hanging stiffly from a branch. Then I saw her, a small figure that was only a part of a background. I waved at her, expecting her to approach me. Instead I saw her eyes widen, and then her distant body turn around and run deeper into the landscape at a pace that was much too desperate for the lethargic curtains of night that hung heavy and precariously by fraying ropes.

“Ciel!” I called out, “I know where you are going, I want to come with you!” I could see her stop for a moment and lean towards my words. Then she shook her head, one of those gestures that is only accentuated by darkness, and yelled back,

“I know where I go, but it is not for you to follow.” She sank into the scenery and I knew that she was truly gone.

I walked up to the low hanging branch and pulled the hat off of it. It no longer looked stately, dignified, or even slightly beautiful, only abandoned and alone. I put it on and adjusted it so that it fit. Then I slowly walked home, turning back and retracing my footsteps every once and awhile to make sure that I would always know where I had departed from and which direction I planned to go.
Last edited by AelitaLienne on Mon Jan 02, 2012 5:44 am, edited 3 times in total.
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Mon Dec 26, 2011 10:15 am
Octave says...



Edits/comments in red. :)

AelitaLienne wrote:There was once a girl named Ciel Courtois who was only distinguishable by the hat that she wore. In fact, I would have forgotten who she was, or at least what her name was, without this hat, which happened to be a well-shaped, bright red cloche that never matched with what she was wore, but did not look particularly bad as I look back on it. This sentence is a bit difficult to swallow, but it's filled with voice, so I'd be loathe to tell you to revise it completely. I guess I can let it pass. I cannot recall what she looked like at all, or what else she wore. Inconsistencies kill a story. In the previous sentence, the narrator noted that the hat clashed with what she wore. How could he say that if he didn't remember what else she wore? This is nitpicky, though. Still, it'd be nice to be aware of inconsistencies in case bigger ones pop up. But I certainly noticed her, and when I saw her I knew her, and with what seemed like intimate knowledge that should have been reserved selectively for close friends.

This was the summer that "That" is quite possibly one of the worst words in the English dictionary, given how easy it is to abuse. Kills prose pretty fast too. :| You'd like to get rid of "that" whenever a sentence can stand without it, unless removing "that" I met her. Well, that is wrong- in actuality I cannot remember what season it was, only that it was warm and I did not need sleeves or length to my skirt, and my hair had been cut short to accommodate the sun that did not care for the comfort of those it watched. Odd. The voice led me to believe this was set in an older time period, or at the very least, in a quaint alternate reality. oo" And also, if we did in fact meet, we did not acquaint well. I find the last sentence kind of awkward. Revise? She didn’t know my name, as I did not tell her my real one when we traded hands Erm. I'm iffy about the phrase "traded hands". and lightly smothered each other with passive gestures and words that touched but never kissed. I do, however, adore this last bit, so just switch out traded hands? =D >> I have no words for how much I like the last phrase. .________."

“Hello, I am Ciel Courtois. Pleasure.” Stilted dialog, especially given this isn't set in an older time period. oo If this isn't set in the present - which I'm assuming, given the whole cutting hair short thing - then I think there has to be some indication of where this is happening. Setting please. <.>" Sure it's a warm season, but you can't expect the reader to work out everything based on that. [More on this later, in my final comments.] She extended her hand and acknowledged me with a slight rising Maybe tipping? Rising makes it sound like her hat levitated. oo" of her strange hat. Her face was hidden in shadows, (created by dips and coils of light, or by my careless memory - I cannot say,) though I could tell that she was smiling thinly, as if she was overwhelmingly uncertain.

“I am Alice. You come by often?” Modern turn of dialog kindo f breaks the feel you've been building. Kind of a waste, really. Revise. Also, it's important to note this feels like a super formal affair. I replied, giving her hand a delicate shake and presenting a winsome smile that faltered slightly as it grew old.

