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The Almost But Not Quite Suicidal Cherry Sucker *Revised*



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Gender: Female
Points: 1193
Reviews: 262
Wed Dec 08, 2010 1:17 am
ultraviolet says...



They found your body today. It was floating along our river, below the rusty metal bridge I refused to walk on because I was sure a single step would bring it all down.

Ironic, huh? Painfully ironic, morbidly ironic, mockingly ironic, but ironic. Who would have ever thought it was your body they would find dead in that river, by that bridge?

Remember how we met? It’s funny that we met at all, funny because I wasn’t supposed to be there but I was, funny because you weren’t supposed to be there but you were, and funny because it all started a long time before I met you - a year, to be exact.

Mom and Dad were fighting again - fighting over the money we didn’t have and the bills we did. After a while my iPod couldn’t drown them out anymore - not completely - so I left. I snuck out the back door and walked aimlessly through the woods, not really caring where I might end up. After a while I found myself at a river and a decrepit old bridge.

It was early May and the snow and ice had just melted and the water gushed under the bridge high and fast. At first I was afraid - afraid of the water, afraid of the bridge, afraid of staying there, and afraid of going home.

So I just sat at the edge of the river where water sloshed on my boots and sand stuck between my fingers and grass itched my ankles where my too-small pants didn’t cover and all I wanted to do was die, because what was the point of living if your clothes were always old and patched and never fit right, and you were always hungry, and your parents were always fighting, and your iPod couldn’t play loud enough, and if the only reason you had an iPod was because you stole it out of some kid’s backpack when they left it on the bus?

But all I did was sit there and stare at the moon and the stars and listen to the crickets and the frogs and suck on a cherry sucker I found in my pocket. I thought about everything and nothing, and the world’s problems and how to fix them, and anything but my problems because I couldn’t fix them and thinking about them just made me want to die again, and with the river so high and the bridge so falling apart and no one there to stop me that trail of thought was too tempting, so I thought instead about how fireflies looked like glitter on steroids and how if shoe laces were made of licorice the whole world would wear sandals.

Eventually I could see light on the horizon and knew the sun was rising so I went home because if I wasn’t back by the time Mom and Dad woke up they would start yelling again, not just at me but at each other, blaming each other, coming that much closer to the divorce they had been threatening at.

But they were still sleeping when I snuck inside so I dodged a bullet there. After that my iPod didn’t work any better or play any louder, so over and over again I went for walks, never really knowing where I was going but always ending up at that river and bridge and always finding my way back.

I did this for a year, except sometimes I wouldn’t in the winter if there was a lot of snow and the ground was iced over and I would’ve gotten lost and frozen to death or at least lost a toe or two before they found me. But other than that I came almost every day.

The sky was cloudy and threatened rain the eve of my river-going anniversary, but I had to go because I was looking forward to the anniversary and if you didn’t do the things you were looking forward to, eventually you’d stop looking forward to things and looking forward to things was what life was all about.

Plus, Mom and Dad were screaming at each other worse than usual and I couldn’t stay home and I didn’t have anywhere else to go.

When I got there the water was high like it was last year, because everything had melted again, and I sat down a little ways from the shore because I didn’t want to get wet, and ceremoniously pulled a cherry sucker from my pocket and stuck it in my mouth, just like I did last year.

When it got dark, the clouds blocked the moon and the stars so I couldn’t stare at them so the lighting bugs were my only light and they blinked off as much as on, sometimes leaving me in darkness for what seemed like half an hour even if it was only a few seconds.

Without the moon and stars to look at, I looked at the river instead and the way that it gushed and the sparks of cold as little water droplets flew at my uncovered ankles. I imagined what it would feel like to fall into the water and to feel the coldness everywhere and to need to breathe but not want to and to have my mind slowly slip into oblivion, unfeeling, emotionless, unhurting oblivion. Blackness. Nothingness. No worries, no yelling, a place where money meant nothing and everything meant nothing and nothing was good because if you didn’t feel you didn’t hurt and suddenly I wanted to feel nothing so badly and the thoughts of dying came back and they were so tempting and so tempting and suddenly if I didn’t feel nothing I was going to explode with something and something was bad because something hurt. I hurt.

So I got up and walked to the bridge that I was always so afraid would fall out from under me but now I wanted it to fall out from under me because then I would be that much closer to nothingness and even if it didn’t fall out I knew I would jump. So I swung my leg over the rail and closed my eyes and jumped.

