z

Young Writers Society


Holding Up



User avatar
80 Reviews



Gender: Female
Points: 5094
Reviews: 80
Wed Nov 09, 2011 1:35 am
Picklesole says...



I look upon the gravestone, and I sit 6 feet above my family, each given their own cobalt stone with their own name engraved in it. Twelve gravestones total, and I know when I die there will be thirteen. The keeper will look upon us, as I do now, and think "That's the famed Grayson family, all thirteen of them." Or maybe he'll say "Almost all of them did great things. Everyone but the last one, of course." The pressure is always bulding on my shoulders, and I think that before I can do anything, I might die from the heavy weight I would have collected over the years. I imagine my shoulders would slope dramatically, and nobody but me would know why. My head would hang lower, and my feet would lag. My voice would become quiet,and it would stumle more often and mix words. Would wrinlkes come quicker? Would all of my observations of my crumbling being distract me from doing anyhthing important? I think about this as death looms around me, its invisible tentacles squirming towards me, just waiting to squeeze the life out me like a boa constrictor would do to its prey, slowly shutting its eyes, knowing its fate.

"Flora? It's time for us to go." I look up, and see the coldness in my caretaker's pale blue eyes. A small sigh escapes my lips as I stand up and start to walk beside my caretaker.

"Mrs. Moore? What happens when we die?" We walk by a large gravestone, it claiming Sandra Dietrey was an ambitious and courtious leader. I knew her. She wasn't any of those things.

"Well, Flora, nobody but the dead know that." Her brisk strides are hard to catch up to. I can hear the crunch of the dying grass beneath our feet.

"So my father would know?" Her walking slows, so I take that chance to get beside her, to see her face. It is as dark and grey as the sky is now. I shrunk back a little, wondering if my question upset her.

"Your father was a wonderful man. His remarkable acts shall carry his name forever." That's all she says. I don't know why everyone does that whenever I mention my family. They never answer my question, they just say nice things about them and comfort me. It doesn't makes sense, I already know they're dead and no matter how much they try to fake smile and play it off, it doesn't change the fact that I know the truth. I never comment on it though.

"I see." My mouth stays closed the rest of the way. At the gates, the groundskeeper is sitting on a bench with his son, Christopher. He is a year older than me, and I only know about him because his mother was friends with my parents. They look over and smile politely. I smiled back, but Mrs. Moore just stares straight at the carriage only a few yards away. I look back at the graves and the old oak tree protecting them.

For some reason, a horrifying fear suddenly takes hold of my heart. I'm terrified of the graves, the grass, and the gates. I'm terrified of the grounds keeper and his son, Mrs. Moore, and of where the carriage will take me. I'm terrified of death, of its tentacles already gripping me, of the slipping life I have been assigned to make something of. But what scares me the most is the plan hatching in my brain. The plan I know will make me bigger and more important than my ancestors. I'm frightened because it's bad. It's bad and evil. It takes advantage of everything given to me. And for this second I know I will carry it out, make the world mine-

A loud and staggered gasp fills the silence, and shatters my longing to fulfill my plan. My horror of my dark side causes me to stumble to the ground on my hands and knees, in puddles of water I did not realize were there. A single cough comes out, followed by drops of the blood that made me think so harshly. Suddenly a coughing fit spills forth from me, and I can feel multiple hands on me. I am lifted into someone's arms, and I look up to see it's Christopher. Blood splatters all over my hands and dress, and a little on Christopher's white shirt. Everything is a little dim, and the darkness of the carriage doesn't help. I'm gently lowered onto the leather seats, and I can faintly see Mrs. Moore's figure close the carriage door and sit on the seat across from me. She's muttering about how she should have noticed something earlier. I want to say it wasn't her fault, but my throat is so raw it comes out as a small groan. She leans over to me and smoothes out my damp hair.

"It's okay," she murmers. "everything will be fine." I know she's only trying to comfort me. But the truth is, depite how how much I try to ignore it, death always has a hand on me, and I know I will never win. Because I know deep in my heart that no matter what I do to become important like my family, all I will ever be known for is my disease.
Last edited by Picklesole on Wed Nov 09, 2011 9:27 pm, edited 1 time in total.
  





User avatar
456 Reviews



Gender: Female
Points: 368
Reviews: 456
Wed Nov 09, 2011 4:02 am
Rascalover says...



Hey,
I'm here to review, hope you don't mind! Most of my review will be grammar mistakes, but I'll try to give you an overall opinion of what I think of your piece.

I looked upon the gravestone, and I sit 6 feet above my family, each given there own Cobalt stone with their own name engraved in it.

This sentence is structured wrong. Pick a point of view and stick with it. Looked is past tense and sit is present tense. Also, instead of saying and I sit say as I sat. Numbers should be spelled out. If colbalts not their name then it shouldn't be capitlized. I don't think the word own is needed after the second their. Also, the first there is spelled wrong; it should be their.

12 gravestones total, and I know when I die there will be 13.

Spell out your numbers, and the word and after the comma isn't needed.

The keeper will look upon us, as I do now, and think "That's the famed Grayson family, all 13 of them."

Thoughts are usually italisized.

Or maybe he'll say "Almost all of them did great things. Everyone but the last one, of course."