“Hm. I can’t know Can't know feels a bit stiff. oo" Revise?, have you seen me around here many times?” She answered, not mockingly in the least, but as if this simple truth was somehow not important enough to hold on to.

“Yes, I sit here, on this stair, and watch the people pass, and you have crossed my path at least eleven times in the last twenty-two minutes,” That last bit was so stiff and infodump-y I think it'd be better to have it as a thought, and maybe have her say something a bit more casual. Maybe have the bit about the girl passing by eleven times in about half an hour/twenty-five minutes [I doubt anyone keeps the time to a T] as dialog, and mention that she's sitting on the stairs as part of the narrative vs the dialog. I replied almost wearily, as my curiosity was not fervent enough to keep me engaged.

“Really? That must be why you smiled at me as I walked by just now.” She frowned to herself, as if she were trying to draw a thought from somewhere that no longer existed. She touched her hat instinctively; just grazing the side with her fingernail just like she would reach out for a railing that she had to confirm was there. “Why do you sit here always…is it just to watch people walk by?” She added suddenly, after studying me for a brief moment and taking a slow breath that caught the air around her off guard. I'm beginning to tire of the voice. It sounds like a gimmick now, mostly because you've no conflict to get you going. What in the world does your character want? oo She doesn't seem to want anything, and she's pretty indifferent over all. No conflict at all. :/ Also, it's worth noting that I got this far before realizing it lacked conflict. Testament to the power of voice~

“Yes, I come to know more about people by watching them do nothing but go from one place to another and disappear as easily as they came. I think some body language here would be nice. Maybe the narrator notices something or her attention flickers, or she crosses her legs. Anything. But you are different: you did not disappear, you became clearer and clearer. ThAT is why I smiled. And now I stand talking to you, the only person who does not seem to be going anywhere.” Comes across very formal, the dialog.

“Why do you believe that I am not going anywhere?” She questioned, appearing slightly offended, yet childishly so.

“You walk in circles. I have seen you. Give the reader some credit. We already know she saw Ciel walk around lots; no need to remind us. ^^" You go from the corner of that street to the edge of the pathway and then walk back. You do this over and over and I cannot imaginethatyou have a destination in mind.” I defended, subtly challenging her. The reader can figure out it's a subtle challenge, and it'd contribute more to characterization, I think, if you didn't mention outright that it was a subtle challenge. More on this later.

“How do you know it is always me?” She replied stubbornly. Not everything needs a dialog tag, and it's pretty obvious she's being stubborn if she asked that.

“Your hat, that red hat always indicates that it is you.” Very stiff, even given the pattern of past lines. It's so forced it sounds as if your characters are reading off a script. oo" Try making it seem more natural. I laughed, shocked that she would not come to this conclusion herself Note the part I turned orange. You can show this in thoughts, versus outright telling..

“Ah, I see.” She bowed slightly and turned to walk away. “Goodbye Alice,” she called back to me as she joined the crowd of people, who seemed to becongruous, and identity- less. I saw her walk by at least two more times, each time she would look at me with a mixture of sadness (for me or for herself?) and amusement. Then I noticed her remove her red cloche and carefully place it on the naked branch of a tree. I was able to follow her back into the crowd, but after that I was never sure if she was still walking back and forth or if she had moved on, as she had become a part of the collective and someone who I could not separately discern. I sat alone on the stairs by the sidewalk and looked only for her, while before it did not matter to me who I watched. The last bit sounds tacked on. Also, more emotions would be nice at this point.

“Miss, are you looking for anyone? Odd question. Most people go: Looking for someone? Not looking for anyone. Maybe "Do you need help?" would be more appropriate?” An anonymous person once stopped to ask me.

“No. I am looking someone in particular, but I do not expect to find her,” I replied wistfully.

“Then why do you still search?” This person answered, an ironic smile Not sure how a smile can be ironic, but feh. I'm more concerned by the fact that this conversation is turning super contrived. Seems to be trying to achieve ~deep and ~insightful, but fails. oo" Not believable enough. on their mouth.

