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Points: 1122
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Thu Mar 13, 2008 1:27 am
200397 says...



...
Last edited by 200397 on Thu Feb 04, 2010 3:48 am, edited 2 times in total.
  





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62 Reviews



Gender: Female
Points: 890
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Thu Mar 13, 2008 2:17 am
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Izzyeyore says...



I liked this; from what I read at least.

What does she mean, you think, 'from what i read'


well, it's like this: Your story consisted of very intimidating and huge blocks of text like a wall in front of our eyes, seeming to scream ' we will take away all your understanding of the story as yet and we will take forever to read as well!"

it's daunting.

Haha, so my comment would be to space it out a bit more :D

And, i couldn't find any grammatical errors which was AWESOME!!! (I'm a 'grammar nazi' )
My policy on life: you're wasting it by being sad and making others sad, so hug someone today! :D
  





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62 Reviews



Gender: Female
Points: 890
Reviews: 62
Thu Mar 13, 2008 2:19 am
Izzyeyore says...



Oh, last thing--

[quote] Long icy string things[quote]

that just stuck out at me like a sore thumb, maybe 'tendrils of wind' or something?
My policy on life: you're wasting it by being sad and making others sad, so hug someone today! :D
  





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Reviews: 438
Thu Mar 13, 2008 10:58 pm
JFW1415 says...



Hello! Nit-pick to follow, overall below.

I’m dying, I think. At last, I am dying. Where’s the curtain? When will the dullness of this world fold back, and when will I see the welcoming light of a warm sunrise? When will I see the pale, tawny-haired man standing before me, smiling good-naturedly, heartbreakingly? Will he reach out to me, stretch out his hands which I had been so at home in? Will he come to me and stroke my cheek, say my name, and tell me that I’m at last forgiven?


First bold: I’d delete this; I like the next sentence for an opener better.

Second bold: This seems like a big jump. Maybe have ‘I think I am, at least. Where is…’ I also like where is better than where’s.

Third bold: How is it heartbreakingly?

Forth bold: This could be tweaked a bit, I had to read it over several times to understand.

Or will he hold out a halting hand as I tremble and stumble weakly to him? Will he smile sadly and say, in serious, languid tones, Go back, go back. Do not come here yet. It is not yet time.


Some grammar stuff.

Yet: I’d delete; too much repetition.

When will it be time? I’d cry back. When can I see you again, touch you again? See my mother again? Have you forgotten me? Have you all forgotten me? And will he say nothing? You have! I would cry.You have! Our love to you is only memory. Don’t you know me, know my love? Know me!” And though my powers would be banished in this place, I would try, and try to reach him to touch him.


Grammar.

Know me: I’d delete this and leave it as ‘Don’t you know my love?’ That way the next paragraph is more powerful.

No, he would say, without even lifting his lips. I still and will always love you. But there is another.


Grammar.

Tell me! I’d scream, involuntary tears falling, falling. Is this a dream? Know me! It is I. Why cannot I join you? Don’t leave me, not now, not again!


First bold: Don’t like this much…

Second bold: Very odd here, I suggest can’t.

And will he just smile sadly and turn away, as I am swept backward through grays and blacks and whites, back to a world that is to me a dark and miserable world, a miserable and evil existence, full of lies and deceit? A world where I feel so unclean and unworthy that I cannot even bear the hands of the sun; and will I be brushed aside, out of existence in the paradise. Will I return back to life, back to a place that I would do anything to escape? Will I cry out in pain when it is over? Will I weep for myself, weep for my losses? Will I cry until it hurts, for being so close to redemption for my sins? Will I beg someone that is not there to help me, to ease my pain, to make it stop?


Grammar.

This paragraph is scarily long and rambly. Can you seperate it anywhere?

Yes.


I loved that; it made my heart skip a beat. :P

I’ve been there before. The place is not new to me. I’ve seen it once before, and I was beaten back, told to return. Was it because I had caused too much grief and had failed too often to undo them? Or was it because they wished not to see me again? Was I dead to my own dead mother?


Switched that to the, I think it sounds a bit better.

Once before: I would delete; it’s just repetition.

Failed: I’d put as two sentences (last one ending right before and.)

My mother. She was the loveliest woman I have ever seen. My only reminders of her are in my mind, in the face of my sister, and in the face of the creature looking back at me from a mirror. Somehow, I’m only a cruel imitation of that woman. The copy was well done, indeed, but it was hollow compared to the wholeness that both my mother and my sister posses. I lack that totality, that softness, that innocence. [s]And [/s]I knew it was because that my sister had an untarnished soul, one free and high-rising, light and bright, like a tender dove soaring through clouds, under a royal sapphire sky. My mother’s had been the same.


Knew it was: A little confusing that you are talking about her soul.

Good descriptions, but you are getting close to being cliche. Maybe change it around a bit, come up with your own phrases?

And me, with my sharp features and my crow’ black hair and steely gray eyes that lacked profound amounts of gentility and mercy. Me, with my free-lance ways, my bitter past, the ache in my chest that never ceases to pull me down, . I, the last countess, the White Queen. Why is it that my soul is tattered and burnt, weak and sputtering? Why is it that I, my mother’s first-born, must suffer the ways of the world? Why is it I, who must let my soul bleed freely and feel its pain, while others don’t feel a thing?


First bold: In my head, she now looks ugly. Crows are not usually liked. Maybe a raven, to give her a beautiful look, which is what you seem to be attempting?

Second bold: I'd change to two sentences, as I have done here.