There should be a comma after or because you have started a sentence with a conjunction. Conjunctions (For, and, nor, yet, but, so, or) are used to combine complete sentences, so when you use them to start a sentence it makes it sound like a fragment.

Would wrinlkes come quicker? Would all of my observations of my crumbling being distract me from doing anyhthing important?

These should be italisized because they are thoughts.

I think about this as death looms around me, its invisible tentacles squirming towards me, just waiting to squeeze the life out me like a boa constrictor would do to its prey, slowly shutting its eyes, knowing its fate.

The comma after me should be a semi-colon (;) because this is a run-on sentence.

A small sigh escapes my lips as I stand up and start to walk beside my caretaker.

There should be a comma after lips.

it claiming Sandra Dietrey was an ambitious and courtious leader.

This makes no sense. You should probably reword this sentence so that it does makes sense.

I don't know why everyone does that whenever I mention family.

The word my should be before family.

They never answer my question, they just say nice things about them and comfort me.

The comma after question should be a semi-colon because a semi-colon combines complete sentences together not commas.

It doesn't makes sense, I already know they're dead and no matter how much they try to fake smile and play it off, it doesn't change the fact that I know the truth.

The comma after sense should be a semi-colon because a semi-colon combines complete sentences together not commas. There should be a comma after dead because you are combining two complete sentences with the conjunction and.

They looked over and smiled politely.

If you are keeping this all present tense looked should be look

I smiled back, but Mrs. Moore just stares straight at the carriage only a few yards away. I look back at the graves and the old oak tree protecting them.

For some reason, a horrifying fear suddenly takes hold of my heart.

The worst phrase to ever use in writing is all of a sudden. Try rewriting this sentence so that it just says a fear grabs ahold of my heart.

I'm terrified of death, of its tentacles already gripping me, of the slipping life I have been assigned to make something of. But what scares me the most is the plan hatching in my brain.

Replace the period after of with a comma and lower case the b in but.

It takes advantage of everything given to me. And for this second I know I will carry it out, make the world mine-

Replace the period after me with a comma and lower case the a in and. Make the dash after mine a period.

Blood splatters all over my hands and dress, and a little on Christopher's white shirt.

Where is this blood coming from? Why is she all of a suddenly bleeding?

"everything will be fine."

The e in everything should be capitalized.

I know she's only trying to comfort me. But the truth is, depite how how much I try to ignore it, death always has a hand on me,

Replace the period after me with a comma and lower case the b in but. Replace the comma after the last me with a period.

and I know I will never win. Because I know deep in my heart that no matter what I do to become important like my family, all I will ever be known for is my disease.

Take away the and, and replace the period after win with a comma and lower case the b in because.

Overall, this is a nice little piece full of potential, but the ending is very confusing. Things just start happening for no real reason. If you have any questions or need another review feel free to ask.

Have a great day,
Tiffany
There is nothing to writing; all you do is sit down at a typewriter and open a vein~ Red Smith

Who needs a review? :) http://www.youngwriterssociety.com/topic38078.html
  





User avatar
80 Reviews



Gender: Female
Points: 5094
Reviews: 80
Wed Nov 09, 2011 9:22 pm
View Likes
Picklesole says...



Thanks for the review. I wrote this with half awake so I feel stupid missing a bunch of those things. Anyway, she's coughing up the blood and I know I did kind of make the ending unclear and fuzzy but she has this disease called Pulmonary tuberculosis, which coughing up blood is a symptom of. I did overlook a few wrong tenses, so I will go fix that now...and a few other things too.
  





User avatar
763 Reviews

Supporter


Gender: Female
Points: 3888
Reviews: 763
Sun Nov 27, 2011 8:56 am
View Likes
Lava says...



So hey there!

You have an interesting story that started off quite well.

You started off brilliantly and there was this eerie tone to the whole setting. And I thought she'd really kill herself toward the end.

But my main quip is that there's so much not there in this story that I feel left out. I want to know more. Like.
Okay Flora's the youngest one who doesn't have something special. Why did they all die? Was it all because of the same disease?
They never answer my question, they just say nice things about them and comfort me. It doesn't makes sense, I already know they're dead and no matter how much they try to fake smile and play it off, it doesn't change the fact that I know the truth. I never comment on it though.
This part I got confused becuase of how you phrased things.
Do others treat like her family didn't die? Or that they die but there is some terrible dark secret behind it which Flora knows?

We walk by a large gravestone, it claiming Sandra Dietrey was an ambitious and courtious leader. I knew her. She wasn't any of those things.
Although, it was quite off the story line, I like it being there. It'sa good line.

A single cough comes out, followed by drops of the blood that made me think so harshly.
What made her think so harshly? What was the harsh thinking. If you're referring to the previous plan, then logically, the plan came before the cough so the sentence shouldn't be phrased this way.

Another thing I can't place my finger on is her age. Sometimes her thoughts are quite mature and other times she reminds me of a child. So, I'm still confused here.

And, overall, what is the point of this story? There's a good conflict, and there's a good start, but there's no end. A YWSer taught of the three important things - start, conflict, end, which is key to a good story. So, work on your end.

~L
~
Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know.
- Ian McEwan in Atonement

sachi: influencing others since GOD KNOWS WHEN.

  








Who, being loved, is poor?
— Oscar Wilde