“I do not know. Perhaps because I hope to find her eventually, or perhaps because I cannot move on without knowing if she is here.”

In the end I left my solitary spot on the stairs and headed home, though I felt as if I was still seated there, gazing intensely at the people that flowed in a monochromatic wave.

Suddenly, I knew what it felt like to wander in circles, and then it occurred to me where Ciel was. I put on a coat and ran back to my spot. The sun no longer shone down on the street and so I had to squint to see through the shadows that moved in the blurry dark illuminated only by the cold light of the moon. First I saw her hat, still hanging stiffly from a branch. Then I saw her, a small figure that was only a part of thebackground. I waved at her, expecting her to approach me. Instead I saw her eyes widen, and then her distant body turn around and run deeper into the landscape at a pace that was much too desperate for the lethargic curtains of night that hung heavy and precariously by fraying ropes. ...This last bit went overboard on the purple. oo"

“Ciel!” I called out, “I know where you are going, I want to come with you!” I could see her stop for a moment and lean towards my words. Then she shook her head, one of those gestures that is only accentuated by darkness, and yelled back,

“I know where I go, but it is not for you to follow.” Yeap. Thoughts please. <.>" This might as well be a detached third person narrative, the way I feel so separate from the MC. She sank into the scenery and I knew that she was truly gone.

I walked up to the low hanging branch and pulled the hat off of it. It no longer looked stately, dignified, or even slightly beautiful, only abandoned and alone. I put it on and adjusted it so that it fit. Then I slowly walked home, turning back and retracing my footsteps every once and awhile to make sure that I would always know where I had departed from and which direction I planned to go.


Final thoughts:

I know this is supposed to be meaningful, but I'm just not getting it. <.>' I'm a little dumb when it comes to stories like these, though, so excuse me if I don't get the meaning of it. ^^"

I can, however, offer a little advice in the way of storytelling? =D

First of all, I'd like to commend you on the voice. Very impressive, the way it builds atmosphere and maintains the same feel all throughout. ^^ Gives the whole thing a lot of character, even though when I think back on it there really wasn't much going on. You lacked some things, but voice wasn't one of them. On top of that, although sometimes you went too far into purple territory, there were some lines there that were positively gorgeous. oo

Still! You know what they say - everything can use a little improvement. =] I'll offer up my ideas.

Your voice was so strong I actually made up a town/setting on my own, without the help of any description! However, this doesn't change the fact that description is still super useful. Your reader is technically blind, deaf, and senseless in this world. As the writer, it's your job to provide the reader with the environment he/she is missing out on. ^^ Focus on descriptions, and try to engage all the reader's senses, not just sight. Give me a little more in the way of how the sunshine makes your MC feel sticky, how the people bustled and kind of just pushed at each other in their haste, etc. Something, anything to hold on to. Little details go a long way, so don't drown out the story in purply descriptions either! Just stick to the basics and give some more for the reader to latch onto.

Next, I'd like to point out that this is a first person POV story. I'm sure you know that, but a first person POV doesn't just involve writing with "I" and "my" and other personal pronouns. ^^" It also involves making the reader feel as if he/she lives in your character's head. Whatever your character feels, thinks, and notices, the reader must think, feel, and notice. Don't leave the reader out of anything your character feels and thinks. That's the biggest thing missing in this piece, I think. I can't hear anything your MC thinks, and when she did think something, you kind of told it versus showing it.

Let me pick up the example I pointed out earlier.

...shocked that she would not come to this conclusion herself.


You could do something like:

How quaint. She hadn't realized her hat would set her apart from the crowd. Did she think it a perfectly sensible addition to her outfit? It would seem so.


