The first was a rustle, a movement of reedy grass and golden shoulder blades, the stretch & prep of a predator sighting prey.
Heat licked trails down her spine, silk shirt sticking in all the ways you don't like, hat askew as she brushed and brushed that one last hair back.
The second was an echo of a growl that had already moved on.
This body in motion arching across a blue sky empty of clouds. Her hands caught between flight and fancy, hat lost as her body jerked and slid and stumbled into the puff of dust that was her feet.
You can taste the Sahara they say, the swelling behind your bottom lip, the crack and lick.
I like you as an enemy, but I love you as a friend.
I sometimes wonder if Sea Captains ever look out their windows into the dark and question their life choices.
Not the angry swell of a sea in storm, or the calm rock of baby waves, but the solid night laid over the water and the ship and then them.
Do their eyes become accustomed to see the white whorl of stars across stars, or do whales shake their resolve, great broad backs against their great hulls.
I wonder if there is nothing I can do where I am, stranded in a pod waiting for the dawn.
I like you as an enemy, but I love you as a friend.
The joy of theft is alive! Using one of @Meshugenah's poems, I started a game. Me/Mesh/me etc
30.
Shadows in the dark, dancing softly down, down, down, there are only so many swan necks and angel wings to fill this company.
shadows dancing softly left footprints on angel wings. the soot weighs them down.
Fool's errand, dancing softly upon angel's wings, the shadow of ash flying free.
fool's errand, gathering angel wings; the only ones to fall are tarnished black with shadow's soot. fool's gold only fools the fools.
Angel's errands, tarnishing the fall; fool's gold only fools the bold.
the bold and the beautiful and the brave that can never see the forest for the trees [or the bees that hunt them after with no tree to hide]
If I could see the forest for the trees, there'd be no gold, no gold for me. Honey and light through and through, nothing to see without the forest of trees.
there's be no gold, no gold for me, nothing to see without the trees honey and light and all things bright silence the night with its own blight
This night is the blight upon my tarnished gold. Honey and light can fight but there are no winnings for the bold.
history favors the brave and the bold; i like living too much to care for lies told by the victors . to the spoils go the survivors.
history favours - what a story they told! Living too much, without a care, to the victors go the spoils; who left survivors standing there.
to the survivors left standing there have a care, stop and stare this is what you're fighting for: stories of lies of people of life left living in the cracks in the wall.
Is this worth fighting for? Stories of survivors standing there, have a care of the cracks lies leave in the wall.
sing me a song of wars left unfinished that hide in the cracks and implode on generations [that had no closure, only patches]
inside these cracks (sniper fights) slithers a war still unwon, generations shudder and implode at the close (stitches undone).
the stitches came undone, left with no time to heal, to see, to feel to march on in red and pain sewn up but never mended.
Just in time to feel the red raw pain of the newly healed, mended and sewn by the mother's hand - just another - just another rag hanging in the closet.
the third time the mother had to sew the bear's ear back on, she made you learn: over, under, in, out, tighten knot and pray. the stitching doesn't last, but the thread does.
The first time my mother taught you to pray she said down and together, tighten the knot on the stitch in your cover. And I thought - what happened to the bear who used to live here?
you taught yourself to pray to paper idols and words that danced underneath eyes that blurred with the hours past sleep, tinged red and dry - trading false idols for ideals that could never quite keep pace [with the accepted reality]
you used to dance with paper idols, words written underneath eyes that could never see the false from the real. And that quiet peace rallied reality into the red, dry deserts between sleep and a yawn.
you used to dance with paper idols, 'round and 'round, falling down to purple sunsets and red mornings digging through the sand to find the chill [winter's gift to burning summer suns that creeps into early dawn, chased down in thunder strikes and fervent prayers of not yet, and more more more]
round and round and falling down, digging through the chili for burning summer suns creeping into purple sunsets. Red mornings slippery through early dawn, fever prayers like lightning strikes fewer and fewer and more and more and more. just another dance, just another idol, dance.
digging through and digging in hoping for a prayer to light the midday sun that burned through better sinners struck down dead in rapture that paper idols foretold and those carved in stone watched a thousand times before.
A thousand stone walls carved better sinners than those paper idols burned, lit in the midday sun and struck watching the prayer digging through and digging in, lips pressed against the hottest limbs their skin could foretell.
the thing about paper? It burns.
I like you as an enemy, but I love you as a friend.
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