And it felt just like I knew it would. It felt cold, but it felt good cold, numbing cold. I needed to breathe but I didn’t want to breathe and nothing could make me breathe so I didn’t breathe. And I could slowly feel my mind slip away into nothingness and I was subconsciously cheering myself on, thinking Yes! Yes! and then No! No! because something had grabbed my arm and was pulling me away and then I wasn’t in water anymore, I was on land and it was hard on my back and someone was pumping my stomach and breathing into my mouth and the whole time I was thinking No! No! because I wanted nothingness but I wasn’t getting it because some imbecile saved me.

That imbecile was you.

Soon I was sputtering and coughing and gasping because there was water in my throat and now I needed to breathe and I did even though all I wanted was to jump back in the river and to feel nothing.

When I opened my eyes, I saw you for the first time, holding a flashlight at my face and I couldn’t see you, not really, but I could because how could I not, you being you? You always were impossible to ignore.

You were drenched, obviously, but you still looked good. I doubted there was ever a time you didn’t look good. Maybe for a millisecond after you were born when you were covered in blood and the nurses still had to clean you, but that was probably the only time.

You had longish black hair that dripped over your dark eyes that in regular lighting were green, not bright green but forest green, and you had a goofy grin on your face like you were so proud to have rescued someone who didn’t want to be rescued, but apparently you didn’t take that into account when you did it.

Then you started asking questions like Why was I out so late? and Why did I jump off a bridge? and Was I trying to kill myself? which I thought was pretty obvious and Do you want to talk? which I didn’t but did anyway because I was mad at you and wanted you to know it. You were only fourteen and I said Who were you to go around saving lives and playing shrink? but you said I was only thirteen and trying to drown myself so who was I to talk? I guess we were both a little more grown up than most people our age, even if a bit psychotically so.

After that, whenever I came to the river and bridge, you were always there and I thought that you must have gone there even in winter when there was snow everywhere and the ground was iced over and you might’ve gotten lost and frozen to death or at least lost a limb before I came back to the river and bridge and found you. But every time I found you alive and with all of your limbs, so apparently that never happened.

Every time I saw you there you made me talk, whether I wanted to or not, and finally I said Will you just stop, I don’t want to talk! and you said If you don’t want to talk then why do you keep coming back? and I would say Because it’s better than at my house, and then I’d be talking again and you’d sit there with a smug little smile on your face that would annoy me so much but was loads better than sitting at home with my not-quite-loud enough stolen iPod and screaming, divorce-threatening parents.

After a while I couldn’t take it any longer and in the middle of one of my long speeches that you kept urging me on during I burst out Why are you listening? Why do you keep coming back? Why did you even fish me out of the river in the first place? You took your time answering, and when you finally did you looked oddly sentimental and you said Because I care.

I didn’t say anything. I just got up and left. You didn’t care, you liar, you didn’t. I didn’t know why you did what you did, but you didn’t care. Nobody cared. Everybody said they cared, but they didn’t really care. My parents said they cared, but they didn’t care. My teachers said they cared, but they didn’t care. The only one anyone ever cared about was themselves. I was the only one that cared about me. So you lied.

The next night I came back again, though. You were there. You looked at me and said I didn’t think you would come. And without saying anything else I continued on with yesterday’s rant which was so much like the other rants I had grown accustomed to giving you that you always demanded without really demanding them. And while ranting I realized that maybe you did care, because why else would you listen to me night after night while I just repeated everything I had said the night before without making any real headway?

It wasn’t for months that I realized that I maybe cared too, just a little. And it was months still that I waited before actually doing anything about it.

On the second anniversary of my river going and the first anniversary of my life-saving, I went to the river with not one, but two cherry suckers because without you I never would have eaten another cherry sucker ever again. By now I had lost all interest in dieing, at least for now, and instead just went though life looking forward to seeing you every night because looking forward to stuff was what life was about.

That night instead of just talking about myself, I started asking questions about you, and not just to divert your attention - believe me, by then I had gotten plenty used to talking about myself - but because I cared, just a little.
That night our visits changed from “therapy” visits to “we’re friends, let’s hang out” visits, though neither of us really acknowledged the change.

It was months again before I realized something; I hadn’t touched you once since you saved me against my will, and I wasn’t entirely conscious for that. I wondered what it would be like the touch the face and arms and hands and chest and hair of the person I had memorized long ago. So I decided, in the most nonchalant way I could, I was going to touch you, somehow, someway.