Okay, so I can't really emulate your voice perfectly, but I tried? <.>" I'm pretty rusty as a writer too, so take that with a grain of salt. But you get the idea, right? The key is to elaborate on it instead of just leaving it at a single phrase. Some things are best left simple, but thoughts are better elaborated. =D They make the reader feel as if they really understand your character. See, it's kind of like in real life. The reason you can more or less predict the way your best friend acts/will act is because you know her so well - you spend so much time with her you've figured out how she thinks.

Similarly, with first person POV main characters, you'd like to do that as well. The only way the reader is going to know your character is if your character shares her thoughts with the reader, so keep that in mind when you write first persons. It is an absolute must for the reader to understand the MC in a first person POV story. =]

Next, on characterization! I know I said I would elaborate on this, but I think you did a pretty good job of it towards the end. I guess it's worth saying that you should have it kick in a little earlier, though. On a separate but related note, you might want to give your reader more credit. They're pretty helpless in your story, yes, given how they can't tell anything is going on if you don't write it down, but you've got to give them some credit before you reveal your whole hand by accident. No need to tell them something twice. ^^" Readers are clever creatures, I hear. o: Tell them what they need to know to capture their hearts, and tell them nothing else. A little mystery only adds to the allure of a good story!

Lastly, it'd be nice if you could start with a little more tension/conflict. Maybe have your MC wonder what Ciel is up to. Don't have her so indifferent. You could see by my comment I was getting bored at one point there. ^^" Try not to dally too long~ The later you arrive at a scene, the better. ^^


Anyway, I hope I helped! This is only my opinion, though, so don't take anything as definitive. Also, it's your story, so you'd know what's best for it. =]



Sincerely,

Octave
"The moral of this story, is that if I cause a stranger to choke to death for my amusement, what do you think I’ll do to you if you don’t tell me who ordered you to kill Colosimo?“

-Boardwalk Empire

Love, get out of my way.


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Tue Dec 27, 2011 10:02 pm
HibiscusBlush says...



Hi Aelita :D

This left a strange and wistful sensation stirring around in me. I mean, yes, like you said, it is deep in terms of literary works but it went beyond that to me yet smoothed over me like a subtle breeze, in a sense.

You know that inner ‘writing voice’ that's so important for a writer to understand about themselves? I think yours totally and distinctively came across in this story. Observing how you worded things was just as exciting as the piece itself. Magnificent!

The sun no longer shone down on the street and so I had to squint to see through the shadows that moved in the blurry dark illuminated only by the cold light of the moon.


I felt a comma was missing between "dark" and "illuminated" only because it is a long sentence and I got a tad lost, mid-read, and had to backtrack.

“Miss, are you looking for anyone?” An anonymous person once stopped to ask me.


I think the person actually being anonymous allows the reader to fantasize their own interpretation with kind of a blank slate, and for that reason I liked that factor. It added more mystery to an already mysterious, intriguing and alluring story. With that said, I think it could add more depth if the person was described just as subtly and interestingly as Ciel. Purely my opinion, though. :smt003

Suddenly I knew what it felt like to wander in circles, and then it occurred to me where Ciel was. I put on a coat and ran back to my spot. The sun no longer shone down on the street and so I had to squint to see through the shadows that moved in the blurry dark illuminated only by the cold light of the moon. First I saw her hat, still hanging stiffly from a branch. Then I saw her, a small figure that was only a part of a background. I waved at her, expecting her to approach me. Instead I saw her eyes widen, and then her distant body turn around and run deeper into the landscape at a pace that was much too desperate for the lethargic curtains of night that hung heavy


I found it really hard to sum up a favorite part of the entire piece, but ^this^ one, as well as her last words with Ciel probably took the cake. I loved the way you described her movements against the darkness of night, capturing a very clear and drastic sense. However the following line, I didn't understand what it meant; what were the fraying ropes?

and precariously by fraying ropes.


You have a really magnificent creation here. Definitely, one I’ll remember and come back to!

Mahalo :pirate3:
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Wed Dec 28, 2011 5:48 am
sargsauce says...



