In My Sweet Captivity

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Something’s there.

I know it. I can sense it, feel it coming closer.

Step by step, it’s drawing nearer; something, hiding.

The room is dark, closed, compact. My hands are clammy. Cautiously, I search along the wall. Feeling, grasping, I am looking for the door.

There is none. Or so I think. The last image preserved in my memory is of when it was light. There was a desk in the corner, a bed pushed against the opposite wall. I know there is a door, somewhere.

It’s closing in. I feel midnight’s dark embrace encircling my waist. Gently caressing my innocence, it taunts me, it teases with my mind. I struggle to fend for myself, but in the night, I am powerless.

It’s getting warmer. I know it’s time to escape, to find the door.

I see it. A soft, quiet glow rims the edges of the plied wood nailed around the frame. It is a sloppy finish, completed by careless hands. I can barely make out the door knob.

Crouching low on my knees, I rest my grimy hands against the cold, oily floor. An eerie sensation runs up my palms, my elbows. I flinch, yet I don’t back away. I have no time. It’s closing in.

Footsteps.

I hear them against the creaking floorboards.

I am definite, I am absolute. This time, I know for sure.

I scramble for the doorway. My knees, my wrists, scrape along the splintered flooring. I have no time.

Adrenaline. A rush surges through my system. My heart throbs deeply within my chest, each deafening thud brings me one step closer. Breathing in heaving gasps, I know what I need to do. I need to get to the door. I need to feel the solid, satisfying twist of the doorknob between my fingers as I grasp the tail end of my freedom. I need the air, I need the light.

I am panting heavily. Four, three more steps until I get to the doorway. Now two, one.

I am almost there. Almost. There.

I reach out for the doorknob. The taste of freedom is dangling above my lips. I am so close.

Finally.

A hand clasps tightly around my face. One swift blow to the chest.

Like an unforgiving blade, my scream pierces the night.

That’s all it took.

And I was gone.
Last edited by forever.always on Thu Jul 16, 2009 8:44 pm, edited 1 time in total.
"I've got too much soul for the world." -Too Fake (Hockey)




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I liked the feel of this piece - it was interesting. And the fact that it was choppy.. it worked. I almost thought it was a poem when you started out, but as it went along, I started to see the structure. But, just be careful not to get too much of a poem feel. Or do. I guess it's your choice. :D

The large paragraph in the middle was what I liked most. You do well with longer sections - but your shorter sentences and fragments work, too. So basically I liked it all! :P

"Like an unforgiving blade, my scream pierces the night."

Wonderful similie. And wonderful work! Keep it up, and thanks for the great read.

-R




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You did a fantastic job creating suspense!! That's an honest to goodness skill.

Still, if your writing doesn't have intention, the tension unravels and your audience gets lost.

This could be a beautiful segment in a short story, but as a stand alone piece, it didn't do much. Well, what I mean is: what are you saying? If you are only wanting to tell a story, tell the whole story. And if you are expressing a belief or an idea, do so more completely.

Your language and style were fantastic.
Just... write more. :wink:

BABS
Your beliefs define your character... I believe in LOVE.




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Hello!

I have to agree with Babanuuk here--you write powerfully and create an intense atmosphere in this piece, but that's all there is. I'm curious to know more: what's going on? Who is the narrator, and why is it so important that they find the door? Right now this has the feel of a dream sequence, but until I see something more concrete, more awake, I don't really know what I'm looking at.

Hope this helps. Keep writing!

~Stripes
"Existence is only futile if you say it is, and it's only meaningful if you say it is. And if you say neither, then it's just boring." -E.S.J.



I say Wolf, for all wolves are not of the same sort; there is one kind with an amenable disposition – neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Alas! Who does not know that these gentle wolves are of all such creatures the most dangerous!
— Charles Perrault