It was late August; I was fourteen and you had just turned sixteen. Like with most special occasions, we didn’t acknowledge the change, but when I arrived I tossed you a cherry sucker and that was the end of that.

At the river and bridge, there was the tree that you sat at and the tree that I sat at. But this time I sat at your tree, just to see what you would do, hoping that it would involve touch so I wouldn’t have to do anything obvious because I didn’t want you to know that I wanted to touch you.

Instead of in any way physically making me move, you simply raised an eyebrow and sat down at my tree which from that day forth was Your tree and your tree was My tree. I was frustrated, but in a way I liked the thought of sitting where you always sat and feeling what you always felt. All in all, I had gone completely mental.

After that I decided that I had acted suspicious enough for one night, so I tried nothing else but the whole while we talked in the back of my mind I thought about different ways I could get you to touch me.

My next plan wasn’t as fool proof as the first because, let’s face it, you weren’t no fool. This time I “forgot” my jacket at home so that you’d come sit by me to warm me up, but instead you just took off your sweatshirt and tossed it at me like the cherry suckers we have on special occasions. And while, yes, your sweatshirt was warm and soft and big and smelled really good, it only made me want to feel how warm and secure I imagined you would feel and to find out how good you smelled, which I imagined was really good enough, though since the day I met you we’d never come closer than two feet.

As the weeks went on, my plans became more and more desperate, though, I hoped, none the more conspicuous. I thought that you might have gotten suspicious but in the end decided that the thought that I was up to anything was ludicrous, which it should have been.

In late October, I went to the river, just like any other day, but unlike any day, when I arrived at the river and the bridge, you weren’t there. Crestfallen, I sat down on a big rock in the river and hugged my knees and stared longingly down at the water. I could see fresh water seaweed, whatever it was called, and sand and pebbles and rocks of all sizes and sometimes I saw fish, though usually the river moved too fast for that. The sun beat down on my head and the rushing water was like a lullaby and I must’ve fallen asleep and tipped over because next thing I knew I was waking up on the shore with you pumping my chest and breathing into my mouth and we were both sopping wet and I knew I should have been worried that I had almost drowned, this time not on purpose, but the only thing I could think was We’re finally touching. We’re finally touching. And you know what? I liked it.

Like before, I sputtered and I coughed and I gasped for breath that this time I wanted because if I didn’t breathe I would forget this moment and feeling of touch forever and when I finally controlled myself enough to stop, you looked at me angrily and said I’m late one time and you try and kill yourself again?! and part of me wanted to cry because I’d upset you but part of me was doing everything to just not look happy, which would make you forever exasperated. I settle for saying sheepishly I didn’t try to, I fell asleep and fell in. And you said Sure you did, but the way you say it I can tell you meant Well, at least you’re okay and you’re not suicidal. And then I smiled.

You started drying me off with your good smelling sweatshirt and I had to force myself not to smile so that you didn’t think that lack of oxygen had driven me mad, like everything else in this wretched but temporarily absolutely wonderful world. When you’d apparently done what you could with your sweatshirt, you sat at Was Your But Is Now My tree and pulled me up in front of you and I leaned back into you and you rubbed my arms, still trying to warm me and I laid my head back onto your shoulder because, let’s face it, you smelled just as good if not better than what I imagined and your arms and strong and secure and I didn’t even attempt to hold up a conversation. We just sat there for hours and hours until the sun started rising and I grudgingly rose with it because even though I’d been happily preoccupied with you, my parents’ relationship still wasn’t any better and divorce was still threatened but for once in my life I didn’t really care.

The next night we didn’t speak of what happened but you tossed me a cherry sucker and at first I thought that it was because you finally realized what I was trying to do and you approved and marked that as a special occasion but then I remembered that it was my birthday and that I was now fifteen and you were sixteen and what could be better than that?
We no longer talked about my family problems and my parents and their yelling and the fact that I no longer went out there to get away but to see you. Honestly, I can’t really tell you all that we talked about, just that we talked and talked and never got bored.

From then on there was no Your tree or My tree, but rather Our tree because we always sat at the tree together, side by side, arms just brushing, faces no more than two feet away. No longer was I obsessed with touching you, but rather with touching a certain part of you, namely your mouth. I liked the way it moved when you talked, smooth and effortless, always with something meaningful to say. I liked how it widened when you smiled, showing off kind of crooked but otherwise perfect teeth. I liked how I liked it because that was just the kind of thing I would like.