An interesting read! The voice is strong and rings with a kind of Russian formality or aristocracy. I feel like I know something of the two characters beyond what you directly told us.

The exact theme escapes me, but I get a feeling of repetition and identity. We view the events through a cloudy memory and people are passing in and out and the narrator puts on the hat herself. Something like a dream and becoming the object of the dream yourself to fulfill a hollow.
Whatever the exact theme was, though, you were a tad heavy-handed in the use of words like "monochromatic" "anonymous person" and "identity-less"

Because of how strange the events are, it feels more like a fairy tale or a whimsical chase. I enjoyed the narration of said strange events, but I felt like the meat of the story conflicted with the feeling I got from the opening paragraphs. The opening paragraphs brought to mind a crucial childhood friendship/interaction, not a brief exchange.

Like I said, the voice was good.
created by dips and coils of light, or by my careless memory I cannot say

was a great line.
You tended to wring it dry a little much, though, at points. Like after each line of dialogue, you felt compelled to provide a phrase to qualify how or why something was said and it became a little stale after five times. They become like extended adverbs, and there is a general bias against adverbs in the world.

Also, do please lower case the "she" after dialogue in situations like:
"This is dialogue?" she questioned.

The ending left me wanting. We begin the story with this memoir-like introduction and the narrator is looking back across the years, but at the end of the story, I don't get a sense of the older narrator anymore. Not that I expect you to say "and that's why I never blah blah blah," but just something to bring the story back into focus and help us back out to the viewpoint of the true narrator would be beneficial.
  





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Wed Dec 28, 2011 4:40 pm
Angelreader77 says...



Hey!
Here to review~
First hing that struck me was the voice you used. It has a feel to, a bit like classics to me, which I like. For some reason, it lead me to believe that may be it was set in an older time period, but I can't say as you haven't mentioned it anywhere.
The voice, in my opinion, really pulled me in.
A thing, though. Your opening sentence (I am very particular about those) , I feel is a bit weird. Maybe you could rephrase it? Bit like:
Ciel Courtois was a girl who was only distinguishable by the hat she wore.
Anything really.
AelitaLienne wrote:This was a summer that I met her, well, that is wrong- in actuality I cannot remember what season it was, only that it was warm and I did not need sleeves or length to my skirt, and my hair had been cut short to accommodate the sun that did not care for the comfort of those it watched.

That part isn't really phrased right. Maybe some thing like '' It was summer when I met her '' or something like that.
AelitaLienne wrote:This was a summer that I met her, well, that is wrong- in actuality I cannot remember what season it was, only that it was warm and I did not need sleeves or length to my skirt, and my hair had been cut short to accommodate the sun that did not care for the comfort of those it watched.

I think the punctuation is a bit awkward on that one. I'd prefer:
It was summer when I met her. Or that is wrong. In actuality, I cannot remember what season it was...
AelitaLienne wrote:She didn’t knew my name, as I did not tell her my real one when we traded hands and lightly smothered each other with passive gestures and words that touched but never kissed.

I think you mean know.
Your imagery and choice of descriptions, I must say, are really good. Yup, your language and word choice along with you descriptions are amazing.
AelitaLienne wrote:“Ah, I see.” She bowed slightly and turned to walk away.

I feel this is a bit abrupt. Or maybe it was intentional...
AelitaLienne wrote:“Miss, are you looking for anyone?” An anonymous person once stopped to ask me.

“No. I am looking someone in particular, but I do not expect to find her.” I replied wistfully.

“Then why do you still search?” This person answered, an ironic smile on their mouth.

“I do not know. Perhaps because I hope to find her eventually, or perhaps because I cannot move on without knowing if she is here.”