First born: Needs hyphen.

Pain: I would ditch this.

I remember being young and vulnerable, but happy, and human. I remember loving a man who didn’t love me. [s]And w[/s]What he made me is what causes my soul to writhe and bleed and shrivel. Every time I bend to rip my kill, to gulp down the thick, crimson life-blood, a blow is given to my heart of hearts. My first kill, I wept the entire time, but now, I expect the pain that comes, intermingling with the rush of ecstasy from the blood rush.


First bold: Maybe ignorant instead, so you can ditch happy? Happy throws off the sentence.

Second bold: I don’t like this; I’d end it after bleed.

Third bold: Suggestion: ‘rip into my kill.’

My trip to Heaven ends quickly, as if sped forward by the fast-forward button, yet I feel the sting of his words burning savagely in my veins. Soon, the colors begin to solidify, slowly, and less swirling draws my attention. I hear a voice, a woman’s. She was gasping and screaming and pleading. I [s]could [/s]cannot understand what she say[s]said[/s], but I feel[s]t[/s] her pain—literally. A deep ache, an engulfing misery that made makes my brain throb and my heart wish to cease to beat. The burn of guilt, of loss, of disappointment, and the icy fingers of reality, pain, and tears.


Watch tenses.

Sped: Suggestion: ‘as if time sped forward,’

Button: Full stop, don’t start with yet.

Veins: Wait; wasn’t that what he WOULD say? Not what he actually said?

Colors: I don’t like having both slowly and soon.

Soon my senses begin to return; the first that comes is feeling. I writhe, or so it would seem. Cold surrounds me, envelops me, cradles me in its deceiving arms. Long icy string things are piercing my sides, yet they are steadying them. I clutch at them, and I find that they are fleshy, like lushly growing plants. Next comes smell—an intense sense of smell meets me. Ocean air. Sea salt that burns in my throat. Mist that is so gentle in touching my face and streaming through my hair that smells of seaweed and kelp. And then there’s taste. I taste the salt, and I know where I am. And the weeping is nearer, too near to be next to me. And the pain goes on, until I am convinced that I’m in my body. I’m making the screams. Thrashing and wailing, and I don’t know what’s rightfully wrong with me. And then there’s another sound—no, a voice. It’s deeper, but it’s frightened, just as much as I am. And it is familiar. And now I feel something warm, at last. Soft hands are on my face, stroking my hair and my forehead and my arms, pinning me so that I can’t move. And the voice speaks to me, comforting me, even though he is just as afraid and confused as I am.


Soon: New paragraph. (You also need more, but this one popped out at me. It was combined with the one about the trip to heaven originally.

Seem: What? Confusing.

String things: Eww...never use things. :( Get rid of things, add an ‘s’ to the end of string.

It is: Try to keep the same thing; it’s or it is (you've been using it's.) Remain true to your characters speech.

WAY too long and rambling; split it up a bunch.

I touch the grass, and I sit up. Then I look over at the dark haired, pale-faced man, who looks like he’s seen too many things to make him cry. Like he’s seen horrors and miracles and wars and kisses. And now he looks at me, like I’m the only thing there. And I realize that he’s beautiful. I forget at once about Heaven, about my past, about [s]me [/s]my bleeding, aching soul, about the pale haired man.


Pale-faced: Needed hyphen.

Cry: I understand, but try rewording a bit… (I had to read three times.)

Yes, there is. And he’s mine, and he’s here, a place where you could never be. He’s more than you could ever be, I say back.


What? What is she saying back?

I don’t see anything after that. I get lost in the sea, in his love. I know it was change, but I can’t help making the most of it.


I get: Suggestion: ‘I become lost…’

Change: A little clarification would be nice here. Hard to understand, and you need to end with a bang so no one EVER forgets you. :P

_____________

Once I go back and think about this, it is a nice idea. At the beginning, though, you don’t seem to know what you are talking about. What is happening? You are trying to draw us in with the mystery, but it doesn’t work too well. We have to have some idea, even if not very clear, about what is going on. Otherwise, why should we continue reading?

I did enjoy the ending, though. If you could hint at this a little in the beginning, it would work a lot better. The whole first half is rambling, although you do have some beautiful parts in there.

A vampire, aye? ;P

Why was her whole family vampires, but she wasn’t?

Also, you use and at the beginning a lot. You also use long sentences, combining random thoughts with commas. Every once in a while this is wonderful, but watch yourself. Vary it up, and do listen to the grammar part of spell check every once in a while; they may not always be correct, but sometimes they are.

Also, make sure you space out your paragraphs. ;P I did so myself in Word to edit. Still, there were some paragraphs that just wouldn’t end. Careful with that.

Also, in the beginning, I didn’t understand the speech. Later on you said that he did say that, while in the beginning you said he would say that. You need quotes or these things: ‘ and ‘ around the words. Quotes if they are actually saying it, the other if they are not.

Pretty much, just try to forget this, then come back to it like a new reader would. The beginning is VERY confusing; try to find those spots and clean them up a bit.

I would also show her relationship with the first guy a little clearer.

Overall, a very thought provoking story. Just don’t make me read sentences twice to understand them, please. ;P

Oh, and sorry this is so long. :P I love nit-picks!

Oh; anything I didn't comment on, I either loved or it was too rambly. You had some powerful stuff in here. :P

Good luck! PM me with any questions; I know I can be confusing! (Jeez...this review took over an hour! No wonder I have so few reviews...)

~JFW1415
  








Journeys end in lovers' meeting.
— William Shakespeare