In November, the air was cold and the ground was frozen, but we had yet to get any snow. Good, I thought. Snow was just the thing that we did not need. After all, once it started snowing, there might be days where I didn’t get to see you, and that was just not okay. When I got to our river and bridge, you were already there sitting at Our tree, softly singing Let it snow, let it snow, let it snow. I asked you why you wanted it to snow. You said Because there’s something I’ve always wanted to do in the snow that wouldn’t be the same otherwise, but when I asked you what that thing was you only smirked and said When the snow comes, you’ll see. For three weeks I wondered what that thing was, asked you again and again, but you wouldn’t say and I couldn’t imagine.

Then after school, December first, like magic, white flakes started to sprinkle from above, like frozen salt shaken from the clouds. I raced to our river and bridge as fast as I could, stopping only yards from it to calm my demeanor before coming into view, pretending I casually walked here. I asked you what it is you wanted to do, but you said Wait. And wait I did. I waited hours, until the ground was light dusted with white, until the sun was almost to the horizon, until you finally said Okay, I’ll show you. You pulled me to my feet and kissed me. Just then, I melted, because, let's face it, you just smelled so good.

After that, when we met we talked because it was just what we did, but we also kissed and as much as I had liked coming here before, I liked it even more now. And while we kissed a lot, you never tried to go any further, probably because you knew I wouldn’t be able to handle it, that with my family situation the way it was I needed emotional stability not an emotional rollercoaster. And I loved you even more for that. And while we didn’t talk about this, we each tossed each other a cherry sucker on Christmas, then New Years, then Easter, then our anniversaries, then soon I was sixteen and you were seventeen and life was good and I couldn’t have asked for more.

And then everything changed.

You didn’t show up at our river and bridge. You didn’t show up for a week and I was freaking out but I had no idea what to do. You were reported missing and the police questioned me but I knew nothing and that scared me and they knew nothing and I could tell that scared them even though they didn’t say it and soon you were gone for two weeks and no one knew anything.

That whole time I was so scared and I wanted to tell you about it but I couldn’t and that whole time I didn’t go to our river and bridge because I couldn’t stand being there without you, to see Our tree vacant, and to know that if I fell or jumped in there’d be no one to fish me out. But mostly, I was scared that if I didn’t see you there it would confirm my fear that I’d never see you there again. So for those two weeks I just stayed in my room, leaving only for school which had become both an escape and a torture chamber, and when I was in my room I’d just lay on my bed and not eat and not move and almost not breathe and not listen to my iPod so I could zone into my parents’ yells because at this point even that was a thousand times better than wondering what had happened to you and where you were and if I’d ever see you again.

And though I'm a little ashamed to admit it, it was also better than wondering if this is all my fault. Who'd want to hurt you, or did you do this to yourself? I didn't want to believe that, trust me, I didn't, but I couldn't help it, what with my past, and I also couldn't help thinking that I was too selfish, that I'd never noticed anything, that maybe if we'd talked about you for once things would be different. It's all my fault. Even if someone else is responsible, maybe I would have gotten a clue, or been able to figure out who? Did you have any enemies? You were perfect, so perfect, but maybe not perfect enough for someone. I couldn't help but wonder.

And then, I didn’t have to wonder anymore.

A local hunter had passed by our river and bridge and found your body lodged between the rock and the hard place which ended up being our bridge. The police say that you were taken and someone hurt you and now you're dead and that they don’t know who did it but they are going to do everything in their power to find out and that I should stay away from our river and bridge until they figure out. But it doesn’t matter who took you or how. All that matter is that you’re lost in nothingness and suddenly I want nothingness and while I’m so scared, not for my safety but of all the memories, that’s part of the reason I go to our river and bridge.

I was always so scared of that bridge, and the only time I went on it was because I wanted to die. Well, now I want to die again so again I’m going on it. But I don’t want to drown and I don’t want nothingness because I might as well have drowned the day you saved me instead of you saving me because then you would have saved me in vain and nothing you did could have been in vain because you were you and I said so and you wouldn’t have wanted me to kill myself anyways so instead of jumping off the bridge again I sit on it and talk to you, not at Our tree because that would be almost too painful but at Our bridge because it started all this whether it knows it or not.