This is my favorite part. I like how you've portrayed the wisdom of Alice, by small actions, words, and by her thoughts.
I really liked the ending. It was bit of a cliffhanger and gives the reader something to think about. The sudden departure of Ciel along with her refusal to let Alice come with her make it a quite interesting read.
I feel this has some deeper meaning behind it, yet it isn't something that I can understand.
Overall: Apart from these few mistakes I really liked it.
Hope this helped. PM me if you have any questions.
-Angel :D
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Sun Jan 01, 2012 9:13 pm
hockeyfan87 says...



There was once a girl named Ciel Courtois who was only distinguishable by the hat that she wore. In fact, I would have forgotten who she was, or at least what her name was without this hat, which happened to be a well-shaped, bright red cloche that never matched with what she was wearing, but did not look particularly bad as I look back on it. I cannot recall what she looked like at all, or what else she wore. But I certainly noticed her, and when I saw her I knew her, and with what seemed like intimate knowledge that should have been reserved selectively for close friends.
as someone stated previously, the character said they knew the hat but then said they knew nothing about her. Also, the first paragraph was confusing and didn't hook me really well. maybe that is just me though.

It was a summer that I met her, well, that is wrong- in actuality I cannot remember what season it was, only that it was warm and I did not need sleeves or length to my skirt, and my hair had been cut short to accommodate the sun that did not care for the comfort of those it watched.
Something about this sounded wrong, I don't know what though.
And also, if we did in fact meet, we did not acquaint well.
try not to start a sentence with 'and'

“Hello, I am Ciel Courtois. Pleasure.” She extended her hand and acknowledged me with a slight rising of her strange hat. Her face was hidden in shadows, (created by dips and coils of light, or by my careless memory I cannot say,) though I could tell that she was smiling thinly, as if she were overwhelmingly uncertain.
I think the parenthesis were not necessary.

“[
color=#FF0000]I am Alice[/color]. You come by often?” I replied, giving her hand a delicate shake and presenting a winsome smile that faltered slightly as it grew old.
How old is this girl and what time period? If it is present day and she is a teenager most teenagers would say 'I'm Alice' not 'I am Alice' I am Alice makes it sound like she is describing herself not her name.

“Hm. I can’t know, have you seen me around here many times?” She answered, not mockingly in the least, but as if this simple truth was somehow not important enough to hold onto.
did you mean I don't know?

“Yes, I sit here, on this stair, and watch the people pass, and you have crossed my path at least eleven times in the last twenty-two minutes.” I replied almost wearily as my curiosity was not fervent enough to keep me engaged.
Sounds like a creeper? I am confused. Is it this time period? Or what...? There have been no hints to the time period. Also, the high end vocabulary...there is a lot of it in a short period of time, that can confuse a reader easily.

“You walk in circles, I have seen you. You go from the corner of that street to the edge of the pathway and then walk back. You do this over and over and I cannot imagine that you have a destination in mind.” I defended, subtly challenging her.
This sounds like a little kid or an uneducated person talking.

“How do you know it is always me?” She replied stubbornly.
again a teenager would say it's. even adults probably would.
“Miss, are you looking for anyone?” An anonymous person once stopped to ask me.
most people would just say a stranger.
No. I am looking someone in particular, but I do not expect to find her.” I replied wistfully.
it would be no then comma not period.


“Ciel!” I called out, “I know where you are going, I want to come with you!” I could see her stop for a moment and lean towards my words. Then she shook her head, one of those gestures that is only accentuated by darkness, and yelled back,
this person has met her once and is following her.

I know where I go, but it is not for you to follow.” She sank into the scenery and I knew that she was truly gone.
again with the uneducated person or a small kid talk.

Overall Opinion:
It was good but very confusing. I did not know what either character looked like or what time this was during. I didn't understand what was going on some of the time. Just little stuff though. Overall it was good though(:
when you grow up you realize that Prince Charming is not as easy to find as you thought. You realize the bad guy is not wearing a black cape and he's not easy to spot; he's really funny, and he makes you laugh, and he has perfect hair and isnt wearing a black cape and easy to spot Lots of Love Jenn
  








We are great at fearing the wrong things.
— Hank Green