And when I’m done talking to you - which I never thought would have happened but after a while there’s only so much words can convey - I stand up and take a cherry sucker from my pocket and toss it at you except you don’t catch it and you’ll never catch another of my cherry suckers again.

And so the Almost But Not Quite Suicidal Cherry Sucker floats down the river the way you did and I should have but didn’t.

Spoiler! :
The link to the original piece is here. I'm thinking of submitting this to the Young Writer's Literary Journal, so any and all critiques are welcome. Be as harsh as you need - I can take criticism. But be honest and don't sugarcoat. If there's anything you see that needs fixing but don't think is big enough to point out, point it out anyway, if you want to take the time. You don't have to, of course, but all reviews are deeply appreciated.

Oh, and please *like* if you like this. Thanks. :D
Last edited by ultraviolet on Tue Jan 04, 2011 11:03 pm, edited 3 times in total.
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com
  





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Wed Dec 08, 2010 3:20 pm
borntobeawriter says...



Hey there Ultra!

Tanya here, for a review :D

After I while I found myself at a river and a decrepit old bridge
a

So I just sat at the edge of the river where water sloshed on my boots and sand stuck between my fingers and grass itched my ankles where my too-small pants didn’t cover and all I wanted to do was die because what was the point of living if your clothes were always old and patched and never fit right and you were always hungry and your parents were always fighting and your iPod couldn’t play loud enough and if the only reason you had an iPod was because you stole it out of some kid’s backpack when they left it on the bus?
Holy Cannolli, this sentence is a mouthful! It has no comma's, and no periods. I highly suggest you modify it slightly, so that your readers can take a breather.

I thought about everything and nothing and the world’s problems and how to fix them and anything but my problems because I couldn’t fix them and thinking about them just made me want to die again and with the river so high and the bridge so falling apart and no one there to stop me that trail of thought was too tempting so I thought instead about how fireflies looked like glitter on steroids and how if shoe laces were made of licorice the whole world would wear sandals.
Another rather long paragraph sentence. I think maybe this is intentional? the way your trying to make us follow her oh-so-confused thoughts, but this is a rather intense piece, and us readers are trying to follow it and do it justice, but we need to pause and take in what you've written.
That being said, I love the words you've written. I simply suggest a few pauses in between :D

but I had to go because I was looking forward to the anniversary and if you didn’t do the things you were looking forward to eventually you’d stop looking forward to things and looking forward to things was what life was all about.
I suggest a comma between the words in bold.

if you didn’t feel you didn’t hurt and suddenly I wanted to feel nothing so badly and the thoughts of dieing came back and they were so tempting
Ok, I actually looked that word up because it isn't the first time I've seen someone spell 'dying' that way. Here's what I came up with: http://answers.yahoo.com/question/index ... 856AAVblE2

Like before, I sputtered and I coughed and I gasped for breathe that this time I wanted because if I didn’t breathe I would forget this moment and feeling of touch forever and when I finally controlled myself enough to stop, you looked at me angrily and said I’m late one time and you try and kill yourself again?! and part of me wanted to cry because I’d upset you but part of me was doing everything to just not look happy, which would make you forever exasperated. I settle for saying sheepishly I didn’t try to, I fell asleep and fell in. And you said Sure you did, but the way you say it I can tell you meant Well, at least you’re okay and you’re not suicidal. And then I smiled.
breath.

Well, now I want to die again so again I’m going on it. But I don’t want to drown and I don’t want nothingness because I mine as well have drowned the day you saved me instead of you saving me because then you would have saved me in vain and nothing you did could hav
might?

And when I’m done talking to you - which I never though would have happened but after a while there’s only so much words can convey - I stand up and take a cherry sucker from my pocket and toss it at you except you don’t catch it and you’ll never catch another of my cherry suckers again.
thought

Well, I'm done! I noticed another mistake earlier, but wasn,t quite sure and I didn't comment. At first, you wrote that he was fourteen, her thirteen. A little while after, you wrote she was fourteen, and he sixteen. Then, she fifteen and he sixteen. haha. Make sense?

Violet, I really think you should submit this to YWSLJ. I really, really enjoyed it. I loved the way you wrote it. It was sad and sweet. I have no nitpicks, other than the ones I pointed out. I didn't read the original version, but I am much in love with this one. No sugar-coating involved, I promise!

Great work, good luck with the submission!

Tanya. *likes*
  





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Wed Dec 08, 2010 3:35 pm
ultraviolet says...



Hey, thanks for the review! I'll fix all the typos, and maybe space out those paragraphs. Oh, and thanks on the whole "dying" thing - I never know which to use, except dyeing, which involves dye. lol :)

Anyways, I've pretty much made up my mind about submitting it, but I want maybe a couple more reviews to try and make it as good as it can get. :)

loveness, ultraviolet <3
Last edited by ultraviolet on Wed Dec 08, 2010 3:36 pm, edited 1 time in total.
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com
  





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Wed Dec 08, 2010 3:36 pm
borntobeawriter says...



It was truly my pleasure :D

Tanya
  





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Wed Dec 08, 2010 3:46 pm
ultraviolet says...



Hey, are those two paragraphs more easy to read now? I entered in some commas, trying to separate things that I sort of grouped together. Is it better this way, or should I change it some other way? Thanks for any input. :)
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com
  





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Wed Dec 08, 2010 3:48 pm
borntobeawriter says...



Yeah, Violet, much more easy to read this way.

Thanks :D
  





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Thu Dec 09, 2010 9:43 pm
Sins says...



Yoooooooooooooooo. Hi.

I'm finally here to review this! Tanya's already giving you a great review, so I'll try not to repeat what she's already said. I'm not going to get nit-picky. Considering you're planning on entering this for the YWS book thing (I forgot what it's called...) I want to concentrate more on the deeper stuff. You can always fix the grammar later on.

As a whole, I liked this. It's depressing, and I like depressing, so yay! I really like the whole cherry sucker touch. I think it's wonderful as a title and you incorporated it into the story itself very well. There are some aspects to this that I think are really good, so well done for that. It's weird because your writing actually reminds me of my own writing when I was twelve or thirteen. Whether that's just me, I don't know, but yeah... I shall tell you why...

So I just sat at the edge of the river where water sloshed on my boots and sand stuck between my fingers and grass itched my ankles where my too-small pants didn’t cover and all I wanted to do was die, because what was the point of living if your clothes were always old and patched and never fit right, and you were always hungry, and your parents were always fighting, and your iPod couldn’t play loud enough, and if the only reason you had an iPod was because you stole it out of some kid’s backpack when they left it on the bus?

This is something that I always used to do. This was one whole paragraph. It was also one whole, giant sentence. I'm not sure whether it was intentional... but if it was, I don't think it gave the effect that you wanted. Throughout the story, you do this. I bet that if I counted the amount of ands in this piece, I'd have a rather lot. ;)

It's a really easy thing to fix though. All that you need to do is to replace some of the ands with periods. It's just that when you have awfully long sentences, it can be very daunting for the reader. I will be honest and admit that, at the times where there were paragraphs of one sentence, I started skimming them a little. It was just that they were awfully long. You should be able to spot the especially long sentences, so this should be easy to fix.

The sky was cloudy and threatened rain the eve of my river-going anniversary, but I had to go because I was looking forward to the anniversary and if you didn’t do the things you were looking forward to, eventually you’d stop looking forward to things and looking forward to things was what life was all about.

I saw a lot of phrases like this in your story. Kind of like wise word, which was another thing I did in my writing. I'm not sure how to explain what they are/call them. Do you know the kind of thing I mean though? The example above is a pretty good one. This is more of a personal thing, but I'm not keen on them. One or two is fine, but you seemed to have a lot of them in this. In the end, because it is more of a personal thing, you don't have to change anything. I just thought that I'd bring it up because it's something I noticed.

I needed to breathe but I didn’t want to breathe and nothing could make me breathe so I didn’t breathe.

This little sentence was phrased a little awkwardly, don't you think? This was another small problem that I noticed with this piece. I think that a lot of the time, it was because of the long sentences, but you often had things phrased a little awkwardly. The problem with this sentence, for example, is that you use the word breathe four times. There's a number of simpler, less awkward ways you could say this.

I needed to breathe, but I didn't want to. Nothing could make me, so I didn't.


That's just a brief example, but don't you think that sounds a lot better than the sentence filled with breathe? I noticed a few different things like this, where there are simpler ways you could phrase things. This is just one example. Overall, it wasn't too bad, but I did notice quite a few awkwardly phrased sentences. With this, I think that all you need to do is to keep on practising your wording. You'll soon get the hang of it!

You were drenched, obviously, but you still looked good. I doubted there was ever a time you didn’t look good. Maybe for a millisecond after you were born when you were covered in blood and the nurses still had to clean you, but that was probably the only time.

This was a minor thing, but it bothered me. I laughed at the second sentence here... It spoiled the mood of the story, to be honest. I'm not sure if you intended for it to be funny, but that's how I found it. I know you often write humorous fiction, so maybe that's come through a bit in this. You may have wanted for this to be funny, but I wasn't very keen. I just thought of, for some reason, a giant headed baby flying out of a woman's private parts... It spoiled the rather serious atmosphere of the story. xD

They're all little things though, to be honest. I only have one proper critique, and it's probably an opinion based one anyway. The only outstanding problem that I found with this was the ending. I don't know... I just thought you culd ahve done more with it. I don't mean the very ending, but a few paragraphs before that. I liked the very ending; the cherry sucker was a nice touch. It's around the point where we found out about the boy's body being found. It seemed a little... emotionless?

This might just be me, so you may have to get another opinion on this one. Mostly, I'd like to know more about his death. Okay, so he was found in the river. The thing is though, I'm not sure how I feel about him being killed? Who was he killed by? It's not like there's obviously anyone in the story that would want to kill him. Because I knew he died, I kind of thought that he may have killed himself. An I'll stop you form killing yourself, despite my own personal hatred of myself kind of thing. Then the narrator could have gone on to feel guilty that she'd made him deal with all of her problems, not asking him about his. Do you see what I mean?

Obviously, you don't have to do that, but it was just one suggestion for the ending. It's up to you what you end up doing, but I thought I'd mention my little hiccup about the ending. Like I said before, this is mainly based on my opinion, but I would like you to consider making the discovery of his body a bit more... You know... dun dun duuuunish. x3

Keep writing,

xoxo Skins
I didn't know what to put here so I put this.
  





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Wed Jan 05, 2011 5:01 am
ultraviolet says...



I've made some minor changes to this and sent it in.

@Skins - I didn't change everything you said, mostly for reasons I had in mind while writing it. Even if I don't get in, I'm happy with it. But thanks for pointing it all out, I'll keep it in mind for future pieces. :)

@Everyone else - thanks for the reviews that I've gotten. I really appreciate them. You guys are the best.

loveness, ultraviolet <3
"Blah blah blah. You feel trapped in your life. Here is what I am hearing: happiness isn't worth any inconvenience."

~asofterworld.com
  





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Wed Jan 05, 2011 6:51 pm
parigirle says...



Hi,
I know this is a) an old piece, b) already submitted, and c) already has reviews, so there's really nothing for me to say. But - I read this and absolutely had to comment, because it's amazing.

I'm one of those people who hates, hates, HATES sentences that are mostly commas and 'and's. I use a lot of hyphens and semi colons when I write just to avoid this. But most of your sentences are like this, and I have to tell you that I enjoyed reading them. A lot.
The voice you have here is just so distinctive and unique. It's one of those times when you read a story and you just know what that person would be like in real life, which I find isn't nearly common enough with writing in the first person. It's not the author speaking, it's the character, which is rare and one of the most important things in a story.

Thank you for a great read. : )
~Pari
  





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Wed Jan 12, 2011 11:46 pm
Azila says...



I know this is a) an old piece, b) already submitted, and c) already has reviews, so there's really nothing for me to say. But - I read this and absolutely had to comment, because it's amazing.
Ditto. I saw that you'd started following me, so I thought to myself, "I should go read something she's written." I found this in your portfolio and once I started reading I was just so sucked into it that I couldn't stop, even though I was perched on the edge of my couch in a way that was really uncomfortable and even though I was sitting right next to my brother who was blaring Beatles music and even though other members of my family were conversing very loudly in the next room, I couldn't stop reading. I got lost in your words. The fact that you could do that even on the internet speaks volumes for your talent.

Anyway, after that little gush (which wasn't sugarcoated at all, I promise!) I think I'll get on with the review, ey?

There are a few small errors and typos and such, but they were really just mistakes and I'm not going to point them out right now--but if you'd like me to, just send me a PM or write on my wall and I'll be back in a jiffy. Overall, as parigirle said, you have a really refreshing style. Even though other people seem to feel otherwise, I loved the long sentences. They felt intentionally long and run-on-ish because they just fit so well with developing your character's voice. I haven't read any of your other work (at least, I don't think I have...) so I don't know whether this is unique to this story and this character or if it's just the way you write, but either way it worked very well. I got such a good sense of the character that, at times, I really did feel like I was her, not that I just was reading about her. She is simple enough that I could get to know her pretty thoroughly in the space of a short story, but she was also complex enough to make me interested in her.

Hm... that was another gush, wasn't it? Okay--I'll bring on the negatives now. The first thing I'll address is that the story is a little bit predictable. The whole girl-hates-boy-but-then-starts-loving-him is sort of cliché, I think. I knew what was going to happen before it did, so I felt myself (on a few occasions) being a little bit like "oh, finally... I was waiting for that to happen." I guess there really isn't anything wrong with a story being predictable or cliché so long as it's written well (which this was), but it does make me feel a little bit guilty about liking it--if that makes sense. It makes me feel like I shouldn't have enjoyed this piece as much as I did because it's really a simple story that's been told before. I guess this paragraph isn't very helpful, because I'm not sure if the problem needs fixing (much less how to fix it!), but I thought I would point it out to you anyway since it's something that does detract from the piece--for me, anyway.

Another small issue that I had was that I didn't really have a good sense of the setting. Yeah, there was a bridge over a river, and yeah, there were two trees nearby the bridge, but how close were the trees? How wide/deep was the river? How dense were the woods? For this piece, I don't think you need to provide a super-clear description of the setting (because it's more about the emotions, anyway), but I would like to see a bit more of a sense of the space. Even if you don't tell us what kind of trees they were, or whether there was underbrush, or details like that, I would like to know some more overall things, like the general layout of how close the two trees were to each other and to the bridge. It will help set the scene. For this kind of story, you can just set a scene and the reader can imagine the details, but I think you should set the scene a little bit more because I was having a hard time picturing it.

Along those same lines, I wonder what the more general setting is. I wonder what the town is like. You don't have to describe it physically, but I want to know more about is socially. For example, did both the characters go to the same school? Did they live in the same neighborhood? Maybe it's a huge town and you can't possibly know everyone in your school, or maybe it's a tiny town and it's a marvel that they had never met each other before. Or maybe they live very far away from each other, in separate towns, and they both have to make a long trek to see each other. You don't have to go in-depth and spend a lot of time setting these things up, but if you just mention them I think it will clear up some unnecessary questions.

Okay, now onto my main problem with this piece. It feels like conversation. That's a good thing. The whole piece feels like she's talking to "you." I can almost imagine her, sitting at a tree, letting the words flow out of her mouth and letting her thoughts ramble as she says she did when talking to him. All this is good. But it's inconsistent. You see, she says that she was always talking about her situation at home, but she only talks about that vaguely in the actual narrative of the story. What I know of her home life is very vague. I know that her parents argue about money, but I don't know how they argue or what, specifically, they argue about. I know that she listens to her iPod, but I don't know what she listens to. It all felt a little too vague for someone who seems like she would just talk and talk until she had told you everything there is to know about her. You may not want to fix those examples I just gave (it is, of course, up to you), but personally I think a little tweaking would go a long way.

Another example of this is that she says she wanted to die. She wanted to feel the nothingness. You did a good job describing that emotion--a very good job. But not as good as it could have been, I think. You see, you only described the emotion, and not the motive for the emotion. Sure, you told us her parents yelled, but that alone doesn't seem like reason enough to want to kill yourself. I'd like to see more of her describing the things she hates about her life and the things she knows she wouldn't miss her and wouldn't miss her. I'm not saying you have to make it all emo and "I love nobody. Nobody loves me. I'm depressed." but I think you do need some background for her emotion and action, since trying to commit suicide is no light matter.

As with everything I've pointed out, it wouldn't take much to "fix" this. Just adding/altering a few passages would do the trick, I think, and I have enough faith in you that I think you could "fix" it marvelously, if you wanted to. And just because I suggested it, doesn't mean I expect you to blindly do it, either. They're just suggestions, of course. All in all, I really liked the piece (as I said before) and I don't think it needs much. It is a sweet story, a simple story, a painful story--a beautiful story. I usually don't go for Romance, but this one touched me.

Very well done.

a

P.S. Please feel free to PM me or write on my wall if you have any questions/comments about anything I've said!
  








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